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MEGAN ANGELO has been an editor at Glamour magazine and a contributor to The New York Times, Elle, and many other publications. She is a graduate of Villanova University and lives in Pennsylvania with her family.

Followers

Megan Angelo


Copyright


An imprint of HarperCollins Publishers Ltd.

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2020

Copyright © Megan Angelo 2020

Megan Angelo asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © January 2020 ISBN: 9781474086349

Note to Readers

This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

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For Mom and Dad, who taught me what is real.

Contents

Cover

About the Author

Title Page

Copyright

Note to Readers

Dedication

Epigraph

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

ACKNOWLEDGMENTS

About the Publisher

What? You seek something? You seek to multiply yourself tenfold, a hundredfold? You seek followers? Seek zeros!

Friedrich Nietzsche

I know how influential I am over my fans and followers. I feel like everything I do, my hair color, my makeup, I always start these huge trends, and I don’t even realize what I’m capable of.

Kylie Jenner

PROLOGUE

Marlow

New York, New York2051

So she still believed in mail, this woman, whoever she was. The first thing Marlow saw when she walked into the building was a grid of metal boxes, each with its own window and cobwebbed keyhole.

Most of the boxes had only blank spaces where the names had once been. But the one for 6D still had a label, and the name on it was the same one Marlow had written down in eyeliner at the Archive. She could see, behind the small square of glass, the white slant of a waiting envelope.

Marlow slid a bobby pin out of her hair, ignoring the wave that sprang free and clung to the sweat on her neck. Ellis had taught her how to pick a lock on their third date. “Why do you know how to do this?” she’d asked, watching him bend the pin. Though she didn’t know him well yet, she was sure he had never needed to steal. They had grown up the same way.

“I like exploiting the flaws in things,” Ellis had answered. And Marlow, twenty-two and in a hopeful phase, had laughed and let the omen sail high over her head.

Now she jiggled the crimped bit of metal in the keyhole, listening for the seize as he had taught her. Finally, the little door popped open and the envelope jutted toward her. She slid it into her back pocket, shut the box, and walked toward the elevator.

The stoned superintendent stared at her as she waited. His desk was tall, pointedly designed for someone to stand behind, but the man sat, his bloodshot eyes at the lip of the walnut veneer. He must have seen her pick the lock, but he didn’t say a thing.

On the sixth floor, the doors were painted jade, the color the carpet looked like it had been before it turned trampled brown. Marlow found the door with the oily brass D and knocked. No answer. She tried the knob. It turned, and then she was inside, her feet falling on a gaudy doormat—black rubber, with hot-pink stripes. Marlow winced. Now that she was seeing colors clearly again, she could not get over how many of them she disliked. She saw, in a flash of memory, the roses stuffed into her mother’s bathroom, just before she ran. That had done it for pink, she supposed. She’d be avoiding it the rest of her life.

No one was home. The apartment smelled like air that had been sitting undisturbed. To Marlow’s left, as the front door swung shut behind her, was a narrow kitchen wrapped in cheap white cabinets. Three stools sat beneath the gray counter that divided the kitchen from the rest of the long, charmless room. The place dead-ended twenty feet or so out, in a naked window overlooking Eighth Avenue. The walls were dull handyman white, the color of a place between people.

The couch was the thing that made her feel like something was off. It was plump and lived-in-looking, the color of melted chocolate. But on the cushion closest to the window, a precise rectangle of fabric had been bleached beige by the sun. It was not the kind of thing, Marlow thought, with a tweak in her stomach, that anyone just let happen. Staring at it, she felt the way she would if she was sensing an intruder, though this was the opposite: an absence, just as sinister.

She wasn’t sure how long she lay shaking on the couch, trying to recover from the chase. After a minute, after an hour, she sat up and looked at the mail she’d stolen. The envelope was soft with age. The faded stamp on its front claimed it had been sent from Los Angeles. Marlow scratched at the yellowed seal, scraping it upward bit by bit. She could never remember how to open these things.

The paper inside was child’s stationery, embossed at the top with a chain of daisies. Above them, in all capitals, was a declaration that made the skin on the back of her neck prickle: FROM THE DESK OF MARLOW. She had never seen the paper before.

Each sheet—there were three—had the same crazy look. Filled back and front and end to end, margins forgone. Words compressed, begging to be heard out, at the edges where their writer had misjudged the space left.

She was reading for several seconds before she realized: she wasn’t. She couldn’t. The letter was in another tongue, one with its own strange alphabet—lilting loops, curving tails, linked letters forming something both foreign and familiar. There—that word reminded her of free. But was it?

She’d have to take the letter with her. As if she didn’t look suspicious enough already, now she’d have three pages of paper on her person. She practiced fixing her face in a way that made this seem like nothing—Yes, I’m carrying a bunch of paper, casually. What’s the problem? People still have it for plenty of reasons. She was the last person who would have bought her own explanation. Paper had occupied a nervous place in Marlow’s childhood. There was a shredder in her house, kept on a high garage shelf, that each of her parents brought down and used when the other wasn’t home. Her mother used it to destroy the department store receipts she still insisted on cashiers printing for her, so that Marlow’s father couldn’t trace her greedy habits as easily. Her father fed the shredder wrinkled cocktail napkins, after he memorized the names and numbers on them.

She had grown up seeing paper as synonymous with secrets. It was why it still surprised her, how light it felt in her hands.

Her fingers still gripping the letter, Marlow looked up. She heard footsteps in the hallway, getting closer. She waited for the click of another door, the sound of someone who had every right to be here going home. But the footsteps kept getting louder until, finally, they stopped. She watched the steel handle of the apartment’s front door beginning to turn—slowly, soundlessly, like the person on the outside didn’t want to scare her yet.

She put the letter down on the counter carefully. Eyes, then balls? Balls, then eyes? She wished that she and Jacqueline hadn’t gone to happy hour before their self-defense class. “It’s just for fun, anyway,” Jacqueline had reasoned, lips pursed on the rim of her vodka martini. “If you ever get jumped for real, your device will walk you through what to do.”

But Marlow’s device was gone.

There had been a part in the self-defense class, too, Marlow recalled, about how to disarm a rogue bot. But bot-on-human violence almost never happened, and so that was the lesson she and Jacqueline paid the least attention to. If memory served, they had talked off to the side throughout the demonstration, admiring the instructor’s exquisite biceps.

If it was a bot, she would go for the hip area, where the controls were usually hidden.

If it was a human, she would go for the balls. The thought of her thumbs on someone’s eyes made her queasy.

The doorjamb gave way. Marlow braced herself up and down. She tried to look indestructible, like she was made of more durable stuff than whatever lay inside the thing or person in the hall. Stronger than heartless steel, stronger than menacing bone. Just as the door started out of its frame, the word for the language the letter was in came back to her. Cursive.

CHAPTER ONE

Orla

New York, New York2015

Orla left for the bad salad place without her phone, so it took her a while to find out that Sage Sterling had finally died. Sage was found on a poolside chaise at the Los Angeles hotel where she had been living for a year—never mind the fact that she was so broke, she often tipped the staff not from her handbag but with old handbags: scuffed-up Louis Vuittons, old Balenciaga totes with half the fringe worn off. The bellhops would make a big show of thanking her, then place the purses in the lost and found.

Sage was erratic and filthy and sporadically mean, and she kept a pet ferret named Mofongo in the room with her. Yet everyone felt compelled to treat her gently, because outside the stucco walls of the hotel complex, the world was waiting, teeth bared, for her to fuck up again. So it was not strange, as the staff would tell the police later, that no one stopped Sage when she let herself into the pool around three in the morning. And it was not strange that no one disturbed her when the sun came up and she was still there, sleeping soundly. She was, after all, known for her impenetrable naps. Paparazzi had captured Sage snoozing in roped-off sections of exclusive New York bars, on a ski lift in Gstaad (she rode it around for hours), and during the premiere of her own latest film, an expensive animated adventure based on the phone game Candy Crush. (Sage played a lemon drop.) Head back, Sage snored loudly through the whole terrible movie. Someone at the premiere captured her snuffling on video. It went viral instantly, via a website called Lady-ish.com. Orla was the one who put it there.

Sage had lain still at the pool until around eight in the morning, when a towel boy watched a seagull shit directly onto her stomach. Sage didn’t even flinch. The towel boy—“towel maintenance associate,” as he would later correct a reporter—walked over, wondering what the most tasteful part of her body to jostle was. He saw that her lips were blue. Her eyes were still, but just slightly open, watery slivers cast down through brittle lashes. He touched her shoulder, the one directly in the sun. It was cold.

Orla was in the middle of ordering her salad when the news on the flat-screen over her head cut to an aerial view of the hotel. The shot circled its gray slate roof, hovering above the oblivious billboards on Sunset, and informed viewers that, somewhere down there, Sage Sterling was dead at twenty-seven.

The girl behind Orla, who wore dingy flip-flops with her skirt suit, looked up from her phone and said, sounding bored, “I literally thought she was dead already.”

The stout Guatemalan man on the other side of the counter sighed as Orla gaped at the screen, ruffling brown-edged romaine with his tongs. He was waiting for her to choose another topping. Orla always spent a long time pretending to consider vegetables before saying, as if it had just occurred to her, “Actually, just double croutons, please.”

The man in front of Orla was tapping out a missive on his phone in all caps: SAGE STERLING DEAD! Like no one would know it had happened, Orla thought, if this guy didn’t tweet it.

Not that she was much different. Back at the Lady-ish offices, Orla’s intern would be looking over the obit Orla had written for Sage eighteen months ago, the one she had marked with a warning: DO NOT PUBLISH UNTIL. Sage had been Orla’s beat at Lady-ish for most of the time she’d worked there. Ingrid, Orla’s boss, had identified Sage as a source of “bonkers” traffic early on, when a post Orla tried about her nail art drew ninety thousand views in ten minutes. From then on, every move Sage made, every boy and girl she kissed, every gown she put on was Orla’s to write up. The clicks flooded in, even more so when it became apparent that Sage had a temper. Sage grabbed photographers’ cameras and forced them down to the sidewalk. Sage scratched a bouncer, nearly blinding him. Sage pushed her boyfriend off his own parents’ yacht. Orla received small bonuses for stories that clocked more than five million views in a day; Sage’s boat rage had paid for her laptop. She tried now, very hard, not to think about what the star’s death might bring, pushing away the thought of a pair of boots she had seen in a shop window recently—soft gray suede and knee-high, meant to be worn in weather that was still weeks away. Maybe months, with this heat.

Orla apologized to the Guatemalan man and left. The intern would have published Sage’s obituary by now, Orla’s name at the top of it. The clicks would be raging, Ingrid ecstatic. No one on the internet would care about anything else today. Orla could afford, in terms of time and money, to go to the good salad place now.


That night, Orla wrote three hundred ninety-six words of her novel while watching a dating competition show. She had been aiming for six hundred words, but the episode had been too engrossing. Dabbing at her nose with a tissue, a finalist had confessed that she was bipolar. The oatmeal-faced host had raised his eyebrows and said, “Wow. This is a first for us.”

Orla promised herself she would write more tomorrow. Three hundred ninety-six words, she figured, would turn easily into six hundred once she went back and filled in some of the parts about the Orthodox Jews. She didn’t know any Orthodox Jews. She kept meaning to google them. But along with themes of self-discovery and female sexuality, along with tiny doodles and charts she drew herself, she felt that, to be edgy and relevant, her book needed an Orthodox Jew or two. For now, she marked the passages about them with the same shorthand they used at work for “to come” where they didn’t yet know what to say in a story: “TK.” Then she went to bed and lay awake, thinking she should have done more.

The frustrating part of it, writing a book she wasn’t really writing, was that she had been good at this once, when she was young. Orla would spend her afternoons curled over the electric typewriter that sat on her bedroom carpet, her shins beneath her and still encased in the blue knee socks she wore to school. She didn’t have time to change; she was filled with urgent, grotesque tragedies, like the one about the murderous lunch lady who ground her child victims into the taco meat, or the one about the baseball player killed by a wild pitch, a fastball that orphaned his nine frilly-named daughters. She was prolific.

There was one main difference between writing now and writing when she was in second grade: back then, she didn’t own screens. Now, whenever a sentence of hers unfurled into something awkward or just never began at all, she gave up. She let her eyes jump from her drab Word document to the brighter planes of her phone and TV. Suddenly it would be 1:00 a.m., and she would be tapping out half-dream run-ons—into her manuscript if she was lucky, Facebook if she wasn’t.

All of the scrolling and staring was delaying her grand life plan, the one she had always had. Orla had never not known she would move to New York. That was where authors grew, and she would be an author. She thought, when she walked into a bookstore as a kid, that the novels on the shelves had been emitted, nearly automatically, by the grown-up iterations of each American high school’s best writer. In her high school, that was her. She was always winning prizes for her persuasive essays, written on things that didn’t matter anymore. She had a ribbon from the governor for her paper on Napster, and she imagined, serenely, when she was young, that New York was holding her place. Then she got to New York and found out that it wasn’t. No one cared about her ribbon. She learned what former teen composition all-stars actually did when they got to the city. They blogged.

She had been blogging at Lady-ish now for six years, and trying to do something bigger—write a book—for just as long. She tried to ignore the old teachers who found her on Facebook, who remarked, between FarmVille moves, that they couldn’t wait to see what she did next.

Not that it was their prophecies that haunted her. No: it was Danny’s. That was all part of the pressure, too—a part that grew, strangely, as the years since she had last seen him counted up. Orla thought that perhaps she was striking a bargain with herself: if the whole world wasn’t meant to believe she was special, then maybe just him thinking it would be enough.

And now, at twenty-eight, with her brain wrung of thousands of Lady-ish posts and her body sick of being pounded by New York, she was—though she couldn’t admit it directly, not even to herself—in search of a shortcut. A way to be someone who had done something without having to actually do it.

A former Lady-ish colleague of hers—she was one of the older women, thirty-three, maybe—had quit the site after selling a compilation of her dating app exchanges to a large publisher. “Now I just have to actually write the damn thing,” Orla had overheard the woman say in the ladies’ room, the day before she left Lady-ish for good. Her agent, she added, had sold the unwritten book on a single chapter. Orla’s ears had perked at that: she had a chapter and then some. Now she just needed an agent. But she had no idea how to get one.

And then, one morning, an agent turned up on the floor outside her apartment.

Orla wouldn’t say that she had stolen the business card, really. For one thing, what was a business card these days but a collection of information anyone could find online? For another, Florence was never going to remember dropping the card. She was so drunk when she came home the night before, she could hardly remember which apartment was theirs. Orla had awoken to the sound of her stumbling down the hall, ramming her key into different locks, before finally their door swung open and Florence bellowed from the doorway, “Six! Motherfucking! D! I live in 6D!” A raft of smells—rum, shawarma, Florence’s thick cotton-candy perfume—pushed under the fake door in Orla’s fake wall, the dinky partition that cut the living room in half, making the one-bedroom two.

It had been three weeks since Florence moved in, and she had never come home before last call. Orla had barely caught a glimpse of her new Craigslist roommate since the day she arrived, braless in a tight white tank top, her long dark hair straying into her armpits. Florence slept all day and woke at dusk to start primping, the odor of her burning hair mixing with the fumes from Orla’s microwave dinner. She left each night just after Orla went to bed, returned around dawn, and settled in to sleep just as Orla left for work, picking her way through the living room aftermath of Florence’s night out: shoes shipwrecked in the entryway, clutch forsaken on the kitchen linoleum, credit cards half under the oven, keys still swinging from the door.

But on that morning, there was something else: at least a dozen business cards, strewn across the living room’s linted rug. Orla gathered them up and read them all. Modeling scouts, TV producers, beauty company underlings, and one man calling himself a “personal brand cultivator and 360-degree image guru.” Orla shuffled the cards together, placed them on the counter, and walked out the door.

On the matted, jade-colored carpet near the elevator, faceup, there was one more card. Orla could read it without picking it up: Marie Jacinto, literary agent. The card was not impressive. The name of the firm it advertised had the ring of something small, and its stock was so flimsy that it shuddered slightly when the elevator came and split open.

Orla stepped into the elevator, then put her hand against the door and got back out. Couldn’t hurt was the phrase skipping around in her mind. She had no reason then not to believe it. She was already composing the email she would send Marie Jacinto as she scraped the card off the carpet and slid it into the gut of her purse.


The apartment was dense with new silence in the mornings, at least between the banshee wails of the fire trucks racing up Eighth. Though she was the one who had lived there for years, Orla found herself trying not to wake Florence up. She watched the morning news on mute, let her hair air-dry, and started picking up coffee after she left instead of grinding beans in the kitchen. Orla told herself that it was better for her brain to have quiet, that her damp waves helped keep her cool in the underground heat of the August subways, that holding a paper coffee cup as she marched into her day was the New York thing to do, anyway. But this was just what she did, and she knew it. Orla had always been the sort of person who let brazen classmates borrow her clothes, the sort of person who said “sorry, sorry” when someone ran into her on the street. The sort of person who could not speak up at Lady-ish team-building tapas, who let her colleagues order awful things, octopus and duck, then failed to secure any carbs for herself. Orla hated tapas. She hated so much about food in New York: six inches of meat in the sandwiches, block-long lines for mutant pastries, the way people talked about chefs as if they knew them intimately. (“That’s one of Boulud’s places,” Ingrid had said casually the other day, as if she sometimes played pickup basketball with him.) Most of all, Orla hated brunch, how it went on all day, pulling everyone out of their apartments and dumping them on the sidewalk, making her seem glaringly alone as she passed by with her solitary bagel.

But there was one good thing about brunch: on Sundays, Florence left to go have it. Orla would hear her in her room—the apartment’s real bedroom—agitating her phone into an endless flurry of chimes before finally using it to call someone and rave about her hangover. Vowels stood in for each other at random. “Hay gurl hay,” she would whine. “Faaaack. I’m hungover as fuuuuck.” The call would conclude with Florence agreeing to meet someone somewhere in twenty minutes. “Getting in a cab now,” she would sign off. Then she’d sleep for another hour before clattering out the door.

The Sunday after Orla took the business card, she heard Florence through the walls, braying her way through one of these exchanges. Suddenly, Florence stopped talking, so abruptly that Orla was scared her roommate might be choking. She crawled to the foot of her bed and pulled her laptop from her desk to the comforter. She was googling the Heimlich maneuver when she heard Florence say, in the unmistakable manner of someone getting another call: “Shit. Call you right back.” Orla closed her laptop. She stayed very still. There was something about the way Florence sounded that made Orla wonder who was getting through to her.

“Hi, Mommy,” Florence said. There was a flinch in her voice, but a steeliness, too, like she was ducking something sharp before it could be thrown.

“What’s wrong with her?” Florence went on, worry leaping into her tone. “Oh. That’s no big deal. You scared me. Her paw’s always like that.” A pause. “Are you kidding? Put her down? She’s not even sick. You just don’t want to take care of her—”

The air-conditioning unit under Orla’s window rattled into action. She leaped up and switched it off.

“Just don’t do anything, please,” Florence was saying, “until I can afford a flight home. I’ll come and get her and bring her back with me—please, Mom.”

Orla imagined, rather than heard, the tinny hum of someone protesting on the other end.

“I know you don’t believe me,” Florence said, “but I’m getting real traction. People out here love my voice. They get me. I’m meeting so many—Give me a few weeks, okay? Forget airfare to Ohio—if things keep going like this, I’ll have a record contract soon. I can buy you a new house.”

Another pause, then Florence rushing her words out like she regretted it, in a voice so small and beaten Orla almost ran down the hall and hugged her. “No-no-no,” Florence said. “I love our house. I didn’t mean it like that. It’s just something famous singers do.”

This time, Orla was sure she could actually hear mocking on the other end.

“Well, I think I could be,” Florence said quietly.

After that, there was nothing—no sign-offs—and then Orla heard Florence pacing. Orla lifted herself off her bed, avoiding the creaky pit in the mattress, and came to sit on the ground beside her door, one shoulder and ear leaned against it.

Florence was making more calls—short ones.

“I sent you my demo a few months back—Oh, you did?”

“And you thought you might have a spot in the showcase—Oh, it was?”

“I saw your posting about needing models for—Hello?”

“Yes! That’s so sweet of you. I mean, I’ve been working on those songs since—Oh. No. I’m sorry, I have to stop you—I’m not blonde. No, I was the brunette. Sure. I understand. I’ll be at this number if you want to—Okay. Bye.”

Orla held her breath, waiting for things to resume. She could picture, vaguely, the sort of people Florence must be calling: the so-called promoters and producers who were always male, who claimed to know everyone and have a hand in everything, who did all their business from their cells rather than an office, who picked up the phone on Sundays. The sort who only ever seemed to see potential in pretty girls, sidling up to them at bars to set meetings which, invariably, took place in the man’s apartment.

After a minute of silence, she heard Florence murmur, in the stilted tone of someone leaving a voice mail: “Following up on the entry-level programmer position. Fuck,” she finished softly. Orla hoped she had hung up before that last part. Ten seconds later, Florence left for brunch.


After an hour of enjoying being alone in the apartment, Orla got bored and went to the office, walking directly into the sun as she moved east on Twenty-Third Street, toward the not-old, not-new Gramercy building Lady-ish shared with dentists and accountants. She wanted to get a jump on her posts for the week. Sage had been dead six days. The slideshow of celebrities walking into her funeral had gotten nine million clicks and counting, but the pace was tapering off. Orla’s follow-up, a trend piece on a hat three stars had worn to the services, had done about twice that, despite everyone on the internet pretending to be horrified by it. SO INAPPROPRIATE! a Lady-ish reader had screamed in the comments, echoing Orla’s original thoughts on the post. Ingrid had only said, “If we didn’t do it, someone else would have.”

Orla liked the office on weekends—the half-light, the natural coolness it took on when jittery bodies weren’t packed along the tables. She sat down and closed her hand over her mouse, nudged her computer awake. She was scanning social media, looking for actresses who might have cut their hair over the weekend, when she saw Ingrid’s office door sliding open out of the corner of her eye.

“Hey,” Ingrid said when she reached Orla’s desk. Orla looked up. Ingrid’s hair was even greasier than usual. Her boss had a six-step lip routine involving liners and glosses and setting powders, but she seemed to only wash her hair roughly once a moon cycle. “How was your weekend?” she said, like it was already over, and without waiting for an answer went on: “Can you cover a red carpet tomorrow? It’s this what’s-her-name who’s going to be there, her publicist’s always bothering me, and we need to keep the publicist happy because she also reps that—you know, that YouTube girl, with the harp?”

“Tomorrow?” Orla rolled her eyes sideways, grasping for an excuse.

“I just thought you might have some extra time,” Ingrid said meaningfully, “now that the Sage stuff is going away.”

Orla nodded. She would do it. The year before, a handsome European prince who was constantly falling down outside clubs got sober, joined the armed forces, and largely disappeared. As a result, one Lady-ish blogger lost her job. Orla was determined not to lose hers—after all, if she lost it, she would never get to leave it. And this was something she fantasized about constantly: her quitting Lady-ish after selling her book, just like her Tinder-star colleague. In the fantasy, she carried a box of her things, though she didn’t have things at the office. Her desk was just a two-foot section of a long cafeteria-style table shared by nine other bloggers. No one had drawers or plants or picture frames—they barely had supplies. “Where’s the pen?” one of them would cry out a few times a day, and whoever had it last would send it skidding down the row.

She knew she wasn’t the only one who dreamed about quitting. When she and her colleagues sat in the conference room, watching Ingrid run her laser pointer over a screen filled with top-performing headlines (“You Won’t BELIEVE What This Megastar Looks Like WITHOUT Her Extensions”), Orla would think about how every one of their minds was somewhere else, lusting over their next moves, reminding themselves they were better. Better than this job, and better than the girl in the next seat doing it, too. That last part was important. Orla believed it fiercely: she would be gone someday, on to greater things, and the next girl down would still be in her chair. She better still be in her chair. Someone had to stay to be who Orla was before.

But before what? That was the question in her mind at dawn, when Florence slammed over the threshold and woke her, and at night, when she lay staring at her phone while she should have been writing or sleeping. More than anything else—to be an author, to have a boyfriend, to learn how it felt to breathe without being forty thousand dollars in debt—she wanted the answer to the question. She was living in the before of something, and she was getting tired of it. The dangerous thing about the way she felt, Orla knew, was that she didn’t know exactly what she wanted to happen, and she didn’t care that she didn’t know. Almost any change would do.

CHAPTER TWO

Marlow

Constellation, California2051

The morning was for numbers. Marlow woke at seven to take one pill in front of—she gave a mental glance at the dashboard that kept track of her followers, blinking on the screen inside her mind—eleven-point-six million people, as of this moment. She hooked the quilt beneath her armpits in two places—wardrobe malfunction prevention had installed loops on all her bedding, had sewn prongs into the lace edges of the short silk gowns she wore to bed. Then she sat up and took three deep breaths, opening her eyes on the last one. She blinked four times, unhurried. Smiled twice. The first smile was meant to look sleepy, to hint at consciousness emerging. The second was meant to look spontaneous, giddy, as if she had just remembered that she was alive and felt unspeakably blessed.

To look, in other words, as though the pill worked that fast.

Lately, Marlow had been adding some movement to this second smile, sighing and stretching her arms over her head. But the network had sent her a clucking note yesterday, reminding her to aim for consistency wherever possible. Departures from long-held routines can seem to the audience like signs of emotional trouble. Her followers had other concerns. After Marlow lowered her palms this morning, she closed her eyes just in time to see a comment scrolling: Is it me or does Mar have kinda chubby armpits?

Marlow looked at Ellis, sleeping stomach-down beside her. She couldn’t ask him if he thought her armpits were fat. To bring it up on camera would be to acknowledge the follower’s comment, to acknowledge the existence of followers at all. This was against employee policy. Which was a total farce, of course; her followers knew she knew they were watching. They knew she could see them talking about her. But the fact that she and the other talent never let on, that they pretended to just be living—this was what her followers wanted. They liked to feel like voyeurs; they didn’t want to be looked in the eye. And so, as her contract stated: The Constellation Network has a zero-tolerance policy on spell-breaking.

She got up and padded across the bedroom, listening to the faint saw of the cameras in the shiplap wall’s grooves sliding on their tracks to follow her.

The writers had been editing her closet again, Marlow saw when she pulled its doors open. Yesterday, as the day stretched empty before her, Marlow had reclined in her backyard cabana, let her eyelids close behind her sunglasses, and intuited lazily, just for something to do: vintage fashion images. The browsing turned into obsession; the obsession turned into a wardrobe request that was filled within the hour. As Marlow sat cross-legged in her sarong on the dove-gray cushion, eating a spinach salad with strawberries, a drone descended from the sky and landed on the deck. It unfurled its arms to release a metal bar hung with the clothes she had asked for: jeans with the knees cat-clawed out, shoulderless blouses that billowed in the breeze as they settled down in front of her.

When she put everything on, Marlow grinned at herself in the mirror, feeling like a twenty-teens pinup. But then she saw her dashboard throbbing with feedback. Those pants just made me second-guess being on the same meds as her, someone wrote.

That night, as she lay in bed, Marlow heard the overnight drone making more noise than usual. After it cleaned and filed the dishes, after it folded the blankets she and Ellis left slopped on the couches when they ambled to bed, she heard the drone pushing its way into her closet, clattering around. Sure enough, this morning, all her vintage looks were gone.

Now she pulled a lime-colored hoodie and matching leggings off a hanger. If the network cared so much about what she wore, let them green-screen it in themselves.

Such a bold floral on that cardigan, but she’s pulling it off! went the follower comment that appeared a moment later. Clicking to buy!

Marlow fought the gag that rose inside her at the phrase bold floral. She swore someone in wardrobe had it out for her.

On the other hand, she thought as she went into the kitchen and opened the fridge, she had a guardian angel in craft services. Science had definitively linked caffeine to anxiety recently, and the network had immediately freaked about the optics of Marlow consuming it. But someone in crafty had come to the rescue, developing a coffee, just for her, that could be dyed to look like cold-pressed juice. Now Marlow uncapped a plastic bottle with a label that read Carrot Apple, took a sip of terra-cotta-colored liquid, and tasted the bitter cool of iced espresso. The sensation loosened her instantly; her shoulders retreated downward, her heart rose, her face relaxed. She could sense herself having an attractive moment, and, as if on cue, she heard a muted snap. The camera in the brass knob on the cabinet door across from her had detected, and captured, a still image perfect for the Hysteryl ad that would be patched onto the corner of her live feed in—Marlow counted—three, two—

She DOES always look so content though, someone piped up on her dashboard. Next time they do a promo code for Hysteryl I might give it a shot.

Doesn’t anyone think it’s weird the way she drinks that juice, someone else said. She’s like SAVORING the tiniest sips. I bet she’s on coffee and they’re CGI’ing shit.

Marlow froze with her lips on the bottle. She waited a beat for the comment to clear, then tipped her head back and forced herself to take a giant gulp of her drink. She exhaled discreetly, to keep from releasing the telltale coffee char of her breath. Then she stifled a smile; her followers couldn’t smell her. Her heartbeat stuttered as it always did when she came up with another thing, though sometimes she could go years on end without adding to the list: Things I Have to Myself. The hour before 3:00 and 4:00 a.m., when the network broke for ad interruption. Dressing rooms and doctor’s office chambers and bathrooms, in her home and all over town. Her favorite was a toilet stall in the vegan gastropub downtown—as a teenager, she used a nail file to scratch mean things about some of her ruder followers into its enamel walls. And now: her smell. Something small, but hers alone.


This was how it had gone, at Jacqueline’s parties, for nearly a decade: Marlow sat on the cantaloupe-colored sofa, against its right arm, her good side facing camera east. Ida slumped opposite her, on the daisy-patterned club chair, droning unbearably. Marlow had once liked being across from Ida, back when the woman was a bawdy, sloppy drunk. But these days, Ida was sober, and a stay-at-home mom, and she spent most of Jacqueline’s parties performing small dramas about her allergies. Marlow had seen Ida walk around an ottoman like it was a land mine, sniffling, “Oh, God, is that mohair?” Ida routinely flung herself across the room to close a window, whining, “Sorry, pollen, I have to.” Once, failing to detect Ida’s allergy profile from her device, a server bot had extended a tray of shrimp cocktail her way. Ida had gone to City Hall the next week, made a twenty-minute speech about her hives, and insisted that the network decommission—and dismember, Marlow recalled, with a scandalized chill—the offending machine.

But tonight, Ida was missing, recast without explanation. A new girl—olive-skinned and sleek, formidably cheekboned, with bronze lipstick and black hair parted into pigtail braids—sat in Ida’s chair with her bare feet pulled up under her, like she had been here forever.

Marlow looked at Jacqueline, who stood in the center of the thick sand-colored carpet, holding up something called a “scrunchie.” At these parties, Jacqueline pushed things that, according to her invites, changed her life: ab gadgets, smoothies, ugly quilted handbags. Marlow knew—they all knew—that none of these things had really changed Jacqueline’s life. The network chose the items based on sponsorship agreements. Then Jacqueline threw parties where she raised them up and gushed about them to her dozen in-person guests and her roughly nine-point-nine million followers—plus all of her guests’ followers, too. The items the network chose reflected Jacqueline’s core audience demo: married mothers across America, aged twenty-eight to forty-four, who tuned in while folding laundry around 9:00 p.m. on weeknights. Though Jacqueline fit squarely in with her followers—she was thirty-eight, with two daughters—she was always embarrassed when someone mentioned her demo. “It makes me feel so old and boring,” she told Marlow once. “It’s better than mine,” Marlow had said. No one would argue with that.

“Where’s Ida?” Marlow called to Jacqueline, raising her voice above the scrunchie-induced oohs and aahs.

Jacqueline ignored her. She pushed the scrunchie onto her wrist and waved her hand around for all to see. “And it’s supercute as a bracelet,” she said.

“Jac?” Marlow repeated. “Is Ida on vacation?”

The end of her sentence slipped under the clatter of something breaking on the ground. The women turned to see a server bot bent over the shards of a wineglass. Marlow watched the lilies in the coffee table vase twist in the same direction, their scarlet pistils stretching to train their tiny cameras on the action. She could swear the bot had dropped the glass to drown out the sound of Ida’s name.

When she looked back at Jacqueline, her friend nodded once and dabbed at her lips. It was their signal for Tell you off-camera.

An hour later, as Marlow passed the powder room, Jacqueline’s arm shot out of it and pulled her inside. “Ida’s gone,” she said, as she pulled the door shut.

“Gone?” Marlow saw herself in the mirror. One of Jacqueline’s hair drones, its silver talons clacking near her ear, had pinned a ridiculous silk bow barrette into her dark waves.

“Yup,” Jacqueline said. “Just up and left Mike and the kids. Blew right through the perimeter. Left the fucking state.” She walked her fingers on an invisible path through the air. “Check your map. She’s in Denver. And for God’s sake, Marlow—don’t mention her on camera again.”

“But what about her contract?” Marlow said. “I thought she and Mike were doing the whole on-the-rocks thing this year.” She unlatched her barrette and massaged her scalp, ignoring Jacqueline’s puffed breath of protest.

“They didn’t even stage a hunt for her, supposedly,” Jacqueline said, adjusting the pearl comb at her temple. She sucked her cheeks in and glared at herself in the glass. “How shitty would that feel? It’s like they don’t even care she’s gone. I honestly think the network was glad to get the chance to sub in that new girl. Diversity and all.”

“Jacqueline.” Marlow spoke in a firm voice. This was something she had been trying to do more since she turned thirty-five—the age felt, to her, like a cosmic deadline for being strong and self-possessed. Complete. “Hunts aren’t real,” she said.

“They certainly are,” Jacqueline returned, in a tone that trumped hers effortlessly, and Marlow let it go. Jacqueline was an incorrigible know-it-all. It was what Marlow loved most about her. Her friend’s brazen authority always made her feel safe.

Jacqueline’s eyes flitted away for a moment. She nodded, but not at Marlow. Her device was telling her something. “Gotta get back out there,” she said. “Talk later.”

Alone in the bathroom, Marlow twiddled the twigs in the diffuser on the sink and closed her eyes. Find Ida Stanley, she intuited.

In her mind’s eye, California shrank and plummeted away, making Marlow’s stomach flip, like she was the falling thing. Her map shifted, streaking past hundreds of her neighbors’ symbols in a blur, and brought her down again in Denver. Ida’s symbol—the red stiletto that had always depressed Marlow—hovered over the city. There she was, proudly gone, in the state of—Marlow had to zoom out to remind herself what state Denver was in—Colorado. Marlow pictured Ida on a purple-flowered mountain. Sneezing.

The black gem at her wrist nicked her gently. I have a message from production, came the voice in her brain. I should return to an on-camera space. I have now been off camera five minutes. I have lost seventy-eight followers during this off-camera time.

Marlow watched herself blush with guilt in the mirror. It was as if the network knew what she was thinking about just then: what it would be like for her to leave, too.

I have lost eighty-nine followers during this off-camera time, the voice followed up.

Eighty-nine followers was nothing. Marlow averaged an audience of over twelve million. And that was why Ida could run, she thought, and get away with it, whereas she wouldn’t. Ida had, what—one, one-point-five million followers? Hardly a fan favorite, especially after she transitioned from the party-girl ensemble to a standard housewife arc. She didn’t even have a sponsor. Marlow, by contrast, was the most looked-at woman in the room, presented by a marquee partner: Hysteryl. Her followers—the people who observed every move she made—were spread across the rest of America and various races and age groups. What they had in common was that they were troubled. This was how the network marketed her: as the poster child for troubled, the Constellation star who got what they were going through. The network mined public data, looking for adults whose devices clocked too much crying or eating, for kids whose heartbeats surged to panicked levels during gym class. Meet Marlow, went the ad the network would beam straight to their devices. She knows just how you feel. The sad people, glad to be talked to, would opt right in and start watching her. They would see that she moved through her days with buoyant normalcy, and they would be reminded, every so often, that Hysteryl had made her this way. It was Jacqueline’s job to show America what they could buy to keep them happy. It was Marlow’s job to show them what to swallow.

She calmed herself at the sink, willed the redness to fade from her cheeks.

I should return to an on-camera space.

Marlow’s hair was bent and snarled where she had pulled out the bow. She dug the clasp back in, even tighter this time, and went back out to the party.

CHAPTER THREE

Orla

New York, New York2015

The red carpet Ingrid sent Orla to was at a terrible club on a terrible block. Bits of trash stuck to the filthy red carpet slapped down at its entrance. A bouncer stood at the doorway, staring straight ahead, as if trying to block out the Container Store directly to his right.

Orla scanned the ground and found her place, a square of sidewalk the size of a cereal box, marked with a laminated printout: ORLA CADDEN, LADY-ISH.COM. She elbowed her way in next to an anxious waif who wore a gown that plunged to her belly button. She was dressed, Orla knew, like she was hoping to be invited inside later. A chubby Hispanic guy in horn-rimmed glasses held his phone up to the waif, filming her as she said: “We’re here at the launch of Hilaria Dahl’s dog sweater line, and all the hottest celebrity animal lovers have tuned out for the occasion.”

“Turned out!” Horn-rimmed Glasses shrieked as if he had just caught fire.

Hilaria Dahl was a judge on a reality show that pitted cancer survivors against each other in baking contests. By the time she made her way to Orla, Hilaria had submitted to eighteen other interviews, and the corners of her mouth were caked with spit. She smacked her lips together. “I love Lady-ish!” she squealed, her long earrings jangling at either side of her jaw.

Orla nodded and stretched her face into a smile. “So, dog clothes! What inspired this project?”

Hilaria shifted in her heels. “Well, it’s really close to my heart.”

“What is?” Orla said.

“AIDS,” Hilaria answered.

“AIDS?” Orla looked to Hilaria’s publicist, a black-clad woman in a headset.

“Ten percent of the proceeds from the line benefits AIDS,” the publicist snapped.

“And I love animals,” Hilaria added. “I loved the idea of putting my name on something that would keep them warm, the way they keep us warm.”

Next to Orla, the waif was nodding fiercely, a hand pressed over her heart.

“We’re just targeting dogs right now,” Hilaria went on. “But I’m also really passionate about cats. So we’re looking to expand into the cat market as well.”

Orla couldn’t stop herself. “Couldn’t cats just wear the clothes you make now?”

Hilaria looked at her publicist. “I guess cats could wear the small ones, right?” she said uncertainly. “Like the alpaca cowl-neck?”

“Cats could wear the small ones,” the publicist confirmed, glaring.

“And every piece is one hundred percent vegan!” Hilaria shouted.

“Didn’t you just say something’s alpaca?” Orla said. “An alpaca is an animal. It’s kind of like a llama.”

“That’s all the time she has,” the publicist said, taking Hilaria by the elbow and guiding her toward the doors. She looked back at Orla. “Fuck you,” she said plainly. “Not you,” she added, into the headset. “But maybe you, soon, if you don’t find out where Isabelle went.”

There was a lull in the arrivals. The waif was complaining to Horn-rimmed Glasses, claiming her improv teacher had called her too pretty for comedy, when Horn-rimmed Glasses waved his hand in her face and bellowed, “GIRL SHUT THE FUCK UP HERE SHE COMES.”

Orla perked up and craned her neck toward the SUV that had just pulled up. Hilaria’s publicist had likely emailed Ingrid already, demanding that Orla apologize. Maybe Orla could redeem herself with a quote from whoever was making Horn-rimmed Glasses clap tiny, overjoyed claps.

Flashbulbs popped so brightly that Orla had to look down. Then she could only see the pair of legs coming toward them, oiled and deliberate. Next to her, the waif leaned forward and said breathlessly, “Floss, it’s like the hugest honor.”

Standing in front of the waif, Orla saw as bursts of light cleared her vision, was her own roommate. Florence.

Orla stared at her from the side. She was closer to Florence now than she had ever been in their apartment. The skin that ran from her ear to the corner of her mouth shimmered with such pearlescence that Orla could see her own shadow in it. Florence’s eyes, dark and liquid, blinked slowly, sleepily, beneath the weight of her thousand-legger eyelashes. She had more hair than she did at home, and they were laughably bad, the extensions—limp, and shiny, and stinking of something chemical. Florence had on the same things Orla wore on formal occasions: a strapless, nude bra and stomach-slimming nude panties that continued down the thigh. But Florence wasn’t wearing anything over them.

She was beautiful, the type of beautiful that made Orla wish that she knew more of Florence’s bad qualities, so she could soothe herself by listing them out loud.

Then, suddenly, Florence was air-kissing the waif goodbye and stepping into Orla’s little space. “Hi,” Florence trilled. Orla startled at the sound of her public voice. It came from somewhere high in her nose. “Oh,” Florence went on, “I love Lady-ish.”

“Florence,” Orla said.

“Call me Floss!” Florence giggled. She pulled all of her hair over one shoulder and stroked it like a pet.

They were at an impasse: Floss didn’t recognize Orla, and Orla didn’t know who Floss was supposed to be. As Orla tried to decide what to say next, Floss’s publicist—she had a publicist!—jumped in.

“Jordie from Liberty PR,” he said. “You of course know Floss Natuzzi from the reality competition Who Wants to Work at a Surf Shack.” His voice had a defeated sort of hum, like he no longer got up in the morning hoping people would take him seriously. Orla could envision the half-finished law school application on his desk at home. “She’s also a fixture on the Akron fashion scene,” Jordie added, “where until recently she lived with Columbus Blue Jackets star Wynn Walters.”

“The Athens fashion scene?” Orla said.

“Sure, let’s go with that,” Jordie sighed, at the same time Floss said loudly, “No, Akron. Akron, Ohio.”

Jordie shot Floss a look, then laughed and threw his hands up. “Yes, Akron,” he said wearily. “It’s mostly, ah, underground. Very avant-garde. LeBron James...” He trailed off purposefully. It wasn’t a lie; he had merely said the words “LeBron James.” Orla nodded appreciatively. He would do well at law school.

She looked at Floss, who seemed not to be listening. She was peering down at the printout Orla was standing on, then back up at Orla’s face. As Jordie tugged her toward the next reporter, Floss seemed to realize something. “Wait,” she said, blinking, looking back. “Omigod.”

Orla waved at her stupidly.

“Come inside, then,” Floss called over her shoulder. “I want to talk to you.” She tottered off on her heels. Orla watched as Jordie stepped forward to pull something off Floss’s wrist. It was Orla’s own yellow hair elastic. She had left it on the sink that morning.

“What, you know her?” Orla heard the waif say, sullenly. Out of some instinct, Orla didn’t respond. Floss was only the last to arrive at a party for dog shirts in Midtown, but she was clearly someone to someone, and she had told Orla to come inside. Orla didn’t have to talk to the waif anymore.


The girl at the door with the list was unimpressed. “I’m a personal guest of Floss Natuzzi’s,” Orla said again. “She’ll be so upset to hear about this.” The girl just looked behind her, waving someone forward. Orla stepped back to let an Afghan hound in a beret and its handler walk through.

She walked along Fifty-Seventh Street and found she could see into the event, which spilled into a courtyard fenced in by wrought iron. Floss was just a few yards away, talking to a short, sweaty man with his shirt buttons mostly undone.

Orla put her face to the bars and hissed into the party. “Floss!”

Floss looked up. She turned away from the man while he was still midsentence and came trotting over to Orla. “What are you doing? I said to come inside.”

“They wouldn’t let me,” Orla said. “Can you get me in?”

Floss looked down at Orla’s scuffed ballet flats and murmured, “Those, probably.” She took a glass of champagne from a waitress and slid it through a gap in the fence to Orla.

“You can’t—” the waitress began, and Floss fixed her with a cold smile. “Did they resolve the oyster situation yet?” she asked the waitress. “Would you please find Gus and find out? I’ll wait here.” The waitress scurried away.

“Who’s Gus?” The champagne glass felt so delicate in Orla’s grasp, she had to focus on not crushing it.

Floss rolled her eyes. “There’s no Gus.” She drained her champagne and motioned for Orla to drink hers down. “Wait there,” she said.

Three minutes later, Floss was walking toward Orla, one arm in the air, hailing a cab. When one stopped, she stood there blinking at it until Orla stepped forward and opened the door, then stepped back to let her in first.

Jordie skidded out of the club toward their cab, the soles of his needle-nosed shoes slipping on the pavement. He stuck his head through the window. “Where the hell are you going?” he said to Floss. “Do you know how I had to beg to get you into this party? You’re nobody, honey.” A drop of sweat eased out of a crease in his forehead and landed on Floss’s thigh, right where the nude shorts disappeared into the boot that stretched over her knee.

Floss dabbed at the mark. “If you had to beg that hard,” she said calmly, “I guess you’re nobody, too.”

The light turned green. As the cab pulled away, Orla glanced over her shoulder at Jordie. She thought he’d be staring after them, reeling from the exchange, but he was already back on his phone, skating toward the party.

Perhaps it was because Orla remembered how he looked from that distance—freckles you could sense a block away—that she recognized Jordie’s photo on the cover of the New York Post, more than a year later, while she was still walking toward it. She would never forget him. Nobody would. Jordie was the very first to die in the Spill. The story about his death didn’t mention his working with Floss, which surprised Orla at first. By then, even a minor interaction with Floss would be the starriest thing that had ever happened to most people, and any reporter with a brain and a LinkedIn log-in could have dug up Jordie’s connection. Then Orla remembered: the reporter who wrote about Jordie dying wouldn’t have been able to see his LinkedIn page—wouldn’t even have been able to google him. The reporter must have had to rely on word of mouth and yearbooks. Jordie’s aunt was quoted as saying that he had just been accepted to law school. When Orla read that—her snarky prediction in print—she let out an actual howl, and crushed the paper in her hand. The newsstand attendant, who had been staring at the white grid on his useless, frozen phone screen, startled. “One dollar, you know?” he said to Orla. But he sounded scared, like he was only suggesting it. Orla dropped the paper and kept walking, kept crying. This was back when things had gotten as bad as everyone thought they would get, and when no one knew yet how bad things would actually go on to be. There were still jokes about the chaos on the late-night shows. There were still late-night shows.


When Orla and Floss got back to Twenty-First Street, the doorman grinned at them in a way that let Orla know they looked drunk, and the smile she gave back to him made her feel like she was someone else, someone used to being part of things. In the elevator, Orla reached for 6, but Floss batted her hand back and sent them to the roof. Orla hadn’t been up on the roof since a few weeks after she moved to the city. She had gone up there one night with a book and a glass of warm white wine, because she was twenty-two and didn’t know to chill it yet. The roof was a disappointment. There was nothing to see from the one bench rooted next to the cluster of air handlers. A neighboring, newer building stood in the way of the view. Orla had spent fifteen minutes rereading the same page before she gave up and went in, imagining the people whose windows faced the courtyard laughing at her over their dinners.

The one corner that escaped the adjacent building’s shadow was reserved for residents of the penthouse. But Floss walked straight toward the gate to the penthouse’s private patio and rattled it open. She stepped inside without looking back to see if Orla was following. She was.

The patio had a modest outdoor dining table and a row of hostas in wooden planters. Floss kicked at a red-and-yellow toddler car in her path, then reached into one of the planters and pulled out a bottle of whiskey. Above the top of the patio fence, the view stretched, uninterrupted, toward New Jersey. The sun was already gone, dragging the last of its light down over the Hudson. Orla sensed another glow behind her and turned to see, beyond a pair of sliding glass doors, a giant television flashing out the news. Opposite it, a man leaned back on his couch. His feet, in black socks, rested on the coffee table. Without smiling, he raised his glass to Orla.

“Jesus Christ,” Orla hissed. “Floss, he sees us.”

“It’s okay.” Floss took a sip of whiskey. “He lets me use the deck. It’s just his crash pad anyway, ’cause he works here. He really lives in Delaware.” She passed the bottle to Orla.

“But...” Orla looked at the toddler car, then back at the man in the penthouse. He was still watching them. “But it’s weird.”

Floss shrugged. “Whatever. He’s, like, Ukrainian.”

They drank and talked, but did more of the former than the latter, the conversation stalling constantly. Orla sensed that Floss wanted both of them drunker before she said what she wanted to say. Finally, as Orla answered Floss’s demand to know who had lived in her bedroom before her—big-haired Jeannette, with the sportscaster ambitions, then shy Priya, with the endless visiting relatives—Floss cut her off to confess something.

“So, like, I know who you are,” she said. “I mean, I know your name. I just didn’t know that you were my roommate. To be honest, when we met that first day, I forgot your name as soon as you said it—you know how that happens? I decided it was Olga.” Floss spread her hands, swinging the whiskey by the neck. “And here, all along, you were Orla Cadden. I know your work.”

“My work?” Orla repeated. It seemed too grand a term for blogging.

Floss didn’t hesitate. “Sage Sterling,” she said. “Pretty sad, her dying and all.”

“It was sad,” Orla agreed. She actually, absurdly, did kind of miss Sage.

“You wrote about her one hundred and twenty-three times in the last year,” Floss said, swiping her manicured finger over her phone. Orla could see her own name and headshot atop the list of headlines on the screen. “Here’s the one where you listed what was in that salad the paparazzi always snapped her eating,” Floss murmured. “I liked that.”

“It was the best traffic anything on her ever did,” Orla said. “Even better than when I wrote she died.”

Floss waited for a siren to fade, then said: “Do you think you could do that—what you did for her—for me?”

“Um,” Orla said. “I just called the salad place, and they told me what she got. It was just a standard Cobb with edamame, if you think about it.”

“Not that.” Floss took a swallow of whiskey and set the bottle on the edge of the roof. “The first time you wrote about Sage,” she said, “she was just the daughter of some studio executive. She was nobody.”

“Right, but then she started to act,” Orla protested. “She got the Some Like It Hot remake pretty much right away—”

“No.” Floss shook her head hard. A segment of her fake hair was starting to come loose, its sticky root sagging into view. “No, she did not get it right away. First she was in that photo, when all those models went to one of those dumb strip mall places where you drink and paint the same paintings. They Instagrammed it, and you did that post identifying everyone in the picture.”

Orla had forgotten that that was how it started.

“That, just that, was enough to get her a publicist,” Floss went on. “And the publicist got someone to send her those boots, the white leather ones with the rainbow laces. And she wore them, so the boot people sent the pictures to bloggers. You remember getting those pictures?”

Orla nodded. The post she had turned them into was headlined “Sage Sterling’s Boots: Trippy Or Trippin’?” “I don’t think we should say ‘trippin’,’” Orla had protested to Ingrid, before she hit Publish. “I think that’s like a black thing? And we shouldn’t appropriate it? It might seem racist?” Ingrid had overruled her. “You’re the one being racist, trust me,” she had said.

“So then you did a post about her boot style, with photos of all the boots she’d ever worn.” Floss smeared the gloss off her mouth with her palm and wiped it on the back of a cream-colored chair cushion. “You called her a boot icon. A couple months later, the boot people named a style after her, which you covered, which made the boots sell out. So some fashion line invited her to curate—” here, Floss raised her fingers and made air quotes that punctured the air so forcefully, Orla winced on its behalf “—a whole line of boots for them. That got her to Fashion Week. She was supposed to sit in the second row, but her publicist brought sheets of paper with her name printed on them and stole the seats of front-row girls who didn’t show up. That was smart. I liked that move.”

It had grown dark. A floodlight tacked up over the sliding doors went on. It was too bright for the small space, meant to shine over someone’s endless suburban backyard. It might have made Orla homesick, if she wasn’t busy wondering whether the Ukrainian man could now see up her skirt as she leaned over the rim of the building, into the night. She felt thirsty and picked up the whiskey, found it didn’t help.

“You put her in a roundup of Fashion Week It Girls,” Floss went on. “A reader asked you who she was, so you did a post with, like, facts about her. Remember?”

“9 INSANE Facts About Sage Sterling.” Never ten facts—readers hated the number ten. It was too perfect, too choreographed. Suspect.

“And you found that old photo of her with the kid from that boy band, the one who’s hot now,” Floss went on.

“Yeah,” Orla said. “I thought they dated in high school.”

“Wasn’t true,” Floss said, “but it didn’t matter. You wrote it, and then you corrected yourself, but someone had already put it in their Wikipedia pages. I bet you it’s still there now. And the publicists were into it, so they went with it. They made them date.” Floss hugged herself and shivered. It was August, warm enough to be out on a roof near the water, but not warm enough to do it in just shapewear. “And then you really wrote,” she said.

Orla remembered. “Sage and Finn—Uh, We Mean SINN—Step Out Together for the First Time.” “Every Sinn-gle Thing Sage Wore On Tour With Finn’s New Band.” “Sinn Has a Sexy Hawaiian Veterans Day—Pics, Right This Way!”

“And then, Jesus Christ,” Floss said. “She got that haircut, the grandma haircut with the platinum and the curlers.”

“Erm, Marilyn Monroe WHO? Come See Sage Sterling’s New ’Do.” Ingrid had added the “erm” after Orla left the office for the day.

“That’s when she got Some Like It Hot,” Floss said bitterly. She pointed at Orla. “After you said she looked like Marilyn Monroe. She looked like a goddamn Golden Girl!”

Floss sounded so upset that Orla almost apologized. Instead, she reminded Floss that the movie was made by the studio Sage’s dad ran, that she probably would have gotten the part even if he was the only one who knew who she was. “Besides,” she added, feeling suddenly defensive of Sage, patron saint of her disposable income, “are you trying to tell me you’re jealous? She got addicted to heroin and died.”

Floss waved it away. “She got sloppy. I’m not like that.”

Orla stared at her. She thought about going downstairs and into her room, about putting the flimsy fake wall between her and this strange, scheming girl. She thought about telling her super, Manny, about the weirdo in the penthouse, watching young women on his deck when he should have been home with his kid in Delaware.

“This is the part,” Floss said patiently, “where you ask what’s in it for you.”

Orla shook her head. “What could possibly be in it for me?” she asked. “Also, no offense, but you’re a little old to start trying to be famous. I mean, you’re, what...?”

“I’m twenty-eight,” Floss said. “Just like you, right?”

Orla straightened herself with what she hoped seemed like authority, with the air of someone who had put Sage Sterling on the map. “And you’re just now getting into dog apparel parties,” she said.

Floss smoothed her hair away from her face, flicked it over her shoulder. “At least I’m not working at them.”

The line was cruel, but Floss made it sound like a joke they’d had for years. And that was what got Orla—Orla, who had told herself on the day she moved to New York that the hollow way she felt would subside once the cable got hooked up, and who had gone on feeling empty every day for six years.

She said, “What’s in it for me?”

“If we do this right,” Floss answered, “whatever you need. I’m sure you don’t want to blog forever. I’m sure you have, what? A book? So you need an agent. If you help me, if I get as big as I think I can, they’ll want to talk to you just because you’re standing next to me.”

Orla thought of her laptop sitting closed and cool, untouched in the dark of her room. She told herself that as soon as she finished this drink, she would go downstairs and write a thousand words without the TV on. “I don’t need your help with my book,” she said. “I can get an agent on my own.”

Floss laughed. “Oh, really?” she said. “Are you sure? You better be sure. You better be sure that you’re in, like, the top five writers in New York City, and that you know all the people they know, and that those people like you better, and that those people are the right ones to begin with. Because look, Orla.” Floss placed her hands on either side of Orla’s head and pointed it at the building next to theirs, the one that blocked the sky from the rest of the roof. “It’s 10:45 on a Monday night, and everybody in that building has their lights on. You see? They’re all still up. Just like we’re still up. What do you think they’re doing?” She aimed Orla’s head, roughly, at another building beneath them, a low-rise in pinkish-gray brick. “More lights,” she said. “How about them?”

Orla saw a girl in her sports bra bent over her computer, drumming her fingers on her chin.

“I’ve done the math,” Floss said. “I’ve done the actual math. There are eight million people here, and all of them want something as bad as I want what I want, as bad as you want what you want. We’re not all going to get it. It’s just not possible, that all these people could have their dreams come true in the same time, same place. It’s not enough to be talented. It’s not enough to work hard. You need to be disciplined, and you need to be ruthless. You have to do anything, everything, and you need to forget about doing the right thing.” She released Orla with a little shove and put her hands on her hips. “Leave that shit to people in the Midwest.”

They were quiet as the atmosphere sucked up her monologue. Orla steadied herself and looked Floss over. She would never make it as an actress, she thought. She went a little too big, wanted a little too hard. But Floss, it seemed, didn’t want to be an actress. She wanted to be what she already was, even if nobody knew it yet: a celebrity. A person, exaggerated. And her point—the cold slap of the eight million dreams around them—unhooked something in Orla.

“I don’t know,” she said, shakily, finally. “That kind of sounds like bullshit to me.” She tried to hold back a burp and found that it wasn’t a burp at all. She leaned over and threw up on the deck. The whiskey burned twice as hot coming back up. Orla kicked her purse toward Floss. “Can you get me a tissue?” she gasped.

Floss dug through Orla’s bag. “Ohhhh,” she breathed after a moment, tugging something out. “This looks familiar.”

Panting, hands on her knees, Orla squinted up and saw Floss holding, between two egg-shaped nails, Marie Jacinto’s cheap business card. The one Orla had found by the elevator. Orla would never forget that: Floss standing there, grinning at her, flicking the card. She would think of it on that awful last day, as blood bloomed through her shirt and Floss said in a low voice, for once trying not to be heard, that this was the deal, and you know it.

And they did have a deal by then, with lawyers and seals and duplicates, but Orla never felt that the scrawls she made numbly on those documents were as binding as her failure to argue with what Floss said next. Floss put the card back in Orla’s bag carefully, like she wanted it to be safe. She pushed the kiddie car away from the puddle of vomit and walked Orla off of the roof, leaving the mess untouched and the gate wide open behind them. Inside, as they waited for the elevator, Floss grinned and put her face in Orla’s hair. “I don’t think it does sound like bullshit to you,” she said into Orla’s ear. “I think you are like me.”

CHAPTER FOUR

Marlow

Constellation, California2051

When Jacqueline’s event had wrapped, Marlow told her car to take the long way home, hoping she could put off arriving until Ellis had gone to bed. The car obliged and turned onto Clooney Street, which wound lazily through Constellation. Marlow reclined her seat and lay on her side, watching her hometown float by. She was mistily struck, after two cocktails and a glimpse of how stupid-old she looked in a hair bow, by how different Constellation had seemed to her when she was young, when she didn’t know what so much of it was. As a kid, she had seen trees draped with ruby-red leaves in the fall and pure white blooms in the spring. She had seen gentle green hills loping along the back of the town, jutting up into pale coral sunsets that were always on time and spectacular. But the sunsets, she later learned, were staged—lit, from below, by colossal rose-colored lamps in the ground, because the network liked continuity and could not rely on the weather. The hills she had sprawled on as a teenager, bikini’d, enjoying being the only kid in town whose mother let her tan—those were actually fortified shelters, for hiding talent in case of an attack. As for the trees: they turned out to be fake, and fireproof, their mineral wool trunks wrapped in vinyl laminate bark. (Constellation had been built, after all, on top of the scorched wreckage of a county-leveling wildfire.) The leaves and flowers Marlow so loved, she found out, would never have coexisted in one natural species, especially not in California. Their foliage was laser-cut from modacrylics and melamines. When they flooded with color, they did so at the push of a button, at the whim of the network.

But even with all that was choreographed for the cameras, Constellation still had more realness to it than its fans believed. Though Marlow knew people thought the opposite, her life wasn’t technically scripted. There were writers, of course—they lived in the gray-block high-rises on the edge of town, buildings so ugly they seemed designed to remind the writers who they weren’t—but they didn’t decide what came out of Marlow’s mouth. The writers were more like overbearing aunts, giving Marlow broad pep talks on how to be, weeding out her wardrobe. The network execs were both more mysterious and more direct. They lived among the talent, rotating and functioning as watchful extras—not long ago, Marlow had been startled to find the Head of Storyline himself behind the juice bar’s counter, handing her her usual smoothie. They never spoke to the talent out loud, not with the audience watching, but they were constantly in Marlow’s head, bossing her through her device. They let her choose things for herself, but they also closed off plenty of options. It was a little like being a mouse in a maze. She could run as fast as she wanted, but she wasn’t picking the turns.

It took Marlow a long time to see that this was how she had come to marry Ellis. The network had nudged him into the path they knew she’d have to take, a lonely corridor she had been racing down since freshman year of high school, when Hysteryl started sponsoring her and the network began forcing kids to sit with her at lunch. Marlow knew her classmates’ parents had threatened and cajoled them—be nice to her or we’ll get a fine, next semester you’ll be back with your real friends—and the kids always listened. They were always kind. But she could feel the resentment over their assigned seats rising like heat from their skin. No one had sat with her just because they wanted to since Grace. No one had been her friend out of choice since the night she became, as the network put it, “a good fit” for the Hysteryl campaign.

After graduation, everyone else in Marlow’s class was issued their vocational arcs—outdoorsy chef, promiscuous nurse—and sent off for their year of training. But all Marlow got was a memo, telling her she was free to spend her days in any way that kept her happy. So she trailed her mother to the spa. She rearranged the furniture in her room and pretended that it meant she had a flair for interior design. She kept going to ballet class, even though every year the girls got younger and younger than her. Marlow never liked the actual dancing but loved posing in formation with the others. She loved the tiny heh of the shared breath they took just before they started moving, the synchronized thunk of their pointe shoes as they finished a combination. She would let herself imagine that these girls were really her friends, standing close to her on purpose. After class, she would pay attention as the other dancers rolled their tights up to their knees and talked about their classmates. Over time, she learned all the names, all the stories, every corner of an ecosystem she was not a part of. Sometimes, when she was out, she would recognize someone from the ballerinas’ gossip, someone she had never met but felt like she knew so well, it was hard not to say hello. It was the first time she understood the way her followers must feel about her, and the line that came into her mind, as she gazed at these strangers, was always the same: Oh, it’s one of you. From my collection.

Finally, Marlow turned twenty-one and was eligible for real romance. Twenty-one was the age at which the young talent’s random dalliances with each other were replaced with dates staged by the network: amber-lit restaurant dinners of vibrant food that sat untouched, lest the sounds of chewing muddy the audio of the two stars at the table. The network sent Marlow matches each Friday morning, the smirk of a straight, single, network-approved man appearing in her thoughts over breakfast. Would I like to meet him? her device would prompt, and Marlow always said yes. Even though she never ate, Marlow always ordered dessert, just to prolong the experience of being in a place full of happy-looking couples her age. It felt nearly like having friends.

She met Ellis on one of those bad dates. Marlow couldn’t remember, now, the face of the boy she had come to the bar with—this was fourteen years ago—but she remembered that her followers were not enthused by the way he blabbered on about his family’s vineyard. She remembered that, when she let her mind wander and checked her dashboard, 61 percent of her audience thought that she should ditch him immediately.

Over her date’s shoulder, she watched a knot of people orbit a tall, lanky boy with a shock of reddish-brown hair and a stubbled, strong jaw. He wore a T-shirt with tiny holes at the shoulder seams. Eventually, he pushed through a segment of the people around him and joined the line for the bathroom. His friends watched him go, holding their drinks against their chests. When he tossed a joke over his shoulder, they laughed in hearty unison. They held the space where he had been standing open, for when he came back.

“Excuse me,” Marlow said, after watching this scene. She ducked under her date’s arm. “I’m just going to the bathroom.”

She went and stood behind the boy. His face was turned in her direction, but she could tell he was lost in his device. She tried to think of something to say, a way to flare her eyes, that would make him see what he was already looking at. The song that was on in the bar, a woman sounding anxious over bitter guitar, flooded the space between them.

Before she could speak, Ellis snapped to. “I know you,” he said. “I’ve got a poster of you on my wall.” Then he went red, and she laughed. “My cubicle wall,” he clarified. People loved this part of the story, and Marlow had once, too. Now when she looked back on it, she only thought: Of course.

Marlow always said she fell in love that very night—and she did, but not with him. It was the group Ellis drew her into when she followed him back from the bathroom. His hand on the small of her back, he guided her into the space his friends had saved for him. “Everyone, Marlow,” he said. “Marlow, everyone.” Everyone’s faces turned warmly her way. Everyone’s hands clasped hers without hesitation. One boy passed her a beer like it was a napkin, the essence of no big deal. The girls pulled their hair away from their faces and told her their names.

Ellis leaned through the driver’s side window of her car and kissed her before she rode home, hugging her knees to her chest and giggling the whole way about her good fortune: she had met a new crush and all of his friends. As soon as she got home that night, slamming her door on her mother’s questions, she plugged each and every one of them into the neighbors list on her map. Up their symbols popped, all around hers. It astonished her: they had been right there, all around her, these friendly people. And despite her past—despite her breakthrough moment, the thing they all must know she was known for—every one of them treated her like she was normal. Ellis Trieste standing next to her instantly undid years of shunning.

That night, as she lay on her bed, she researched him. She learned that his parents were on the board of the network. They were part of the original group of old-Hollywood producers who invented Constellation, who had moved quickly, in the twenty-twenties, to purchase the stretch of ash it would be built on. She learned that he was business-class talent, which meant he had a real job, not just a few tricks for making it look that way on camera. He was even approved for travel beyond Constellation’s borders; he worked in marketing for a company outside town called Antidote Pharmaceutical, which—more research, propping her legs up on the headboard, jiggling one knee impatiently—happened to be a valued network ad partner. Beneath the stone-faced profile photo of Ellis that Marlow held in her head, scrutinizing each pore, was a tagline. Ask me about Hysteryl. The pill that kept her even, and kept her on the air.

What she told herself as they began to date was: So what? So what if her relationship had been dreamed up by people in a meeting? So what if some ambitious Antidote intern, having studied up on Marlow, had pointed out that she seemed lonely, that she would probably love to date someone who came with a group of friends? So what if some VP of something or other had nodded at the intern’s suggestion, then turned to Ellis and said, “Trieste, you’re single, aren’t you?” So what if Ellis had nodded sagely, ever the company man, and answered, “Sure, I can run point on this.”

So what if these things that she imagined were true? No matter how things had begun, Marlow decided then, she was glad to be with people. Happy to have friends, and proud to have won the unwinnable Ellis Trieste. He confessed to her, early on, that he was a “personality snob”—that his standards were probably too high, that he found most women too dramatic. The frame of reference he gave made it even sweeter, then, when he began to compliment her lack of feeling. He noted how cool she was, for a girl—how even-keeled, how unaffected. But for Marlow, it was no challenge, looking like she didn’t care. Hysteryl kept her emotions like clothes in a neat dresser drawer: stored where they belonged, unfolded only when appropriate, and put back with ease, in order. She was so pleased about earning the label of cool—her, the girl whose reputation could not, for so long, outrun one violent impulse—that she missed what a stupid thing it was, marrying someone to celebrate impressing him.

At their wedding, they were surrounded by the people from the bar the night they met. When the ushers went to seat their friends—bride’s side, or groom’s?—the friends all flapped their hands. They said it didn’t matter; they said they loved them both. Marlow had never been so content.

Then the people went home, and the marriage began. Marlow realized she had been naive to think that they would see their friends as much afterward; they were all marrying, too, and Ellis began to grow tired of, as he called it, “the scene.” Even when he withdrew, Marlow kept up with everyone. She played tennis with them, got massages and manicures with them, helped them plan brunches and showers and parties. She did her best to not be alone with her husband, because a frightening truth was beginning to peel itself back, like paint off a wall: she didn’t like being married to Ellis. He was always on his device while she spoke, working on other things in his head as he stood there, pretending to listen to her. The only time he paid attention to what she was saying was when she talked about her medication—the thing they had in common, the thing he was keeping tabs on. There were small things she hated about him, too, and those were somehow worse, their symbolism metastasizing as the years passed. This one drove her insane, a permanent mental hangnail: he hid the snacks he liked best beneath their bed, so that he didn’t have to share them with her. He would rather risk eating unrefrigerated cheese—cashew cheddar he stashed in the dark next to his snowboard—than let her have some, too. It all added up to an obvious correlation, one she had no business being surprised by: the man with the air of not-caring actually didn’t care.

It went on like this for ten years. Sometimes Marlow thought—from a detached, theoretical distance—about screaming or breaking a dish. But mostly she would call up her map with its crop of contacts, her busy social schedule for the week, and remind herself: Small price to pay. Sometimes she thought it so forcefully, her device mistook it for an intuition. Small price to pay, the soundless voice would repeat. An English expression meaning: a minor sacrifice. Worth the trouble.

The marriage had gone flat, and so had the content they made together. More than once, the network had chastised them for their long dinner silences, their heavy sighs side by side in bed. For Ellis, the matter was doubly serious. Like all network talent, he was obligated to be interesting. And as an Antidote employee, he felt pressure to make sure that his wife—the face of Hysteryl—looked content. But these days, Marlow made no attempt to look content with Ellis. She secretly hoped that her marriage would become so boring to viewers that the network would have to cancel it.

And now Ida, who was supposed to get this season’s divorce plot, was gone.

Someone would have to take over that narrative—the network needed breakups. Ratings on the hetero ones were particularly good, especially with women in the flyover states, forty-five to sixty. The network lavished real budget on such arcs: if Marlow got one, she might even get to go on a trip, despite the no-travel stipulation in her contract. (It was too hard to control her environment beyond Constellation’s borders, to ensure that nothing would dent her mood and, by extension, Hysteryl’s reputation.) She could imagine the ending perfectly, could see herself giving Ellis a poignant goodbye, taking one last look around the home they had shared. She wouldn’t sob or heave, the way her mother would in such a scene. She would stand straight and tall—with a fresh blowout, maybe. She would radiate class and faint optimism. Now, that, she bet, would make her feel thirty-five. She was ready for a new story.


One evening, not long after Jacqueline’s scrunchie party, Marlow and Ellis sat on the couch in silence, watching different films in their heads. Suddenly, their devices perked in unison. Midseason assignments were in.

Divorce c’mon divorce, Marlow begged silently. Divorce, with temporary relocation to Anguilla and personal fitness trainer. Male.

She and Ellis sat forward on the sofa.

Congratulations! Marlow heard in her head. We will be having a baby this season.

Marlow broke the word down into syllables—bay, bee—and found she couldn’t make sense of the term in this context, the context being her life.

Egg storage for female lead Marlow Clipp, aged thirty-five, has reached its expiration date. More details about our baby design process and sowing celebration will be forthcoming.

Bay. Bee.

Marlow tried to picture herself in a hospital bed, Ellis at her side, an infant being lowered onto her chest. She couldn’t imagine them smiling at each other the way the parents always did in these scenes. All at once, Marlow got what this storyline meant. For the first time in her life on camera, she would have to act.

She looked at Ellis, to see how he was taking the news, and found him one step ahead of her. His eyes were wider than she had ever seen them, his smile unfamiliar, with too many teeth on display. He raised a hand and smacked his forehead theatrically.

He knew, Marlow thought. He’s not surprised. And neither was she, when she thought about it. When she remembered the Liberty deal.

Six months earlier, Ellis had come home with a new account. He was overseeing his first merger, he told Marlow proudly. Antidote was acquiring Liberty Family Planning, the company that had long overseen Constellation’s babymaking. Liberty was expanding across the country, and it was Ellis’s job to up their profile on the network, to convince Constellation fans that they should have babies the same expensive way their favorite stars did. The process had three stages: egg reaping, baby design, egg replacement.

“Huge for me,” Ellis had said that day, rapping a rhythm on the table. “Huge for us.”

Marlow had opened some champagne, feeling conspicuously wifelike. As she poured their drinks, she thought of her own trip to Liberty. It was where she and every other teenage girl in Constellation had their eggs siphoned out of them at eighteen, to be frozen until the network green-lit their pregnancy arcs. “This will give you total freedom from your biological clock,” Marlow could still hear the nurse saying. “Freedom to grow and achieve.” (Lazy writer guidance, there, Marlow thought later—Liberty’s actual motto was “Freedom to grow. Freedom to achieve. Freedom from your biological clock.”) The network worked closely with Liberty to plan the births of their stars’ babies—to prevent viewers from being torn between Jacqueline’s second C-section and the bursting forth of Ida’s twin boys, or to ensure that offspring could be quickly defrosted for couples the audience responded to.

Or for couples, Marlow thought, whom the audience had grown bored of. Whose stories were in dire need of a twist.

She got up and went into the master bathroom. Ellis followed her in, closing the door behind them. He seemed somewhere else entirely for a moment before he looked to her and grinned. “A baby!” he said. “Man, I can’t wait to be a dad. I can’t wait to tell the client.”

He said those two things, Marlow thought, like they were perfectly related, and equal in weight. She heard herself laughing, heard the way the drugs in her bloodstream smoothed desperation out of the sound. Her laughter sounded joyful. Normal.

Ellis thought so, too. “Hold on!” he said, waving his hands. “Save it, Mar. This is your authentic reaction to becoming a mother. You’ve gotta share it with your followers.” He opened the bathroom door and prodded her out, to where she could be seen.


Her followers were thrilled, of course. Followers loved babies.

The next day, Marlow and Ellis drove to the same blush-colored, circular building where Marlow’s eggs had been harvested. Liberty’s waiting room hadn’t changed. The furniture was all cut from that frosted plastic that had been everywhere in her youth, the past’s idea of future, all of it yellowing now.

“Have you decided on a gender?” the chipper nurse asked in the exam room. She handed them six genetic input kits, for each of them and their parents. They were to return them dirty, full of swabs and hair, so that the designers could begin sorting Marlow’s and Ellis’s gene pools, marking the things they wanted their child to have, striking the things they didn’t. This was stage two: design.

“We don’t know yet,” Marlow said, at the same time Ellis said, “A boy.”

The nurse smiled. “You don’t have to be coy,” she said to Marlow. “Exam rooms are off camera. There won’t be any spoilers.”

“I’m not,” Marlow said, aiming her tone at her husband. “We aren’t done discussing it.”

Ellis held his tongue, for the moment.

“This is a special case, of course.” The nurse flattened her hands on the desk, splaying her elbows as she looked at her tablet. “While Hysteryl is a miracle drug, it’s still not safe for baby’s development. So we’ll be weaning you off, Marlow, a bit at a time, before we replace your eggs.”

“She’ll still be the face of the drug,” Ellis broke in, as if this was the important thing, as if this mattered to the nurse. “She’ll be on a short cleanse, yes, but her campaign will go on. We’re testing some new ads that focus on the baby—like, what could be a happier ending for a troubled girl, growing up into a perfectly normal mother?”

Marlow watched the side of his face as he talked. His ears were red. He seemed so eager for the nurse’s approval. “You didn’t tell me that, honey,” she murmured. “I had no idea that marketing had already met to decide my happy ending.”

Ellis didn’t turn to look at her. “See how she jokes?” he said to the nurse. “She’s going to be fine.”

The nurse nodded uneasily. “Right,” she said. “Well, it’s incredibly important—” the nurse trailed off, like she was listening to something come through her device, then nodded and squinted threateningly at Ellis “—that Marlow avoid stress completely during this time. Because she won’t have her normal defense system in place.”

That night, the housekeeping drone whirred into their bedroom and set only half a pill on Marlow’s nightstand. Both of them looked at it. Ellis patted the blanket near where her leg was.

“Don’t worry,” he said. “You’ll just have to be vigilant about self-care. All you have to do is stay happy.”


A week later, Hysteryl was officially out of her system, the tiny dish beside her bed empty for the first time since she was fourteen.

“You’re feeling good? Good girl,” Ellis said, scrutinizing her over his coffee, when she came into the kitchen each morning.

And she was feeling good, at first. Then she began to feel strange, as if she was expanding, taking on new acreage too rapidly to keep up with her own topography. Feelings were returned to her like toys she hadn’t seen since childhood, and she held them awkwardly, unsure of what to do with them as an adult.

Pettiness—at least, that was the best word she could think of for the sensation—came over her like hunger, several times a day.

Once, in the middle of taking a bath, she stood up and sloshed naked into her bedroom, tugged Ellis’s snacks out from under the bed, and shoved every morsel down the garbage disposal. A few days later, she walked out of trivia night—a monthly outing with Ellis and their friends—after getting an answer wrong.

“What’s the matter?” Ellis said, his voice deadly even, when he found her in the parking lot.

“I hate trivia,” Marlow said. “I’m terrible at it.”

Ellis ran his fingers slowly through his hair. He did this as often as he had when they met, though now he only had a third of the hair he had then. “You’re terrible at it,” he said, “because you’re not cheating. Everyone else is, you know.”

Marlow stared at him. “What do you mean?” she said. “Cheating how?”

Ellis held up his wrist. “We use our devices,” he said. “We just ask them the questions, and whoever’s fastest...”

Here it came, with a force disproportionate to the moment: her anger. She imagined it black and crinkling, peeking out from all the places Hysteryl had long hidden it—behind her pink organs, between the gray folds of her brain. The trivia master made it clear before every game: No devices. Use the rest of your brain! “Everyone’s cheating?” Marlow repeated. “What’s the fun in that?”

“The part where you win,” Ellis said. “Come on,” he added, somewhat sharply. “Don’t be sad.”

“I’m not sad.” Marlow turned away from the window of the bar, so that her friends couldn’t see her face, even if twelve million strangers could. “I’m pissed.”

Ellis shrugged and dug into his jeans pocket. “Then why are you crying?” he said.

She took the tissue he handed her. She didn’t know she was.

She went to Jacqueline’s again, for a mud mask party, and found her lungs constricting in the middle of it, her brain suddenly rattling with the sensation that she had wasted too much of her life here, watching Jacqueline smearing on things. She backed quietly toward the front door, then out of it. On her way to her car, she stopped at the line of vintage lawn flamingos in Jacqueline’s front yard.

“What is the point of you?” she hissed at them, glaring into their black button eyes. Her hand twitched at her side. She knew, if she gave in to the urge, what would be waiting for her when she woke up: a note from the network, idling in her mind, warning that erratic behavior had been flagged on my feed, that commercial cutaway had been employed as a stopgap, that I should please restrict such behavior, in the future, to off-camera zones.

She hauled off and slapped the plastic birds, every one of them, and felt savagely wronged when they didn’t fall. Jacqueline had staked them in firmly, and so they only bobbed, beaks glinting in the haze of the illumidrones waiting in the sky for someone on the ground to need them. When an illumidrone sensed a person walking in the dark, it swooped down to light a path, looking, from a distance, like a shooting star in descent. When she was young, Marlow remembered, that was what she thought they were. Another pretty thing she had misjudged.

She toggled over to see what her followers were saying.

She’s losing it again. Go bitch! Show them one-legged fuckers what’s up!

What did those birds ever do to you Mar? LOL

NOOOOOOO NO ONE WANTS TO WATCH ANOTHER PILL AD—PUT THE MARLOW FLAMINGO SMACKDOWN BACK ON!!!!!

And:

What I don’t get is how she’s so unhinged over this pregnancy thing, like it’s some big surprise. Course they were gonna give her one, with Ellis on that deal or whatever and her being thirty-fucking-five. Saw this “twist” coming a mile away.

That was the thing about being the mouse in the maze, Marlow thought as the flamingos finished trembling, went still. She was the only one surprised by where she ended up.

CHAPTER FIVE

Orla

New York, New York2015

Right from the start, it was suspiciously easy. At least, Orla should have been suspicious of how easy it was, two girls hijacking the public eye from the floor of their Chelsea rental. Her mistake was seeing the ease—the way things ribboned out in front of her and Floss—as a sign she was on the right path.

They started the way everyone did: they shared. Floss posted pictures online—of herself, her things, her food—constantly, as if she was someone whose meals became fascinating just by virtue of her being in front of them. Nobody ever said, as Orla worried they would, With respect, what do you do for a living? or Who dis bitch? Floss didn’t even have a proper bio on any of her platforms, just a quote: “There is no security on this earth. There is only opportunity.” She had attributed it to Britney Spears before Orla plugged it into Google and found that it had been said by General Douglas MacArthur.

One day, Floss prepared to post a Snapchat of herself explaining how to apply brow gel. “So fire,” she rehearsed, as she ran the brush across her arches. “So fi-yah.” A thought came to Orla, torn from the script of people more famous than Floss.

“You know what I think you should do at the end?” Orla said. “Say that you don’t have a deal with them. The brow gel people. Say, like, ‘I swear, they’re not even paying me to say this.’”

“Why?” Floss jammed the wand back into its bottle and stretched her eyes in the mirror.

“Because then people will think that other brands do pay you,” Orla said. “To talk about their stuff.”

That was at seven thirty in the morning. As Floss mulled the idea, Orla showered, then went to work. She was at her desk when Floss posted the video, at 8:45 a.m. “I’m not getting any money for this, either, you guys,” Floss sang dutifully. At 9:03 a.m., Orla sent the video to Ingrid, who popped her head out of her office thirty seconds later. Her lips were coral. Lady-ish had recently taken a firm stance on coral being the new red.

“Orla,” Ingrid called, “why do I care this girl’s doing her eyebrows?”

“It’s Floss Natuzzi,” Orla said. “She’s big on Insta? Plus, you know that hundred-dollar brow gel, from that Korean beauty line that doesn’t write anything on their packaging? It looks from the video like she might be one of the first stars here they sent it to.”

It did look like that, because, just before stepping onto the elevator at home, Orla had run back to the apartment, scraped the lettering from an old Maybelline tube, and pressed it into Floss’s hand.

“Fine,” Ingrid said, and slid her door shut.

At 9:27 a.m., Orla published the post: “Sooo What Does The World’s Most Expensive Brow Gel Actually Do? One Instagram It Girl Finds Out.” Then she cupped her phone in her hands and swiped to Floss’s Twitter account. As Floss, Orla tweeted the link to the post, tagging Lady-ish. She waited.

Two minutes later, Orla got an email from Ingrid: Floss tweeted our post! What a SWEETHEART. RT from Lady-ish, pls. That was the thing about Ingrid: every semifamous person disgusted her right up until the second they threw her a bone.

Orla used her computer to log into the Lady-ish account and retweeted the missive she had written as Floss. She quickly silenced her phone, muffling the incoming notifications of Floss’s new followers. It was 9:30 on the nose.

That night, when Orla got home, Floss was waiting for her at the door. So was a crate of cream-flavored vodka, a pallet of whispery diet chips, and a dozen forty-dollar lipsticks, arranged like chocolates inside a black box.

“This one came by messenger,” Floss said. “And he asked me for a selfie.”

The more she tweeted, the less they spent. Orla found herself living almost entirely off Floss’s loot. Their apartment filled up with the sort of things Orla never would have chosen for herself—gluten-free freezer meals with a pop star’s face on the box, shoes downy with calf hair, purses pimpled with ostrich flesh—but she ate them and wore them eagerly, because they were free and they were proof: she and Floss were succeeding. The doorman never grinned at them anymore; “Package,” he said wearily, over and over, rising from his stool when he saw one of them coming. Orla sometimes slipped him bags of free cookies or chips, removing the hopeful notes from entry-level PR girls. Almost invariably, the girls were named Alyssa.

Orla didn’t have time, most nights, to work on writing her book. As soon as she walked in the door, Floss would hand her a bowl of Apple Jacks for dinner. They would sit cross-legged on the parquet, a laptop between them, and work. Before long, Floss would be begged to attend all sorts of events, dozens a week—but in the meantime, she had found a way to hack into several publicists’ email accounts, to keep track of what invites were going around. She forwarded the invites to an address she made up for her imaginary publicist, Pat White. “Gender-neutral and forgettable,” she said of the name. As Pat, Orla RSVP’d Floss to events she hadn’t been asked to, saying she would be there, plus one. Floss made Orla swear she’d never tell anyone about the scheme. “I could get in trouble,” she said. But Orla knew that wasn’t it. Hacking required intelligence, and intelligence was off-brand.

Orla was in charge of writing about Floss on Lady-ish, and of breaking down the shipping cardboard the free things came in, and of maintaining Floss’s Twitter account. She changed the password on it twice weekly, dutifully jumbling numbers and letters with asterisks and exclamation points. Of course, even as she concocted them, the passwords were already useless. It would almost make her laugh, later, after the Spill, remembering how she labored over those combinations. They all thought special characters would save them.

One day, Orla got Floss to trend worldwide by lashing out at a snack company’s corporate account. The operative behind it had called a recipe for bruschetta made with its wheat crisps “an Italian wonder on par with the Sistine Chapel.” As Floss, Orla bombarded them with claims that the comparison offended her on behalf of Italians and Italian Americans, a “group that continues to be underestimated in culture”—even though Floss was only one-eighth Sicilian, half-Latina, and a few other things she claimed not to recall. The whole time her online ego was battling crackers, Floss herself was at the gym, doing arm day with a famous trainer who was very expensive, if one wasn’t sleeping with him. Orla didn’t even run the stunt by her. Floss’s identity had become a thing they shared respectfully, like the skim milk in the fridge.

As Orla sat at her desk at Lady-ish, stabbing out a call to boycott the snack company from Floss’s handle, Ingrid instant-messaged her: Did you see Floss going APESHIT about racist crackers? THREAD, she wrote, linking Orla to Orla’s own handiwork. Go ahead and post. Dude, you practically invented her.

Orla thought, You have no idea. She was electric with adrenaline. All these years in the city, she had been telling herself, in the bathroom mirror, that she was a modern woman, chasing modern goals. But sometimes, as her subway car went through the tunnel, she’d catch a glimpse of herself in its smudged glass window, and see herself the way the world did: another girl with a dream and a hemline set precisely knee-high, low enough that no catcaller should notice it, that no coworker should factor it into her credibility. There, on the darkest part of the ride, as the train nearly kissed the one running parallel, Orla often caught her breath at how dispensable she looked.

But now, with nothing but her job and her phone and her instincts, she had claimed a minor superpower: she had made someone famous just by saying it was so.

Better yet: she had made herself a friend. When they got ready to go out, Floss shouted from down the hall, over their deafening playlists, “What are we wearing tonight? I hate all my clothes!” When they ordered Chinese food, Floss let Orla have both fortune cookies. Floss thought they were bullshit, that her fate was hers to shape—plus, she didn’t do carbs. But Orla still thought it was generous. Not wanting something didn’t make it easy to give it away.

She would get back to writing her book soon, but for now she was busy being important, busy not being lonely. The change she had yearned for was dawning around her. She was waiting for just one more thing.

Danny.


One morning, as Floss and Orla napped off hangovers, the doorman rang the white phone on their wall. Orla picked herself up off the sofa and got it. “Be right down,” she mumbled automatically.

“No deliveries, Miss Orla. It’s Sunday,” he said. “Your mother and father are here, okay?”

“Okay,” Orla said. She hung up, and flew across the floor to Floss, who was curled on the love seat, one breast easing free of her black satin nightie. Orla squatted down. “Hey, my parents are here. Can you...?”

“Your parents?” Floss was awake immediately, gathering herself, making a break for her room. “Why?” she said harshly, over her shoulder.

Orla flushed with anger—not at her roommate, but at her parents, for puncturing their world. Orla was steering the tides of celebrity; she didn’t need her mother to bring her Tupperwares of plain grilled chicken breasts, which Gayle would unbag while saying, “You need your protein, and I know you won’t go to the trouble yourself.”

Orla opened the door. Gayle and Jerry snapped their heads toward her as if she’d startled them, two pairs of eyebrows clutching toward each other with concern. This was how her parents had been greeting her since the days of them meeting her at the school bus: like they had spent all day discussing her worrisome behavior.

“Surprise!” her father said, grabbing Orla by the shoulders and kneading them.

“Hel-lo,” her mother murmured, in her strangely formal way, reaching around Orla not so much to hug her but to lightly tap the base of her neck. She was wearing a hunter green long-sleeved shirt and an aggressively plaid vest. Orla’s father wore beaten khakis, the black sneakers he passed off as dress shoes, and an old suit shirt with a drooping collar. When his dress shirts wore out, instead of getting rid of them, Jerry demoted them to casualwear.

“You should have seen us getting down here,” Gayle sighed, smoothing back her dyed-cranberry bangs. “We sure stuck out.”

“You mean because it’s eighty degrees out?” Orla said, eyeing the vest. But she knew what Gayle meant. Orla came from Mifflin, Pennsylvania, a town smack between New York and Philadelphia—growing up, she had gone to the zoos in both cities on field trips. Mifflin had been nothing but fields strung together by farms until the 1980s, when families like Orla’s descended, slapping up vinyl siding everywhere. Their neighborhood had sidewalks and young trees and a superfluous name, embossed on a concrete block at the turn-in: Hidden Ponds. (The one semiboyfriend Orla had ever brought home from the city had stood in her driveway, looking at all the short grass and macadam, and said, “They hid those ponds pretty well.”) Still, Orla’s parents pretended they had nothing to do with suburban sprawl. They did imitations of people who worked the earth. Gayle stomped around in rain boots all year and wore clothes she ordered from a catalog that had a mallard on the front. Her father puttered and fussed over their half-acre lawn and four tomato plants as if it was his job. “Frost tonight,” Orla could recall Jerry, a CPA, saying wistfully throughout her childhood, as if they might not eat. Gayle would call Orla in from the yard for dinner by ringing a large bell she had nailed to a beam near the back door. “6:00 p.m., supper’s on!” she’d shout. The kids in the adjacent yards would freeze, kickballs in hand, and blink at Orla. “Why does she do that?” one of them asked Orla once as they tugged at a tangle of Barbies. “So I know what time it is,” Orla said. The girl pointed at the CoreStates Bank on the other side of the cypresses at the back of the development. The bank’s tall sign blinked 6:01 at them in red. “The rest of us just use that,” she said.

After depositing the chicken breasts in Orla’s fridge, Gayle looked around the apartment, surveying the flattened boxes piled at the door. “What’s all this?” she said.

Orla handed each of them a glass of water. Her dad pulled out his hankie, dipped it in, and wiped his balding head. “I don’t know,” Orla said. “They’re my roommate’s.” In her room, Floss was soundless, not even her phone daring to chime.

Gayle lifted the flap on one of the boxes, trying to read the label.

“Mom,” Orla hissed. “I said they’re not mine.”

“Just checking,” Gayle said. “If you had a shopping addiction, you’d tell us, wouldn’t you?”

“Yes, Mom,” Orla said.

“Because you remember the year Aunt Diane gave us all those strange gifts? Your dad got the turkey fryer?”

“I liked that,” Jerry said tonelessly.

“And you got those black pearl earrings,” Gayle said severely to Orla, “but they weren’t real pearls.”

“I don’t have a shopping addiction, Mom.” Orla began the strenuous mental exercise of trying to come up with a restaurant that was inexpensive, close enough to walk to, and stocked with normal bread baskets, not focaccia or olive loaf or anything that might make her mother say, derisively, “Ooh la la.”

“Because it’s in our blood. That’s all I’m saying.” Gayle sniffed.


Ten minutes later: “Ooh la la,” Gayle said as the waitress set down the bread basket.

Orla sighed. “But it’s just rolls.”

Gayle pointed at the dish next to the basket, which, instead of wrapped pats of butter, held a pool of oil and herbs for dipping.

“How’s the job?” Jerry said to Orla. “Working on anything interesting?” Jerry had no idea what Orla wrote about, and they both preferred it that way. He could keep telling his coworkers that Orla was “a culture writer” if he didn’t see things like “How to Copy This Socialite Goddess’s Distressed Booty Jean Shorts in Just 13 Steps.”

Gayle, who liked to share Orla’s posts on Facebook, flapped her napkin at him. “Jerry, that’s girl stuff,” she said, like Orla’s job was a box of tampons. “She doesn’t want to talk about that with you.” Gayle pinched a piece of bread between her thumb and forefinger. “Anyway,” she said. “Guess who I saw the other day? Catherine. And Danny.”

Orla’s heart tripped. She made a show of chewing for a moment, then, when she trusted her voice to come out right, said: “And how are they?”

“To be honest with you,” Gayle said, “they seemed extremely unhappy.”

Orla could feel the blotches starting up her chest. She prayed Gayle wouldn’t notice. She could never be sure, then or now, how much her mother knew about then. Or now. “What do you mean?” she said. “How could you tell?”

Before Gayle could answer, Jerry knocked his fork off the table with his elbow and looked at Gayle helplessly. Instead of signaling for the waiter, Gayle got up, approached the wait station, and retrieved a new set of silverware. “Well,” she said, unwrapping the utensils for Jerry, “they made quite a scene at Chick-fil-A. Maybe it’d be nothing in these parts.” She looked pointedly at two men holding hands across the corner table. “They were fighting, and she...”

“She what?” Orla jumped in, forgetting to act like she didn’t care.

“She was screaming,” Gayle said. “At the top of her lungs.”

“Catherine was screaming?” Orla pictured Catherine, with her slicked-back soccer-girl braid, always pulling at Orla’s arm as soon as they got to a party, whimpering Let’s go, I know the cops are gonna come.

“Evidently,” Gayle said, “she wanted Danny to pray with her over their meals. And he wouldn’t.”

Jerry swallowed and laughed to himself without looking up.

Orla had noticed a religious tinge to Catherine’s online presence, the last time she browsed. This was the term Orla clung to—browse had a light touch, a whiff of the happenstance—as she bored through everything she could find on Danny, sucking her ice cream spoon in the light of her laptop. She recalled an Instagram photo of a sunset, shot from Danny and Catherine’s backyard, just a few miles from her parents’ house, and the photo’s caption: When something beautiful happens and you just can’t help but thank Him. #nofilter.

Gayle watched Orla carefully as she said: “When he got her calmed down, she said, ‘This is why I can’t be with you anymore.’”

Orla’s fingers itched. She needed to get rid of them, get back to the apartment, get online. Since she and Floss began working together, she had been spending fewer nights looking up Danny. But it didn’t really matter how much time she spent clicking around his life, how many times she entered his name into a search box or how many days she managed not to. She was always waiting, still.

Jerry shook the empty little cylinder and called out, “Salt?” The waitress came over to refill it and got trapped in Gayle’s signature rant on allergies (she did not have any; she just wanted to establish that she thought people invented them these days. People needed to toughen up about peanuts and gluten, that was all). The waitress looked to Orla for aid, but Orla was glad for the distraction. She let the letters on the menu blur in front of her and thought about Danny, the last time she ever spoke to him.


They were at a party, the night before high school graduation. The party was at the home of a kid named Ian, whose parents were never there. Neither, usually, were Orla and Catherine. Gayle and Jerry never had to police Orla’s whereabouts; her best friend was frightened of everything. But they were graduating, Orla insisted to Catherine, and they wouldn’t want to look back and remember that they had spent the last night of high school making Cheez Whiz nachos and rewatching Austin Powers. “We’ll bring Danny,” Orla added, feeling bold. “Danny won’t let anything happen.” Finally, Catherine gave in.

Danny drove them. Catherine slid into the front seat, and he leaned over to kiss her on the cheek. He made sure her seat belt was clicked in right. Orla watched from her place in the back—behind Catherine, where she could see him.

It was simple: Orla had always loved him. She had loved him since the first day of ninth grade, when she and Catherine, allies from middle school, sat next to each other in English. Danny sat in a desk on the other side of the room. His arms were pale and muscled, folded across a wordless gray T-shirt on a day everyone else had picked their clothes like their lives depended on them. When he twisted around to look, at the teacher’s urging, at a how-to chart on bibliographies, his dark blue eyes locked on Orla’s pale brown ones, and that was what she would always remember: the way he was willing to stare, when so many boys nearly wet themselves from eye contact. Orla looked at him, and he looked back at her, and she wished the teacher would never shut up about how to cite sources.

Afterward, Catherine turned to Orla in the hallway, red as an angry infant, and said, “Did you see him?”

And Orla said, “I know.”

They were talking quietly, because he was behind them, all of them shuffling toward next period, struggling to hold the map of the school in their heads. Catherine turned quickly, as if she needed to do it before she lost her courage. Her braid grazed Orla’s face, a quick, bristling lash. “Hi,” Catherine said to Danny. “Do you know which way Upper B is?” Danny glanced once at Orla, then nodded and started speaking to Catherine. Simple again: Danny and Catherine started dating that weekend, and never stopped.

Orla could have raged or cried or sabotaged them, but she was strangely content to orbit them instead. For four years, she joined Danny and Catherine for movies and camping trips and felt only shallow pangs when they went into one tent, and she went into the other. She dated plenty of his friends, was always happy to take on another for the pleasure of Danny leaning against her locker, grinning, his hand on her shoulder as he joked, “Be nice to this one.” They spent high school in the same carpeted basements and starry parking lots, under the arms of different people. And as Danny and Catherine synced up their applications to state schools, Orla never tried a thing, never made an advance, never confessed. She was already writing him into the story of her life later on. She had it all planned: she was going to be a New Yorker, an author with chic glasses and a grip on what to do with her disorderly hair. At seventeen, she went to bed dreaming not of going to prom with Danny, but of him knocking on the door of her brownstone. She bundled him together with success and self-confidence—things from the future—and her ability to wait for them made her feel brave and pure and wise, like a monk. Catherine often told the story of how she and Danny met. “He stared at me all through freshman English on the first day of school,” she would say, turning to her best friend for backup. “Ask Orla. She was there.” Orla would nod and murmur, “It’s true. I was there.” But the truth, the smooth and immutable fact that propelled her through each day, was that Danny’s gaze had been on her first.

At Ian’s pre-graduation party, Catherine gulped Mad Dog too fast from a jelly jar with Lion King characters on it. Danny and Orla put her to sleep in the only untrashed room of the house, atop Ian’s parents’ plain navy quilt. Danny sandwiched Catherine between pillows, propping her on her side in case she threw up. When they got back downstairs, the other kids had all passed out or gone home, abandoning the strobe light that sat blinking on a card table. Orla was starving. Danny suggested they go back into town, to Wawa, for hoagies.

When they left the store, bags swinging, Orla thought they would head right back to watch Catherine, but Danny felt like a drive. Orla, sitting in the front seat for once, touched the gearshift and said, “I wish I could drive stick.” She wished no such thing; she couldn’t have cared less. But she was always on the lookout for ways to seem interesting.

Without taking his eyes off the road, Danny had covered her hand with his and left it there as he guided the car through its powers. Orla hadn’t said a thing, hadn’t moved, hadn’t breathed. He was driving too fast, she thought, drifting too close to the yellow line, getting careless on hairpin curves. She had never felt safer in her life.

When they got back, they sat on Ian’s porch, eating and talking. Orla had given Danny a book a few weeks earlier, a whiny teenage manifesto she took as gospel at the time. “I loved it,” he said. “I tried to get Catherine to read it, but I don’t think she got it.” He looked out past the porch rail as if there were a great vista in front of them, though the house across from Ian’s was only thirty feet out. A string of Christmas lights, half-burned-out, still drooped from its eaves. “It’ll be our thing,” Danny said.

Inside, they found Catherine sleeping deeply. Danny felt for her breath with his hand, then crawled into bed beside her. Orla collapsed on the floor, and Danny pulled the pillow from beneath his neck and tossed it down. “Are you gonna remember us, Orla?” he said quietly.

Orla’s heart pounded in her throat as she wondered, briefly, if she had done it all wrong, being brave and pure and wise, if she should withdraw from her fancy mountainside college, or beg him to come along. Like the seventeen-year-old girl she was, she believed him full of potential that was invisible to everyone but her.

“Who’s us?” she said finally.

Danny was half-asleep when he answered. “All of us,” he said. “You know, you’re gonna be somewhere else, you’ll be this writer, and...” He paused, gave a long moan of a yawn. “I’ll be like, ‘I know her.’”

The next morning, after the principal and class president were finished, Orla had to give a speech. She had served as class vice president after running unopposed, at Gayle’s insistence, for the sake of her college applications. Onstage with her speech, a single-spaced printout of metaphors that didn’t quite land, Orla spoke slowly, hoping Danny and Catherine might show up by the end. But their seats were still empty when she finished.

A few hours after graduation, the phone rang at Orla’s house. It was Catherine. Though both girls had cell phones by then, they still called each other’s homes, a habit both formal and intimate, proud proof of their long friendship. Catherine was shaky with guilt. She had been sick from drinking all morning, she said. Then she had gone to the car wash with Danny, to wait with him while he had his car detailed. She had vomited, on the way home from Ian’s, all over the passenger seat.

“Was I awful?” Catherine said. “At the party?”

“Not awful,” Orla said. She drew the word out carefully, as if Catherine had really embarrassed herself and Orla was sparing her the truth.

“I feel terrible I missed your speech.” Catherine’s voice was gaspy in the receiver, the way it got when she was headed for a cry. “Are we okay?”

“Sure,” Orla said. Nothing else. She listened to Catherine’s trembling sighs on the other end, the sound of her waiting for Orla to comfort her. But all she could think of was Catherine puking in Danny’s car, on the seat that had been hers in the middle of the night. She tucked the receiver under her chin and stayed stingily silent.

When Orla hung up, she saw Gayle in her bedroom doorway, holding the lidded plastic tub that would live under Orla’s bed at Lehigh. “You have so much going for you, Orla,” Gayle said. “Let Catherine have what Catherine has.”

Summer drifted past, and Orla made excuses not to see Catherine. They said shallow precollege goodbyes over the phone. Orla hadn’t lied, when Catherine asked; they were okay. She wasn’t angry. She just didn’t see the point of staying close. Her feelings for Danny had been validated—I’ll be like, I know her. He wanted to see how she was going to turn out. No matter where the story went from here, Orla thought, Catherine was destined to be a footnote.

College became the place she started watching him, because college was the place she started being alone. For no reason Orla could see, the girls on her freshman-year dorm floor looked around her as if by agreement. Her roommate mumbled something about a sleeping problem and transferred elsewhere in October, just weeks after she and Orla had agreed, with the rusty manners of two girls who have always had their own rooms, where to put the posters and the minifridge. After the roommate’s furniture was removed, Orla vowed each day to plant her feet in front of one of her hallmates and say, “I have a single now, you know, if you guys want to drink in my room tonight.” But—perhaps because they mostly saw each other while wearing only towels—she never found the bravery.

By the time fall break began, the borders of cliques were bonded and set. Orla could hear groups of friends moving outside the door she no longer kept propped hopefully open, as her orientation counselor had advised. She heard them going to breakfast late without her, going to dinner early without her, going to parties loudly without her. Her aloneness was so random, so total and unprovoked, that she almost thought someone from the school would come along to smooth it out, the way they might a housing mix-up, or a schedule snafu. Just before winter break, she tried to join a sorority, walking into an information session to find two hundred girls in the nearly same black pointed boots, ink-blue jeans, and tartan scarves. Only one other girl in the room was not wearing some version of this look: a girl from India whom Orla recognized from her discrete math class. An eager blonde who had been talking to the Indian girl, enunciating loudly, turned to Orla when she sat down. She assessed Orla’s Lehigh hoodie and sky blue denim, the plastic claw in her hair. “And what country are you from?” the blonde said loudly.

By spring, Orla was leaning into isolation. She sold her meal plan on the student exchange website and took to eating buffalo wings in her room. She worked her way through Sex and the City on DVD. She wrote: short stories, song lyrics, never-ending screenplays. And, as more and more ways to do it were invented, she kept up with Danny. She would write for four minutes, then refresh Danny’s Myspace. She would falter on a passage, then toggle over to stare at his screen name on her Instant Messenger buddy list, watching the letters go from black to gray when he found something better to do.

The semesters turned into the next ones, and nothing changed. Once, Orla saw the Indian girl from the sorority meeting in the student union. She walked toward the girl, an opener gathering itself in her mind—Remember that night, how crazy was that, like was there a Burberry memo we missed? But as she got closer, a harried redhead ran up and punched the arm of the Indian girl. They found a table and unzipped their jackets. Orla saw that the Indian girl had on the right scarf, the right jeans and boots. And a crew-necked sweatshirt with Greek letters, denoting Alpha Phi.

When she went home on breaks, Orla would sometimes glance up at the ring of her parents’ landline. But, after a school year’s worth of silence, Catherine had started to text her. She would send Orla canned messages on holidays—happy this or that, and hi to your parents—and each girl would ask how the other had been. What could really be said that way? Twice, Orla snuffed out an exchange by saying, with a smiley, “Nothing new to report!” Facebook had not yet reached Catherine’s lower-tier state school, but Orla didn’t need it; she could picture how well her friend had moved on. She imagined Catherine’s soccer teammates with tight stomachs and clean faces, fussing over Danny the first time he came to visit. She imagined them teasing Catherine about being a lightweight, and putting her gently to bed when she proved them right. There was only one thing she really wondered about her old friend: how long she and Danny would be together.

She got the answer she wanted a few weeks after college graduation. Orla moved straight back to Mifflin, to make good on a deal she had struck with her parents: she would live at home and work locally for one year, to save money before moving to New York. She had secured a job covering town council meetings for the newspaper that fell on Mifflin’s doorsteps.

One night, a week before she was due to start at the paper, Orla ran into Catherine while picking up takeout at TGI Fridays. (Jerry was fond of saying that the chain’s Jack Daniel’s chicken was the best dinner on earth, that “you”—who “you” was had never quite been defined—“can keep your Michelin-star joints.”) When their eyes met, Orla was holding her father’s credit card, and Catherine was holding a drink with a flashing scrotum plunged into the ice.

“It’s my bachelorette party!” she crowed, grabbing Orla’s elbow to anchor herself. “Danny and I are getting married next month.” Her eyes widened and she dug her fingers into Orla’s arm. “Stay!” she pleaded. “Hang out.” Orla phoned home, hoping for an out, but Gayle joyfully insisted that Orla forget about bringing home the food and enjoy herself.

Catherine’s soccer friends—there were three of them—looked exactly as Orla had envisioned. They were bright and healthy, sculpted muscle covered in skin that was somehow tanned and freckled at once. They all had hair that looked like it was only worn down on special nights like this—too long, too limp, and vaguely damp-seeming, but somehow on the whole not unappealing. Catherine fit with them perfectly, Orla thought, though it was her old friend who, for once, had a good haircut. Catherine’s braid was gone, replaced by a pretty bob, the golden ends of which twisted into her mouth as she spoke.

“This is Orla,” Catherine said, and Orla didn’t miss what happened next. The friends’ eyes narrowed at the mention of her name. They looked at each other. They straightened. It was obvious: they had heard, at an earlier time, a memorable explanation of who she was.

Orla took her penis straw. She endured the torrent of inside jokes. She was careful not to let anyone catch her looking at the clock. Catherine more or less ignored her for the rest of the night, until it finally ended and the bossiest of the soccer girls jingled her keys. “Okay,” she said to Catherine, taking the drink right out of her hand. “Let’s get you home.”

Catherine shook her head. “It’s out of your way,” she said. “Orla will take me.”

Orla had her car from high school—the boxy, cat-eyed Taurus. She watched as Catherine popped open the glove compartment, an automatic reflex, and pulled out the little book of Orla’s old burned CDs. “The one with the Incubus,” she slurred, rifling.

“I forgot those were in there,” Orla said. She was surprised to find herself suddenly on the edge of tears, and grateful that Catherine seemed too drunk to notice, her index finger swaying as she pointed out the turns.

The house was a small brick Cape with white metal awnings over the windows and a black horse and buggy embedded in the screen door. “Wait here a minute,” Catherine said. She got out of the car and stomped toward the house, missing every bluestone paver in the path. Mulch splintered upward as her heels sank into the earth. The concrete stoop’s metal railing wobbled as she gripped it.

He’s in there, Orla was thinking, her eyes on the front window. Danny is in there.

And then she saw him, rising from the couch opposite the window to answer Catherine’s knocks. He rubbed his eyes as he ambled across the room. The light was behind him; all Orla saw was his outline, the shadows of his features. He opened the door and looked out through the screen, but Catherine prodded him back as she pushed inside the house and pulled the door shut behind her. Orla gripped the wheel. Was she still supposed to wait?

A minute later, Catherine reappeared. She stumbled back toward the car. In her hand was an envelope, rimmed in black-and-white damask. She got back in the car and thrust it at Orla. Orla clicked on the overhead light and disassembled it quickly. The card she pulled out began: “Together with our families, Daniel and Catherine...”

“Oh,” she said. “Catherine, that’s—You don’t have to.” She tilted the wedding invitation. Even in the dim light, she could see that the words were slightly askew, cocked toward the top right corner of the card. Catherine must have printed these herself. The lump in Orla’s throat grew, and she realized suddenly why it was there: she did not want to go to this wedding, she did not intend to go to this wedding. But the gesture overwhelmed her; she had been so cruel, and Catherine was being so nice to her. At least, that was what she thought until Catherine started speaking again. Her voice was suddenly so intense, so oddly charged, that Orla looked up, as startled as if she had screamed.

“You were at the bachelorette party,” Catherine said, “so it’s only proper you’re invited.” Orla watched as she opened the glove compartment again and began to rummage through it. After a moment, she found what she was looking for—a pen—and handed it to Orla point first, stabbing the small glinting end at her palm. She nodded at the invitation. “Just pick your entrée now,” she said. “Save you the stamp.”

Orla swallowed and looked toward the house. The couch was vacant now, the room surrounding it dark.

“He’s not coming out,” Catherine said. She lifted her arm to the edge of the car door and rested it there, where the window was all the way down. She dragged her nails back and forth on the vinyl. She smiled at Orla—a knowing smile. “He’s not coming out to see you.”

The lump in Orla’s throat dried up, chased away by a settling calm. She felt the same way she did when she sat down to an exam she was well prepared for. Whatever theory Catherine had, right or wrong, was just that: a theory, lacking evidence. Orla had been so careful not to create any evidence, and she was not going to stammer.

She looked at Catherine. “Of course he’s not,” she said evenly. “It’s late.” She looked down at the invitation and scratched her finger over the date. “I’m not sure I can make it, actually.”

Catherine cut her off with a laugh. She clapped a hand to her mouth, like she hadn’t meant to let the sound out, then dropped it and giggled again. “But where would you be?” she said. “I know you always thought you’d be somewhere else, but you’re here. You’re around.” She grabbed the card back, then the pen. She clicked its point in and out, in and out. “Chicken or steak, Orla?”

“I’ll have to check the date,” Orla said.

Catherine snorted. She made a violent X next to the steak option. She got out and slammed the door, leaned down near the open window. “I’m glad you’re coming, Orla,” she said. “I think it’s important you be there to see this.”

But Orla wasn’t there to see it. The Monday after she ran into Catherine, she emailed the newspaper editor who was meant to be her boss. Something had come up, she explained. Something undeniable. Gayle was apoplectic about Orla reneging on the offer; she left the editor her own rambling voice mail, spelling her full name and saying that she had raised her daughter better than this.

A week later, Orla agreed to sublet a room that didn’t exist yet from a girl named Jeannette in Chelsea. Jeannette explained it over and over: the place was a one-bedroom, and she’d wanted to live there alone, but she found she couldn’t afford it and needed someone else to chip in. Did Orla understand—she would have to put up a wall in the living room to box off some space for herself. Orla said she got it, she didn’t mind, and yes, she understood: the cost of the wall was hers to bear.

On the morning of Catherine and Danny’s wedding, Orla and Jerry set out in a U-Haul for Manhattan. Orla waited to call the bride until the skyline was close enough to touch, mirror gray on her right as the rented truck rumbled toward Jersey City. She told Catherine the same thing she told her parents: she’d gotten a job at a website. Soon enough it would be true—within months, she would find the job that would turn into the job that turned into Lady-ish. But just at that moment, it was a lie. Orla had funded the check for Jeannette by cashing in all her old savings bonds, the brittle peach stubs given by grandparents and godparents on the milestone days of her premillennium childhood: baptism, birthdays, eighth-grade graduation. “These haven’t fully matured yet,” the bank clerk warned Orla, “if you want to wait.” Orla didn’t want to wait. She asked for all of it in cash.

Let Catherine have what Catherine has, her mother had said years ago. But wasn’t that exactly what Orla had been doing? She was letting Catherine have Danny until Orla became the person he predicted. And that was who she would become, she resolved: the person Danny thought she could be, not the one Catherine thought she was. She would be damned if she turned out to be someone Catherine could laugh at from down the road. She would be damned if she turned out to be around.

“This is really late notice,” Catherine said when Orla called to say she couldn’t make the wedding. Orla could hear the hot hiss of a hair straightener working on the other end. “We paid twenty-six dollars a head,” Catherine added.

“Yeah, I’m sorry,” Orla said. “I had to take the move-in slot the building gave me. They’re really strict about this stuff in New York.”

Orla never spoke to Catherine again, but she saw her plenty while she kept watching Danny, just as she had all through college. She wore out screens and acquired new ones, and all the time—though countless new ways to reach him bloomed around her—she only watched. She watched as he started balding and managing a cold-storage locker one town over. She watched as Catherine put on weight, her athletic figure retaining its contours but not its firmness, and started selling three-step skin care systems. She watched as the newlyweds renounced carbs and started traveling with friends from the gym, and she watched as they got sick of all that and started a blog about Catherine’s slow-cooker shortcuts and Danny’s home repairs. Orla didn’t like a bit of their marriage, not online and not in real life. But she was curiously undeterred. She understood now, in a way that she hadn’t in college, that waiting for him was just part of her life. That she would never really stop. When people bumped her on the street without seeming to see her at all, she brushed it off with the thought: Someone is waiting to brag that he knows me.

So it wasn’t buried quite as deep as the back of her mind, the notion that maybe this business with Floss would prop her up at a height Danny couldn’t ignore. Somewhere he could find her easily, and see that, all along, he’d been right.

CHAPTER SIX

Marlow

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