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DORIS LESSING



Landlocked

Book Four of the

‘Children of Violence’ series


Contents

Cover

Title Page

Part One

Chapter One

Chapter Two

Chapter Three

Chapter Four

Part Two

Chapter One

Chapter Two

Chapter Three

Chapter Four

Part Three

Chapter One

Chapter Two

Chapter Three

Chapter Four

Part Four

Chapter One

Chapter Two

Chapter Three

Chapter Four

About the Author

By the Same Author

Read On

The Grass is Singing

The Golden Notebook

The Good Terrorist

Love, Again

The Fifth Child

Copyright

About the Publisher

Part One

The Mulla walked into a shop one day. The owner came forward to serve him.

‘First things fìrst,’ said Nasrudin; ‘did you see me walk into your shop?’

‘Of course.’

‘Have you ever seen me before?’

‘Never in my life.’

‘Then how do you know it is me?’

THE SUFIS; Idries Shah

Chapter One

The afternoon sun was hot on Martha’s back, but not steadily so: she had become conscious of a pattern varying in impact some minutes ago, at the start of a telephone conversation that seemed as if it might very well go on for hours yet. Mrs Buss, the departing senior secretary, had telephoned for the fourth time that day to remind Martha, her probable successor, of things that must be done by any secretary of Mr Robinson, for the comfort and greater efficiency of Mr Robinson. Or rather, that is what she said, and possibly even thought, the telephone calls were for. In fact they expressed her doubt (quite justified, Martha thought) that Martha was equipped to be anybody’s secretary, and particularly Mr Robinson’s – who had been spoiled (as Martha saw it), looked after properly (as Mrs Buss saw it), for five years of Mrs Buss’s life.

Mrs Buss said: ‘And don’t forget the invoice on Fridays,’ and so on; while Martha, fully prepared to be conscientious within the limits she had set for herself, made notes of her duties on one, two, three, four sheets of foolscap. Meanwhile she studied the burning or warm or glowing sensation on her back. The window was two yards behind her, and it had a greenish ‘folkweave’ curtain whose edge, or rather, the shadow of whose edge, chanced to strike Martha’s shoulder and her hip. At first had chanced – Martha was now carefully maintaining an exact position. Areas of flesh glowed with chill, or tingled with it: behind heat, behind cold, was an interior glow, as if they were the same. Heat burned through the glass on to blade and buttock; the cool of the shadow burned too. But there was not only contrast between hot heat and hot chill (cold cold and cold heat?); there were subsidiary minor lines, felt as strokes of tepid sensation, where the shadow of the window frame cut diagonally. And, since the patches and angles of sunlight fell into the office for half of its depth, and had been so falling for three hours, everything was warmed – floors, desks, filing cabinets flung off heat; and Martha stood, not only directly branded by sunlight and by shadow, her flesh stinging precisely in patterns, but warmed through by a general irradiation. Which, however, was getting too much of a good thing. ‘Actually,’ she said to Mrs Buss, ‘I ought to be thinking of locking up.’ This was a mistake; it sounded like over-eagerness to be done with work, and earned an immediate extension of the lecture she was getting. She ought to have said: ‘I think Mr Robinson wants to make a call.’

At this moment Mr Robinson did in fact put his head out of his office and frown at Martha who was still on the telephone. He instantly vanished, leaving a sense of reproach. Martha just had time to offer him the beginnings of a placatory smile of which she was ashamed. She was not going to be Mr Robinson’s secretary, and she ought to have told him so before this.

She should have made up her mind finally weeks ago, and, having made up her mind, told him. She had not, because of her tendency – getting worse – to let things slide, to let things happen. It had needed only this: that she should walk into Mr Robinson’s office and say, pleasantly, absentmindedly almost, ‘I’m sorry, Mr Robinson, I’ve decided it would be better if I weren’t your secretary.’ At which he would nod, say: ‘Of course, Mrs Hesse, think no more about it.’

This unreal conversation was why Martha had not in fact gone in before now to make her stand on a refusal; and why she had spent so much of her time in the last week or so marvelling at the complexities behind such a simple act.

Mrs Buss’s husband had decided to take a job on the Copper Belt. Mrs Buss did not want to leave this job which fitted her soul like a glove, but being nothing if not an expert on what was right, knew it was right to follow her husband wheresoever he would go. Although she was not married to her husband but to her work, or rather, to her boss – for the past five years, Mr Robinson. This did not mean, far from it, that her relation with Mr Robinson was anything it should not be; her duty was to the idea of what was right from a secretary. In the Copper Belt, she would, after an agitated fortnight or so of writing letters to Martha telling her how to look after Mr Robinson, transfer herself to her new boss, whoever he was, and around him henceforward her life, her time, her being, would revolve.

As for Mr Robinson, he understood not the first thing about this phenomenon over which Martha pondered still, after years of working beside it.

What would he say, for instance, if Martha told him: Mr Robinson, did you know that Mrs Buss tells Mr Buss, on the nights when her shorthand book is full: ‘You know I can’t tonight, I’ve got two memorandums and a company agreement to type tomorrow morning.’ And Mr Buss understood his position in her life so well, that he knew (as Mrs Buss said, with a nod of satisfaction) where he got off. What would Mr Robinson say if told that Mrs Buss went to bed early refusing sundowners, the pictures, a dance, anything at all, on the nights before – an audit, a big court case where Mr Robinson would have to appear, or even a particularly heavy mail?

Well, Martha could not conceive of telling him, he simply would not believe it. He would go crimson, she knew that; the lean ‘likeable’ lawyer’s face would grow sulky while the blood darkened it. Because, of course, he would not understand how impersonal this passion was, and that, from two weeks’ time, in Lusaka, Mr Buss would be ‘told where he got off’ just as strongly but in relation to another job, another boss.

The door flung open again, and again Mr Robinson appeared, this time showing annoyance. Martha covered the mouthpiece, saying, ‘It’s Mrs Buss,’ relieved that Mrs Buss was definitely ‘office work’.

‘Does she want to speak to me?’

‘Do you want to speak to Mr Robinson?’

‘Oh no, I wouldn’t disturb him in his work,’ came the prompt, admonishing reply. ‘I’ll ring you tomorrow, Matty, in case we’ve forgotten anything.’

The door to Mr Robinson’s office was a plane of orange-coloured wood, unmarked by mouldings, grooves, panels, patterns, marked by nothing but the tree’s grain. It was teak, showing the – how many? – years of its growth in irregular concentric lines. With half-shut eyes, the orangey-brown became sand over which water had ebbed, leaving lines of foam, or debris. Stared at, unblinking, with concentration, the door seemed to come closer, became cliffs of weathered sandstone, weathered rock, eroded in patterns where water had run – or like the irregular concentric lines of growth in wood …

But all this was no use, for she had to go in and tell Mr Robinson she would not be his secretary. He was at this moment sitting behind his desk waiting for her to come in, and confirm it. Reasonably enough: it was a post much better (she agreed) than she deserved.

Martha, now released from the tether of the telephone wire, was standing behind her desk, not looking at the door. The sun was on her back, but the patterns of heat had shifted. A few minutes ago she was confirming: edge of window-curtain, window frame, glass, lines horizontal and diagonal, areas small and large. But now her flesh was confused. It had charted, most accurately, for some unvarying minutes, degrees of heat, of cold and now it was sulking. It was being asked to register too much too quickly – her whole back – and the backs of her thighs and arms, flamed at random with heat and with cold. As if she were in a fever. It occurred to Martha that perhaps she was – she might have burned herself. After all, glass could act like a burning-glass; perhaps a knot or a whorl had focused heat on to – she bent back her head, held forward her shoulder. It emerged smooth from a sleeveless pink cotton dress, but it was reddened. She was standing in a dislocated position, trying to see her own back down through the gap in pink cotton where it fell away from her shoulders, when Mr Robinson came in and caught her. He went red and so did she. With a muttered, ‘Like to see you, Mrs Hesse,’ he returned to his office. But now the door was open. A sweet grass-smelling air came wafting through from his office, his open windows – a smell of cool watered grass. This fresh smell mingled with the smell of hot glass, of heated metal, of hot paint, of warmed varnish – Martha put her palm on her own desk where the sun had been falling, and withdrew it quickly, as if away from a hot-plate. Following the smell of newly cut grass, more than her will, she went into Mr Robinson’s office. Beneath his windows, Rhodes Street, pouring with traffic, a jungle of warmed metal in movement. But beyond two roofs and an Indian store was a parking lot fringed with grass, where a black man scythed the loose fronds of jade-green grass, that was frothy with white grass-flowers, and the scent of it showered over all the lower town.

Martha put her left hand up, backwards, under her left armpit, and said, to explain her tortured position: ‘I think I’ve burned myself – from the window you know,’ she added. Then added again, still smiling, afraid now that this might sound like a complaint, because the main office was so exposed to the sun: ‘I’m an idiot.’

Mr Robinson let out a laugh, most false, except in his desire to show willingness to laugh, and said: ‘Do sit down, Mrs Hesse.’

Mrs Hesse sat, knowing that sitting in the clients’ chair was going to make it more difficult to refuse.

Now Mr Robinson offered her a cigarette, shooting out a brown athletic hand (he played golf or tennis and swam every Sunday) with the silver case at the end of it, in a level, piston-like movement. There he sat, smooth, well-tailored, healthy, intelligent, his lean, good-looking face waiting in a smile for Martha to make a formal acceptance of his offer that she would be his secretary.

These two human beings had shared all their working days for years, off and on, and they knew nothing about each other, had never had any real contact, and in fact, as Martha knew, did not like each other. He was asking her to remain as secretary because of an indolence that matched her own: better the devil one knows. At least she had been with him (as the phrase is) for all that time and presumably she would be irradiated with the reflected efficiency from Mrs Buss?

‘Look,’ she began awkwardly, ‘I’m terribly sorry, Mr Robinson, but I can’t be your secretary.’ Already he had turned on her an affronted stare which caused her to stammer as she went on: ‘For one thing, there’s my father, he’s terribly ill, and it wouldn’t be fair, because I couldn’t give my whole attention to the job.’

He was red with annoyance, and also with heat – his office, sheltered from the evening sun by the outer office and a wall, nevertheless glittered and gleamed from every surface because the windows of the tall building opposite flashed red and gold rays into it. The heat in this room had a cooked composted smell of tobacco, of stale pipe ashes, of heated wood and metal and hot flesh.

‘Well, I don’t see that as an obstacle,’ he said. He was annoyed because Mr Quest’s illness had been incorporated, so to speak, into this office system already. Several times in the past few weeks Martha had had to leave precipitously, summoned to the sick-bed by Mrs Quest, who had taken to ringing up Martha with the announcement that she would not answer for it if Martha did not come at once.

And besides, what about that long period (past, but it had certainly existed) when half the telephone calls were for Martha, in her capacity as secretary of half a dozen ‘Red’ organizations? Mr Robinson had swallowed all that too, out of sheer decency, for in his capacity as future Member of Parliament, he denounced ‘communism’ with vigour. ‘I’m not going to have all you people upsetting our blacks’ – as he put it to Martha, from time to time.

Martha thought: I’ve made a hash of it already. Why can’t he see that we could never get on? Besides, I simply will not be a secretary – the essence of a good one being (and he most particularly will demand this from now on) that she should deliver herself to the work heart and soul. I’ll stay on as a typist or something, but that’s all.

Mr Robinson was still waiting for her to produce a more sensible excuse. By now he had understood she would not be his secretary, but was going to show his annoyance by insisting on ‘explanations’.

‘Damn that sun,’ he muttered, half-glancing at Martha to suggest she should draw the curtains. She had already risen, when he remembered that her sitting there before him, in the clients’ chair, meant she was temporarily in a different role. He jumped up and tugged oatmeal-coloured curtains across the whole wall; so now the sun showed in a thousand tiny lines of sharp yellow light criss-cross over darkish linen.

He sat down again, smiling a small quizzical smile. Martha noted it with dismay, noted she was softening: the smile said: Are you being difficult perhaps? Do you want to be persuaded into it? Do tell me …

She felt absurd, theatrical, ridiculous. She knew if she said ‘yes’ to this job it would be one of the bad, serious decisions of her life. She did not know why: it simply was so. Her life could be changed by it – in the wrong way. She knew this. And it was also pompous and melodramatic to refuse, and she felt silly.

‘Listen, Mrs Hesse: the war’s on its last legs, that’s obvious. The senior partners will be coming home any minute now. In a year from now this firm will have taken all this floor and the floor above – it will be the biggest legal firm in the city. There’ll be five working partners and that’ll mean five personal secretaries and I reckon about ten typists and a couple of accountants.’ His voice was full of pride. A long way was Mr Robinson from the shabby old building in Founders’ Street (still only four or five hundred yards away in space, however) the shabby old rooms, the half-dozen typists. And a long way was he in imagination from the present arrangement of two smart rooms filled by Mr Robinson, Mrs Buss, Mrs Hesse. No, he was already the conqueror of two large modern glass-spread floors filled to the brim with lawyers, accountants and secretaries: ‘the biggest legal firm in the city’.

And he wanted Martha to be thrilled with him. The trouble was, she was thrilled. If she wasn’t careful, she was going to give in.

‘I’m awfully sorry, Mr Robinson,’ she said, awkwardly, but firm enough. He looked at her, hurt. To hide the red that flamed over his face, he jumped up from his chair and began rooting in a filing cabinet. ‘I can’t find,’ he muttered, ‘the Condamine Mining Company file.’

Martha sat on a moment, looking at the Condamine file which was immediately in front of her on his desk. Then she stood up. ‘Look, Mr Robinson,’ she was beginning, when he bent down to pick up a paper lying on the floor. As he straightened again, he banged his head hard on the sharp corner of a projecting drawer.

The bang went through Martha in a wave of sickness. As for him, he stood gripping the drawer with both hands, swaying with faintness, his face white, his closed eyelids squeezing out tears of pain. Martha’s teeth clenched with the need to comfort, her arms were held in to her waist to stop them going around him – and she said nothing, not a word, nothing. She stood like a pillar of cold observation. At least, she thought, I must avert my eyes from … She turned herself, went to the window, twitched back a corner of the oatmeal linen, and looked out over the stream of cars and lorries, over roofs, over to the black man who steadily bent and straightened, bent and straightened, the sun glinting red on his black polished chest and back, and sliding red streaks along his scythe. The grass fell in jade-green swathes, frothy with white flowers, on either side of him, and the smell of cut grass wafted in over the thick sweet smells of tobacco, sweat, ash, heated wood – Martha heard Mr Robinson’s breathing steady and settle. She felt sick with his sickness, but could not think of anything to do. If he hated her for her detachment from his pain, he was right. ‘Are you all right?’ she asked at last, and he said, with difficulty, ‘Yes, thanks.’ Off he went, out of the office, striding with his long spring-like stride, and she thought: Of course, he’s gone to get himself some water, I should have thought of it.

When he came back, he gave her a look of cold dislike, which she knew she had earned.

‘Do you want to leave altogether?’ he asked, sliding himself back into his chair, and slamming in drawers everywhere around him. On his forehead was a red bump in the middle of which was a blackish contusion, oozing blood. He sat dabbing at it.

‘Not unless you want me to,’ she said, remaining where she was, by the curtains.

‘If you think I’m not offering you enough money, then I think you’re being unreasonable.’

Since he was offering her Mrs Buss’s salary, he was more than reasonable.

‘It’s not that – look, it’s like this, I don’t think you quite realize just how marvellous Mrs Buss is – was, I don’t think you’ve got any idea.’

He gave her one of his quick assessing glances, quick from shyness, not from acuity, and concluded that the awkwardness of her manner meant insincerity. He said coldly: ‘My dear Mrs Hesse, you aren’t suggesting I don’t know Mrs Buss’s worth, surely? I’ve never in my life had anyone like that working for me, and I’m sure I never will. But now she’s gone, I can confess in confidence that sometimes it was too much of a good thing. I mean, sometimes I didn’t feel good enough for her – as for being late in the morning, I wouldn’t have dared! …’ He gave a hopeful laugh; she joined him emphatically. ‘I’m not asking you to be Mrs Buss, believe you me!’ Here he began a hasty uncoordinated shoving about of his files and papers all over the big surface of his slippery desk, which meant, as Martha knew (with an increasing exasperation which was compounded strongly, against her will, with affection) look, this is what I want, I want to be looked after as Mrs Buss did, just look at the mess I’m getting into! The papers, pushed too hard, went fluttering off to the floor, and Martha bent to pick them up, feeling ridiculous, because now Mr Robinson got up and bent too, cautious of his head though, and even giving the dangerous drawer humorous glances for Martha’s benefit, just as she had put up her hand backwards to touch her shoulderblade, in a sort of explanation to him. For a few moments, these two bobbed up and down, like a couple of feeding hens, Martha thought, picking up the papers that lay everywhere in the most touching scene of mutual harmony and good will. Luckily the telephone in the outer office rang, and Martha was released to answer it. ‘Robinson, Daniel and Cohen,’ said Martha, into the black tube, and Mrs Quest said dramatically: ‘Matty, is that you? You must come at once!’

Martha sat down, enquired: ‘Is he ill again then?’ and drew towards her a sheet of paper, adding pennies to pennies, shillings to shillings, and – since this was one of the firm’s big accounts – hundreds of pounds to hundreds of pounds. Mrs Quest had already rung twice that day, first to say that Mr Quest was having a bad spell and Martha must be prepared to come at any moment; and again to say that Mr Quest had turned the corner.

Martha was thinking that something had been forgotten in the interview with Mr Robinson: she was being paid an extra ten pounds a month to do the books. But now there would be accountants, and he would be entirely in the right to deduct ten pounds from her salary.

‘Matty, are you there?’

‘Of course I’m here.’

‘I’m waiting for the doctor.’

‘Oh, are you?’

‘Well, if you’ve got things to do, do them quickly, because you did say you’d come, and what with one thing and another I’m run off my feet. And I suppose you haven’t had any lunch again either.’

The sheer lunacy of this conversation went no deeper than the surface of Martha’s sensibilities. ‘I’ll be over on the dot,’ she said soothingly, and would have continued to soothe, if Mr Robinson had not abruptly arrived in the central office exclaiming: ‘Mrs Hesse!’ before he saw she was still on the telephone. Martha covered the mouthpiece and said: ‘Yes, Mr Robinson?’

‘When you’ve finished,’ he said, and went back in.

The sun was burning Martha’s burned shoulder. She drew the curtains right across, as Mrs Quest said: ‘And so he can’t keep anything down at all, so the doctor says it will be a question of rectal feeding soon. Did you enjoy yourself last night at the pictures?’

‘I didn’t go to the pictures. What did you ring me for?’

‘Oh by the way,’ said Mrs Quest, after a confused pause, her breath coming quick, ‘I thought I should tell you Caroline is here for the afternoon and so you should be careful she doesn’t see you.’

Of course! thought Martha. That’s it. I should have guessed. ‘Since I told you earlier I couldn’t get to you until eight, and since Caroline will have gone home long before that, I don’t see the point.’

‘Well, you might have come now, you bad girl, if you weren’t so busy.’ Mrs Quest now sounded playful, even coy, and to forestall anger, Martha said quickly: ‘Tell my father I’ll be there at eight, goodbye, mother.’ She put down the receiver, trembling with rage.

This situation had arisen: Mrs Quest had taken to appropriating her granddaughter several times a week for the day, or for the afternoon. The little girl played in the big garden with her nurse while Mrs Quest supervised from the windows of the room where Mr Quest lay ill. And why not? Martha considered it reasonable that the Quests should have their grandchild, while she, the child’s mother, who had forfeited all right to her, should be excluded. It was quite right she should never be seen by the child; it would upset Caroline, who was now ‘used to’, as everyone said, Elaine Talbot, now Elaine Knowell, the new mother. All this Martha agreed to, accepted, saw the justice of. But on the afternoons Caroline was with her grandmother, Mrs Quest invariably telephoned Martha to say: Caroline’s here, I can see her playing near the fish-pond, she does look pretty today. Or: Be careful not to drop in, Matty, Caroline’s here.

And Martha said, Yes mother. No mother. And never once had she said what her appalled, offended heart repeated over and over again, while she continued to say politely: ‘Yes,’ and ‘Of course’: You’re enjoying this – you love punishing me. This is a victory for you, being free to see the child when I am not – sadistic woman, cruel sadistic woman … So Martha muttered to herself, consumed with hatred for her mother, but consumed ridiculously, since the essence of Martha’s relationship with her mother must be, must, apparently, for ever be, that Mrs Quest ‘couldn’t help it’. Well, she couldn’t.

Now Martha sat, rigid, trembling, seething with thoughts she was ashamed of, knew were unfair and ridiculous, but could not prevent: ‘And now my father’s ill, really ill at last, and so I have to go to that house, and she’s got me just where she wants me, I’m helpless.’

Mr Robinson came out of his office.

‘Mr Robinson?’

‘I was going to say: advertise for a new secretary, you know the sort of thing we want.’

‘I’ll put it in the paper tomorrow. And about that ten pounds?’

‘What ten pounds?’

‘If we’re going to have proper accountants, then …’

For the hundredth time that day (it seemed) he went red and so did she.

‘Forget it,’ he muttered. Then, afraid he had sounded abrupt, he smiled hastily. She smiled brightly back. ‘Thanks,’ she said. He rushed out of the office, slamming the door. Doors slammed all down the centre of the building and then a car roared into movement.

Martha now shut drawers, doors; opened curtains again, exposing yards of heated glass; threw balls of paper into the baskets. The telephone began ringing. It was five minutes after time, so she left the instrument ringing in the hot, glowing room, and walked down the stairs, round and round the core of the building after her employer – probably now several miles away, at the speed he drove. The washroom was empty. Six basins and six square mirrors and a lavatory bowl stood gleamingly clean. The old man who was the building’s ‘boy’ had just finished cleaning. He went out as Martha came in, saying, ‘Good night, missus.’ Martha stood in front of a mirror, and lifted brown arms to her hair, then held them there, looking with a smile at the smooth, perfect flesh, at the small perfect crease in her shoulder.

The smile, however, was dry: she wiped it off her face. It was there too often, and too often did she have to push it away, and make harmless the attitude of mind it came from. She had to survive, she knew that; this phase of her life was sticking it out, waiting, keeping herself ready for when ‘life’ would begin. But that smile … there was a grimness in it that reminded her of the set of her mother’s face when she sat sewing, or was unaware she was being observed.

Martha made up her face, smoothed down pink cotton over hips and thighs, combed her hair. She could not prevent, this time, as she leaned forward into the mirror, a pang of real pain. She was twenty-four years old. She had never been, probably never would be again, as attractive as she was now. And what for? – that was the point. From now, four-thirty on a brilliant March afternoon until midnight, when she would receive Anton’s kiss on her cheek, she would be running from one place to another, seeing one set of people after another, all of them greeting her in a certain way, which was a tribute to – not only her looks at this time – but a quality which she could not define except as it was expressed in reverse, so to speak, by their attitude. Yet she remained locked in herself, and … what a damned waste, she ended these bitter thoughts, as she turned to examine her back view. To the waist only, the mirror was set too high. Because of all the ‘running around’ – Anton’s phrase for it; because her life at this time was nothing but seeing people, coping with things, dealing with situations and people, one after another, she was thin, she was ‘in a thin phase’, she was again ‘a slim blonde’. Well, almost: being blonde is probably more a quality of texture than of colour: Martha was not sleek enough to earn the word blonde.

And besides, what was real in her, underneath these metamorphoses of style or shape or – even, apparently – personality, remained and intensified. The continuity of Martha now was in a determination to survive – like everyone else in the world, these days, as she told herself; it was in a watchfulness, a tension of the will that was like a small flickering of light, like the perpetual tiny dance of lightning on the horizon from a storm so far over the earth’s curve it could only show reflected on the sky. Martha was holding herself together – like everybody else. She was a lighthouse of watchfulness; she was a being totally on the defensive. This was her reality, not the ‘pretty’ or ‘attractive’ Martha Hesse, a blondish, dark-eyed young woman who smiled back at her from the mirror where she was becomingly set off in pink cotton that showed a dark shadow in the angle of her hips. Yet it was the ‘attractive’ Matty Hesse she would take now to see Maisie; and it was necessary to strengthen, to polish, to set off the attractive Matty, the shell, because above all Maisie always understood by instinct what was going on underneath everybody’s false shells, and this was why Martha loved being with Maisie, but knew at the same time she must protect herself … there were fifteen minutes before Maisie expected her. Martha lit a cigarette, propped herself on the edge of a washbasin, shut her eyes, and let bitter smoke drift up through her teeth. She felt the smoke’s touch on the down of her cheek, felt it touch and cling to her lashes, her brows.

She must keep things separate, she told herself.

Last Saturday morning she had spent with Maisie, relaxed in a good-humoured grumbling gossip, a female compliance in a pretence at accepting resignation. And what had been the result of that pleasure, the delight of being off guard? Why, the situation she was now in with Maisie, a false situation. She had not kept things separate, that was why.

‘I met him this evening at Johnny’s. I don’t think he wants to see me. I’m sure of it.’

‘No, I spoke to him about you. He wants to see you.’

‘When did you speak to him?’

‘I’ve just been to his house, he was there and I spoke to him. He said he thought you were associated with Mrs Van.’

‘I don’t understand, he was reading to Johnny, doesn’t he approve of Johnny?’

‘He does, very much. But he does not trust Mrs Van, I think.’

‘That’s ridiculous – how can he like Johnny and not like Mrs Van?’

‘At any rate, it would be helpful if you explain things to him. They need much help – they have no books, and wish to be taught many things.’

‘Oh well, in that case … and I’ll see you next week.’

‘Yes. And give my greetings to your husband.’

And now, at last, she must go home to Anton. Home was a new place, half a flat, half a house – two little rooms, a bathroom and a shared kitchen that was really a screened-off veranda over a patch of shared dirty lawn. The woman they shared with was a Mrs Huxtable. Martha did not like her, but as there was never any time for cooking anyway, it didn’t matter.

Anton had telephoned her three times. Three times. The information had been received apprehensively by her nerves. Her emotions repeated, with monotony: It’s not fair, it’s not fair – meaning that this kind of demand, or reproach, was not in the bargain of her marriage with Anton. Meanwhile her brain was sending messages of warning that she was scared to listen to. For months now there had been a kind of equilibrium in the marriage. Having acknowledged it was a bad marriage, that they had made a mistake, that they would split up again as soon as the war ended, a sort of friendliness, even kindness, even – perhaps? – a tenderness was established. But while, for Martha, this new relationship was welcome because it softened an intolerable strain; it seemed that for Anton it meant a new promise. At any rate, three different telephone calls in one afternoon was a language, a demand, Martha could not begin to answer.

Cycling past McGrath’s hotel, she remembered that after all she belonged to a world where people might sit drinking in large rooms, served by waiters; they might dance; they might even eat dinners (bad dinners, but formal, that was something) in restaurants. She would ring up Anton from the foyer and ask him to join her for a drink, and perhaps dinner. He would say humorously: ‘And what are we celebrating, Matty, have I forgotten your birthday?’

He would protest at having to come, but he would be pleased. They could drink for an hour or so, have dinner, listen to the band, and in this way both could forget (Martha hoped) the implications of the fact that practically everything he said, or did, these days, was really a reproach for her not doing, or being, what he now wanted her to be.

Chapter Two

It was almost seven. Martha had been waiting since five. Waiting now being a condition of her life, like breathing, it scarcely mattered whether she waited for an interview or for when peace would be restored – the new phrase, which showed that the old one, ‘when the war ends’, had proved inadequate. She waited with the whole of herself, as other people might pray, yet with even prayer become something to be practised, kept in use merely, since it could be effective only with the beginning of a new life. Waiting for her life to begin, when she could go to England, she waited for ‘the contact from the African group’, and with the same ability to cancel out present time. She read half a pamphlet about Japanese atrocities with an irritated boredom with propaganda which did not mean she disbelieved what she read. She absorbed a column or so of statistics about African education but with the irritation of impotence. She filed her nails, brushed her hair as she never had time to do in her bedroom, ‘fifty strokes on each side’, tidied a cupboard full of pamphlets that dealt definitively with affairs in at least a hundred countries, and finally sat down with deliberately idle but restless hands, on a bench under the window over Founders’ Street.

The heat of a stormy day had drained into the scarlet flush that still spread, westwards, under bright swollen stars only intermittently visible. Hailstones from the recent storm scattered the street and lay on the dirty windowsill, and gusts of sharp cold air drove from racing clouds across the hot currents rising from the pavements. It would be winter soon, the ice seemed promise of it. Martha’s calves sweated slipperily against the wood of the bench, and she sucked a bit of ice as an ally against heat, watching her smooth brown skin pucker under the gold down on her forearm into protest against cold. There was a blanket folded on top of the wooden cupboard. The blanket was because friends in the RAF sometimes slept here if they were too late for the last bus to camp. Martha now spread it on the bench against the unpleasant slipperiness of sweat, and wrapped her legs in it. The hailstones, even under a crust of dirt, sent forth their cool smell, and Martha twisted herself about to watch the sky from where the winds of a new storm already poured over the town. Sitting with her back turned, she did not see that Solly had come in, and missed the moment when she could judge why he was here. For a moment the two stared deeply at each other. She broke it by saying: ‘I’m waiting for a man to come from the African group.’ She had decided on this admission to save half an hour of fencing. A bad liar, she knew it, and had thus acquired the reputation: Matty is such a sincere person. Meanwhile, part of her mind juggled to find convincing lies to put him off.

‘It’s such a pleasure having dealings with you, Matty, always as honest as the day.’

‘It occurred to me recently there’s no point in being anything else, living in this – ant-nest.’ Her voice was shrill, and she set guards on herself; noting meanwhile that ‘enemy’ Solly ceased to be one when she thought of him as a fellow victim of the provinces. She smiled at him: as a cat which has been scampering about a crouching tom suddenly rolls over and lifts meek paws. Not quite, however. But the flash of seriousness on this young man’s face (whatever the reason for it) when he had first seen her under the window had after all weakened the force of her decision not to like him. So would he look into her face from a few inches’ distance if. But he was now saying, vibrant with sarcastic hostility: ‘You have a point, I grant you. Yesterday I met a comrade of yours from the camp who said, how was Matty? I said what did he mean? It seems our liaison is common gossip.’

‘What fun for you.’

‘Well, I do hope so, Matty.’

‘The thing is, I have to meet Athen at seven and it must be that now.’

‘Well, I would be only too happy to wait to seduce you until you had finished conferring with comrade Athen.’

He was on the bench beside her. His face grinned into hers from not six inches away. Luckily, however, not at all ‘serious’, far from it, so she was saved. She got up and began piling pamphlets about the Second Front (now unsaleable) into the cupboard.

‘Solly, are you seeing Clive de Wet?’

‘Why should I tell you, comrade Matty?’

‘Well, if you want to be childish.’

‘It’s you who are childish. This is Solly Cohen, the Trotskyist.’

‘But it looks as if the African group want help?’

‘There isn’t an African group.’

‘But a group of Africans?’

‘What can you do for them I can’t do?’

She shrugged and then laughed. The laughter was because of a picture so sharp to her imagination it was hard to believe it wasn’t in his also: ‘the African group’, like a small starving child, its hands held out for help, was being torn to pieces by a group of adults fighting for the right to help it.

At that moment came a knock on the door. Martha shouted ‘Come in’ and a small black boy came in, looking nervously from one to the other of the two white people.

‘Missus Mart,’ he said.

‘No Mrs Mart here,’ said Martha.

‘Idiot, it’s you.’

Solly was already grinning: he knew what was in the dingy envelope that the small boy held out.

A single sheet of exercise paper said:

‘Dear Mrs Martha, I apologize for not coming this afternoon, I have been prevented by unavoidable circumstances. Hoping I may have the pleasure of your acquaintance at another time. Yours sincerely, Signature illegible.’

Probably purposely so.

‘Who sent you?’

The little boy shifted his feet and his eyes and said: ‘Don’t know, missus.’

Martha gave him a shilling and he started to run off. She said: ‘Please tell whoever sent you that I will be here tomorrow afternoon at the same time.’

‘Yes, missus.’

He vanished and Solly jeered: ‘Ever faithful Matty, waiting day after day in pursuance of duty. But he won’t come, I’ve seen to it.’

‘Luckily you’re not the only influence abroad. There’s Athen and Thomas as well.’

He grinned. ‘Dear Matty. What makes you think it’s the same group?’

‘Oh, isn’t it? Well, never mind, I’m late for Athen.’

‘May I have the pleasure of walking you to Dirty Dick’s?’

‘How do you know it’s Dirty Dick’s?’

‘Where else?’

On the pavement large drops of warm rain fell all about them. She wriggled her shoulders inside damp cotton. The warm wet was lashed by cold. Overhead, miles overhead, very likely, air masses had shifted, had clashed, and here spears of acid-cold water mingled with fat warm drops from a lower region of sky. Lightning splurged across the dark, and Solly pulled Martha under an awning. He put his hot arms about her, and dropped a hot cheek close to hers, while ice from the clouds bounced around their feet.

‘But Solly, there’s absolutely no point in it.’

‘Look where all this highmindedness has got you. The arms of Anton Hesse. Not to mention the divorced arms of Douglas Knowell. Why didn’t you listen to Joss and me? We told you, didn’t we, and you’d never listen.’

‘All right. But I’m late for Athen.’

The Piccadilly was empty. Rather, it had half a dozen civilians in it. Unpredictably the RAF flowed in and out of the town, and tonight the tide was out: not a uniform in sight. The big oblong room, with its shiny yellow walls, that were usually hung with hundreds of caps, jackets, coats; its hundred tables tightly massed with grey-blue uniforms, was empty. At the end of the room, a neat dark little man in a light suit rose to meet them. Athen himself. Martha had never seen him out of uniform and she examined him while Solly said to Johnny: ‘Where are all our gallant boys?’ But Johnny spread out his palms, empty of information, and shrugged.

‘Any news from home?’ Martha asked politely, as usual.

‘It’ll soon be over now. We’ve offered them …’ here he nodded towards Athen, ‘… an amnesty. Yes, Elas and Elam will give themselves up now, you’ll see.’

Athen watched Martha approach and smiled. But he saw Solly and his face went on guard. Athen despised Solly. Not for being a Trotskyist: Solly was not a serious person, said Athen. Before taking a person’s beliefs seriously, he must be worthy to have beliefs. At any rate, when Solly was mentioned he simply shrugged. As for Solly, since it was not possible to despise Athen, he regarded him as the dupe of Stalin. Martha was angry with herself for letting Solly be here. It was going to be another awful evening, another among hundreds. It was her fault. She could never remember that because she ‘got on’ with people, it didn’t mean they should ‘get on’ with each other. She was always creating situations full of discordant people. It did not flatter her that she could: on the contrary. If such tenuous ties she had with people, easy contact, surface friendship, yet had the strength to bring them together, what did that fact say about them, about her, and – she would not be Martha if she did not go on – about associations, groups, friendships generally? And it was no quality to be admired in herself that made her a focus. She was, at this time, available. That was all. If not her, it would be someone else – just as, before her, it had been the du Preez’ and before them Jasmine Cohen.

Very well then, it seemed that for this period of her life, her role was to – well, this evening for instance, there was a group consisting of Athen and Solly and herself; and then these three (unless she could shed Solly and there seemed no likelihood of that) and Anton and Joss and Thomas Stern would all go to the pictures. And afterwards everyone would come home to their flat (Anton’s and hers) and she would cook eggs for them. This was friendship. She reminded herself that ten years before she had been saying critically, in such different circumstances: This is friendship! and made herself pay attention to her present scene. Solly was looking at her, very close, across the table, reminding her with his eyes why he was here. And Athen was standing by his chair, face to face with Johnny Capetenakis, and the two men spoke low and fast in bitter Greek, their eyes burning hatred. Martha had never seen this Athen, and she thought that if these two men were now, this evening, standing in the same way on their mother soil, it would be to kill each other. Athen’s eyes blazed murder; Johnny’s eyes blazed back. Athen’s fist trembled as it hung by his side. Johnny Capetenakis spat out a last low volley of hate and turned and went off to his desk by the door of the restaurant.

Athen sat down. ‘He says our people should give themselves up to the amnesty, they would be safe. I told him, it’s not the first time. There’s a clause, criminals will be shot. I told him, we know who these criminals will turn out to be. He tells me I am a traitor to my country.’

He sat, sombre, looking about him with dislike, then he said: ‘I cannot stay here, I am sorry, but it is too much to sit here, in this man’s place.’

‘Well, we’re late for the pictures anyway.’

Martha led the way out, greeting Johnny at the desk, not knowing whether she should feel disloyal for doing so or not. But she noted that Athen nodded at Johnny, and that Johnny nodded briefly back.

The rain had gone, the stars were washed clean, steam rose from the tarmac that shone like dark water, reflecting rose and blue and gold. It was nearly eight. Main Street was filled with groups of civilians moving towards the cinema. No RAF, absolutely none.

‘It might just as well be peacetime,’ said Martha.

‘There is a big man coming tomorrow,’ said Athen. ‘Everyone has to polish their buttons tonight.’

‘What big man?’

‘From England. An Air Vice-Marshal.’

‘Why are you allowed out then?’

‘All the Greeks have got week-end leave, all of us. They have worked it out: the Greeks are all communists, and the communists are anti-British, therefore the communists will try to assassinate the Air Vice-Marshal.’

Athen sounded bitter, and Martha, who had been going to laugh, stopped herself.

‘What are you complaining about,’ said Solly, ‘if you’ve got the week-end?’

Martha had never seen Athen like this: the gentle controlled little man was beyond himself, he was flushed with anger, he looked humiliated and his hands shook.

‘This proves what I always said about the reactionaries. They always know facts. They always know who is a member of what. They know who has written letters to who. They know who has attended this meeting, that meeting. They know who is a man’s relatives and who can be made to talk. This they know because of their spies. But they can never interpret these facts, because they put their own bad minds into our minds.’

Athen stood bitterly on the pavement, talking – not to them. Martha and Solly stood on one side waiting.

‘I used to say to our comrades in the mountains. If it is a question of fact, they will know. Yes. Be frightened of that, and guard against it. But if it is a question of intention – if they interrogate you and say: “You mean this, you want this”, then keep your mouths shut and do not worry. They know nothing. They are too stupid. Their Air Vice-Marshal is safe from us,’ said Athen, his white teeth showing in bitterness.

‘Athen,’ said Martha gently, but he was going on. Probably, she thought (since he spoke often of that time) he was in a freezing cave above a pass as narrow as Thermopylae. Tomorrow, or next week, they – he and his soldiers – would roll boulders down bare brown hillsides patched with snow to crush one hundred and fifty of their countrymen who, in British uniforms and British-officered, were hunting them out. ‘I tell them,’ Athen said softly, ‘I tell them always: Remember who you are, comrades. Now we are like criminals hunted over the mountains, but soon that will end, and we will be men.’

‘We are going to be late,’ said Solly. He went on ahead, having decided to take the others on the offensive of his effrontery. Martha heard him say: ‘Good evening, comrades, one and all! And good evening, brother Joss!’

Athen had taken Martha’s hand. ‘Martha, I have to ask you something serious.’

From fifty yards off, Solly, then Joss, called: ‘Come on, you two, it’s late.’

‘Have you noticed a change in me?’

‘Yes, I have.’

‘Thank you for saying so. It is true.’

‘Athen, have you seen Maisie?’

Athen let Martha’s hand go and frowned. ‘I know why you ask me that, Martha.’

More shouts from outside the cinema.

‘I must talk about this with you, Martha.’

They ran towards the cinema and the waiting group.

There was a girl in the group – a red-haired girl in a white dress. Whose? Not Solly’s, this evening; so that meant she must be Joss’s, or Thomas Stern’s. Probably Thomas’s – he liked thin girls. As Martha decided this, Thomas took both her hands – Martha’s, announced that she looked terrible, very pale, and much too thin, and that while he was always her slave on principle, tonight, because of her irresistible look of illness – she was irresistible. So she must be Joss’s girl? No time to find out, no time even to be introduced – Martha and the red-haired girl smiled goodwill, and then the group joined the crowd that was being sucked into the cinema, quickening as it went, like bathwater into a hole. The manager stood by the box office, his smile benign, but not enough to conceal his disappointment at the absence of his best customers. He kept darting glances at the entrance in case at the last minute the familiar blue-grey uniforms would appear, and all his seats be filled. But there were, after all, many RAF present, in ordinary clothes, like Athen, and soon the manager was smiling and urging his flock into the dark with smiles, a pressure of the hand, a pat on the shoulder. To Martha, who after all he had been welcoming for five or six years now, he said jovially: ‘And how are you these days, Mrs …?’ But he was unable to remember her current married name.

The programme had started. Across the screen that was lifted high in the big dark space over the crowded floor, moved a file of soldiers which, seen in the confusion, the jerking about of finding seats, then sitting, then finding places for handbags and jackets, looked like the columns which, in one Allied uniform or another, had marched, flown, parachuted across that screen for the last five years. But suddenly they understood the great, staring hollow-cheeked face they looked at was a German, and the uniform he wore, which was worn into rags, was a German uniform. The announcer’s voice had a note they had not heard before. It was jeering: ‘And so here he is, the Ubermensch, the Superman, the ruler of the world, here he is, and take a good look at him.’ The German on the screen was eighteen? A starved twenty-year-old? A bit of rag fluttered wildly on his shoulder, and he shivered so that it seemed as if the whole cinema shivered with him. He stared into the cinema-crowd with eyes quite empty of expression. So he had stared a few days ago into the camera which took pictures of the defeated armies – he had stared probably not knowing what the machine was doing there or what it wanted. He stared, his cheek-bones speaking of death, into the faces of a thousand full-fed people, his victorious enemies, in a little town in the centre of Africa.

The cinema was very silent. They were shocked, or in a state of mild shock, for a few moments. Then they began to realize, slowly. For the five years of the war, they had seen the faces of the enemy at a distance – and seen aircraft spinning down in flames and smoke; seen corpses like photographs in the newspaper – pictures of corpses; seen the posturing faces of enemy leaders, seen massed troops, massed tanks, armies, men in the mass, men on the move in columns, men in uniforms. Now they saw this face, close, close; and it was a shock, because the minds of the men who organized newsreels, war films, ‘propaganda’ had taken care that this face, the face of a shocked, frightened boy, should not stare, as close as a lover, into the face of a cinema audience.

‘Yes, take a good look,’ went on the commentator in the same calculatingly sneering sarcastic tone, ‘you’ll not see anything like this again in your lives. The allies have fought this bitter terrible war so that it will be impossible, ever again, for Germany to threaten the world. So look closely at victorious Germany, look at the Superman.’

The Horst Wessel song, played fragmentarily and in leering, jeering, sliding discord, accompanied the newsman’s voice that went on, with its bought sarcasm, while the small whirling beams of light from the projectionist’s cabin created on the blank uplifted wall of the cinema men, defeated men, men in the last extremity of hunger, cold and defeat, thousands and thousands of hollow-cheeked ghosts, a ghost army, limping, their feet in rags; rags binding hands, shoulders, heads; bits of cloth fluttering in the cold, cold wind of that frigid spring at the end of the European war. They limped slowly, in a frightful ominous silence strong enough to drown the ugly voice of the commentator. They drifted slowly across dark air while a thousand or so of their victorious enemies watched in absolute silence.

‘Take a good look, ladies and gentlemen, we have fought the good fight and we have won. Take a look and never forget: here they are, the Herrenvolk, the master-race, the rulers of the world.’

And the frozen defeated men limped away across the war-torn countryside of Europe, their eyes black with pain and with shock. ‘Yes, that’s the end of it, that’s the end of the dream. That’s the end of the conquest of the world. You have paid for this victory in blood, sweat, tears and suffering. Take a good look for that’s the last you’ll ever see of Germany, and the menace of Germany in Europe. We have fought the good fight together and we have won – the free countries of the world.’

Beside Martha Thomas Stern shifted about in his seat and said steadily under his breath, ‘Bastards, bastards, bastards.’ On the other side, Solly Cohen very softly whistled the Internationale between his teeth. Leaning forward, Martha looked for Anton. How did he feel, the German, looking at his ghost-like countrymen, listening to the cheap easy sneer? His regular profile, like one on a coin, showed beside the pretty upturned profile of the red-head. Neither face said anything, they were people at a cinema, and so, presumably, was she, Martha, though she raged with useless protest which expressed itself: ‘I bet that commentator was making his voice say three cheers for Chamberlain at Munich, I bet he was.’

‘Well of course,’ said Solly, and whistled the Internationale, more loudly. Joss leaned forward to ask Martha: ‘Whose idea was it to bring my little brother to the pictures?’ And Solly laughed aloud as Martha said: ‘Mine.’

‘Shhh,’ said someone in front; and someone else let out a sudden loud raspberry – the whole cinema seethed frustration, anger, resentment, discomfort. Suddenly, from somewhere at the back, there was a shrill whistle, and then a shout: ‘Up the RAF!’

‘Trust them,’ said Joss approvingly, as the tension broke.

‘We shall miss you,’ said Solly loudly to the RAF, invisible tonight in their mufti.

A scuffle. The manager appeared, an outraged presence; torches swung agitatedly; the whole cinema turned to watch a couple of men, their faces the broad you-aren’t-fooling-me faces of the North English, being escorted to the door. ‘All right, I can walk, thank you very much!’ Then a last muffled shout: ‘The RAF for ever, I don’t think.’

When everyone again turned to see what was going on, a small dark aircraft sped, turned, soared across skies lit with fire, while tiny dark eggs spilled into a dark city which flung up great showers of spark and flame.

Solly said, loudly copying the practised jeer of the announcer (who was, however, saying in a voice unctuous with victory that the city – which? – was not without water supplies, sewage or railways as a result of this successful bombing raid) – ‘And see how they run, the filthy vermin, away from the cleansing bombs of our gallant boys.’

A man turned around from the front and said: ‘If you haven’t got any patriotic feelings why don’t you go home where you came from?’

‘Thanks,’ said Solly, ‘I will.’ He unwound his long thin person from the discomfort of the seat and made his way out, whistling the Internationale. ‘Jesus,’ said Joss, moving up to fill Solly’s seat near to Martha, ‘I suppose one day he’ll grow up.’ He was embarrassed for his brother. ‘I don’t know,’ said Martha, ‘I felt the same.’

On the other side of Martha, Thomas Stern sat, silent. But his hands gripping the arm-rests vibrated with tension. He muttered, steadily, ‘Bastards, bastards, bastards.’

When Martha turned to look at him, he said: ‘And you shut up. All of you shut up. You can keep out of it.’

Martha said: ‘Who?’

Joss’s restraining hand came on her forearm and he said: ‘Better leave Thomas alone. A friend of his was with the people who entered Belsen, he had a letter today.’

On the screen now appeared shots of jungle – a lush scene, which might have done for a musical. But flames engulfed it. Flames from a flame-thrower seared the flesh of men, the substance of trees and plants. Black ash crumbled where men, trees, and plants had been, and drifted across the screen in greasy smoke which could almost be smelt in the cinema. An island in the Pacific. After all, it was only ‘the war in Europe’ that was due to end any day. ‘The war in the Pacific’ was being fought from island to island still, while Europe crumbled in famine, cold, and ruined cities. Which island was this? But Martha had missed its name, she would never know which island she had watched being scorched by the flamethrowers, just as she would never know which German city she had seen being pulverized to ruins.

This was the main film now. A thick slow tune began to pulse through the cinema. It was music easy and sexual which would, in a moment, have welded the thousand people in the cinema into a whole. A heavy velvet curtain swirled across the screen and back again, and there appeared the apparently naked back of a blonde woman. She stood in a doorway over which was a sign in electric lights: Stage Door, and when she turned to smile at a group of soldiers (American) and at the audience (in central Africa) it became evident that she was not as naked as it had at first appeared: her dress was held up in the front by a ribbon which tied it around her neck. Sequins flashed and glittered as the flames had flickered a moment before, and her great friendly mascaraed eyes were as close as the hollowed staring eyes of the frozen German soldiers. Her homely breasts bulged almost into the teeth of the audience, and the music intensified as half a dozen GIs filed grinning shyly past the naked shoulders and sequined breasts of a famous film star (acting as hostess for the sake of the war effort) into the club.

‘I thought we were seeing The Seventh Cross?’ said Thomas. ‘For crying out loud. I’ve got work to do.’

It was Martha’s fault – she had brought them to the wrong film. Thomas had already stood up and was on his way out. Joss followed. Anton got up, with the red-headed girl. In a moment they were all on their way out, and people shushed and said: ‘What did you come for then?’

They assured the manager they had only come for the news, so upset was he that six patrons were leaving all at once, and found Solly still on the pavement. Apparently he had known all the time that the main film was bound to send them out of the cinema, and he had been waiting for them.

The seven stood on the pavement. The Cohen boys, Solly and Joss, both finished with uniform, both about to start life in peacetime. Athen the Greek: far from being finished with war, his life was consciously planned for years of war, civil war, revolution. Thomas Stern, frowning on one side of the group, obviously wanting to leave it and be alone with his anger. He saw Martha looking at him. He said in a low violent voice: ‘All right, Martha. But I tell you, I’d torture every one of them myself, with my own hands.’

She said: ‘Some of them looked about fifteen.’

‘Well? They should simply be stamped out – they should be wiped out, like vermin.’ But as he stood, sombre, apart from them, he made himself smile and said: ‘All right then. I’ll shut up. I’ll shut up for now, anyway.’

Anton, the German, who waited day by day for the moment he could go home to Germany, was talking to the red-haired girl. She was looking up at him with self-conscious glances of admiration.

And suddenly Martha understood that this girl was Anton’s girl. For Anton was self-conscious about her, was flattered that this girl, or woman (she was vivacious rather than pretty, with green eyes too quick and wary for youth), had publicly claimed him. She was now taking his arm. Just so, Martha thought, a young man publicly announced, without saying it in words, ‘this is my girl’. He stood smiling, while the others looked on, not looking at Martha. And Anton did not look at Martha. The girl did, however. Not more, though, than she did at the others: she included Martha in her rapid self-conscious glances, while she kept laughing up towards Anton’s pale and handsome face.

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27 декабря 2018
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701 стр. 2 иллюстрации
ISBN:
9780007455560
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