Читайте только на Литрес

Книгу нельзя скачать файлом, но можно читать в нашем приложении или онлайн на сайте.

Читать книгу: «The Blind Man of Seville»

Шрифт:

ROBERT WILSON

The Blind Man of Seville







For Jane and Mick and José

Contents

Cover

Title Page

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

ACKNOWLEDGEMENTS

About The Author

Praise for The Blind Man of Seville

Also by Robert Wilson

AUTHOR’S NOTE

A Small Death in Lisbon Robert Wilson

The Big Killing Robert Wilson

Instruments of Darkness Robert Wilson

A Darkening Stain Robert Wilson

Blood is Dirt Robert Wilson

The Company of Strangers Robert Wilson

The Blind Man of Seville Robert Wilson

The Silent and the Damned Robert Wilson

Copyright

About the Publisher

1

Thursday, 12th April 2001, Edificio Presidente, Los Remedios, Seville

It had started the moment he’d walked into that room and had seen that face.

The call had come at 8.15 a.m. just as he was preparing to leave home — one dead body, suspected murder and the address.

Semana Santa. It was only right that there should be at least one murder in Holy Week; not that it would have any effect on the crowds of people following the daily convergence of quivering Holy Virgins on board their floats en route to the cathedral.

He eased his car out of the massive house that had belonged to his father on Calle Bailén. The tyres rattled on the cobbles of the empty, narrow streets. The city, reluctant to wake up at any time of year, was especially silent at this hour during Semana Santa. He entered the square in front of the Museo de Bellas Artes. The whitewashed houses, framed in ochre were silent behind the high palms, the two colossal rubber trees and the tall jacarandas, which had not yet flowered. He opened his window to the morning still fresh from last night’s dew and drove down to the Guadalquivir River and the avenue of trees along the Paseo de Cristóbal Colón. He thought he might be approaching contentment as he passed by the red doors of the Puerta del Príncipe in the baroque façade of the Plaza de Toros, La Maestranza, which was about to see the first bullfights in the week leading up to the Feria de Abril.

This was as close as he got to happiness these days and it held firm as he turned right after the Torre del Oro and, leaving the old part of the city behind, crossed the river, which was misty in the early-morning sunshine. At the Plaza de Cuba he veered away from his regular route to work and headed down Calle de Asunción. Later he would try to recapture these moments because they were the last of what he’d thought, until then, had been a quite satisfactory life.

The new and very young Juez de Guardia, the duty judge, who’d been waiting for him in the pristine, white-marbled entrance hall of Raúl Jiménez’s large and expensive apartment on the sixth floor of the Edificio Presidente, did try to warn him. He remembered that.

‘Prepare yourself, Inspector Jefe,’ he’d said.

‘For what?’ Falcón had asked.

In the embarrassed silence that followed, Inspector Jefe Javier Falcón had minutely scrutinized the surface detail of the Juez de Guardia’s suit, which he decided was either Italian or a leading Spanish designer, someone like Adolfo Dominguez, perhaps. Expensive for a young judge like Esteban Calderón, thirty-six years old and barely a year in the job.

Falcón’s apparent lack of interest decided Calderón that he didn’t want to appear naive in front of the forty-five-year-old Inspector Jefe del Grupo de Homicidios de Sevilla, who’d spent more than twenty years looking at murdered people in Barcelona, Zaragoza, Madrid and now Seville.

‘You’ll see,’ he said, with a nervous shrug of his shoulder.

‘Shall I proceed then?’ asked Falcón, maintaining proper procedure with a judge he’d never worked with before.

Calderón nodded and told him that the Policía Científica had just been let into the building and that he could go ahead with his initial observations of the scene.

Falcón walked down the corridor leading from the entrance hall to Raúl Jiménez’s study thinking about preparing himself without knowing how it was done. He stopped at the door to the living room, frowned. The room was empty. He turned to Calderón who had his back to him now, dictating something to the Secretaria del Juez while the Médico Forense listened in. Falcón looked into the dining room and found that empty, too.

‘Were they moving out?’ he asked.

‘Claro, Inspector Jefe,’ said Calderón, ‘the only furniture left in the apartment is a bed in one of the kids’ rooms and Sr Jiménez’s complete study.’

‘Does that mean Sra Jimenéz is already in the new house with the children?’

‘We’re not sure.’

‘My number two, Inspector Ramírez, should be here in a few minutes. Send him straight through to me.’

Falcón proceeded to the end of the corridor, suddenly conscious of each footstep on the polished parquet flooring in the empty apartment. His eyes were fixed on a hook on the bare wall at the end of the corridor under which was a square lighter than its surrounds, where a picture or mirror had been hanging.

He eased his hands into a pair of surgical gloves, snapped the cuffs against his wrists and flexed his fingers. He turned into the study, looked up from his cloudy latex palms to find Raúl Jimenéz’s terrible face staring at him.

And that was when it had started.

It wasn’t a question of looking back at that moment and realizing later that it had been a turning point. The change was not subtle. A difference in body chemistry has a way of making itself immediately felt. Sweat came up inside his gloves and at a spot high on his forehead just out of the hairline. The taut pattering of his heart stopped him and he began to find oxygen in the air difficult to come by. He hyperventilated for some seconds, pinched at his throat to try to encourage a better intake. His body was telling him that there was something to fear while his brain was indicating otherwise.

His brain was making the usual dispassionate observations. Raúl Jimenéz’s feet were bare, his ankles secured to the chair legs. Some furniture was out of place, at odds with the rest of the room. Indentations in the expensive rug, Persian, showed the normal position of the chair. The lead to the TV/video was stretched taut because the rolling cabinet was some metres from its normal position by the wall socket in the corner. A ball of cloth, which looked like socks tracked with saliva and blood, lay on the floor by the desk. Windows, double-glazed, were shut, curtains drawn back. A large soapstone ashtray sat on the desk, full of pinched stubs and whole, clean filters which had been broken off from the cigarettes whose pack lay alongside, brand name Celtas. Cheap cigarettes. The cheapest. Only the cheapest for Raúl Jimenéz, owner of four of the most popular restaurants in Seville, with two others in Sanlúcar de Barrameda and Puerto Santa María down on the coast. Only the cheapest for Raúl Jimenéz in his ninety-million-pesetas apartment in Los Remedios, overlooking the Feria ground, with his celebrity photographs hanging on the wall behind his leather-inlaid desk. Raúl with the torero El Cordobés. Raúl with the TV presenter Ana Rosa Quintana. Raúl, my God, Raúl with a carving knife behind a jamón which had to be a top quality Pata Negra because he was flanked by Antonio Banderas and Melanie Griffith, who was looking completely appalled at the cloven hoof pointing at her right breast.

Still the sweat didn’t stop but appeared elsewhere. Top lip, small of the back, trickling down to his waist from his armpit. He knew what he was doing. He was pretending, persuading himself that it was hot in the room, that the coffee he’d just taken … He hadn’t had any coffee.

The face.

For a dead man it was a face with presence. Like El Greco’s saints whose eyes never left you alone.

Were they following him?

Falcón moved to one side. Yes. Then the other. Absurd. The tricks of the mind. He pulled himself together, clenched a latex fist.

He stepped over the taut lead from the wall to the TV/video and went behind the dead man’s chair. He looked up to the ceiling and let his eyes fall on to Raúl Jiménez’s wire-wool hair. The back of the head was matted thick, black and red, from where he’d rammed his head repeatedly against the carved coat of arms on the chair back. The head was still secured to the chair with flex. Originally it must have been tight but Jiménez had gained some slack through his struggle. The flex had cut deeply into the flesh beneath his nose and had ridden up until it had bitten into the cartilaginous material of the septum and it had even sawn through that to reach the bone of the bridge. The nose was hanging off his face. The flex had also cut into the flesh over his cheekbones as he’d thrown his head from side to side.

Falcón turned away from the profile only to see the full frontal in the blank TV screen. He blinked, wanting to close those staring eyes, which, even in reflection, penetrated. His stomach leapt at the thought of the horror images that had forced a man to do this to himself. Were they still there, burned on to the retina, or further back in the brain in some cubist digitalized state?

He shook his head, unused to these wild thoughts interfering with his investigative coolness. He moved around to confront the gory face, not quite full on because the TV/video cabinet was up against the man’s knees, and, at this moment, Javier Falcón came up against his first physical failing. His legs would not bend. None of the usual motor messages could get beyond the roiling panic in his chest and stomach. He did what the Juez de Guardia had advised and looked out of the window. He noted the brightness of the April morning, remembered that restlessness as he’d got dressed in the shuttered dark, the uneasiness left after a long, lonely winter with too much rain. So much rain that even he had noticed how the city’s gardens had burgeoned to the density of jungle, to the richness of an abundant botanical exhibit. He looked down on the Feria ground, which two weeks from now would be transformed into a tented Seville crowded with casetas, marquees, for the week-long session of eating, drinking fino and dancing Sevillanas until dawn. He breathed in deeply and lowered himself to meet Raúl Jiménez’s face.

The terrible staring effect was produced by the man’s eyeballs bulging out of his head as if he had a thyroid problem. Falcón glanced up at the photos. Jiménez was not bug-eyed in any of them. This was caused by … His synapses shunted like cars crunching into each other nose to tail. The visible ball of the eye. The blood down the face. The coagulation on the jaw line. And these? What are these delicate things on his shirtfront? Petals. Four of them. But rich, exotic, fleshy as orchids with these fine filaments, just like fly-catchers. But petals … here?

He reeled backwards, his feet kicking at the rug edge and the parquet flooring as he fell over the television lead, yanking the plug out of the wall socket. He crabbed on the heels of his hands and feet until he hit the wall and sat legs splayed, thighs twitching, shoes nodding.

Eyelids. Two top. Two bottom. Nothing could have prepared him for that.

‘Are you all right, Inspector Jefe?’

‘Is that you, Inspector Ramírez?’ he asked, getting up slowly, messily.

‘The Policía Científica are ready to move in.’

‘Send the Médico Forense down here.’

Ramírez slipped out of the doorframe. Falcón shook himself down. The Médico Forense appeared.

‘Did you see that this man had had his eyelids cu—his eyelids removed?’

‘Claro, Inspector Jefe. The Juez de Guardia and I had to satisfy ourselves that the man was dead. I saw that the man’s eyelids had been removed and … it’s all in my notes. The secretaria has noted it, too. It’s hardly something you’d miss.’

‘No, no, I didn’t doubt that … I was just surprised that it wasn’t mentioned to me.’

‘I think Juez Calderón was about to tell you, but …’

The bald head of the Médico Forense rolled on his shoulders.

‘But what …?’

‘I think he was in awe of your experience in these matters.’

‘Do you have any opinion about the cause and time of death?’ asked Falcón.

‘The time, about four, four-thirty this morning. The cause, well, vamos a ver, the man was over seventy years old, he had been overweight, he was a heavy smoker of cigarettes which he preferred with the filter removed and, as a restaurateur, someone who enjoyed a glass of wine or two. Even a young and fit man might have found it difficult to sustain these injuries, that physical and mental distress, without going into deep shock. He died of heart failure, I’m sure of it. The autopsy will confirm that … or not.’

The Médico Forense finished, flustered by the steadiness of Falcón’s look and annoyed by his own idiocy at the end. He left the frame, which was instantly reoccupied by Calderón and Ramírez.

‘Let’s get started,’ said Calderón.

‘Who called the emergency services?’ asked Falcón.

‘The conserje,’ said Calderón. The concierge. ‘After the maid had …’

‘After the maid had let herself in, seen the body, ran out of the apartment, and taken the lift back down to the ground floor …?’

‘… and hammered hysterically on the door of the conserje’s flat,’ finished Calderón, irritated by Falcón cutting in. ‘It took him some minutes to get any sense out of her and then he called 091.’

‘Did the conserje come up here?’

‘Not until the first patrol car arrived and sealed off the crime scene.’

Was the door open?’

‘Yes.’

‘And the maid … now?’

‘Under sedation in the Hospital de la Virgen de la Macarena.’

‘Inspector Ramírez …’

‘Yes, Inspector Jefe …’

All exchanges between Falcón and Ramírez started like this. It was his way of reminding the Inspector Jefe that Falcón had moved down from Madrid and stolen the job that Ramírez had always assumed would be his.

‘Ask Sub-Inspector Pérez to go down to the hospital and as soon as the maid … Does she have a name?’

‘Dolores Oliva.’

‘As soon as she is sensible … he should ask her if she noticed anything strange … Well, you know the questions. And ask her how many times she turned the key in the lock to open the door and what exactly were her movements before she found the body.’

Ramírez repeated this back to him.

‘Have we found Sra Jiménez and the children yet?’ asked Falcón.

‘We think they’re in the Hotel Colón.’

‘On Calle Bailén?’ asked Falcón, the five-star hotel where all the toreros stayed, only fifty metres from his own … from his late father’s house — a coincidence without being one.

‘A car has been sent,’ said Calderón. ‘I’d like to complete the levantamiento del cadaver as soon as possible and get the body down to the Instituto Anatómico Forense before we bring Sra Jiménez up here.’

Falcón nodded. Calderón left them to it. The two Policía Científica, Felipe in his mid fifties and Jorge in his late twenties, moved in murmuring buenos días. Falcón stared at the TV plug lying on the floor and decided not to mention it. They photographed the room and, between them, began to put together a scenario, while Jorge took Jiménez’s fingerprints and Felipe dusted the TV/video cabinet and the two empty slipcases on top. They agreed on its normal position and the fact that Jiménez would usually have been watching it from a leather scoop chair whose swivel base when lifted revealed a circular mark on the parquet. The killer had incapacitated Jiménez, swivelled the leather chair, which was unsuitable for his purposes, and moved one of the high-backed guest chairs so that he could shift the body in one turning movement. The killer had then secured the wrists to the arms of the chair, stripped the socks off the feet, stuffed them in Jiménez’s mouth and secured the ankles. He then manoeuvred the chair by pivoting it on its legs until he achieved the ideal position.

‘His shoes are under here,’ said Jorge, nodding to the footwell of the desk. ‘One pair of ox-blood loafers with tassels.’

Falcón pointed to a well-worn patch on the parquet in front of the leather scoop. ‘He liked to kick off his shoes and sit in front of the TV rubbing his feet on the wooden floor.’

‘While he watched dirty movies,’ said Felipe, dusting one of the slipcases. ‘This one’s called Cara o Culo.’ Face or Arse I.

‘The position of the chair?’ asked Jorge. ‘Why move all this furniture around?’

Javier Falcón walked to the door, turned and held his arms open to the forensics.

‘Maximum impact.’

‘A real showman,’ said Felipe, nodding. ‘This other slipcase has La Familia Jiménez written on it in red felt-tip and there’s a cassette in the machine with the same title, same handwriting.’

‘That doesn’t sound too horrific,’ said Falcón, and they all looked at Raúl Jiménez’s blood-streaked terror before going back to their work.

‘He didn’t enjoy the show,’ said Felipe.

‘You shouldn’t watch if you can’t take it,’ said Jorge from under the desk.

‘I’ve never liked horror,’ said Falcón.

‘Me neither,’ said Jorge. ‘I can’t take all that … that …’

‘That what?’ asked Falcón, surprised to find himself interested.

‘I don’t know … the normality, the portentous normality.’

‘We all need a little fear to keep us going,’ said Falcón, looking down his red tie, the sweat tumbling out of his forehead again.

There was a thump from under the desk as Jorge’s head hit the underside.

‘Joder.’ Fuck. ‘You know what this is?’ said Jorge, backing out from under the desk. This is a chunk of Raúl Jiménez’s tongue.’

Silence from the three men.

‘Bag it,’ said Falcón.

‘We’re not going to find any prints,’ said Felipe. ‘These slipcases are clean, as is the video, TV, the cabinet and the remote. This guy was prepared for his work.’

‘Guy?’ asked Falcón. ‘We haven’t talked about that yet.’

Felipe fitted a pair of custom-made magnifying glasses to his face and began a minute inspection of the carpet.

Falcón was amazed at the two forensics. He was sure they’d never seen anything as gruesome as this in their careers, not down here, not in Seville. And yet, here they were … He took a perfect square of ironed handkerchief out of his pocket and dabbed his brow. No, it wasn’t Felipe and Jorge’s problem. It was his. They behaved like this because this was how he normally behaved and had told them it was the only way to work in a murder investigation. Cold. Objective. Dispassionate. Detective work, he could hear himself in the lecture theatre back in the academy, is unemotional work.

So what was different about Raúl Jiménez? Why this sweat on a cool, clear April morning? He knew what they called him behind his back down at the Jefatura Superior de Policía on Calle Blas Infante. El Lagarto. The Lizard. He’d liked to think it was because of his physical stillness, his passive features, his tendency to look intensely at people while he listened to them. Inés, his ex-wife, his recently divorced wife, had cleared up that misunderstanding for him. ‘You’re cold, Javier Falcón. You’re a cold fish. You have no heart.’ Then what is this thing thundering away in my chest? He jabbed himself in the lapel with his thumb, found himself with his jaw clenched and Felipe looking up with fish aquarium eyes from the carpet.

‘I have a hair, Inspector Jefe,’ he said. ‘Thirty centimetres.’

‘Colour?’

‘Black.’

Falcón went to the desk and checked the photograph of La Familia Jiménez. Consuelo Jiménez stood in a floor-length fur coat, her blonde hair piled high as confectionery while her three sons cheesed at the camera.

‘Bag it,’ he said, and called for the Médico Forense. In the photograph Raúl Jiménez stood next to his wife with his horse teeth grinning, his sagging cheeks looking like a grandfather and his wife, a daughter. Late marriage. Money. Connections. Falcón looked into Consuelo Jiménez’s brilliant smile.

‘Good carpet, this,’ said Felipe. ‘Silk. Thousand knots per centimetre. Good tight pile so that everything sits nicely on top.’

‘How much do you think Raúl Jiménez weighs?’ Falcón asked the Médico Forense.

‘Now I’d say somewhere between seventy-five and eighty kilos, but from the slack in his chest and waist I’d say he’s been up in the high nineties.’

‘Heart condition?’

‘His doctor will know if his wife doesn’t.’

‘Do you think a woman could lift him out of that low leather scoop and put him in that high-backed chair?’

‘A woman?’ asked the Médico Forense. ‘You think a woman did that to him?’

‘That was not the question, Doctor.’

The Médico Forense stiffened as Falcón made him feel stupid a second time.

‘I’ve seen trained nurses lift heavier men than that. Live men, of course, which is easier … but I don’t see why not.’

Falcón turned away, dismissing him.

‘You should ask Jorge about trained nurses, Inspector Jefe,’ said Felipe, arse up in the air, practically sniffing the carpet.

‘Shut up,’ said Jorge, tired of this one.

‘I understand it’s all to do with the hips,’ said Felipe, ‘and the counterweight of the buttocks.’

‘That’s only theory. Inspector Jefe,’ said Jorge. ‘He’s never had the benefit of practical experience.’

‘How would you know?’ said Felipe, kneeling up, grabbing an imaginary rump and giving it some swift thrusts with his groin. ‘I had a youth, too.’

‘Not much of one in your day,’ said Jorge. ‘They were all tight as clams, weren’t they?’

‘Spanish girls were,’ said Felipe. ‘But I come from Alicante. Benidorm was just down the road. All those English girls in the sixties and seventies …”

‘In your dreams,’ said Jorge.

‘Yes, I’ve always had very exciting dreams,’ said Felipe.

The forensics laughed and Falcón looked down on them as they grovelled on the floor, rootling like pigs after acorns, with football and fucking fighting for supremacy in their brains. He found them faintly disgusting and turned to look at the photos on the wall. Jorge nodded his head at Falcón and mouthed to Felipe: Mariquita. Poof.

They laughed again. Falcón ignored them. His eye, just as it did when he looked at a painting, was drawn to the edges of the photographic display. He moved away from the central celebrity section and found a shot of Raúl Jiménez with his arms around two men who were both taller and bigger than him. On the left was the Jefe Superior de la Policía de Sevilla, Comisario Firmin León and on the right was the Chief Prosecutor, Fiscal Jefe Juan Bellido. A physical pressure came down on Falcón’s shoulders and he shrugged his suit up his collar.

‘Aha! Here we go,’ said Felipe. ‘This is more like it. One pubic hair, Inspector Jefe. Black.’

The three men turned simultaneously to the window because they’d heard muted voices from behind the double-glazing and a mechanical sound like a lift. Beyond the rail of the balcony two men in blue overalls slowly appeared, one with long black hair tied in a ponytail and the other crew cut with a black eye. They were shouting to the team eighteen metres below who were operating the lifting gear.

‘Who are those idiots?’ asked Felipe.

Falcón went out on to the balcony, startling the two men standing on the platform, which had just been raised up a railed ladder from a truck in the street.

‘Who the hell are you?’

‘We’re the removals company,’ they said, and turned their backs to show yellow stencils on their overalls which read Mudanzas Triana Transportes Nacionales e Internacionales.

2

Thursday, 12th April 2001, Edificio Presidente, Los Remedios, Seville

Juez Esteban Calderón signed off the levantamiento del cadáver, which had uncovered another piece of baggable evidence. Underneath the body was a piece of cotton rag, a sniff indicated traces of chloroform.

‘A mistake,’ said Falcón.

‘Inspector Jefe?’ questioned Ramírez, at his elbow.

‘The first mistake in a planned operation.’

‘What about the hairs, Inspector Jefe?’

‘If those hairs belonged to the killer … shedding it was an accident. Leaving a chloroform-soaked rag was an error. He put Raúl Jiménez out with the chloroform, didn’t want to put the rag in his pocket, threw it on the chair and then dumped Don Raúl on top of it. Out of sight, out of mind.’

‘It’s not such an important clue …”

‘It’s an indication of the mind we’re working against. This is a careful mind but not a professional one. He might be slack in other areas, like where he got the chloroform. Maybe he bought it here in Seville from a medical or laboratory supplies shop or stole it from a hospital or a chemist. The killer has thought obsessively about what he wants to do to his victim but not all the details around it.’

‘Sra Jiménez has been located and informed. A car will drop the kids at her sister’s house in San Bernardo and bring her on alone.’

‘When will the Médico Forense do the autopsy?’ asked Falcón.

‘Do you want to be there?’ asked Calderón, weighing his mobile. ‘He said that he was going to do it immediately.’

‘Not particularly,’ said Falcón. ‘I just want the results. There’s a lot to do here. This film, for instance. I think we should all watch the La Familia Jiménez movie now before Sra Jiménez arrives. Is there anybody else from the squad here, Inspector?’

‘Fernández is talking to the conserje, Inspector Jefe.’

‘Tell him to collect all the tapes from the security cameras, view them with the conserje and make a note of anybody he doesn’t recognize.’

Ramírez made for the door.

‘And another thing … find somebody to check all the hospitals, laboratories and medical supply shops for chloroform sold to odd people or missing bottles of the stuff. And surgical instruments, too.’

Falcón rolled the TV/video cabinet back to its normal position in the corner of the room. Calderón sat in the leather scoop chair. Falcón plugged the equipment back in. Ramírez stood by the dead man’s chair, which was wrapped in plastic, ready to be taken down to the Policía Científica laboratories. He murmured into his mobile. Calderón ejected the tape, inspected the reels, put it back in and hit the rewind button.

‘The removals men are still here, Inspector Jefe.’

‘There’s no one to talk to them now. Let them wait.’

Calderón hit ‘play’. They took seats around the room and watched in the sealed silence of the empty apartment. The footage opened with a shot of the Jiménez family coming out of the Edificio Presidente apartment building. Raúl and Consuelo Jiménez were arm in arm. She was in an ankle-length fur coat and he was in a caramel overcoat. The boys were all dressed identically in green and burgundy. They walked straight towards the camera, which was across the street from them, and turned left into Calle Asunción. The film cut to the same family group in different clothes on a sunny day coming out of the Corte Inglés department store on La Plaza del Duque de la Victoria. They crossed the road into the square, which was full of stalls selling cheap jewellery and shawls, CDs, leather bags and wallets. The group disappeared into Marks & Spencer’s. The family group were shown again and again until two of the three men were stifling yawns amidst the shopping malls, the beach gatherings, the paseos in the Plaza de España and the Parque de María Luisa.

‘Is he just showing us he did his homework?’ asked Ramírez.

‘Impressively dull, isn’t it?’ said Falcón, not finding it so, finding himself oddly fascinated by the altering dynamics of the family group in the different locations. He was drawn to the idea of the family, especially this apparently happy one, and what it would be like to have one himself, which led him to think how it was that he had singularly failed in this capacity.

Only a change in the direction of the movie snapped him back. It was the first piece of footage where the family didn’t appear as a group. Raúl Jiménez and his boys were at the Betis football stadium on a day when, it was clear from the scarves, they were playing Sevilla — the local derby.

‘I remember that day,’ said Calderón.

‘We lost 4–0,’ said Ramírez.

‘You lost,’ said Calderón. ‘We won.’

‘Don’t tell me,’ said Ramírez.

‘Who do you support, Inspector Jefe?’ asked Calderón.

Falcón didn’t react. No interest. Ramírez glanced over his shoulder, uncomfortable with his presence.

The camera cut to the Edificio Presidente. Consuelo Jiménez on her own, getting into a taxi. Cut to her paying the taxi off in a tree-lined street, waiting some moments while the car pulled away before crossing the road and walking up several steps to a house.

‘Where’s that?’ asked Calderón.

‘He’ll tell us,’ said Falcón.

A series of cuts showed Consuelo Jiménez arriving at the same house on different days, in different clothes. Then the house number — 17. And the street name — Calle Río de la Plata.

‘That’s in El Porvenir,’ said Ramírez.

‘This is the future,’ said Calderón. ‘I think we have a lover here.’

Cut to night-time and the rear of a large E-Class Mercedes with a Seville number plate. The image held for some time.

‘He doesn’t move his plot on very well,’ said Calderón, reaching his boredom threshold quickly.

‘Suspense,’ said Falcón.

Finally Raúl Jiménez got out of the car, locked it, stepped out of the street lighting and into the dark. Cut to a fire burning in the night, figures standing around the leaping flames. Women in short skirts, some with their suspenders and stocking tops showing. One of them turned, bent over and put her bottom to the fire.

Raúl Jiménez appeared at the edge of the fire. An inaudible discussion ensued. He strode back to the Mercedes with one of the women following, stumbling in her high heels over the rough ground.

‘That’s the Alameda,’ said Ramírez.

‘Only the cheapest for Raúl Jiménez,’ said Falcón.

Jiménez pushed the girl into the back seat, holding her head down as if she were a police suspect. He looked up and around and followed her in. The frame held the rear door of the Mercedes, shadowy movements beyond the glass. No more than a minute passed and Jiménez got out of the car, straightened his fly and held out a note to the girl, who took it. Jiménez got back into the driver’s seat. The car pulled away. The girl spat a fat gob on to the dirt, cleared her throat and spat again.

‘That was quick,’ said Ramírez, predictable.

More night-time footage followed. The pattern was the same, until an abrupt change of scene put the camera in a corridor with light falling into it from an open door at the end on the left. The camera moved down the corridor gradually revealing a lighter square on the wall at the end with a hook above it. The three men were suddenly transfixed, as they knew they were looking at the corridor outside the room where they were sitting. Ramírez’s hand twitched in that direction. The camera shook. The suspense tightened as the three lawmen’s heads surged with the horror of what they might be about to see. The camera reached the edge of light, its microphone picked up some groaning from the room, a shuddering, whimpering moan of someone who might be in terrible agony. Falcón wanted to swallow but his throat refused. He had no spit.

‘Joder,’ said Ramírez, to break the tension.

The camera panned and they were in the room. Falcón was so spooked that he half expected to see the three of them sitting there, watching the box. The camera focused first on the TV, which, at this remove, was running with waves and flickering but not so much that they couldn’t see the graphic performance of a woman masturbating and felating a man whose bare buttocks clenched and unclenched in time.

The camera pulled back to a wide shot, Falcón still blinking at the confusion of sound and expected image. Kneeling on the Persian carpet looking up at the TV screen was Raúl Jiménez, shirt-tails hanging over his backside, socks halfway up his calves and his trousers in a pile behind him. On all fours in front of him was a girl with long black hair, whose still head informed Falcón that she was staring at a fixed point, thinking herself elsewhere. She was making the appropriate encouraging noises. Then her head began to turn and the camera spun wildly out of the room.

Falcón was on his feet, thighs crashing into the edge of the desk.

‘He was there,’ he said. ‘He was … I mean, he was here all the time.’

Ramírez and Calderón jerked in their seats at Falcón’s outburst. Calderón ran his hand through his hair, visibly shaken. He checked the door from where the camera had just been looking into the room. Falcón’s mind bolted, didn’t know what it was looking at any more. Image or reality. He started, went on to his back foot, tried to shake his vision free of what was in his head. There was someone standing in the doorway. Falcón pinched his eyes shut, reopened them. He knew this person. Time decelerated. Calderón crossed the room with his hand out.

‘Señora Jiménez,’ he said. ‘Juez Esteban Calderón, I am sorry for your loss.’

He introduced Ramírez and Falcón, and Sra Jiménez, with mustered dignity, stepped into the room as if over a dead body. She shook hands with the men.

‘We weren’t expecting you so soon,’ said Calderón.

‘The traffic was light,’ she said. ‘Did I startle you, Inspector Jefe?’

Falcón adjusted his face, which must have had the remnants of that earlier wildness.

‘What was that you were watching?’ she asked, assuming control of the situation, used to it.

They looked at the screen. Snow and white noise.

‘We weren’t expecting you … ‘ started Calderón.

‘But what was it, Señor Juez? This is my apartment. I should like to know what you were looking at on my television.’

With Calderón taking the pressure, Falcón watched at leisure and, although he was sure he didn’t know her, he at least knew the type. This was the sort of woman who would have turned up at his father’s house, when the great man was still alive, looking to buy one of his late works. Not the special stuff, which had made him famous. That was long gone to American collectors and museums around the world. This type was looking to buy the more affordable Seville work — the details of buildings: a door, a church dome, a window, a balcony. She would have been one of those tasteful women, with or without tiresome wealthy husband in tow, who wanted to have their slice of the old man.

‘We were watching a video, which had been left in the apartment,’ said Calderón.

‘Not one of my husband’s … ‘ she said, hesitating perfectly to let them know that ‘dirty’ or ‘blue’ was unnecessary. ‘We had few secrets … and I did happen to see the last few seconds of what you were watching.’

‘It was a video, Doña Consuelo,’ said Falcón, ‘which had been left here by your husband’s murderer. We are the three officers of the law who will be running the investigation into your husband’s death and I thought it important that we saw the film as soon as possible. Had we known that you would be so prompt …’

‘Do I know you, Inspector Jefe?’ she asked. ‘Have we met?’

She turned to face him full on, her dark fur-collared coat open, a black dress underneath. Not someone to be inappropriately dressed for any occasion. She gave him the full force of her attractiveness. Her blonde hair was not quite so structured as in the desk photograph but the eyes were bigger, bluer and icier in reality. Her lips, which controlled and manipulated her dominating voice, were edged with a dark line just in case you might be foolish enough to think that her soft, pliable mouth could be disobeyed.

‘I don’t think so,’ he said.

‘Falcón … ‘ she said, feeling the rings on her fingers as she looked him up and down. ‘No, it’s too ridiculous.’

‘What is, may I ask, Doña Consuelo?’

‘That the artist, Francisco Falcón, should have a son who is the Inspector Jefe del Grupo de Homicidios de Sevilla.’

She knows, he thought … God knows how.

‘So … this film,’ she said, turning on Ramírez, sweeping her coat back and fitting her fists into her waist.

Calderón’s eyes flashed across her breasts before they locked on to Falcón over her left shoulder. Falcón shook his head slowly.

‘I don’t think this is something you should see, Doña Consuelo,’ said the young judge.

‘Why? Is it violent? I don’t like violence,’ she said, without unfixing Ramírez from her gaze.

‘Not physically,’ said Falcón. ‘I think you might find it uncomfortably intrusive.’

The reels of the video squeaked. It was still playing. Sra Jiménez picked up the remote from the corner of the desk and rewound the tape. She pressed ‘play’. None of the men intervened. Falcón shifted to catch her face. Her eyes narrowed, she pursed her lips and gnawed at the inside of her cheek. Her eyes opened as the silent film played. Her face slackened, her body recoiled from the screen as she began to realize what she was watching, as she saw her children and herself become the study of her husband’s killer. When they reached the end of her first taxi ride, to what everybody now knew was 17 Calle Río de la Plata, she stopped the tape, threw the remote at the desk and walked swiftly from the room. The men tossed silence between them until they heard Sra Jiménez retching, groaning and spitting in her halogen-lit, white marble bathroom.

‘You should have stopped her,’ said Calderón, pushing his hand through his hair again, trying to shift some of the responsibility. The two policemen said nothing. The judge looked at his complicated watch and announced his departure. They agreed to meet after lunch, five o’clock in the Edificio de los Juzgados, to present their initial findings.

‘Did you see that photograph on the end there by the window?’ asked Falcón.

‘The one of León and Bellido?’ said Calderón. ‘Yes, I did, and if you look a bit closer you’ll see there’s one of the Magistrado Juez Decano de Sevilla in there, too. Old hawk eyes, Spinola, himself.’

‘There’s going to be some pressure on this case,’ said Ramírez.

Calderón chucked his mobile from one hand to the other, slipped it in his pocket and left.

3

Thursday, 12th April 2001, Edificio Presidente, Los Remedios, Seville

Falcón told Ramírez to interview the removals men — specifically to ask them when they arrived and left, and whether their gear was unattended at any stage.

‘You think that’s how he got in?’ asked Ramírez, the man incapable of just doing something.

‘This is not an easy building to get into and out of without being seen,’ said Falcón. ‘If the maid confirms that the door was double locked when she arrived this morning, it’s possible he used the lifting gear to get in. If it wasn’t then we’ll have to scrutinize the closed-circuit tapes.’

‘That takes a lot of nerve, Inspector Jefe,’ said Ramírez, ‘to wait in here for more than twelve hours.’

‘And then slip out when the maid came in to find the body.’

Ramírez bit his bottom lip, unconvinced that that sort of steel in a man existed. He left the room as if more questions were about to turn him back.

Falcón sat at Raúl Jiménez’s desk. All the drawers were locked. He tried a key from a set on the desk, which opened all the drawers down both sides, while another opened the central one. Only the top two drawers on either side had anything in them. Falcón flicked through a stack of bills, all recent. One caught his attention, not because it was a vet’s bill for a dog’s vaccinations, and there had been no evidence of any dog, but rather that it was his sister’s practice and it was her signature on the bill. It unnerved him, which was illogical. He dismissed it as another non-coincidence.

He went through the central drawer, which contained several empty Viagra packets and four videos. From their titles, they seemed to be blue movies. They included Cara o Culo II, the sequel to the video whose slipcase had been left empty on the TV cabinet. It occurred to him that they hadn’t found the porn video that was showing on the TV while Raúl was with the prostitute. He shut the drawer. He began a detailed inspection of the photographs behind him. He thought that Raúl Jiménez might have known his father. He was, after all, a famous painter, a well-known figure in Seville society, and Jiménez seemed to be a celebrity collector. As he worked his way from the centre out to the edges he realized that this was a collection of a different order of celebrity. There was Carlos Lozano, the presenter of El Precio Justo. Juan Antonio Ruiz, known in the bullring as ‘Espartaco’. Paula Vázquez, the presenter of Euromillón. They were all TV faces. There were no writers, painters, poets, or theatre directors. No anonymous intellectuals. This was the superficial face of Spain, the Hola! crowd. And when it wasn’t, it was the bourgeoisie. The police, the lawmen, the functionaries who would make Raúl Jiménez’s life easier. The glamour and the graft.

‘Did you find who you were looking for?’ asked Sra Jiménez from behind him.

She was out of her coat, wearing a black cardigan and leaning against a guest chair. Her eyes were pink-rimmed despite the make-up repair.

‘I’m sorry you saw that,’ he said, nodding at the television.

‘I’d been warned,’ she said, taking a packet of Marlboro Lights out of her cardigan pocket and lighting one with a Bic from the desk. She threw the pack on the desk, offering him one. He shook his head. Falcón was used to this ritual sizing up. He didn’t mind. It gave him time, too.

He saw a woman about the same age as himself and well groomed, maybe over groomed. There was a lot of jewellery on her fingers whose nails were too long and too pink. Her earrings clustered on her lobes, winking from the nest of her blonde helmet. The make-up, even for a repair job, was heavily slapped on. The cardigan was the only simple thing about her. The black dress would have worked well had it not had a hem of lace which, rather than bringing grief to mind, brought sex awkwardly into contention. She had square shoulders and an uplifted bust and was full-bodied with no extra fat. There was something of the health club fitness regime about her, the way the straps of muscle in her neck framed her larynx and her calf muscles were delineated beneath her black stockings. She was what the English would call handsome.

She saw a fit man in a perfectly cut suit with all his hair, which had gone prematurely grey but belonged to a class of person who would never think of returning it to its original black. He wore lace-up shoes and the tightness of the bows led her to believe that this was someone who rarely unbuttoned his jacket. The handkerchief in his breast pocket she assumed was always there but never used. She imagined that he had a lot of ties and that he wore them all the time, even at weekends, possibly in bed. She saw a man who was contained, trussed and bound. He did not give out, which may have been a professional attitude but she thought not. She did not see a Sevillano, not a natural one anyway.

‘You said earlier, Doña Consuelo, that you and your husband had few secrets.’

‘We should sit,’ she said, pointing him into her husband’s desk chair with her cigarette fingers and pivoting the guest chair round with some dexterity. She sat quickly, slipped sideways on to one of the arms and crossed her legs so that the lace hem rode up her calf.

‘Are you married, Inspector Jefe?’

‘This is an investigation into your husband’s murder,’ he said flatly.

‘It’s relevant.’

‘I was married,’ he said.

She smoked and counted her fingers with her thumb.

‘You didn’t need to tell me that,’ she said. ‘You could have left it at “Yes”.’

‘These are games we should not be playing,’ he said. ‘Every hour that goes past takes us an hour away from your husband’s death. These hours are important. They count more than the hours, say, in three or four days’ time.’

‘You’ve separated from your wife?’ she said.

‘Doña Consuelo …’

‘I’ll be quick,’ she said, and batted the smoke away from between them.

‘We are separated.’

‘After how long?’

‘Eighteen months.’

‘How did you meet her?’

‘She’s a public prosecutor. I met her at the Palacio de Justicia.’

‘So, a union of truth hunters,’ she said, and Falcón searched her for irony.

‘We are not making progress, Doña Consuelo.’

‘I think we are.’

‘I might be satisfying your curiosity …’

‘It’s more than curiosity.’

‘You are reversing the procedure. It is I who have to find out about you.’

‘To see whether I killed my husband,’ she said. ‘Or had him killed.’

Silence.

‘You see, Inspector Jefe, you’re going to find out everything about us, you’re going to dig into our lives. You’re going to strip down my husband’s business affairs, you’re going to probe his private life, uncover his little uglinesses — his blue movies, his cheap whores, his cheap … cheap cigarettes.’

She leaned over and picked up the pack of Celtas and threw them across the desk so that they skidded into Falcón’s lap.

‘And you won’t let me alone. I’ll be your prime suspect. You saw that horrible thing,’ she said, waving at the television behind her.

‘Number 17 Calle Río de la Plata?’

‘Exactly. My lover, Inspector Jefe. You’ll be talking to him too, no doubt.’

‘What’s his name?’ he asked, getting out his pen and notebook for the first time, down to business at last.

‘He is the third son of the Marqués de Palmera. His name is Basilio Tomás Lucena.’

Did he detect pride in that? He wrote it down.

‘How old is he?’

‘Thirty-six, Inspector Jefe,’ she said. ‘You’ve started before I’ve finished.’

‘This is progress.’

‘Did she meet somebody else?’

‘Who?’

‘The public prosecutor.’

‘This isn’t …’

‘Did she?’

‘No.’

‘That’s hard,’ she said. ‘I think that’s harder.’

‘What?’ he asked, instantly annoyed with himself for snatching at her bait.

‘To be dumped because she would rather be alone.’

That slid into him like a white-hot needle. His head came up slowly.

Sra Jiménez looked around the room as if it was her first time in it.

‘Were you aware that your husband was taking Viagra?’ he asked.

‘Yes.’

‘Did his doctor know?’

‘I imagine so.’

‘You must have been aware of the risks for a man in his seventies.’

‘He was as strong as a bull.’

‘He’d lost weight.’

‘Doctor’s orders. Cholesterol.’

‘He must have been very disciplined.’

‘I was disciplined for him, Inspector Jefe.’

‘I should have thought as a restaurateur, with all that food around …’

‘I hire and run all the staff in the restaurants,’ she said. ‘They were threatened with the sack if they gave him so much as a crumb.’

‘Did you lose many?’

‘They are Sevillanos, Inspector Jefe, who, as you probably know, rarely take anything seriously. We lost three before they understood.’

‘I’m a Sevillano.’

‘Then you must have been abroad for a long time to learn your … gravity.’

‘I was in Barcelona for twelve years and four years each in Zaragoza and Madrid before I arrived back here.’

‘It sounds as if you’ve been demoted.’

‘My father was ill. I asked to be transferred to be close to him.’

‘Did he recover?’

‘No. He didn’t make it to the new millennium.’

‘We have met before, Inspector Jefe,’ she said, stubbing out the cigarette.

‘Then I don’t remember.’

‘At your father’s funeral,’ she said. ‘We are talking about Francisco Falcón.’

‘You couldn’t believe it before,’ he said, thinking: Let’s see how this changes your tune.

‘Was that who you were looking for in the photographs?’ she asked, and he nodded. ‘You wouldn’t find him there. He was not Raúl’s kind of celebrity. He never came to any of the restaurants. I doubt they knew each other. I went to the funeral because I knew him. I own three of his paintings.’

He imagined his father with Consuelo Jiménez. His father had liked attractive women, especially if they bought his stupid paintings … but this one? Maybe that would have interested him. The showy, slightly tacky dresser with a razor tongue and a well-honed intuition. The usual crowd who bought his paintings always tried to say something ‘intelligent’ about them, when there was nothing intelligent in them. Consuelo Jiménez wouldn’t have done that. She would have found something different to say to his father, perhaps made a personal observation, even attempted a small perception, which most people, standing under the fierce reflection of his colossal fame, would never have dared. Yes. And his father would have risen to that. Definitely.

‘So you were completely involved in your husband’s business affairs?’ he said.

‘What happened to his house on Calle Bailén?’

‘I live in it,’ he said. ‘And you would know if your husband had any enemies.’

‘On your own?’

‘Just as he did,’ said Falcón. ‘Your husband … he must have trodden on people on his way up to the top. There are probably people out there who would …’

‘Yes, there are people out there who would gladly see him dead, especially those he’d corrupted and who are now free from the weight of their obligation.’

She flicked a derisory fingernail at the functionary end of the photograph gallery.

‘If you know something … it would help.’

‘Ignore me. I’m being facetious,’ she said. ‘If there had been any corruption I would not have known about it. I ran the restaurants. I designed the interiors. I organized the flower arrangements. I made sure the produce for the kitchens was of the highest quality. But, as you can probably imagine, even without knowing my husband, I did not make contact with a single peseta of real money, nor did I deal with any of the powers, legal or otherwise, who let Raúl build, who licensed him, and who made sure there were no … unforeseen circumstances.’

‘So it is possible that …’

‘Very unlikely, Inspector Jefe. If something goes wrong in that department the stink soon gets into the restaurants and nothing reached my nose smelling that bad.’

Falcón decided he’d let this woman run free for long enough. It was time she understood what had happened here. Time she stopped looking at this as a news item that didn’t affect her. Time to bring her inside.

‘Your husband’s body is undergoing an autopsy at the moment. In due course we will have to go to the Instituto Anatómico Forense for you to identify the body. You will see for yourself that your husband’s murder was extraordinary, more extraordinary than any I have seen in my career.’

‘I saw the killer’s little production for myself, Inspector Jefe. To spy on a family like that you would have to be profoundly disturbed.’

‘You happened to see the last few moments of the video when you first arrived. Perhaps you were not aware of what you were looking at,’ he said. ‘Your husband was entertaining a prostitute in here last night. The killer filmed it. We think that he may have got into this apartment much earlier, around lunchtime, using the removals company’s lifting gear, and that he was hiding in here, waiting for his moment.’

Her eyes widened. She grabbed for the cigarettes and lit up, spanned her forehead with her hand.

‘I was here yesterday afternoon with the children before we went to the Hotel Colón,’ she said, on her feet now, pacing the length of the desk.

‘We found your husband sitting in the twin of that chair,’ said Falcón, not taking his eyes off her. ‘His forearms, ankles and head had been secured with flex. He was barefoot because his socks had been used to gag him. He was being forced to watch something on the screen, something so horrific to him that he fought with all his strength not to see it.’

As he said this it occurred to him that it was only half true. The on-screen horror might have been the start of it, but what made Raúl Jiménez writhe convulsively was coming round in agony to find that a madman had cut his eyelids off. After that he’d have known there was nothing to lose and he’d have fought like a dog until his heart gave out.

‘What was he being forced to watch?’ she asked, confused. ‘I didn’t see …’

‘What you saw had a certain amount of horror for you personally. Being stalked is creepy, but it’s not something that you would fight to the point of self-mutilation not to see.’

She sat down straight in the chair, knees pressed together like a good little girl. She leaned forward, grasping her shins, holding herself in.

‘I can’t think,’ she said. ‘I can’t think of anything like that.’

‘Nor can I,’ said Falcón.

She drew on the cigarette, spat out the smoke as if it was disgusting. Falcón searched for any hint of pretence.

‘I can’t think,’ she said it again.

‘You have to think, Doña Consuelo, because you have to go over every minute that you spent with Raúl Jiménez plus everything you know about his life before you met him and you must tell it all … to me and then perhaps between us we can find the small crack … the …’

‘The small crack?’

Falcón’s mind went blank. What crack was he talking about? An opening. A chink. But into what?

‘We might find something that will give us an insight,’ he said. ‘Yes, an insight.’

‘Into what?’

‘Into what your husband feared,’ said Falcón, losing his thread.

‘He had nothing to fear. There was nothing frightening in his life.’

Falcón reined in his thoughts. His fear? What was he thinking of? What was this man’s fear going to tell him?

‘Your husband had certain … tastes,’ said Falcón, fingering the pack of Celtas. ‘Here we are in one of the most prestigious apartment buildings in Seville, or at least they were fifteen years ago …’

‘Which was about when he bought it,’ she said. ‘I never liked it here.’

‘And where were you moving to?’

‘Heliopolis.’

‘Another expensive place to live,’ said Falcón. ‘He has four of the most well-known restaurants in Seville attended by the rich, the powerful and the celebrated. And yet … Celtas, which he smoked with the filters broken off. And yet … cheap prostitutes picked up in the Alameda.’

‘That was only a recent development. No more than two years … since … since Viagra became available. He was impotent for three years before that.’

‘His taste in tobacco probably goes back to a time when he had no money. When was that?’

‘I don’t know, he never talked about it.’

‘Where does he come from?’

‘He never talked about that either,’ she said. ‘We Spanish don’t have such a glorious past that his generation would choose to wallow in it.’

‘What do you know about his parents?’

‘That they’re both dead.’

Consuelo Jiménez was no longer maintaining eye contact. Her ice-blue eyes roved the room.

‘When did you and Raúl Jiménez meet?’

‘At the Feria de Abril in 1989. I was invited to his caseta by a mutual friend. He danced a very good Sevillana … not the usual shuffling about that you see from the men. He had it in him. We made a very good pair.’

‘You would have been in your early thirties? And he was in his sixties.’

She smoked hard and trashed the cigarette. She walked to the window where she became a dark silhouette against the bright blue sky. She folded her arms.

‘I knew this would happen,’ she said, mouth up against the cold glass. ‘The digging. The turning over. That’s why I wanted something from you first. I didn’t want to spew my life into the police machine, the one that encapsulates lives on a few sides of A4, the one that doesn’t have space for nuance or ambiguity, that doesn’t see grey but only black or white and really only has an eye for black.’

She turned. He shifted in his seat, trying to get the light to catch her face. He turned on the desk lamp and began a reappraisal of Consuelo Jiménez in this warmer light. Perhaps the initial toughness she’d shown was what she’d learned from being with and working for Raúl Jiménez. The dress, the jewellery, the fingernails, the hair — maybe that was how Raúl Jiménez wanted her and she wore it like armour.

‘My job is to get to the truth,’ he said. ‘I’ve been working at it for over twenty years. In that time I … and police science, have developed hundreds of techniques for helping us get to the provable truth. I’d like to be able to tell you it is now an exact science, that it is actually scientific, but I can’t, because, like economics, another so-called science, there are people involved and where people are involved there’s variability, unpredictability, ambivalence … Does that answer your concern, Doña Consuelo?’

‘Maybe after all your job is not so different from your father’s.’

‘I don’t understand.’

‘Forget it,’ she said. ‘You were asking me about my husband. How we met. Our age disparity.’

‘It just struck me as unusual that an attractive woman in her thirties should …’

‘Go for an old toad like Raúl,’ she finished. ‘I’m sure I could think up something suitable about the emotional and economic stability of the mature man, but I think we’ve come to an agreement, haven’t we, Inspector Jefe? So I’ll tell you. Raúl Jiménez pursued me relentlessly. He cornered me, pressured me and begged me. He broke me down until I said “Yes”. And having spent months avoiding that word, in fact saying “No, no, no”, once I’d said it … it untangled me.’

‘What was there to untangle?’

‘I imagine you’ve known disappointment,’ she said. ‘When your wife left you, for instance. How old was she, by the way?’

‘Thirty-two,’ he said, no longer resisting her digressions.

‘And you?’

‘Forty-four then.’

She sat in the leather scoop chair, crossed her legs and swivelled from side to side.

‘As you’ve probably gathered, I’m not a Sevillana,’ she said. ‘I’ve lived with them for more than fifteen years but I’m not one of them. I’m a Madrileña. In fact I come from a pueblo in Extremadura, just south of Plasencia. My parents left there when I was two. I was brought up in Madrid.

‘In 1984 I was working in an art gallery and I fell in love with one of the clients, the son of a duke. I won’t bore you with details … only that I became pregnant. He told me we couldn’t marry and he paid for me to go to London for an abortion. We separated at the Barajas Airport and the only time I’ve seen him since is in the pages of Hola! I moved to Seville in 1985. I’d been here on holiday. I liked the city’s alegría. Four years later and not much alegría, it has to be said, I met Raúl. I was ready for Raúl. Disappointment had prepared me.’

‘You made it sound as if he was crazy about you. You’ve had three children by him. You seem to enjoy your work. Your choice in finally accepting him must have, as you said yourself, simplified things.’

She went to the desk, ripped through the drawers until she came to a pile of old creamy-coloured black-and-white photographs which she shuffled through rapidly, choosing one, which she held to her chest.

‘It did,’ she said, ‘until I saw this —’

She handed him the photograph. Falcón looked from the photograph to her and back again.

‘If it wasn’t for the mole on her top lip you wouldn’t be able to tell us apart, would you, Inspector Jefe?’ she said. ‘Apparently she was also a little shorter than me.’

‘Who is she?’

‘Raúl’s first wife,’ she said. ‘Now you see, Inspector Jefe, once a Consuelo always a Consuelo.’

‘And what happened to her?’

‘She committed suicide in 1967. She was thirty-five years old.’

‘Any reason?’

‘Raúl said she was clinically depressed. It was her third attempt. She threw herself into the Guadalquivir — not off a bridge, just from the bank, which has always struck me as a strange thing to do,’ she said. ‘Not snuffing yourself out with sleeping pills, not savagely punishing yourself with slashed wrists, not diving into oblivion for all to see, but throwing yourself away.’

‘Like rubbish.’

‘Yes, I suppose that’s it,’ she said. ‘Raúl didn’t tell me any of that, by the way. It was an old friend of his from the Tangier days.’

‘I was brought up in Tangier,’ said Falcón, his brain unable to resist another non-coincidence. ‘What was your husband’s friend’s name?’

‘I don’t remember. It was ten years ago and there’ve been far too many names since then, you know, working in the restaurant business.’

‘Did your husband have any children from that marriage?’

‘Yes. Two. A boy and a girl. They’re in their fifties now or close to it. The daughter, yes, that’s interesting. About a year after we got married a letter came here from a place called San Juan de Dios.’

‘That’s a mental institution on the outskirts of Madrid in Ciempozuelos.’

‘As any Madrileño would know,’ she said. ‘But when I asked Raúl about it he invented some ridiculous story until I confronted him with a direct debit to the same institution and he had to tell me that his daughter’s been an inmate there for more than thirty years.’

‘And the son?’

‘I never met him. Raúl wouldn’t be drawn on the subject. It was closed. A past chapter. They didn’t speak. I don’t even know where he lives, but I suppose I’ll have to find out now.’

‘Do you have a name?’

‘José Manuef Jiménez.’

‘And the mother’s maiden name?’

‘Bautista, yes, and she had a strange first name: Gumersinda.’

‘The children were both born in Tangier?’

‘They must have been.’

‘I’ll run it through the computer.’

‘Of course you will,’ she said.

‘Did he ever talk about his Tangier days … your husband?’

‘Now that was a very long time ago. We’re talking about the early forties and fifties. I think he left there shortly after independence in 1956. I don’t think he came straight here but I can’t be sure. All I do know was that by 1967, when his wife killed herself, he was living in a penthouse in one of those blocks of flats on the Plaza de Cuba. They were new then.’

‘And near the river.’

‘Yes, she must have looked at that river a lot,’ she said. ‘It can be quite mesmerizing, a river at night. Black, slow-moving waters don’t seem so dangerous.’

‘What do you know about your husband’s …?’

‘Call him Raúl, Inspector Jefe.’

‘Raúl’s personal and business relationships between, say, the death of his first wife and your meeting in the Feria in 1989?’

‘This is ancient history, Inspector Jefe. Do you think it’s relevant?’

‘No, I don’t, just background. I have to learn a life in a morning. I have to establish a victim in his context if I’m to have a chance at discovering motive. Most people are killed by people they know …’

‘Or thought they knew.’

‘Exactly.’

‘The killer knew us, didn’t he? The happy Family Jiménez.’

‘He knew about you.’

Out of nowhere her face crumpled and she started crying, burst into wracking sobs and collapsed forwards on to her knees. Falcón moved towards her, unsure how to act in these situations. She sensed it and held up her hand. He held out a box of tissues, hovering like a bad waiter. She slumped back into her chair, panting, her eyes black and glistening.

‘You were asking about his personal and business relationships,’ she said, staring off out of the window.

‘He was forty-four when his first wife died. I can’t believe he went twenty years without …”

‘Of course there were women,’ she said savagely, angry now, possibly at him for his curiosity and his uselessness. ‘I don’t know how many there were. I imagine lots, but none of them lasted. Quite a few of them came to look at me … the winner of Raúl’s devotion. Most had their nails dipped in spite, ready to scratch. You know how I dealt with them, Inspector Jefe? I gave them the satisfaction of thinking me a silly little tart. You know, a little bit cursi, twee. It made them happy. They were superior. They left me alone after that. Some of them are friends now … in the Seville sense of the word.’

‘And business?’

‘He didn’t start the restaurants until the tourist boom in the eighties when people found there was more to Spain than the Costa del Sol. It was a hobby to begin with. He was very sociable and he didn’t see why he shouldn’t make money out of it. He started with that one in El Porvenir for his rich friends, then the one in Santa Cruz for the tourists, likewise the big one off the Plaza Alfalfa. After we married he added the two on the coast and last year we opened that one in La Macarena.’

‘Where did the money come from in the first place?’

‘He made a lot of money in Tangier after the Second World War when it was a free port. There were thousands of companies there in those days. He even had his own bank and a construction company. It was an easy place to get rich then, as I’m sure you know.’

‘I was very young. I have no memory of the place,’ said Falcón.

‘He started a barging company here in Seville in the sixties. I think he even owned a steel-pressing factory for a while. Then he got into property and went into partnership with the construction company Hermanos Lorenzo, which he pulled out of in 1992.’

‘Was that amicable?’

‘The Lorenzos are regular clients of the restaurants. We used to take the children to their house in Marbella every summer until Raúl got bored.’

‘So since the death of his first wife and his daughter going insane you don’t think there’s been any major disturbance in Raúl’s life?’

She remained silent for some time, staring out of the window, her foot nodding, the shoe working loose from her heel.

‘I’m beginning to think that Raúl was the quintessential Spaniard, maybe the quintessential Sevillano, too. Life is a fiesta!’ she said, and held her hands out in the direction of the Feria ground. ‘He was as you see him there in the photographs. Smiling. Happy. Charming. But it was a cover, Inspector Jefe. It was a cover for his total misery.’

‘An antidote, too, maybe,’ he said, not agreeing with her, thinking that he was Spanish, too, and he didn’t consider himself miserable.

‘No, not an antidote, because his alegría didn’t counteract anything. It never remedied his essential condition which, believe me, was one of abject misery.’

‘And you never got to the root of that?’

‘He didn’t want me to and I didn’t want to. He quickly discovered that while I was the visual replacement of his wife I was not her clone. Having pursued me relentlessly, he totally failed to love me. I think, in fact, I made him even more miserable by constantly reminding him of her. Still, he kept his side of the bargain, I’ll say that for him.’

‘What was that?’

‘He absolutely didn’t want any more children and I very much wanted them. I said I wouldn’t marry him if he wasn’t going to give me children. So we … copulated, I think that’s the right word, on the three occasions necessary. He only just made it for the youngest. Those were pre-Viagra days.’

‘And so you found Basilio Lucena.’

‘I’m not finished about the children yet,’ she said, snapping. ‘Having said he didn’t want children, he then completely doted on them and was incredibly, obsessively protective of them. He was security mad. He made sure they were picked up from school. They never walked around alone. They never even played unsupervised. And have you seen the front door to this flat? That was put in after the last one was born. There are six steel bolts within the body of the door, which by five turns of the key are driven into the wall. We don’t even have a door like that to the office and there’s a safe in there.’

‘Who normally locked the door at night?’

‘He did. Unless he was away and then he’d call me at one or two in the morning to make sure I’d done it.’

‘Would he have locked it if he was alone?’

‘I’m sure he would have. He was always going on about making it routine so that it would never be forgotten.’

‘Did you ever ask him about this unusually obsessive behaviour?’

‘I was touched he cared so much about the children.’

Ramírez called him on his mobile. He’d finished with the removals men. It had taken some time to break them down, but they’d finally admitted that they went for lunch leaving the lifting gear in place because they had one more chest of drawers to bring down. They’d said that the gear wouldn’t work without the truck engine running, but the platform went up on rails, which was as good as a ladder. Once they’d brought the chest of drawers down nobody went back into the apartment. Falcón told him to join Fernández viewing the CCTV tapes with the conserje and hung up.

‘I’d like to talk about Basilio Lucena,’ he said.

‘There’s nothing to tell.’

‘Did you have any plans?’

‘Plans?’

‘Your husband was an old man. Didn’t it occur to you …?’

‘No, it didn’t … ever. Basilio and I have a nice time together. It involves some sex, of course, but it is not a great passion. We don’t love each other.’

‘I was thinking back to that duke’s son you mentioned earlier.’

‘That was different,’ she said. ‘I have no intention of developing my relationship with Basilio. In fact, I think this might even finish it.’

‘Really?’

‘I should have thought that you, with a famous father, would know how the eyes of society will come down on me. There will be talk and malicious thinking not dissimilar to the suspicions that you are paid by the state to have. It will all be idle … but vicious, and I will protect my children from that.’

‘Is it you or your husband who has the enemies?’

‘I am perceived as undeserving, as a rider on my husband’s coat-tails, as someone who would have failed in life were it not for Raúl Jiménez. But they will see,’ she said, her jaw muscle tensing in her cheek. ‘They will see.’

‘Were you aware of the contents of your husband’s will?’

‘I never saw him sign one, but I knew of his intentions,’ she said. ‘Everything would be left to me and the children and there would be some provision made for his daughter, his hermandad and his favourite charity.’

‘What was that?’

‘Nuevo Futuro, and the particular part of it that interested him was Los Niños de la Calle.’

‘Street children?’

‘Why not?’

‘People support charities for reasons. A wife dies of cancer, the husband puts money into cancer research.’

‘He said that he began contributing after a trip to Central America. He was very moved by the plight of children orphaned by the civil wars in those countries.’

‘Perhaps he himself was orphaned by the Civil War.’

She shrugged. Falcón’s pen hovered over his notebook where the word putas was underscored.

‘And the prostitutes?’ he said, punching the word out into the room. ‘You haven’t seen the section of the video where your husband is filmed frequenting the Alameda. He could have afforded better in less dangerous surroundings. Why do you think …?’

‘Don’t ask me why men go to prostitutes,’ she said, and, as an afterthought, ‘… his misery, I should think.’

‘And you can’t shed any light on that.’

‘People will only talk about those things if they want to, if they know how to. Something that could make my husband that wretched was probably buried so deep that he didn’t know it was there any more. It was just his condition. How would you start talking about something like that?’

Consuelo Jiménez’s words induced a trance in Falcón. His mind tumbled back over those first hours of the investigation and he hit that fear again, the surge of panic. He was on the walk down the corridor, the double walk, because it was his and the killer’s same strides towards that blank wall with its empty hook lit by the light from the horror room. Then the face, and the eyes in the face, and the terrifying relentlessness of what they’d seen.

‘Don Javier,’ she said, which snapped him back to reality because she hadn’t used his rank.

‘Please excuse me,’ he said. ‘I was lost. I mean I was elsewhere.’

‘It didn’t look like somewhere I would want to be,’ she said.

‘I was just running over some things in my mind.’

Then you must have seen some terrible things. You said yourself, about Raúl’s murder, the most extraordinary of your career.’

‘Yes, I did say that, but this wasn’t anything to do with that,’ he said, and found himself on the brink of a confession, which was not, he thought, a place the Inspector Jefe del Grupo de Homicidios should ever be.

4

Thursday, 12th April 2001, Edificio Presidente, Los Remedios, Seville

He offered her a car. She turned him down and said she’d make her own way to her sister’s house. He asked for her sister’s details just to keep the pressure on, and reminded her that he would pick her up later to go to the Instituto Anatómico Forense for the identification of the body. He wanted to interview her then, once she’d been shocked out of any residual complacency by the sight of her husband’s dead body. He asked her to think about anything unusual in Raúl’s business or personal life in the last year and told her to call the restaurant to get the names and addresses of the three people who’d been fired for feeding her husband against orders. He knew they would be dead leads, but he wanted to induce a fear in her of his thoroughness. They shook hands at the door of the apartment; his were damp, hers dry and cool.

Ramírez followed him back into Raúl Jiménez’s study from the hall.

‘Did she do it,’ he asked, slumping into the high-backed chair, ‘or have it done, Inspector Jefe?’

Falcón turned his pen over and over in his fingers.

‘Any news from Pérez at the hospital?’ he asked.

‘The maid’s still out cold.’

‘And the CCTV tapes?’

‘Four people unidentified by the conserje. Two males. Two females. One of the females I would say is the whore, but she looks very young. Fernández has taken the tapes down to the station and we’ll get some digitalized printouts to show around the building.’

‘What about people leaving the building by alternative exits? The garage, for instance.’

‘Neither of those cameras are working. The conserje called the technicians this morning but they still haven’t arrived. Semana Santa, Inspector Jefe,’ he explained.

Falcón gave him the names and addresses of the fired employees and told him to have them interviewed as soon as possible. Ramírez left. Falcón picked up the photograph of Raúl Jiménez’s first wife — Gumersinda Bautista. He called the Jefatura and asked them to run a check on José Manuel Jiménez Bautista, born in Tangier in the late 1940s, early 1950s.

He sat back with the other photographs, flicked through the nameless people. He came across a shot of Raúl Jiménez on the deck of a yacht. He was barely recognizable. No hint of the toadiness to come. He was handsome and confident and stood as if he knew it, hands on hips, shoulders braced, chest puffed out. Falcón brushed his thumb over that chest, thinking there was a speck on the photograph. It stayed and on closer inspection looked to be some kind of wound to his right pectoral near the armpit. He flipped it over — Tangier, July 1953 was written on the back.

His mobile rang. The police computer had come up with a Madrid address and telephone number for José Manuel Jiménez. He took them down and asked after Serrano and Baena, two other officers from his group. They were off for Semana Santa. He ordered them to be sent down to him at the Jiménez apartment.

Instead of reviewing his notes and planning his next assault on the cultivated defences of Doña Consuelo Jiménez, who, he couldn’t deny it, was still his prime suspect, he found himself reaching for the sheaf of old photographs. There were some group shots, again from Tangier, in 1954 according to the dates on the back. He looked over the faces, thinking that he was trying to find his father in there until he realized that he was concentrating more on the women and was wondering if his mother, who’d died seven years after these photographs were taken, was amongst these strangers. He was fascinated at the prospect of finding a shot of her he’d never seen, in the company of people he’d never heard of, in a time before he was born. Some of the faces were too small and grainy and he decided to take them home and look at them under his magnifying glass.

He took a cigarette from the pack of Celtas, sniffed it. He hadn’t smoked for fifteen years. He’d given up when he was thirty, on the same day he’d terminated his relationship of five years with Isabel Alamo. She’d been heartbroken, not least because she’d assumed their private talk was going to be a marriage proposal. In the ghastliness of that memory he broke off the filter, picked up the Bic and lit the cigarette. It was horrible even without inhaling and he set it down on the ashtray. He leaned back in the chair as his mind shot back to another memory back in Tangier on New Year’s Eve 1963. He was standing by the stairs in his pyjamas, waist height to all the leaving guests, who were going down to the port for the firework display. Mercedes, his second mother, his father’s second wife, picked him up and took him back upstairs to bed. This smell was in her hair, Celtas; somebody must have been smoking the same brand at the party. There were still plenty Of Spaniards in Tangier in those days, even though the really good times were long over. Mercedes had put him to bed, kissed him hard, squeezed him to her bosom. He left the memory at that point. He never took it forward from there because … he just didn’t. He was interested to find that this new smell could take him back to that time. Normally he only ever thought of Mercedes when he came across Chanel No.5, her perfume of choice.

A knock at the door brought him back. Serrano and Baena stood in the corridor.

‘You were quick,’ said Falcón.

The two men shuffled in, uneasy with their boss who they assumed was being sarcastic. They’d been forty minutes.

‘Traffic,’ said Baena, which solved the problem both ways.

Falcón was mystified by the sight of the cigarette reduced to an ash snake in front of him. A glance at his watch left him stunned to find that it was past eleven o’clock and he’d achieved nothing. He checked his notes to see when Ramírez had timed the removals men’s lunch break and ordered Serrano and Baena to go out on the streets to try to find a witness who’d seen someone, probably in overalls, climbing up the lifting gear to the sixth floor of the Edificio Presidente.

Sub-Inspector Pérez called saying the maid, Dolores Oliva, had finally come round. She wouldn’t speak until she had a rosary in her hand and throughout the interview she fingered a key ring of the Virgen del Rocío. She was convinced she had come into contact with pure evil and that it might have found a way in. Falcón tapped the desk. It was always like this with Pérez. The academy and eleven years in the field had not been able to break down his need to tell a story in a report. It took eight minutes for him to reveal that Dolores Oliva had opened the door with five turns of the key.

Falcón cut Pérez off and told him to get down to Los Remedios as soon as possible to work the apartments in the block with the print-outs of the unidentified persons from the CCTV tapes. The prostitute had to be identified and found, too. He hung up and saw that there was a message for him from the Médico Forense saying that the autopsy was complete and a written report was being typed out. He thought for a moment about whether he should let Consuelo Jiménez see the body in its full horror and decided that it would be better to keep the eyelid removal as police information only. He called the Médico Forense back and asked him to make the body clean and presentable.

He arranged to pick up Consuelo Jiménez from her sister’s house in San Bernardo and went down to his car calling Fernández and telling him to make contact with Pérez to work the apartments.

It was fiercely bright outside after the darkness of the apartment and nearly warm. It was always the same around Semana Santa and the Feria, a most ambiguous time of year. Neither hot nor cold. Neither dry nor wet. Neither religious nor secular. He got into his car and threw the sheaf of old photographs on the seat. The one of Gumersinda, Raúl’s first wife, was on top. It was a formal shot and she was staring earnestly into the camera, but it was Consuelo Jiménez’s words that came to mind: ‘He totally failed to love me.’ Two bizarre thoughts clashed in his mind, squirting adrenalin into his system, which made him start the car and pull out without looking. Tyres squealed. A muffled shout of ‘Cabrón!‘ reached him.

He made a U-turn and crossed the river over the Puente del Generalísimo. The port railway tracks streamed beneath him and the cranes formed a guard of honour down to the massive Puente del V Centenario, which rose out of the urban mist. His thoughts burgeoned as he headed northeast past the Parque de María Luisa and he desperately wanted that cigarette he’d let burn to ash in Raúl Jiménez’s study. What had come into his mind were the words of his wife, Inés, whom he, too, had failed to love: ‘You have no heart, Javier Falcón,’ and this had been entangled with the sight of Gumersinda, a woman from his mother’s era, which had made him think of his blood mother, Pilar, and then his stepmother, Mercedes. All these women, immensely important to him, he now thought he’d somehow failed.

The idea was so new and peculiar it made him quite desperate to be active and unconscious.

He sat at the traffic lights, his fingers jittering over the steering wheel, muttering: ‘This is madness’ because this did not happen to him. He did not have random inexplicable thoughts. He had never been by nature a day-dreamer. He had always been calm and methodical, which characteristics could not be applied to him now. From the moment he’d seen Raúl’s terrible face there’d been something no less cataclysmic than a genetic mutation. His mind was flooding with uncomfortable memories, sweat welled up from his forehead and dampened his hands, his concentration was shot. He hadn’t even got this investigation under control. He hadn’t checked the windows and doors out on to the balcony in the Jiménez apartment. First steps. And that business with the TV, yanking the cord out of the wall and not mentioning it. It was unprofessional. It was not him.

He cruised up Calle Balbino Murrón right to the end, to a building that overlooked the soccer pitch in the Colegio de los Jesuitas. He put the photos in the glove compartment. Consuelo Jiménez came out on her own before he reached the house. A child, probably the youngest, stood in the window. She waved and the boy waved frantically back. It saddened Falcón. He saw himself in the window, left behind.

They set off, cutting across the main arterial roads going into the centre of town. She looked straight ahead, not taking much in beyond the glass.

‘Have you told the children yet?’ he asked.

‘No,’ she said. ‘I didn’t want to tell them and then leave them to go to the hospital.’

‘They must know something is wrong.’

‘They see I’m nervous. They don’t know why they are with their aunt. They keep asking me why we aren’t in the house in Heliopolis and when is Daddy going to bring the present he promised.’

Бесплатный фрагмент закончился.

599,08 ₽
Возрастное ограничение:
0+
Дата выхода на Литрес:
28 декабря 2018
Объем:
580 стр. 1 иллюстрация
ISBN:
9780007378296
Правообладатель:
HarperCollins

Похожие книги