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JANE CASEY
Let the Dead Speak


Copyright


Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2017

Copyright © Jane Casey 2017

Cover design by Claire Ward © HarperCollinsPublishers Ltd 2018

Cover photographs © Silas Manhood and Shutterstock.com

Jane Casey asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008149017

Ebook Edition © March 2017 ISBN: 9780008149000

Version: 2019-11-27

Dedication

For Ariella Feiner, with love and thanks.

For the good that I would I do not: but the evil which I would not, that I do.

Romans 7:19

Table of Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Keep Reading

Acknowledgements

About the Author

Also by Jane Casey

About the Publisher

1

It had been raining for fifty-six hours when Chloe Emery came home. The forecast had said to expect a heatwave; it wasn’t supposed to be raining.

And Chloe wasn’t supposed to be home.

She came out of the station and stopped, shifting her big black bag from one shoulder to the other. The rain poured off the awning, splashing onto the pavement in front of her. It coursed into the gutters where filthy water was already swirling, dark and gritty, freighted with rubbish and twigs and dead leaves. Chloe’s T-shirt clung to her back and her stomach. She twitched the material away from her skin, self-conscious about the swell of her breasts. She hadn’t ever really thought about them until her stepmother had mentioned them.

‘Big girl like you, you need a better bra. Better support. You can’t blame men for looking, you know.’ A thin, spiteful smile. ‘You might as well enjoy it, though. They’ll be down to your knees in no time and no one will care then.’

It had taken Chloe a long time to understand what she meant, which had annoyed Belinda. She still didn’t know why Belinda was angry with her about her body, or people looking at her. A wave of unease passed over Chloe, remembering – the familiar nausea of not knowing things that other people took for granted. It wasn’t her fault; she did try.

There was no point in waiting for the rain to stop. Chloe bent her head and trudged away from the station. Her clothes and hair were saturated within a couple of minutes, her jeans cold and heavy, dragging against her skin. Every raindrop felt like a finger tapping on her head, her shoulders, her back. Her shoulder was burning where the bag strap rubbed it. There were no other pedestrians, except for a mother pushing a buggy on the opposite pavement, striding fast, the hood on her sensible anorak pulled down low over her face. Who would be out for a walk on a wet Sunday afternoon if they didn’t have to be? Not Chloe, not feeling the way she did, sick and tired and still a bit sore. But there was no one to meet her at the station. No one knew she was there.

A car engine hummed on the street behind her and she didn’t think anything of it, even when it got louder and closer. It wasn’t until the car pulled in ahead of her with a jerk of the brakes that she noticed it in any detail. The driver was leaning forward to peer into the rear-view mirror, adjusting it so she could see his eyes staring into hers. The fear came first, a thud that shook her chest as if someone had kicked her. Then recognition: it wasn’t a stranger watching her walk towards him. It was a neighbour. More than a neighbour: it was Mr Norris, who lived across the road from her, who always smiled and asked her how she was, who had very bright eyes and white teeth and was Bethany’s father. Bethany was younger than Chloe but she knew so much more about everything.

Chloe went over to the car, peering in through the window he’d lowered on the passenger side.

‘Where are you off to? Going home? Jump in, I’ll give you a lift.’

Mr Norris never waited for an answer. She’d noticed that before. She didn’t know if it was because she was so slow or if he was like that with everyone.

‘I don’t need a lift.’

‘Course you do. You’ve got that heavy bag.’ He was smiling at her, his eyes fixed on hers. She stared at the bridge of his nose, unaware that it made her look slightly cross-eyed. ‘How come your mum didn’t pick you up?’

‘I can manage.’ It wasn’t a proper answer, and Chloe’s palms were wet from the fear he’d ask again, but there were good things about being thick and not having to answer questions properly was one of them.

‘Now you don’t have to manage. Stick your bag in the back and jump in.’

There was no point in arguing, Chloe knew. She trailed to the other end of the car and put her hand on the latch for the boot. It clicked and she tried to lift it. Nothing happened. She returned to the window.

‘It’s locked.’

‘Not the boot. Put it on the back seat, I meant.’ He bit off the ends of the words, obviously annoyed. And he hadn’t said the boot, Chloe thought, mortified. He’d said the back and she’d assumed he meant the boot. She’d got it wrong, as usual.

She fumbled one of the doors open and dumped her bag on the seat, then opened the passenger door and hesitated.

‘Get in. What are you waiting for?’ He was checking his mirrors, scanning the pavements. Getting ready to drive off, Chloe thought, remembering that and not much more from the three humiliating lessons that were the sum total of her driving experience.

She got into the car, scrambling to close the door and get her seatbelt on before he got annoyed again. He helped her with the seatbelt, smoothing it out carefully across her lap before he slid the metal tongue into the lock. The belt flattened the thin, sodden material of her T-shirt against her body and she thought he was staring at her chest for a second, but he wasn’t, probably. That was just her stepmother and what she’d said. He was a dad, after all. He was old.

‘So where’ve you been? Away somewhere nice?’

‘Dad’s.’

‘Oh yeah?’ Mr Norris went quiet for a minute, concentrating on the road. It didn’t occur to Chloe that he was choosing his words carefully. ‘See much of him?’

‘No.’

‘I’ve never actually met him.’

Chloe stared out of the window, not thinking about her father and the last time she’d seen him, not thinking about how angry he would be now, now that he’d realised she was gone. Not thinking about that took up all of her mental energy. He might have phoned her mother, she thought with a sudden lurch of fear. She hadn’t thought of that.

Mr Norris was talking, words filling the air in the car, telling Chloe about his weekend, about Bethany and what she was doing during the school holidays, about nothing that mattered to her. She stopped listening, drifting a little as the windscreen wipers sang across the glass, until something touched her knee – Mr Norris’s hand was on her leg. She stared at it in mute panic until he moved it away.

‘We’re here.’

The car had stopped outside her house, she realised, the engine still running.

‘You can get out here. I won’t make you run across the road in this weather.’

‘OK. Thanks.’ She reached down to push the seatbelt’s release button but he got there first. ‘Thanks,’ she said again.

‘No problem.’ He was frowning at her. ‘Chloe, love, are you all right? You look a bit—’

‘I’m fine.’ She pulled on the door handle and it didn’t open and her heart rate went spiralling up like a bird spinning through clear air but he reached across her and gave it a swift shove and it came open. His arm brushed against her chest as he drew it back, but that was just an accident, the contact brief.

‘Needs a firm hand.’

‘Oh,’ Chloe whispered. Her ears were hot, her pulse thudding so hard that she could barely hear him, but he was still talking. She got out of the car without waiting for him to stop, slamming the door on him. She turned to scurry up the path, glancing up at the house to see Misty in the window of the front bedroom, her paws braced on the glass, miaowing with all her might. The horn blared behind Chloe twice, very loud. It made her jump but she didn’t look back, her whole being focused on her need to go inside without saying anything else, or crying, one two three four five six seven at the front door eight nine ten eleven keys out twelve thirteen the right key in the lock and the door was opening and she almost fell through it into the narrow, long hallway but she got it shut behind her in the same moment and that was it, she was alone except for Misty, and she could collapse or scream or crawl into a corner and shake or chew her nails until they bled again or any of the things she’d been holding back for days now.

Misty hadn’t come down the stairs yet, she registered, and as if in response a thunder of scratching – sharp-clawed paws on wood – echoed through the still, silent house. The cat was shut in, then. Mum had shut her in. Chloe put her keys on the hall table. She should let the cat out.

Unless the cat wasn’t supposed to be out.

Chloe started towards the stairs.

Unless.

She stopped.

There was a mark on the wall. A big one. A smear, with four lines running through it like tracks. Chloe’s eyes tracked from the smear to the ground, to the droplets that ran down the wall and trickled over the skirting board and puddled on the ground. It was dark, whatever it was. Dirty.

Mud.

Paint.

Something that would make her mother furious.

Maybe that was why the cat was shut in, Chloe thought. Maybe that was it. Misty had made a mess. She started up the stairs, one hand resting lightly on the banisters, and it felt wrong, it was rough, as if something had dried on it, some more of the same dirt. Chloe looked down at it, at the stairs, and then at the hall below, and her legs were still carrying her up but her brain was working, trying to make sense of what she saw and what she felt and what she smelled and the carpet, the carpet was ruined in the hall upstairs, it was dirty and soaked and smeared and the pictures were all crooked.

Behind the closed door Misty set to work, digging her claws under the wood, splintering it as she scraped.

Let her out.

What had happened? The bathroom door was open but it was too dark in there, darker than it should have been. The whole house was dark. There was no reason to look, Chloe told herself.

She didn’t want to look.

… scratch scratch scratch …

Let her out.

Because if not, she’d damage the door.

Damage.

Let her out.

What …

Let her out, or there’d be trouble.

Chloe reached the door, and hesitated. She put out her hand to the handle, touching it with her fingertips. Behind the door the cat howled, outraged. She scratched again and the vibrations hummed across Chloe’s skin.

Let her out.

She turned the handle and pushed the door, and a grey paw slid through the gap, dragging at it to get it open, and Misty’s face, distorted as she pushed it through, her ears flat, her eyes pulled back like an oriental dragon’s as she forced her way to freedom. And then the door was open enough for her to rush through it to the hallway, and for the air inside the room to rush out along with her, dense with the smell of cat shit or something worse.

Before Chloe could investigate, the doorbell shrilled. It was loud, peremptory, and there was no question of ignoring it or hiding: she had to answer it. She hurried back down, narrowly avoiding the dark shape that was Misty crouching at the top of the stairs. There was a big smear up the door, she saw now, as she reached out to open it, a big brownish smudge that ended near the latch.

The bell rang again. Through the rippled glass she could see a shape, a man, his outline blurred and distorted. With a shudder, Chloe opened the door.

‘You forgot your bag, love.’ Mr Norris, with rain spangling his jacket, his tan very brown, his teeth very white. He held the bag out to her but she didn’t take it. She didn’t have time before his eyes tracked over her shoulder and took in the scene behind her and the genial smile faded. ‘Jesus. Jesus Christ. Christ almighty. What the—’

Chloe turned to see what he was looking at, and she could see a lot more when the door was open. A lot more. At the top of the stairs, Misty was still squatting, her eyes glazed and wild, her mouth open. Even as Chloe watched, she bent her head and gently, tentatively, began to lick the floor.

Behind Chloe, Mr Norris retched.

‘I don’t understand,’ Chloe said, and the panic spiralled again but she kept it down, held it back. ‘I don’t understand what’s happened. Please, what’s happened?’

Mr Norris was bent over, the back of his hand to his mouth. He shook his head and it could have been I don’t know or it could have been not now or it could have been something else.

‘Mr Norris?’

He had his eyes closed.

‘Mr Norris,’ Chloe said, very calmly, because the alternative was screaming. ‘Where’s Mum?’

2

I sat in the car, not moving. The rain danced across the empty street in front of me. It was unusual for it to be so quiet at a crime scene. Murder always attracted crowds, but the rain was better at dispersing them than any uniformed officer. The journalists were hanging back too, sitting in their cars like me, waiting for something to happen. Walking across the road would count as something happening, so I stayed where I was. The less attention I attracted, the happier I was.

The light wasn’t good, the dark clouds overhead making it feel like a winter day. I checked. Not quite six o’clock. More than three hours to sunset. Two and a half hours since the 999 call had brought response officers to the address. Two hours and ten minutes since the response officers’ inspector had turned up to get her own impression of what they’d found. Two hours since the inspector had called for a murder investigation team. Ninety minutes since my phone had rung with an address and a sketchy description of what was waiting for me there.

What I saw was a quiet residential street in Putney, not far from the river. Valerian Road was lined with identical red-brick Victorian townhouses with elaborate white plasterwork and black railings, their tiled paths glossy from the rain. The residents’ cars were parked on both sides of the street, most of them newish, most of them expensive.

The exception: a stretch about ten houses long where blue-and-white tape made a cordon. Inside it, police vehicles clustered, and an ambulance, the back doors open, the paramedics packing up as they prepared to move off. And halfway along the cordoned-off bit of street, a hastily erected tent hiding the doorway of the house that was my crime scene.

A stocky figure emerged from the tent, yanked down a mask and pushed back the hood of her paper overalls. Una Burt. Detective Chief Inspector Una Burt, acting up as our superintendent. The guv’nor. Ma’am. My boss. Her hair was flattened against her head: rain or sweat, I guessed. My skin was clammy already, the shirt sticking to my back, and I hadn’t done anything more energetic than drive across London on a wet Sunday afternoon. It was warm still, despite the rain.

Beside me, Georgia Shaw shifted in her seat. ‘What are we waiting for?’

‘Nothing.’

‘So let’s get going.’ She had her hand on the door handle already.

‘We are murder detectives. By the time we turn up at a crime scene, by definition, nothing can be done to save anyone. So what’s the rush?’

She cleared her throat, because when you’re a detective constable you don’t say bullshit to a detective sergeant. Not unless you know them very well indeed. Even if the detective sergeant is so newly promoted she keeps forgetting about it herself.

‘We’re not going to find the murderer by sitting in the car, though, are we?’

‘I once caught a murderer while I was sitting in a car,’ I said idly, more interested in the crime scene in front of me than in talking to the newest member of the murder team.

‘Who was that?’ Georgia narrowed her eyes, trying to remember. She had read up on me, she told me on her first day, and made the mistake of saying it in front of most of the team. If we’d been alone, I might have been able to be nice about it. As it was, I had turned on my heel and walked away, too mortified to say anything. I didn’t need to. I knew my colleagues would say plenty once I was out of earshot.

Some of what they said would even be true.

‘It doesn’t matter,’ I said now. Be nice. ‘Ancient history. The thing to remember is that it’s not a waste of time to take your time.’

Georgia smiled, but in an irritable stop-telling-me-what-I-already-know way. She was strikingly self-possessed for someone who’d been a member of the team for two weeks. Maybe it was just that I expected everyone else to be as diffident as I had been. Self-confidence had never really been my strong point but it was irrational to dislike Georgia simply because she was assertive.

It was a lot more rational to dislike her because she was absolutely useless. A graduate, she was on a fast-track scheme and had been moved to my team straight after her probation. She was young, she was pretty, she was articulate and confident and ambitious and not all that interested in hard work, it seemed to me. She was a filled quota, a ticked box, and I didn’t think she deserved to be on a murder investigation team.

Then again, that was exactly how the other members of the team had felt about me when I joined.

So I disliked her, but I sincerely tried not to.

Kev Cox emerged from the house, his face shiny red. He scraped back his hood and said something to Una Burt that made her smile.

‘Who’s that?’

‘Kev Cox. Crime scene manager. The best in the business.’

Georgia nodded, making a note. I’d already noticed that her closest attention was reserved for senior police officers – the sort of people who might be able to advance her career.

And a glance in my rear-view mirror told me that one of her prime targets had arrived, though the best thing she could do for her career was probably to stay far away from him. He inserted his car into a space I thought was slightly too small, edging it back and forth with limited patience and a scowl on his face. Not happy to be back from his holidays, I deduced. He had sunglasses on, despite the rain, and he was on his own, which meant he had no one to distract him.

And I suddenly had a reason to go inside. The last thing I wanted was a touching reunion with Detective Inspector Josh Derwent in front of Georgia. There was no way to know what he would say, or what he might do. He would have to behave himself at the crime scene.

At least, I hoped he would.

‘Let’s get going.’ I grabbed my bag and slid out of the car in the same movement. It took Georgia a minute to catch up with me as I strode across the road and nodded to Una Burt.

‘Ma’am.’

‘Maeve.’ Limited enthusiasm, but that was nothing new. I had been disappointing Una Burt for years now. Georgia got an actual smile. ‘Get changed before you even think about going into the house. We need to preserve every inch of the forensics.’

As opposed to obliterating the evidence as I usually do.

‘Of course,’ I said politely.

‘This is a strange one. Come on.’ She led the way into the tiny tent where there were folded paper suits like the one she wore. It was second nature to me now to put them on, to snap on shoe covers, to tuck my hair under the close-fitting hood and work my hands into thin blue gloves and settle the mask over my face. There was a rhythm to it, a routine. Georgia wasn’t quite as practised and I remembered finding it awkward when I was new. I slowed down, making it easier for her without showing her I’d noticed she was fumbling with her suit.

‘What’s strange about this one, guv?’

‘You’ll see.’

I looked down instead of rolling my eyes as I wanted to. Just tell me . . . But Una believed in the value of first impressions.

My first impression of 27 Valerian Road was that it was the kind of house I’d always wanted to own. It was a classic Victorian terraced house inside as well as out, long and dark and narrow, with coloured encaustic tiles on the hall floor and stained glass in the front door. I could have done without the blood streaks that skated down the hall, swirled on the walls, splotched the stairs and – I tilted my head back to look – dotted the ceiling. It was enough to take a hundred grand off the value of the property, but that still wouldn’t bring it into my price range.

‘Cast-off.’ The words came from behind me, and I’d have known Derwent’s voice anywhere, even if I hadn’t been expecting him, but I still jumped. Georgia gave a stagey gasp.

‘That’s what I was thinking,’ I said. And hello to you too, DI Derwent. ‘Was it a knife, Kev?’

‘Possibly. We’re still looking for the weapon,’ he called from his position at the back.

I could picture it: a knife swinging through the air, wet with blood after the first contact with the victim, shedding droplets as it carved through space and skin. And those droplets would tell us a multitude about the person who’d held the weapon: how they’d stood, where they’d stood, which hand they’d used, how tall they were – everything, in short, but their name.

So I understood why Una Burt was particularly determined to preserve the finer details of this crime scene, and if possible I walked a little more carefully as I moved through the hall, stepping from one mat to another to avoid touching the floor. It wasn’t a large space and there were five of us standing in it, rustling gently in our paper suits.

‘Has this been photographed?’ I asked.

‘Every inch,’ Kev said. ‘And I’ve got someone filming it too. But the blood-spatter expert won’t be here for an hour or so and I want her to map it before anything changes.’

I nodded, glancing into the room on the right: a grey-toned living room, to my eye untouched, although there was a SOCO rotating slowly in the middle of the room holding a video camera. Film was much better than still photographs for getting the atmosphere of a crime scene, for putting things in context. Juries liked watching films. I moved back, not wanting to appear on camera. ‘Where’s the body?’

‘She always asks the right questions, doesn’t she?’ Kev nudged Una Burt happily. She didn’t look noticeably thrilled behind her mask.

‘Have a look upstairs.’

Derwent was closer to the bottom of the stairs and he went first. Georgia went next, followed by me. She put her hand out to take hold of the rail and I caught her wrist. ‘Don’t touch anything unless you have to.’

‘Sorry.’

The lights were on in the hall and at the top of the stairs, and it was too bright for comfort. Blood flared off every surface, dried and dark but still vibrating with violence. I didn’t know anything about the victim and I didn’t know what had happened here, but fear hung in the air like smoke. Don’t think about it now. The facts came first. The emotions could come later.

‘What happened here?’ Derwent had stopped at the top of the stairs, moving to one side to let the rest of us join him. A huge wavering bloodstain had soaked into the sisal carpet that covered the floor.

‘We think this was possibly where the first major injury was inflicted. There’s a lot of blood downstairs but in small quantities up to this point,’ Una Burt said. ‘Maybe defensive wounds. Maybe transferred from up here on the attacker’s clothes and hands.’

‘Or the victim’s,’ Kev said, and got a glare from Una Burt. Interesting.

The blood had settled into the weave, spreading out so it was hard to tell how much there was. Not enough to be an arterial injury. Survivable, potentially, I thought. ‘This isn’t a great surface for us, is it?’

‘Nope.’ Kev gestured at smudges on the woven surface. ‘Those are footprints and kneeprints. No detail, no definition. Give me a nice tiled floor any day.’

‘You’ve got the hall downstairs,’ Derwent said.

‘Except that we had people in and out with wet feet before I got here. The coppers had the sense to step carefully but the others …’ Kev raised his eyes to heaven. ‘You’d almost think it was deliberate. If it hadn’t been for the rain we’d have a lot more to go on.’

‘Who was that?’ I asked.

‘One of the two residents – a female aged eighteen – and one of the neighbours,’ Una Burt said. ‘He gave her a lift back from the station. They came in and found this. You’ll need to talk to both of them.’

I nodded and followed the trail to the small bathroom on the right, staying in the doorway because there was nowhere to stand that wasn’t covered in brownish red residue. The shower curtain hung down, ripped off most of its rings, streaked and splattered like the walls, like the ceiling, like the cracked mirror where we were reflected like a gathering of particularly awkward aliens. There were partial handprints on the sink, which was chipped, and the toilet. The seat had come away from the hinges on one side, so I could see the blood ran down inside the bowl, where it had settled thickly under the water.

It had been a white room, once.

‘Christ,’ Derwent said. ‘How many victims did you say there were?’

Una Burt ignored him. ‘This is the main location for the attack. It’s human nature to want to hide and there’s a lock on the bathroom door but this was the worst possible place to run to. It’s a small space with one exit and not much you could use to defend yourself. The attacker was able to stand in the doorway and cause maximum damage at his or her leisure.’

‘His, surely,’ Georgia said. Her eyes were round and very blue above the white mask, but her voice didn’t tremble.

‘Sexist,’ Derwent observed under his breath and she turned to look at him.

‘You can’t assume it was a man,’ I said. ‘You can’t assume anything.’

‘Indeed not. Come on.’ DCI Burt led us back towards the front of the house. ‘Down the hall beyond the bathroom there’s a further bedroom but it’s not disturbed and the blood trail doesn’t lead down there. It belongs to the daughter. This seems to have been used as a guest room.’

It was a large room with a bay window and a cast-iron fireplace on the wall opposite the door. The bed was rumpled. There was a chest of drawers in an alcove, but the bottles and brushes on top of it had been knocked askew. I couldn’t see any blood, but something else was all too evident.

‘What the fuck is that smell?’ Derwent stepped backwards.

‘Watch where you put your feet. The cat was shut in here,’ Kev explained.

‘For how long?’

‘That’s the interesting thing,’ Una said. ‘The daughter left here on Wednesday. It’s Sunday now. It would appear the cat defecated on three separate occasions and it obviously urinated as well, quite copiously.’

‘You’d think it would have run out of piss after a while.’ Derwent was crouching down, peering under the bed at the carpet.

‘Yes, but look at this.’ Una pointed to the corner of the room where there was a half-full bowl of water. I went over for a better view and saw short, fine hairs suspended in the liquid. I nudged the bowl with a gloved knuckle to check the carpet underneath, and the single circular mark told me that it was a one-off arrangement.

‘Someone locked the cat in here deliberately, but they didn’t want it to suffer. They didn’t bother with a litter tray but they left enough water that it could survive until the cavalry came. It could manage for three days without food but it couldn’t have lived without water.’

‘The girl was away from Wednesday,’ Derwent said. ‘Did anyone know she was coming back today?’

‘I don’t know. Maeve, you can ask her about that. I want you to interview her.’

I nodded as Derwent flashed me a look that said Don’t think I won’t try to come along just because you’re a detective sergeant now. I ignored him. He was still getting used to the idea of me being a little more senior, with more responsibilities and, crucially, more independence from him.

To be honest, so was I.

‘Who else lives here?’ I asked Una.

‘The girl’s mother, Kate Emery, aged forty-two. Her bedroom is upstairs.’

I leaned back to check: no blood on the stairs. ‘Was it disturbed?’

‘Not as far as we can tell. Not during or immediately after the attack, anyway. No blood.’

‘Is she the victim?’ Derwent asked.

‘We don’t know.’

‘Don’t you have a photograph of her?’ Georgia hesitated. ‘Or – or is the body too badly damaged to be identifiable?’

Una Burt exchanged a look with Kev that seemed to amuse them both. ‘Come downstairs and tell me what you make of it.’

It was strange how quickly you got used to the blood, all things considered. We picked our way down the stairs and already it was more like a puzzle than an outrage. That was how it would stay for the moment, and it was useful to have that detachment even if I knew it wouldn’t last. I followed Una Burt down the hall, Derwent treading on my heels he was so keen to see what lay ahead. On the left, under the stairs, there was a small shower room. She threw open the door and stood back.

‘Voila. What do you make of that?’

‘Is this where the attacker cleaned up?’ I scanned the walls, seeing faint brownish streaks on the tiles. ‘I smell bleach.’

‘And drain cleaner. Highly corrosive, designed to dissolve hair and dirt that blocks pipes. I found the bottle in the kitchen, in a cupboard. Homeowner’s property.’ Kev’s eyes crinkled as his mask flexed: he was actually smiling. ‘We know they were in here. We know they tidied up after themselves. What we don’t know is whether we’ll get anything useful from it.’

‘Great,’ I said, meaning the opposite. ‘What else?’

‘The blood trail goes into the kitchen and through the kitchen.’ Kev guided us into a smart white kitchen, pristine apart from the dried blood that dragged across the wooden floor and marked the corner of the cabinets. It was smeared across the doorframe and the handle of the back door. ‘And then it disappears. I’m not going to open the door because it opens outwards. It’s still raining cats and dogs and I don’t have a tent set up there yet. I don’t want to lose any of the marks on the inside of the door, but I can tell you what I found – or didn’t find. There’s a patio out there and I can’t currently locate a trace of blood, or a usable footprint, or anything that might tell us where our victim ended up. The rain has obliterated everything.’

‘So no body,’ I said.

‘No body,’ Una Burt confirmed. ‘At this stage we can’t even be certain who we’re looking for. We won’t be sure of that until the DNA results come back. What we do know so far is that Kate Emery hasn’t been seen since Wednesday night. We could run this as a missing person inquiry but I don’t want to waste time. She’s left her phone, her handbag, her wallet, her keys and a whole lot of blood behind. There’s no way someone loses that much blood and walks away. We’ll hope for a sighting of her alive and well, but what we’re really looking for is a corpse.’

3

The girl’s name was Chloe Emery. I checked it twice on my way across the road to the neighbour’s house where she was waiting, 32 Valerian Road. The ambulance I’d seen earlier had been for Chloe, Una Burt explained as we stripped off our protective gear in the tent outside the front door.

‘Went to pieces. Unsurprising, really. But she didn’t want treatment and she wouldn’t let them take her to hospital. They couldn’t force her. The girl needs a gentle conversation about her weekend plans – in particular who knew about them. She was with her dad in Oxfordshire, as I understand it. The parents are divorced. Dad’s remarried. Mum wasn’t.’

‘Seeing anyone?’ Derwent asked.

‘That’s something we need to find out. Obviously, I also want to know if anyone had a reason to harm her mother or her. Or if her mother had a reason to harm anyone, I suppose. Can’t rule that out.’

Derwent had patted me on the shoulder. ‘I’ll let you take the lead on that conversation, Kerrigan.’

‘You will, because you won’t be there. I want you to stay here,’ Una Burt said crisply. ‘You need to look after the crime scene for me.’

‘But I want to go and talk to the daughter.’

‘Kerrigan can take care of that on her own.’ To me, she said, ‘Take Georgia Shaw with you.’

Derwent frowned. ‘Who the fuck is Georgia Shaw?’

‘New DC,’ I said.

‘The blonde?’

I nodded.

‘What’s she like?’

‘You’ll have to decide that for yourself,’ Georgia said, coming to stand beside me. I hadn’t noticed her but of course she was within earshot. She smoothed her hair, which was already immaculate. I was all too aware that no amount of finger-combing was going to sort my own hair out. Heat and rain were a deadly combination.

‘Georgia Shaw, Josh Derwent,’ Una Burt said. ‘He’s my detective inspector.’

My detective inspector. I hid a smile. It was a nice way of reminding Derwent who was the boss, in case he’d forgotten about it during his two weeks off.

Georgia put out her hand and I thought for a brief moment he was going to ignore it but he shook it, without enthusiasm.

‘We haven’t met. You’ve been on holidays since I joined the team.’

‘And now I’m not.’ He turned back to Una Burt. ‘Please let me go and talk to the girl.’

‘Don’t wheedle,’ she said. ‘I don’t like it and it won’t work.’ Her face softened very slightly. ‘NPAS is going to be overhead shortly and they need someone on the ground to help coordinate the search for the body.’ NPAS was the police helicopter; she was pulling out all the stops on this investigation. ‘There’ll be a dog unit and a search team. It’s not just babysitting Kev Cox.’

‘Great.’ He stretched, frustrated. ‘A search through a million gardens in the rain, looking for a missing body. What a welcome back.’

‘Don’t say I don’t find interesting murders for you to investigate.’ Una Burt nodded to me. ‘Get on with it.’

Which left me trying not to mind that Georgia was walking right behind me, leaning to read the notes I’d scrawled on my clipboard.

‘Are you going to ask her why she walked all over the footprints in the hall?’

‘I don’t expect to.’

‘Why not?’

I stopped and faced her. ‘Because I want to get to know her first. I want to get her to trust us. If I need to ask some hard questions, I will, but that’s not why we’re here. She’s the one person who can tell us what happened in that house before she left it last Wednesday, but she’ll only do that if she wants to help us.’

‘What if she did it?’

‘Did what? We don’t even know what happened.’ I turned away. ‘If she doesn’t want to help us find out where her mother is, that tells us something too. But I don’t want to give her a reason not to talk to us. That’s why DCI Burt found something else for DI Derwent to do.’

‘He seems fairly aggressive.’

‘Mm,’ I said, and Georgia could make of it what she liked. Derwent would either piss Chloe Emery off until a day after the end of time or win her heart forever. Extreme reactions were his speciality, and too high-risk for this particular situation.

‘Whose house is this?’ Georgia had dropped her voice to a whisper now that we were right outside the address, which was already a lot more subtle than Derwent would have been.

‘The neighbour who gave her a lift from the station and called 999.’ I checked my notes again. ‘Oliver Norris.’

‘Shouldn’t she have been kept away from him? Until we’ve spoken to them, I mean? In case they’re getting their stories straight.’

I raised my eyebrows. ‘Don’t you trust anyone? Ring the bell.’

She did as I asked. ‘But—’

‘They were kept separate. There’s an FLO with the girl. Burt said the officer was a dragon and she wouldn’t let Norris near Chloe.’ I grinned. ‘Burt doesn’t trust anyone either.’

The green-painted door swung open to reveal a slim woman with light brown hair and a worried expression, which was fair enough when there were two police detectives standing on her doorstep. She was wearing a long-sleeved white blouse buttoned up to the neck and an ankle-length skirt. I glanced down at her feet to see flat, round-toed shoes in soft blue leather, and buff-coloured tights. I was wearing my lightest trouser suit over a sleeveless top and I was melting. I would have collapsed from heat exhaustion after five minutes in that outfit.

‘Mrs Norris?’

‘Yes, I’m Eleanor Norris.’

‘We’re here to interview Chloe, Mrs Norris.’

‘She’s upstairs in my daughter’s bedroom.’ She looked back as if she was expecting to see the girl standing behind her. The house was a mirror image of the one I’d just visited and I studied it with interest, trying to imagine what the Emery house had been like before most of the contents of a human being had been emptied out all over it. It was hard to see through the clutter of family life – the coats slung over the end of the bannisters, the keys and post on the table by the door. The house I’d left behind me was immaculately tidy, apart from the blood. Here the wallpaper was dated and rubbed, the carpets old-fashioned, the house badly in need of a makeover.

‘Have you spoken with Chloe?’ I asked.

‘No. I mean, I asked if she wanted anything to eat or drink.’ Eleanor Norris squeezed her thin hands together as if they were cold. ‘My husband told me about the house. About what they saw.’

‘Very unpleasant,’ I said blandly.

‘Do you think you’re going to be finished across the road soon?’ Eleanor’s voice dropped so it was whispery low. ‘Only, I think it would be good for Chloe to know when she can go home.’

‘Not soon,’ I said.

‘Even if she wanted to,’ Georgia added. ‘I wouldn’t want to, would you?’

‘She can stay here for a few days, but …’ Eleanor shrugged helplessly. But I can’t accommodate a neighbour in my house indefinitely. Her cheeks were flushed.

‘We’ll know a lot more in the morning,’ I said soothingly. It was true, but probably not relevant to Chloe’s plans. Eleanor Norris didn’t need to know that though. ‘Has Chloe spoken to her father?’

‘No. She won’t call him.’

He’d been informed, I knew. Una Burt had asked Thames Valley Police to speak to him, to get the measure of the man at the same time as breaking the bad news. I hoped for his sake he’d reacted with the requisite shock and horror, and for our sake that he hadn’t, that he had no alibi, that he had been nursing a grievance, that there was a murder weapon conveniently located in his car along with a few telling bloodstains … Ex-husbands made good suspects in murder investigations.

‘Do they get on? Chloe was visiting him, wasn’t she?’

‘I don’t know. I’m sorry.’ Eleanor looked past us to where the police helicopter was hovering. It was shining its searchlight into the garden behind number 27, the beam piercing the unnatural gloom. ‘What are they looking for?’

‘It’s just part of the investigation,’ I said quickly, before Georgia could say anything about the body, or rather the lack of one. ‘When was the last time you saw Kate Emery, Mrs Norris?’

‘Oh – I don’t know.’ She bit her lip. ‘Wednesday night, I think. We were putting out the bins at the same time.’

I made a note. ‘Did you speak?’

‘No. I waved at her. I had no idea – I mean, I couldn’t know.’

‘Of course. Do you know her well?’

‘Not really.’ She hesitated, then added, ‘My daughter is friendly with Chloe.’ It came out in a rush, as if she didn’t want to say anything about it but knew we’d find out anyway.

‘What’s your daughter’s name?’

‘Bethany.’

‘How old is she?’

‘She’s fifteen. Just turned fifteen, actually.’

‘Younger than Chloe,’ I observed.

‘Yes, but Bethany’s very mature and Chloe—’ she broke off and gave me an embarrassed smile. ‘You’d probably like to speak to her.’

‘Yes, please.’

‘It’s the door straight ahead of you at the top of the stairs.’

I was aware of her watching us as we went up. I didn’t look back at her, even though I was wondering about a couple of things, like her choice of clothes and whether that was why she had sweated through our conversation, and why she had been so concerned about her daughter’s relationship with Chloe. And yet people did behave weirdly around the police, especially on the periphery of a murder investigation, and parents did worry about protecting their children even if they had nothing to hide, and the shock of being close to a violent crime could send your body’s thermostat out of whack. Trust no one … It was a reasonable enough approach, all things considered.

I knocked on the door at the end of the hall and a suspicious face appeared. ‘Yes?’

I showed her my badge. ‘Can we speak to Chloe?’

She was short and middle-aged with close-cropped hair and kind eyes, and I wouldn’t have dared to try and persuade her to do anything against her orders. She peered at me, and then at Georgia behind me, before she nodded.

‘Come in.’

‘Has she said anything?’ I asked in a whisper as I passed the officer, and got a shake of her head in response.

Chloe Emery was curled up on a chair, staring at the rain that was sluicing down the window. She didn’t look round when we walked in. I took a moment to scan the room, more out of habit than anything else, noting amateurishly painted white walls, a crammed bookcase, a single bed, a bedside table with nothing on it but a lamp. Then I shifted my attention to Chloe. She was tall, with slender limbs and long dark hair.

‘Chloe?’

She turned to look at me. Her face was beautiful but somehow blank, with heavy dark eyebrows over blue eyes. ‘Yes?’

‘I’m Maeve Kerrigan. I’m a detective sergeant with the Metropolitan Police. Do you mind if I ask you some questions?’

She shook her head but she drew her legs up to her chest. She looked nothing short of terrified.

I sat down on the bed opposite her. Start with an easy question. ‘How old are you, Chloe?’

‘Eighteen.’

She seemed younger to me, like a child. I couldn’t shake the feeling that she needed an appropriate adult to be with her.

‘I know you’ve had a difficult day, Chloe, and I don’t want to take up too much of your time, but I need to ask you some questions. Is that OK?’

She nodded, but warily.

‘Can you state your address for me?’

‘Twenty-seven Valerian Road, Putney, SW15.’

‘And that’s where you live most of the time, is that right?’

‘Yes.’ Her voice was toneless and her eyes wandered around the room as she spoke. I felt she was working hard to stop herself from fidgeting.

‘Who else lives there?’

‘My mum.’

‘And what’s her name?’

She thought for a second. ‘Kate.’

‘Kate Emery.’

‘Yes, Kate Emery.’

‘Do you have the same last name, Chloe?’

‘Yes.’

‘Is that the same name as your father?’

‘Yes.’

‘But your parents are divorced.’

‘Yes.’ Her answers were getting softer. I felt I was wandering onto dangerous ground without knowing why.

‘You were away for the weekend, is that right?’

Another nod.

‘Where were you?’

‘With my dad.’

‘Were the two of you alone?’

‘No.’

I waited but she didn’t say anything else. ‘Who else was there, Chloe?’

‘My stepmother.’ There was a pause and I was about to ask another question when she added, ‘And Nathan. And N— his brother.’

‘Who’s Nathan?’

‘My stepbrother.’

‘And his brother,’ I said. ‘What’s his name?’

She stared at the corner of the room, pressing her lips together. No answer. It wasn’t a question that was designed to trip her up – quite the opposite. These were the easy, factual questions, the ones that gave people confidence, that settled them into an interview. But I was hitting a wall I hadn’t even known I’d find.

‘Do you have any other brothers and sisters?’

‘No.’

‘So you live with your mum. Does anyone else live in the house?’

‘No.’

‘Can you tell me when you left home for your weekend with your dad?’

‘Wednesday. In the afternoon.’

‘Did you see your mother before you left?’

A nod. ‘She was at home.’

‘Did she say anything unusual? Anything that concerned you?’

Another helpless shake of the girl’s head. ‘I don’t remember anything.’

‘Did she seem worried or preoccupied?’

‘N-no.’ She wasn’t sure, though.

‘What did she say, Chloe?’

‘She was talking about work. She was busy with work and she – she wanted me to go. She was afraid I’d be late. She had lots of work to do, she said.’

‘What work does she do?’

‘She has her own business.’

‘Do you know what kind of business?’

‘It’s something to do with babies.’ Chloe shrugged helplessly. ‘She doesn’t really talk to me about it. She doesn’t think I’ll understand. She’s probably right.’

‘What time did you come back, Chloe?’

‘I got off the train at three twenty-one.’ It was an oddly precise answer, as if she’d made a special note of it.

‘Were you expecting anyone to meet you off the train?’

‘No. You see, no one knew I was coming back.’

‘Oh?’

‘I left my dad’s house early.’

‘When were you supposed to come back?’

‘On Tuesday.’ She gave a little gasp of a laugh. ‘I thought Mum would be surprised.’

Surprised. Not missing.

‘Was your mum planning to be away while you were away, Chloe, do you know?’

‘No. She wouldn’t have left Misty.’

‘Misty?’

‘The cat.’ Chloe looked stricken. ‘I don’t know where she is.’

‘Downstairs.’ The FLO gave her a smile. ‘She’s down in the kitchen. I saw her when I went down to get you your cuppa, love.’

Chloe glanced down at the full mug on the floor beside her. It had a thick film on top of it. ‘I didn’t drink it.’

‘That’s all right. We can get you another,’ the FLO said.

The girl looked nauseated. ‘No. No, thank you.’

‘So no one was expecting you to come home,’ I said, dragging the interview back on track. ‘Was there some reason you left early?’

She was bright red, instantly, and she locked her eyes on the floor in front of her. Her lips were pressed together, as if she didn’t want to run the risk of letting as much as a word out. One for the dad to answer, I decided.

‘OK. We’re nearly done. You got a lift from the station, is that right?’

‘Mr Norris saw me. He drove me back here.’

‘Did he come into the house with you?’

A big, definite headshake. ‘I was on my own.’

I looked up from my notes. ‘But he rang 999.’

‘I forgot my bag. I left it in his car. I’m always doing that kind of thing. I should have remembered because I had tried to put it in the boot and he shouted at me – well, he didn’t shout but he told me not to open the boot. It was in the back seat – my bag, I mean. And I forgot.’ She shivered. ‘I just wanted to go home.’

‘So you went inside on your own. Did you notice anything strange?’ Like the dried blood on most of the surfaces …

‘Not at first. I mean, I did, but I didn’t know what it was. I don’t really know what happened. I don’t understand why Misty was shut in and the house was all dirty and Mum wasn’t there.’ Her voice was shaking. ‘I don’t understand anything except that I came home and it was all wrong. It was all wrong and bad, and I don’t know anything except that I want it all to be right again.’ She jumped up, suddenly agitated, and the FLO rushed past me to guide her back to her chair.

‘It’s all right, lovey. You sit down.’

‘We’ll come back and talk to you tomorrow,’ I said. ‘Try to get some rest, Chloe.’

‘I don’t want to rest. I want to go home. I need to go home. I need some stuff from home, and I need to go there, right now.’

‘That won’t be possible, not at the moment,’ I said. ‘But we can get things for you if you give us a list.’

She was shaking her head, tears starting into her eyes. ‘I know where it is. I need to get it. I need it.’

‘What is it?’

Chloe caught her lower lip between her teeth, stopping herself from answering. She shut her eyes for a long moment, then relaxed. ‘Nothing. It’s nothing.’

I exchanged a look with Georgia, who gave a tiny shrug.

‘I can’t help if I don’t know what I’m looking for. What does it look like?’

‘My medication. And …’

‘And?’ I prompted.

‘An envelope. With my name on it.’ She had gone back to looking out at the garden. The agitation had disappeared. She seemed detached.

Withdrawn.

I’d lost her.

‘If I see it, I’ll make sure you get it,’ I tried, and got no response at all. With a nod to the FLO I left her alone.

‘That didn’t go very well,’ Georgia observed, having shut the door behind us.

I whipped around. ‘What makes you say that?’

‘Well, she’s upset.’

‘That’s normal when someone you love is missing.’

‘And she didn’t tell us much.’

‘I thought she told us a lot. Much more than she knew.’

‘Like what?’

‘Think about it,’ I said, and started down the stairs wondering if it was promotion that made people unpleasant, and if I’d be as nasty as Derwent by the time I was a detective inspector myself.

Assuming I made it that far.

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