Читать книгу: «The Unquiet Dead»
GAY LONGWORTH
The Unquiet Dead

Dedication
To Alicia and Matt Suminski
Contents
Cover
Title Page
Dedication
Prologue
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
Epilogue
Keep Reading
Acknowledgments
About the Author
Also by the Author
Copyright
About the Publisher
Prologue
Jessie sensed the impact before she heard it. It was the smell. The smell of hot steel, of friction, of fear. Or was it even before the smell, before she’d seen the train’s headlights emerge from the gloom or heard its lugubrious rattle? She was deep underground at Oxford Circus, waiting for the Bakerloo line that would take her to Paddington and the 11.15 train to Heathrow. As she made her way to the point of impact, she knew from the look on the passengers’ faces that she wasn’t going to make that train and she wasn’t going to be there to welcome her brother home from Africa.
A young woman, about Jessie’s age, was lying on the track facing up; her eyes were open and a thin trickle of blood seeped out of the corner of her mouth. She was alive. Jessie sent for the paramedics, cleared the shocked onlookers and summoned the underground staff to shut down the power and form a barrier before she jumped down on to the track. It wasn’t until she was on the filthy cement floor that she saw what she could not have seen from the height of the platform. The woman stared up at her, but the lower portion of her body was facing down. As the train had rolled her along the track, she’d been twisted around like dough.
‘It’s okay,’ said the woman. ‘I’m okay. It doesn’t hurt.’
Jessie couldn’t move for a moment. Was it a miracle or diabolical that the woman was still alive?
‘The doctors are coming,’ said Jessie finally, knowing it was futile. There was nothing anyone could do.
‘I’m okay,’ the woman said again. ‘It doesn’t hurt.’
‘My name is Jessie Driver, I’m a detective with the CID. Can you tell me your name?’
‘Harriet.’ A blood bubble burst on her lips. Jessie wiped it away.
‘Harriet, I’m not a doctor, but I think you are in serious trouble. Is there anyone I can call for you, anyone you’d like to talk to?’
Harriet closed her eyes.
‘Stay with me,’ said Jessie. ‘The paramedics are here.’
It didn’t take very long for the paramedic team to confirm what Jessie already knew. The woman lying misshapen at her feet was living on borrowed time. Her spine had twisted around itself, snapping in two. That was why there was no pain; she had no feeling at all. Her midriff had been wrung out, her insides with it.
‘The weight of the train is keeping her alive, containing the damage,’ said the paramedic. ‘As soon as we move the train, the sudden haemorrhage from her ruptured organs will cause a massive heart attack. She is going to die. She should be dead already. She’s a jumper, right?’
‘I don’t know,’ said Jessie.
The paramedic glanced down at the tracks. ‘Well, tell her to make her peace, she hasn’t got very long.’
Harriet had long dark hair and startling blue eyes, but the pressure was building inside her and the whites of her eyes were now flecked with blood. Jessie stroked her hair as she delivered the paramedic’s message. Jessie didn’t know what response she was expecting, but it certainly wasn’t a smile.
‘I feel so calm.’
It’s shock, Jessie wanted to say, but all she could do was smile back.
‘I’m sorry to have caused so much trouble.’
‘Let me call someone – your parents?’
‘No.’
Something terrible had happened to this woman, something that made jettisoning herself off a platform into the path of a train easier than stepping back. Something, or someone.
‘I understand,’ said Jessie. ‘It’s okay, we don’t have to call anyone.’
‘I thought I’d be more afraid,’ she said. ‘I’m not afraid any more.’
Definitely shock, thought Jessie, struggling to find suitable words.
‘Please,’ said the girl who was dead already. ‘I need your help.’
‘Anything.’
‘In my bag … letter …’ She paused, her breathing was getting more laboured. ‘Destroy it.’
‘Are you sure?’
‘It was an accident … I fell. Please. Tell. Them. I. Fell.’
‘I …’ Jessie sat back on her heels. It sounded so pathetic in her head. I need to file a report. Paperwork. Take statements.
‘Don’t hurt them …’ She was mumbling some of her words. ‘I fell … The truth … I am calm … happy. Don’t hurt … Okay, I don’t hurt any more. I’m going to a much better place, it’s safe and warm …’
‘Harriet, I can’t do that.’
‘I’ll make amends, for them,’ she said, suddenly lucid. ‘I’ve been forgiven, they need to forgive themselves.’ Her eyes flickered but did not close. Jessie turned her head; she could see the bag lying a few feet away, intact. She shuddered. Unknown feet walking over her unknown grave. She looked around. In all the commotion, no one had noticed it. A dying woman’s wish. Who could say for sure that she jumped? Would it really matter? To London Underground it would – better a suicide than an accident. An accident had legal implications, Health and Safety issues. They shouldn’t have to take the blame.
‘I’m okay,’ Harriet said again, very quietly this time. ‘I don’t hurt any more.’ Jessie squeezed her hand.
‘Detective Inspector,’ said a loud voice above her.
Jessie looked up quickly. ‘Not now …’
‘You can let go now. She’s gone,’ he said.
Jessie looked back at Harriet. ‘But she just …’ Her large eyes were fixed, her lips had parted to form the faint beginnings of a smile. If that split second had been caught by camera and not by death it would have made a beautiful photograph. The paramedic was looking quizzically at Jessie.
‘Sorry, my mistake.’ Jessie removed her jacket and placed it over the face of a girl called Harriet who had just died at her feet.
‘It’s okay now,’ said Jessie quietly. ‘It’s over.’ Death meant nothingness and nothingness couldn’t hurt her any more. The pain would be absorbed by the ones left behind. That’s how it worked. That was the meaning of life after death.
An officer from the transport police approached her with a cup of coffee and her leather jacket.
‘Did the young lady tell you what happened?’
‘Not really,’ said Jessie. ‘I think she was in shock.’
‘She didn’t tell you why she jumped?’
‘You’re certain she jumped then?’ asked Jessie, staring into the concentric rings on the surface of her coffee.
‘No. We’ve been through her things but didn’t find a note. There may be one back at her place of residence, though it’s unusual. What did she say to you?’
I’m okay. I don’t hurt any more.
‘Detective?’
‘Sorry?’
‘What did she say to you?’
Jessie handed him back the polystyrene cup and thrust her hands deep inside the pockets of her leather trousers. ‘Thanks, but I’m giving up coffee for Lent.’
‘Lent? Are you feeling all right, Detective Inspector?’
Jessie looked at the train, still jacked up. The body had gone. The shell. The casing. She could feel the crisp white paper that held a tormented girl’s last words. But not her last wish. Finally she looked back at the policeman, his pencil poised over the pad.
‘She said she fell.’ A rush of wind from a neighbouring tunnel sucked at Jessie’s legs as another train on another track sped off to another destination.
1
Jessie turned into her street and saw the tell-tale desert boots sticking out from between the pillars that flanked the entrance to her flat.
‘Bill!’ she shouted, beginning to run. The boots retracted and moments later a tall, blond, bedraggled specimen emerged smiling through the iron gate and on to the pavement. ‘I am so sorry,’ she said and she hugged her brother.
‘Don’t tell me,’ he said. ‘Something came up.’
‘I’m sorry, did you wait at the airport for ages? I should have got a message to you, or called the airport police –’
‘Jessie, calm down, it doesn’t matter.’
‘I meant to be there.’
‘Would you believe me if I told you I didn’t even look for you in arrivals?’ Bill said laughingly.
‘I’d be furious, I took the fucking morning off.’
Jessie put her key in the lock.
‘So, no Maggie then?’
‘No, she’s gone. Why? You desperate?’
‘Yes, actually.’
They walked up the stairs dragging Bill’s ancient canvas kitbag and a plastic carrier bag holding cartons of duty-free cigarettes. ‘No stunning French female doctor to cavort with this time?’
‘My colleague was a fat Scottish doctor called Rob, who, though I love, I couldn’t bring myself to shag.’
‘Nurses?’
‘All nuns.’
Jessie winced. ‘Poor Bill. Well, for a little light porn, Maggie has a late-night chat show, and I still have her number – though I fear you may not be famous enough or rich enough for her now. Then again, she might like the look of your prescription pad.’
‘Bitchy.’
‘Maggie taught me everything I know.’ Jessie opened her front door and caught their reflections in the hall mirror. ‘You are so brown,’ she said, disgusted at her own pallid complexion.
Bill ran his fingers through his hair. ‘Even the equator has its plus points.’
‘I look like a ghost compared to you.’
Bill put his bag on the floor and pointed to Jessie’s hair. ‘You look like you’ve seen a ghost.’
Jessie tried to flatten it. ‘Piss off! I’m growing it out and it’s at a funny in-between stage.’
‘You’re telling me.’
Jessie took Bill to a small Italian basement restaurant that their elder brother Colin supplied wine to. As well as free wine and quick service, Jessie always got a flurry of compliments in hurried Italian that was often the perfect antidote to a bad day in CID. Today was no different once the waiters had established that Bill, six foot three and built like a rower, was family and not an over-protective boyfriend.
‘So tell me everything,’ said Bill after rapidly downing half a glass of red wine.
‘No. You first.’
‘Aids. Death. Aids. Poverty. Aids. Famine and flashes of extraordinary human courage. More Aids. Your turn.’
‘Didn’t you get my letter?’
‘There’s a glitch in the Médecins Sans Frontières’ postal system – everything keeps getting stuck in Paris.’
‘Well, I had my first big case. I made some good decisions and caught the guy, but I made some bad decisions too. Guess what everyone remembers?’
‘Would these bad decisions have anything to do with a well-known singer who happened to be married to the first victim?’
Jessie frowned.
‘Even in the wilds of the Sudan you can get your hands on a copy of a tabloid or two.’
Jessie bowed her head and groaned. ‘I can’t think about it, it’s too embarrassing.’
‘You don’t see him any more, then?’
A waiter arrived with warm bread and olive oil, and Bill was temporarily sidetracked. Jessie watched him eat. P. J. Dean had been like a destructive whirlwind; he’d spun her around and sent her flying off course. He believed they had a bond. A detective and a pop star. Not very likely. She’d made her mind up that it was a bad idea for all concerned. And most of the time she was sure she’d done the right thing.
‘So do you?’ asked Bill, tearing apart another piece of bread.
‘I try not to.’
‘What does that mean, Jess?’
‘It means I try not to.’
Brother and sister eyed one another knowingly. Bill backed down first.
‘And how’s work?’
‘Good. Things are better with the other DI, Mark Ward. We finally seem to have found a common ground.’ That common ground was a crypt in Woolwich cemetery where together they had watched a man bleed to death, but she wasn’t ready to tell her brother that story. ‘My boss is leaving. His replacement is a woman. Though I admire and like Jones enormously, I have to admit it will be a nice break to have another woman around. Better still, one who is higher ranking than me.’
‘It’ll take the heat off you, you mean?’
‘More than that, I’ll have someone on side, someone who understands what it’s like to be surrounded by a bunch of pricks.’
‘Literally or metaphorically?’
‘Both.’
‘Jessie, first signs of bitchiness and now what’s this? A whiff of bitterness in the air and you cut all your hair off. Please don’t become some wizened old man-hater, it’s so last century.’
‘I told you, I’m growing it out.’ Jessie poured out more wine. They were halfway down the bottle and hadn’t even looked at the menu. ‘I’m not a man-hater, but it’s hard, they are pricks … well, some of them. If they were more like my brothers –’
‘A commitment-phobe who likes to play god in a very small pond, be hero-worshipped by people who have no alternative and has the occasional disturbing fantasy about a nun? I hope not.’
‘One nun in particular?’
‘A flock of nuns.’
Jessie nodded. ‘I think we should order.’
Bill refilled their glasses, smiling conspiratorially. ‘You don’t really have to go back to work, do you?’
‘Yes.’
‘But I haven’t seen you for eight months. I’m not here for very long and what’s the point of being the youngest DI in the Force if you can’t play hooky occasionally?’
Jessie thought about this for a second. It was true, she didn’t really have that much on, she was owed masses of holiday time and many’s the time she’d covered for DI Mark Ward while he was in the pub. ‘I suppose I could call Mark and ask him to cover for me …’
‘Excellent. More wine.’
The following morning Jessie walked to work. She didn’t trust herself on the bike, suspecting that she might still be over the limit. She and Bill had ordered their food finally, but not until they had finished the first bottle and drunk most of the second. They did not stop talking until after midnight. Even then they had only touched the surface. Bill had been working for MSF for six years, in places no one else would brave; he’d witnessed death on such a massive scale from disease, starvation and massacre, that the idea of a nice clean general practice somewhere in England coping with endless complaints of a sore throat and chesty cough was absurd to him. He’d been known to drive sick children through areas occupied and controlled by armed tribes with no scruples, just to see them safely to an international hospital. He’d put his life on the line time and time again, even though he knew he could only ever make a tiny difference, for the problems in Africa were so vast. It made what Jessie did seem very small. She would allocate months of her time and enormous sums of taxpayers’ money to bring one person to trial, and even then it was not certain they would end up behind bars, or that bars were indeed the answer. Meanwhile thousands were dying and the culpable – corrupt leaders, multinationals, the ‘first’ world – would never pay. If there really was good and evil in this world, she knew her brother was all good. Even if he did fantasise about nuns.
Jessie plugged in the week’s security code on the entrance door to the station and went in. PC Niaz Ahmet was waiting for her. Since Jessie had seconded him to West End Central CID during the P. J. Dean case, she had rarely seen anything but a sanguine expression on his face. Today he looked worried. Very worried.
‘What is it, Niaz?’
‘A sixteen-year-old girl has disappeared. Her mother has telephoned asking for you in person.’
‘Me? I don’t deal with missing people until …’ She stopped herself. ‘How long has she been missing?’
‘Eighteen hours.’
‘That’s not long enough.’
‘She is Anna Maria Klein. The daughter of Sarah Klein.’
‘The stage actress?’
Niaz nodded, adding: ‘And a close personal friend of P. J. Dean.’
‘Oh God.’ Jessie dropped her chin on to her chest. ‘Not again. Every deranged celebrity with a security problem has been asking for me by name, I can’t deal with these people any more. They’re all insane.’
Niaz wobbled his head. ‘I think this is serious. She went out to meet a friend for coffee in Soho and didn’t come back. She hasn’t phoned and she didn’t take anything with her.’
‘Had there been a row?’
‘No.’
‘Boyfriend troubles?’
‘No boyfriend.’
‘Well, not one that the mother knew about, anyway.’ Niaz and Jessie had arrived at their floor. ‘Tell me Ms Klein isn’t here.’
Niaz lowered his crescent-shaped eyelids.
‘Good grief!’ said Jessie. ‘I’m not feeling up to this so early in the morning.’
‘Another hangover?’ asked Niaz.
‘Don’t say it like that. Right, as punishment you can go and get me a large coffee from the canteen.’
‘Didn’t you say you were giving it up for Lent?’
‘I was. Then I remembered, I don’t believe in Lent. Thank God. Ask them to make it strong, sweet and milky, and tell them I’ll pay them later.’
‘You said that yesterday.’
Jessie growled.
‘Yes, ma’am.’
Tucking a rogue piece of hair behind her ear, Jessie put on her mental body armour and pushed open the double doors that led to the Criminal Investigation Department. Someone had put up a new sign on the notice board. It read: YOU CAN ALWAYS GET ANOTHER WIFE. YOU ONLY GET ONE CHANCE IN CID. Jessie sailed past it. It wasn’t the worst she’d seen. Or the last.
She took a surreptitious peek through the window of her office door and saw two overly dressed, heavily made-up, middle-aged women sitting in front of her desk. Ageing actresses were a sight for sore eyes, and that morning she had very sore eyes. The two women were talking animatedly; one of them Jessie did not know, but she recognised Sarah Klein immediately. Over the years Jessie had seen her in numerous TV dramas and stage plays. But not so many recently.
As she pushed open the door she took in Ms Klein’s appearance – the underwired bra, the unladdered stockings, the matching shoes and handbag, the repeatedly applied lipstick – and wondered how long it had taken her to dress that morning. Too long, Jessie decided, if you thought your daughter was missing.
‘Good morning,’ she said, interrupting the women.
‘Jessie Driver!’ exclaimed Sarah Klein, standing up. ‘P.J. said you’d –’
Jessie stuck out her hand. ‘Detective Inspector Driver,’ she cut in, trying to get her point across without sounding prim. ‘You must be Sarah Klein.’
‘Well of course I am. P.J. said you’d –’
Jessie interrupted her again; she didn’t want to hear his name for a third time. ‘Please, let’s deal with the problem in hand. My colleague tells me that you think your daughter is missing.’
‘I know she is missing! Don’t you give me that policeman crap as well. I came directly to you so that I wouldn’t have to go through the usual hoops.’
‘The usual hoops are there because, thankfully, most “disappearances” are nothing more sinister than simple misunderstandings.’
‘She is missing, I tell you. Her phone is switched off – she never switches her phone off, she even keeps it on during the movies!’
How considerate, thought Jessie.
‘P.J. is a very good friend of mine. Call him, if you don’t believe me.’
‘Ms Klein, it isn’t a question of believing you; it’s a question of dealing with this in an appropriate manner. What did she say to you when she left?’
‘Bye, Mummy, I love you.’ Sarah Klein spoke in a far-away, slightly childish voice. ‘I remember it specifically because it was so odd.’
‘It was odd that she told you she loved you?’
‘No,’ she replied defensively. ‘It was odd because she wouldn’t normally say it when she was popping out for coffee. She also told me what time she’d be back. Usually she’s very vague about that sort of thing, always changing her plans, but yesterday she said she’d be back at five because there was something she wanted to watch on TV.’
‘So she changed her plans often, you say?’
‘Yes, but …’ Ms Klein frowned. Jessie stared as the actress’s perfectly arched brows fought against the effects of Botox. ‘She would have phoned. She always phones – maybe not immediately, but she’d never stay out all night without calling me. And even if she did, she’d have phoned me by now.’
‘It’s only ten in the morning. Is it possible that she decided to go out with her friends, met someone and …’ How to put this delicately? ‘… is still with them?’
‘Absolutely not.’ The actress slammed her hands down on the armrests for maximum effect. ‘There is no way Anna Maria would go out without coming home to change first.’
There was a knock on the door and Niaz came in with a steaming mug of coffee. Jessie inhaled the aroma. Canteen coffee had never smelled so good. But she didn’t get to taste it, or thank him, because Mark Ward suddenly burst through Jessie’s door, slamming into Niaz and causing the coffee to spill. Her fellow DI swore under his breath.
‘Sorry,’ he said, backing out of the room. ‘Didn’t know you had company.’
Sarah Klein stood up. So royalty rises, thought Jessie, though not for women and not for people of ethnic origin. ‘Don’t worry,’ she said, extending her hand. ‘Sarah Klein.’
Ward was looking worried.
‘What is it, Mark?’
‘Don’t worry, it can wait,’ he said, retreating to the corridor with a final frantic glance at Jessie.
Jessie stood. ‘Niaz, please stay with Ms Klein. Take a statement, a detailed description of what Anna Maria was wearing, her mobile number, the names of her friends and where and when she was planning to meet them. Then, Ms Klein, I suggest you go home and wait. Hopefully, Anna Maria will be back by the end of the day. If not, we’ll have everything in place to act.’
‘That isn’t enough,’ exclaimed Sarah Klein.
‘With all of that we can start looking at CCTV footage. We’ll be able to map her movements quite easily, provided you can give us that information.’
‘And then you’ll get the press involved?’
‘Probably,’ said Jessie, curious. ‘Why do you ask?’
‘It’s the quickest way to get maximum coverage – for sightings and things. I hate the press myself, but I’ll do whatever I have to do, for Anna Maria.’
What was it with these people? ‘Let’s start with the information I’ve requested. We’ll go from there.’
‘She has blonde hair and was wearing a Dolce and Gabbana dress –’
‘Please,’ said Jessie, taking the dripping coffee mug from Niaz. ‘Tell PC Ahmet.’
Sarah Klein looked briefly at Niaz, but she was a good actress and disguised her disappointment well.
As Jessie had suspected, Mark Ward was waiting for her in the hall. She mimicked strangulation as the door closed behind her. ‘I bet you a fiver the daughter has legged it,’ she whispered. ‘Is everything all right?’
‘I don’t know, how did that go?’
‘A couple of ageing actresses first thing in the morning, how do you think?’
‘Shit,’ said Mark.
‘Tell me she isn’t appearing in a play that’s dying a death. Can you believe how far these people will go to get good box-office receipts?’
‘But that’s just it –’ Mark stopped but Jessie had already felt the draught. Her office door was open. She turned. Sarah Klein’s clone was looking at her with a very unnerving expression on her face. Clearly she’d heard what Jessie had said. Her only option was to bluff it. But before she’d even managed to force her mouth into a smile, or utter polite platitudes, the angry woman spoke.
‘That was very unimpressive.’
‘I’m sorry if you think that, but in my experience –’
Mark pushed the back of his shoe into Jessie’s heel. She ignored his warning. She’d had enough of the arrogance of vaguely famous people, assuming they were more important than everyone else and therefore deserving of special treatment.
‘– these sort of situations –’
‘How can you possibly judge the situation when you didn’t ask the right questions?’
‘If you have anything to add, please go ahead.’
Mark pushed her aside and stepped forward. ‘Driver, perhaps you haven’t met –’
‘Careful,’ protested Jessie.
‘I think he is trying to tell you to be careful. Thank you, Mark, but I think we can handle this from here.’
Jessie looked from her colleague to the heavily made-up woman and back again.
‘Handle what?’ asked Jessie.
‘That will be all, Mark. Thank you,’ she said imperiously. To Jessie’s astonishment, Mark nodded curtly and left. A little hole opened up beneath her feet and she looked longingly into it. But the ground was solid; she wasn’t going anywhere.
‘DCI Moore,’ said Jessie, offering her hand. ‘I don’t believe we’ve properly met.’
‘No. Seems you were unavailable to attend my induction yesterday afternoon. DI Ward said you were …’ she paused looking Jessie up and down, ‘indisposed.’
Bollocks was the only word that sprung to Jessie’s mind. Bollocks. Bollocks. Bollocks.
‘I wouldn’t have got where I am if I didn’t know the difference between indisposed and a hangover. You, DI Driver, have a hangover. I can smell it.’
Jessie opened her mouth, then closed it again. A series of other swear words were now filling the void in her head where fabulous excuses should have been.
‘I am going to give you the benefit of the doubt and assume your performance in there is down to your,’ she paused again, ‘indisposition. However, had I been Ms Klein’s lawyer – and for all you knew I might have been just that – I would have advised her to make a formal complaint against you. Don’t ever treat a victim of crime like that again.’
Getting defensive wasn’t going to get her out of this. ‘I apologise,’ said Jessie. ‘I shall take over from Niaz immediately.’
‘Who is this Niaz? What’s a PC in uniform doing here in CID?’
‘He’s been seconded to CID from Putney. He shows true promise and I’m hoping he’ll take the exams.’
‘“True promise” in whose judgement?’
Jessie didn’t reply. She wasn’t going to let DCI Moore tar Niaz with the same brush. Moore turned on her high heel and walked away, leaving Jessie reeling. What bloody induction? Where was Jones? He wasn’t supposed to be leaving for another week. And why didn’t Mark warn her? She kicked Mark’s door open. He held up his hands as if she were wielding a gun.
‘She turned up about an hour after you called in.’
‘Why didn’t you phone me, tell me to come back?’
‘I tried to, but your mobile was switched off.’
Jessie had a vague memory of listening to some messages when she and Bill got home that evening. But by then she’d been drinking for ten hours and was in a fairly shoddy condition.
‘I feel like shit.’
‘You look like shit. I came to find you first thing. I didn’t know she was going to hide in your office like that.’
‘What was she doing there, anyway?’
‘I don’t know. Maybe you share a common hobby.’
Hungover and slow on the uptake, Jessie just frowned.
‘Star-fucking,’ said Mark gleefully.
‘I’m not going to dignify that with a response,’ she said through gritted teeth.
‘Only because you can’t.’
‘What is it, fuck on Jessie day? And what the hell does “indisposed” mean?’
‘I don’t know.’
‘You told that overly made-up harridan that I was indisposed.’
Mark’s eyes suddenly widened and he appeared to swell. Jessie didn’t dare turn around.
‘Mark,’ said the cool voice of DCI Moore over Jessie’s left shoulder, ‘I was wondering if you would give me a tour of the premises. Jones isn’t going to be able to make it in again today.’
‘Yes, ma’am.’ The words exploded out of him on his pent-up breath.
‘Thank you.’ Jessie heard the heels click away from her; she must have been tiptoeing earlier. The clicking stopped. Jessie braced herself. ‘Incidentally, Driver, you should think of doing something about your hair.’ Jessie turned reluctantly, imagining what it would feel like to turn into a pillar of salt. ‘You may not be in uniform, but you still represent the police force. Most importantly, you reflect your superiors and that means more than getting out of bed in the morning and hoping for the best.’
Again, the doors closed behind her. She turned to Mark. ‘I’m fucked.’
He shrugged.
She could have killed him.
Bill and Jessie sat on her sofa, their feet up on the coffee table, tea in hand. Neither her day nor her hangover had improved. Bill had made comforting noises when she finally fell through the door, but Jessie knew he didn’t really understand. He wasn’t a locker-room sort of man, whereas Jessie lived in one.
‘So what have you been doing all day, while I’ve been having my balls busted?’
‘Eating crap food and watching videos. Malcolm X, excellent film. I’d never got round to –’
She lifted the remote control and increased the volume. ‘Shh, this is it.’
‘Our main story tonight,’ said the newsreader. ‘Anna Maria Klein, the only child of actress Sarah Klein, is missing. The schoolgirl was last seen in London’s red-light district –’
‘She won’t like that,’ interrupted Jessie.
‘– where she was supposed to be meeting friends at a coffee shop. Amanda Hornby is there now. Amanda, what can you tell us?’
‘She’s foxy,’ said Bill. Jessie hit him.
‘Good evening. Well, the police are telling us very little at the moment. Anna Maria was reported missing by her mother this morning at West End Central police station. After initially being told to wait and see by one senior officer, the panicked mother was finally taken seriously late this afternoon.’
‘Why the change in approach?’
‘Sarah Klein apparently spent the day calling her daughter’s friends, until she found who Anna Maria was supposed to be meeting. The friends then confirmed that Anna Maria had never arrived at the coffee shop just behind me.’
‘And this had them worried?’
‘No. They say that Anna Maria often changed her plans.’
‘See? Flaky,’ said Jessie.
‘But time is very much of the essence in situations like these,’ redirected the newsreader.
‘That’s right. Every second counts, and it’s true many hours were lost before an investigation into Anna Maria’s whereabouts got underway. Now the teenager is facing her second night away from home and all her mother can do is hope for her safe return. This is Amanda Hornby, Soho, in London, for Channel Five News.’
Jessie quietly shook her head.
‘It sounds serious,’ said Bill.
‘Wait for the CCTV footage and then tell me if you think she’s been abducted. They’ll show it at the end of the bulletin, that way they keep the viewers glued.’
‘This cynicism doesn’t suit you, Jessie.’
‘It isn’t cynicism,’ she said, looking at her brother. ‘It’s instinct. And if I’m wrong, Moore will have my guts for garters.’
The newsreader went on until it was time to go to a break. After the ads, as Jessie had predicted, they showed the CCTV clip. Jessie had rounded up the film from all the public cameras around Soho that covered the coffee shop and its various approaches. She had also checked the ones around the actress’s house. If suspicious circumstances were ever confirmed, Jessie’s next step would be to gain access to the non-public CCTV footage: the cameras outside local shops, garages and offices. Jessie didn’t think it would come to that. By five that afternoon, after hours spent scanning the footage frame by frame, Anna Maria had been caught on film. The cab she had taken from her mother’s house had dropped her at the beginning of Carnaby Street. She had walked through the throng to the corner of Poland Street and Broadwick Street. There, directly under the eye of a surveillance camera, Anna Maria had waited for some time before moving off towards Marshall Street. Once out of range of the camera, she simply disappeared.
Bill and Jessie watched the actress’s daughter, stationary amidst the rushing crowd. She was noticeable by her stillness and her Dolce & Gabbana fur-trimmed coat and high-heeled boots.
‘Obviously she’s waiting for someone. Perhaps she misunderstood the plan with her friends?’ said Bill.
‘If she was waiting for someone she’d be looking around, glancing at her watch, maybe making a call to see where her friends are. She’s doing none of those things; she’s just standing there. And look at the bag.’
‘It’s big,’ said Bill.
‘Isn’t it?’
‘But that’s fashionable.’
‘Bill, you’ve been in the back of beyond for months, how do you know what is fashionable?’
Bill grinned. ‘Didn’t I tell you about the air hostess on the flight back?’
‘You swapped fashion tips with an air hostess?’
‘Something like that.’
‘Remind me not to let you anywhere near my friends.’
‘You’ll have to if you’re going to be burning the midnight oil on this case.’
‘Bill, there isn’t a case, unless it’s a prosecution for wasting police time. I offer you my final piece of evidence.’ She passed him a copy of the previous day’s Evening Standard. ‘You find me a programme at five o’clock that a sixteen-year-old girl would leave her friends for to return home and watch. There isn’t one. Anna Maria Klein is up to something, and it’s possible her mother is directing the show.’
‘I don’t know, Jess, she looked distraught on the news piece I saw.’
‘She’s an actress. It’s her job to convince people.’
2
Jessie woke early to wash her hair. Determined to rectify the situation with DCI Moore, she dressed with her new boss in mind. She wouldn’t stretch to a skirt; not just because they made chasing criminals very hard, but because the piss-take she’d receive would be extreme. More extreme than normal. Instead, she opted for her black trouser suit, hoping it would endear her to the woman. If looking good was important to her new boss, well, this suit made Jessie look good, even if she said so herself. DCI Moore was obviously a hard nut. Fair enough, you had to be hard to succeed in this game. Jessie would dance to her tune. The line of command was more important than personality.
Clipping her hair off her face with slides, she put on enough make-up so that a woman would notice but a man wouldn’t. If Anna Maria hadn’t reappeared from wherever she was holed up, there was the possibility Jessie would be in front of the camera before the day was out. But when she saw herself in the hall mirror she nearly tore it all off. Dressing like this went against her self-imposed laws of survival. Rule number one: camouflage. You can’t attack what you can’t see.
Bill appeared from his bedroom in his boxer shorts, smiled at her sleepily and went to the bathroom. She envied him his fitness. The more she progressed in the police force, the more sedentary her life was becoming. She made a promise to herself that she would run home from work at the end of the day and went into the spare room to fetch her kit.
‘Jesus, Bill, you should think of opening a window occasionally,’ shouted Jessie. ‘It stinks in here.’
‘Sorry,’ replied a voice as the loo flushed. ‘Give me a second and I’ll buy you breakfast.’
Jessie glanced at her watch as Bill entered the room.
‘Come on, just a quick fry-up round the corner. It’s still early.’
‘Don’t you want a lie-in?’
‘This is a lie-in. I’m used to getting up at five.’
‘Well, all right – but we’d better make it quick.’
Jessie walked down the deserted hallway of the CID unit and felt very uneasy. She sat at her desk and listened to the sound of traffic from the street below. No doors opened and closed, no radios crackled, no phones rang, so she got up again and went upstairs to Jones’ recently vacated office. A group of her fellow officers were coming out of his room; perhaps she was being paranoid, but they appeared to be giving each other knowing looks.
‘What’s up, Fry?’ she asked one of the passing detective constables.
‘Best you ask the new boss,’ he muttered before shouting to another group of officers about meeting them in the canteen. When Jessie got to the office door she saw Mark sitting at the former DCI’s desk. He was looking out of the window, which offered a remarkable view across Mayfair to Hyde Park. In the evenings it filled with the rarely seen light of the setting sun. Jones had always had the blinds down, but Moore obviously had other decorating plans.
‘Hi, Mark, you been promoted after all?’
‘No,’ said a now familiar voice. DCI Moore walked into the office from the secretary’s side room.
‘Morning, ma’am. Have I missed something?’
‘Yes,’ she said.
Okay, so the woman was a hard nut and didn’t mince her words. All good qualities in a commanding officer, Jessie told herself. ‘What’s going on?’ she continued.
‘Don’t you think, given the circumstances, it would have been wise to get in early?’
It was only eight thirty, but Jessie didn’t think it ‘wise’ to argue.
‘Sorry.’
‘I’ve spoken to you twice, Driver, and twice you’ve had to apologise. Is this going to be a running theme with you?’
‘No,’ said Jessie, stiffening.
‘Good. DI Ward has made some rather interesting discoveries regarding the Klein case. Mark, although it’s a waste of your time, would you mind telling DI Driver what you told everyone this morning?’
He tried to look humble, he even tried to look sympathetic, but neither look could hide the way his body inflated slightly. The man was enjoying this more than he should. Jessie saw months of team-building slip away from her and wondered if he had really tried as hard as he claimed to track her down. Even if her mobile didn’t have any reception, she had a pager and he hadn’t called that.
‘Anna Maria Klein has form,’ said Mark.
‘At her age?’
‘At her age an official warning is as close to form as you can get,’ said Mark indignantly.
‘I’m sorry you didn’t look into this yesterday,’ said Moore sternly.
Jessie wasn’t going to apologise again. ‘What was it for?’ she asked Mark.
‘Possession.’
‘Dope?’
‘That doesn’t lessen the charge,’ said Moore. ‘Buying any kind of drug at fifteen is a serious concern.’
‘I don’t dispute that, but there are often extenuating circumstances. Buying it once to show off to your friends about how “showbiz” you are is not the same as mugging pensioners to get a crack fix.’
‘Do you know Dufour’s Place?’ asked Moore, ignoring Jessie’s observation.
‘Yes, it’s a cul-de-sac at the back of Marshall Street, it doesn’t go anywhere.’
‘It may not go anywhere, Driver, but it houses rather a historic building, as Mark has been explaining to us all this morning.’
Jessie looked to Mark for back-up and was saddened when she saw that he was busy with the papers on his knee. She waited. He didn’t look up.
‘I presume you’re referring to the Marshall Street Baths. I believe it was built in the twenties as a communal bath house, and was still in use up to the end of the nineties as a public swimming pool. Then Health and Safety closed it down. The City of Westminster has been trying to work out what to do with it ever since. It’s a listed building –’
‘Used by addicts and dealers,’ said Mark, cutting Jessie short.
‘I thought the drug unit had cleared up that problem?’
‘Drugs are a recurring problem,’ said Moore, sitting on the edge of Jones’ old desk.
‘Normally the baths are patrolled and checked by a caretaker called –’ Mark checked his pad – ‘Don Firth. But he’s been off sick for three weeks.’
‘We have reliable information that the addicts are back,’ said DCI Moore.
This was all getting a little chummy for Jessie’s liking. ‘So what are you thinking, Mark?’
‘Anna Maria makes a prearranged rendezvous with her new dealer. He doesn’t show, so she goes to Marshall Street Baths where she knows she can score.’
‘It’s all chained up,’ said Jessie disagreeing.
‘If the addicts and dealers can get in, so can anyone.’
Jessie didn’t think so, not in those heels.
‘We think something happened to her inside the building,’ said Moore.
‘I see,’ said Jessie. And she did. ‘What do you want me to do?’ she asked. Knowing the answer. It was in those knowing looks.
‘Nothing. It’s DI Ward’s case. It’s a high-profile assignment, Driver, so it’s probably better handled by Mark until last year’s debacle is forgotten about.’ Jessie tried to remain passive. ‘Aren’t you pleased? You didn’t seem very interested in it yesterday.’
She wasn’t pleased. Being uninterested and being uninvolved are two different things. She’d messed it up with Moore, she admitted, and it was her own fault, but she couldn’t understand why Mark was so happy to put the boot in. Just in case she was being paranoid, she tried a final litmus test. Principles of reason.
‘Ma’am, there was nothing in Anna Maria’s body language to indicate that she was waiting for anyone,’ said Jessie. ‘The poor creatures in Marshall Street Baths aren’t going to attack anyone. They’re there because they’ve got the money, they’ve scored, and the only thing they can think about is the fix, which once administered renders them impotent.’
‘That does not apply to the dealers,’ contradicted Mark. ‘And Anna Maria stood out like a sore thumb.’
‘Exactly. You don’t buy drugs in broad daylight in a fake-fur coat and six-inch heels.’
‘You didn’t see what she was wearing when she got busted last time,’ Moore interjected.
Jessie knew when she was outnumbered. ‘So what are you going to do?’
‘Search Marshall Street Baths,’ said Moore. ‘As soon as possible.’
‘And you really expect to find her in there?’
This question was followed by an exchange of glances between Ward and Moore. ‘We just hope it’s not too late and she’s still alive.’
They’d failed the test. She wasn’t being paranoid.
A thousand arguments and counter-arguments revolved around Jessie’s head as she returned to her office. We think something happened to her? We hope she’s still alive? We? Moore had only been in the building twenty-four hours and already they were a ‘we’. Where the hell was Jones? Surely he wouldn’t leave her like this, surely he’d have given her a heads up, some warning that DCI Moore was one of those women who pulled the ladder up behind them. Obviously Jessie wasn’t going to appreciate Moore’s legs folded provocatively over her desk, so of course Mark should get the case. It stood to reason, thought Jessie as she unconsciously pulled the slides out of her hair and let her fringe fall across her eyes. She would have been willing to dance to Moore’s tune, but not if she was the only one dancing. Jessie slumped into her chair, deflated and a little scared. Jones had made the differences between Mark and herself work. Under his guidance, Ward and Driver were quite a good balancing act. Not good cop, bad cop, but old cop, new cop. With Moore and Ward in bed together, it would turn what had been complementary back to being contrary. A horrendous thought passed through Jessie’s head. Mark and Moore in bed together, actually in bed together.
‘If that happens, I’m putting myself in for a transfer,’ she said aloud.
‘If what happens?’
Jessie looked up. Mark had pushed the door open with his foot. He was holding a box of files.
‘Gee, thanks for the support back there, Mark.’
‘What did you want me to do, climb up on the gallows next to you?’
‘No. Just act like a reasonable human being and take your nose out of Moore’s arse.’
‘Oh dear, are you a little worried because you’re not the teacher’s pet any more.’
‘Mark, listen to yourself.’
‘You’ll put yourself in for a transfer if what happens?’
She tried to defuse the tension by smiling. ‘Don’t get all excited, I’m not going anywhere.’
But Mark didn’t want it defusing. ‘If what happens?’
‘If you find Anna Maria’s body in Marshall Street Baths,’ she replied coolly.
‘Would you be willing to make that into an official wager?’
‘What is wrong with you? You’ve been bolshie for days,’ said Jessie.
‘It isn’t rocket science. If we find her body at the baths, you get your arse transferred out of here.’
‘And if you don’t?’
‘Name it,’ he said confidently.
It dawned on Jessie then what Mark was doing with the box of files. They were his files, from his office. His old office: the matching shoebox across the hall from hers.
‘I get your office.’ He looked back over his shoulder and smiled. ‘No, Mark. Your new office. Upstairs.’
‘Who told you?’
Jessie smiled sadly to herself. Was his professional opinion of her really so low? The fact she’d seen him sitting at Jones’ desk in the presence of the new DCI, the fact that he was now carrying a packing box, these giveaways were obviously not enough. ‘A white rabbit,’ she said. ‘Okay. Deal: my transfer for your office.’ Jessie stood up.
‘Are you prepared to shake on it?’ demanded Mark.
‘Is this for real, Mark?’
Mark set the box down on Jessie’s desk.
‘Yes,’ he said, putting out his hand. Somewhat dazed, Jessie shook his hand. As she did so, he laughed. ‘And by the way, Jessie, this isn’t a transfer out of CID, this is a transfer out of West End Central. That way I can get you out of my hair once and for all.’
‘Mark, you haven’t got any hair.’
Mark glared at her. It was her turn to shrug. ‘What? You started this. Remember that, won’t you?’
Mark had officers stationed around the perimeter of the building, up on the roof and on the top storey of the Poland Street car park. The drug squad had sent a team and they now joined Mark’s men outside the chained double doors of the old public baths. Everyone was wearing body armour. The handcuffs glinted against the black flak jackets, radios crackled with expectation. A SOCO team waited by their van. The street was cordoned off, which gained the attention of workers in the adjacent offices. Everyone was waiting for the whistle.
Jessie sat in the surveillance room and watched it all live via a video link. She was tuned in and ready to go. A slightly stooped man with a thick moustache inserted a key from a large selection into the padlock that held the chains in place. He turned the key and pulled; the chain slithered to the ground like a boa constrictor dropping from a tree. The team entered in twos. Jessie watched as the video camera followed them in. The first room was a foyer complete with a wood-and-glass kiosk. One of the doors hung haphazardly from its rusting hinge. The floor was laid with intricate diamond-shaped tiles worked into a graphic design, the type you see in the entrances of elegant Victorian terrace housing. Peppermint. Cobalt. Burnt sienna. Black and white. The once majestic windows were coated in grime and protected by a thick wire mesh. The camera automatically adjusted to the reduction in light. They’d gone through the portal of a time machine and entered a long-forgotten era. Victorian bath houses, where the great unwashed came to bathe en masse. The team moved further into the building. The screen went fuzzy, then a new image came into focus.
‘Jesus Christ –’ Jessie heard Fry mutter – ‘it’s a bit fucking spooky.’ Jessie saw what he was looking at. The pool was enormous, a marble-tiled gaping wound in the ground, the swimming lanes neatly delineated by black tiles. What must once have been a majestic pool was now empty except for the green sludge that filled the deepest part of the deep end. The high glass-domed ceiling was mottled with moss and grime. Lines of empty spectator benches flanked each side of the drained pool; it looked like the whole structure was sitting dormant, waiting for people to return. Waiting for life.
Men in waders began to walk a slow line along the bottom of the pool until they reached the dark green water. On the count of three, they all took a step forward. Jessie grimaced as she watched the water level rise up their boots while they poked at the water with sticks. There was a shout. Jessie’s heart leapt. The line stopped. Someone dragged up a sodden, rotting piece of cloth. It was a blanket. There was a tremor of excitement. It was well known among the police that bodies often came wrapped in blankets. The search increased in intensity but they reached the end having found nothing more. Mark ordered them to retrace their steps. Still nothing. Jessie watched as the camera followed them to the second, smaller pool. This pool was in much worse condition. Jessie could hear the trickle of water before the camera turned towards the sound. Water was falling from the ceiling to the floor along the wall on the left-hand side. The building must have been leaking for some considerable time, for the tiled wall was coated in a slick of green slime. A similar puddle of brackish water had accumulated in the deepest part of the swimming pool. The men in their waders jumped down into the empty pool and walked to the water’s edge. The search began again.
Elsewhere the drug squad must have been having some success, because people, or shapes that resembled people, were being taken, dragged or carried out. There were ambulances waiting outside, along with specialist care workers who would deal with these sorry few. The camera ran its critical eye over them, searching for Anna Maria. They were Dickensian in their ghostliness: milk-white skin flecked with scabs and sores, stretched over malnourished features. None of them were Anna Maria. Half a mile away, Jessie shuddered. If few had the strength to walk, then none had it in them to summon the enormous amount of energy required to kill.
The team moved upwards floor by floor. There was one smallish circular room with a domed glass ceiling that became a temporary focus of attention. One of the glass panels had been smashed and was letting in the rain that had steadily begun to fall. Desperation had forced the addicts over the rooftops and through the glass panel. But not Anna Maria. Jessie was sure of it. There was one long room where many of the homeless people had been huddled together. The lino floor was badly soiled with human faeces, but what the camera zoomed in on was the rat’s droppings. Jessie could only imagine the smell. Moore had been right in one respect: drug addiction was a recurring problem.
There was a sense among the search team that the raid was over. They had been to the top of the building and found it empty. None of the addicts had had the energy to mount the extra flight of stairs; they had fallen on the floor that they’d arrived at. The general level of chat increased as the team made their way back down to the lobby, but silence fell when a call summoned them to the boiler room, the beating heart of Marshall Street Baths. Jessie wasn’t out of danger yet.
When the person holding the camera walked into the engine room, Jessie’s spirits rose. It was like returning to modern times. The lighting was bright, the tanks were new and painted in shiny red Hammerite, the flumes looked like concertinaed silver foil, while the network of water pipes resembled Willy Wonka’s chocolate factory. It was immediately obvious that the water tanks had not been tampered with. It was a closed-loop water system and the bolts had not been removed since installation; the original paint still covered the joins. No one had used this scalding water to make evidence broil away.
Jessie was beginning to envisage the view from her new office. A good sunset was like a religion to her. In fact it was a religion. She believed in the cosmos. In the structure of the world around her. In what she could see and feel. The sea. The air. The stars. The moon. The sun. And watching it set gave her a feeling of peace; she felt united with the vastness of their universe on one hand and infinitesimally small on the other. It was another remedy for a bad day in CID. Having the high office would mean that she’d no longer need to make detours to the elevated section of the Westway in order to get a look at a mammoth red sun drop below West London’s skyline. Now she would have it for her delectation and delight at the end of every day.
‘There is another boiler room,’ said a voice over the radio. ‘The original one, built in 1910. They stopped using it in 1953, but you can still get down there.’ Jessie snapped out of her reverie. It was the man with the moustache. The man with the bunch of keys. He must be the caretaker, thought Jessie, back from his sickbed for this sickly spectacle. ‘It’s one floor below. I don’t go down there unless I absolutely have to.’
‘Why not?’ Jessie heard Mark Ward ask, but she didn’t hear an answer. Everybody else had; they had all gone quiet. Jessie followed the camera out of the brightly lit boiler room and through a set of double doors. Suddenly the screen was plunged into darkness.
‘Hang on,’ said a voice. ‘We need the generator for this bit.’ For a few quiet, dark moments everybody waited. Then a hiss, and a faint glow that increased until a struggling light filled the gloom. The low-ceilinged corridor in which the men stood looked like a concrete trench. Their boots echoed like hammers as they proceeded along it. Jessie leant forward to get a better look. A small knot of anxiety had tightened in her stomach. At the end of the corridor was a set of steep concrete steps leading down to a rusty steel door that swung on its hinges. The man with the moustache tutted. ‘It’s supposed to be locked,’ he said. Unaware, Jessie had put her hand over her mouth. The camera shook as it went unsteadily down the steps. No one was talking now. Someone pushed the door open. It was obviously heavy, because whoever was opening it was using two hands. The interior was pitch black.
‘Just a minute,’ said the disembodied voice of the caretaker. ‘The light switch is through here.’ Jessie heard the heavy sound of rattling chains and jangling keys. It was so deliberate that she wondered whether he was doing it for effect. If he was, it was working. Still no one spoke. There was no other sound except the familiar hiss of electricity.
A murky image appeared on the screen: DO NOT ENTER. The cameraman ignored the sign and went in. Jessie found herself transported to the bottom of the Atlantic. In the pale light the ancient redundant machinery reminded her of a documentary about the Titanic. She’d been inside the engine room via a submersible eye. She was inside it again. Placed between a grid of square wooden pillars that looked like the underside of a disused pier were four huge round boilers, each covered in a thick skin of rust. She could see the breath of the men, huddled in a pack at the edge of the room. It was cold down there. Something was making the policemen wrinkle their faces and grimace. Jessie hoped it was the musty odour of age, not death.
In front of each tank was a rill. The first two disappeared into black holes; the two furthest away from the door ended at what looked like a large manhole cover. Beyond them were brick archways that led to recesses in the back wall. Above them was a series of steel girders held up by wooden beams. Rotten wooden beams.
‘Careful,’ said Jessie, but the men on the screen couldn’t hear her.
‘What are those?’ Mark asked. Jessie couldn’t see what he was pointing to.
‘Coal was used to fire ’em up.’ The caretaker patted the belly of the boiler affectionately. ‘Men would shovel it out of the coal stores to the bottom of the Archimedes screw. That way the fires were always stoked.’ Four steel posts rose up from the ground. ‘’Course, the screws have long gone. Nicked and picked at over the years, like everything else. Got no respect.’
‘Yes, but what are those?’
Jessie knew Mark was talking about the two open pits in the ground. It would have been the first place she would have looked, too. The man with the moustache hadn’t let go of the boiler, and it occurred to Jessie that he was hanging on to it.
‘The ash would fall out the bottom and be taken away by running water, along these narrow channels into the pits to cool.’ The camera pointed down into the pit.
‘Where do they go?’
‘Hell,’ said the caretaker.
‘What?’ said Mark and Jessie in unison.
‘Smell,’ he said. ‘Then tell me where you think they go?’
‘Sewers,’ replied Jessie to the electronic image. That was why all the men were pulling faces.
‘Get the torches down there!’ shouted Mark.
‘Careful, the ground isn’t stable,’ said the caretaker.
‘What do you mean?’
‘You don’t know when the ground is going to give way and swallow you up.’
Jessie felt a chill up the back of her neck. This guy was freaking her out. She watched as four police officers pointed torches into the pupil of the pit. One of them beckoned for the boat hook and a few seconds later he fished out a shoe.
‘They should all have been covered,’ said the caretaker.
The old shoe was discarded. They moved on to the next pit, wading through filth. Once again the search was fruitless.
‘What about the other two?’
‘There’s nothing down there.’
‘Get those lids up,’ shouted Mark. His voice trembled as much as the caretaker’s, whether with excitement or fear, Jessie couldn’t tell.
The elderly man was still hanging on to the boiler when the crowbar arrived. ‘I wouldn’t do that if I were you,’ he said.
Jessie didn’t want to know why not.
They prised open the first lid. The camera gave her a bird’s-eye view of a dry, lead-lined pit with a grate at the bottom. It was empty. One more to go.
‘Mind your heads, boys, the ceiling gets lower.’
Jessie was out of her seat and pacing. The crowbar was inserted into the dusty ground. The men heaved with exertion. A corner came up.
She heard a voice. The caretaker’s voice: ‘We shouldn’t really be down here. They don’t like it when people come down here.’
The screen started to flicker like mad.
Jessie could make out Mark as he knelt down and stuck a torch into the gap.
The screen went fuzzy. And then nothing. Jessie hit the television screen. The radio clicked.
‘I can see someone!’ shouted Mark.
‘Alive?’
‘Can’t tell – they’re not moving!’
There was a terrible crack.
‘Move!’ shouted a voice over the rumble of falling masonry. The radio clicked again and Jessie lost contact with the boiler room.
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