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Charles: Victim or villain?
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This edition does not include illustrations.This explosive biography of the Prince of Wales set media headlines alight on hardback publication. Now available complete with an updated epilogue, it will change the way you think about Charles, his Princess and his mistress.As the Prince of Wales turned fifty at the end of 1998, the media focused on the publication of Charles: Victim or Villain?, Penny Junor’s controversial biography of the heir to England’s throne. Directing the spotlight onto ‘the three people’ in the Royal marriage, this book has turned popular understanding on its head. But although Junor’s unique insight into these endlessly intriguing relationships caused fierce speculation, even outrage, nothing has been denied. Nobody has disputed that this is the true portrait of a marriage.Sourced from those closest to the Prince, the Princess and Camilla – some of whom have never spoken before – Penny Junor explodes and explains the popular myths. The result is a provocative new portrait of the man who will be King.
Жанры и теги
Книга вышла ещё в 1998 году, но не теряет своей актуальности для тех, кто хочет получше узнать нынешнего короля Англии и понять его образ мыслей. Основной фокус повествования - на отношениях и браке Чарльза с Дианой, а также его романе с Камиллой, именно к этой теме относится вопрос из заголовка - "жертва или злодей". Также много страниц посвящено общественной деятельности, увлечениям принца, скандальным происшествиям. Освещаются его работа с благотворительными фондами, создание органической фермы, отношения принца с персоналом, прессой и, конечно же, с родителями. Множество историй изнутри, от приближённых к королевской семье, помогают составить яркий и объёмный портрет Чарльза.
is announced from Buckingham Palace that, with regret, the Prince and Princess of Wales have decided to separate. Their Royal Highnesses have no plans to divorce and their constitutional positions are unaffected. This decision has been reached amicably and they will both continue to participate fully in the upbringing
heir to the throne’. Having given her word to Fellowes that she had not contributed to the book, the Princess then put on a deliberate and public show of affection for Carolyn Bartholomew, her former flatmate, and one of the most quoted sources in the book. She telephoned in advance to make sure that the press photographers were in place outside Carolyn’s London house when
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