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THE TEMPLE EDITION OF ORGAN OVERTURES. (3 Staves)

Arranged from Full Score by Edwin Evans, Senr. (except where other wise stated).

Price 3/-net each.

ATHALIE (Mendelssohn).

BARBER OF BAGDAD (Peter Cornelius).

BEATRICE AND BENEDICT (Berlioz).

BENVENUTO CELLINI (Berlioz).

BOHEMIAN GIRL (Balfe).

CALM SEA AND PROSPEROUS VOYAGE (Mendelssohn).

CARNAVAL ROMAIN (Berlioz).

CORSAIR (Berlioz).

CROWN DIAMONDS (Auber).

EGMONT (Beethoven).

EURYANTHE (Weber).

FAUST (Gounod).

FAUST (Wagner).

FESTIVAL OVERTURE (Tschaikowsky).

FIGARO (Mozart).

FINALE (Rubinstein's Sonata, Op. 12).

FLYING DUTCHMAN (Wagner).

FRA DIAVOLO (Auber).

FREISCHUTZ (Weber). A. Whittingham.

ISABELLA (Suppé).

ITALIANA (Rossini).

KING LEAR (Berlioz).

KING STEPHEN (Beethoven). P. J. Mansfield.

LA CLEMENZA DI TITO (Mozart). P. J. Mansfield.

L'AFRICAINE (Meyerbeer).

LA REINE DE SABA (Gounod).

LARGO from Beethoven's Sonata in E flat. W. A. C. Cruikshank.

LE SONGE D'UNE NUIT D'ETE (Thomas).

LIFE FOR THE CZAR (Glinka).

LIGHT CAVALRY (Suppé).

LOHENGRIN (Wagner).

LURLINE (Wallace).

MAGIC FLUTE (Mozart).

MARITANA (Wallace).

MASANIELLO (Auber).

MEISTERSINGERS (Wagner).

MERRY WIVES OF WINDSOR (Nicolai).

MIDSUMMER NIGHT'S DREAM (Mendelssohn).

MIGNON (A. Thomas).

NAIADES, THE (Sterndale Bennett).

OBERON (Weber). A. Whittingham.

OTHO (Handel). W. A. C. Cruikshank.

1812 OVERTURE (Tschaikowsky).

POET AND PEASANT (Suppé).

PARSIFAL (Wagner).

RAYMOND (Thomas).

RIENZI (Wagner).

ROSAMUNDE (Schubert).

RUY BLAS (Mendelssohn).

SCIPIO (Handel).

SEMIRAMIDE (Rossini).

SI J'ETAIS ROI (Adam).

SIRENE, LA (Auber).

SON AND STRANGER (Mendelssohn). W. A. C. Cruikshank.

STRADELLA (Flotow).

TANCREDI (Rossini).

TANNHAUSER (Wagner).

TRISTAN AND ISOLDA (Wagner).

WAVERLEY (Berlioz).

WILLIAM TELL (Rossini). A. Whittingham.

ZAMPA (Hérold).

PIANO SOLO OVERTURES

Price 2/-net each.

BOHEMIAN GIRL (Balfe).

*CALIPH OF BAGDAD (Boieldieu).

CROWN DIAMONDS (Auber).

DER FREYSCHUTZ (Weber).

DON GIOVANNI (Mozart).

DONNA DEL LAGO (Rossini).

FRA DIAVOLO (Auber).

GUY MANNERING (Sir H. R. Bishop).

IDOMENEO (Mozart).

IL BARBIERE (Rossini).

*IL TANCREDI (Rossini).

LIGHT CAVALRY (Suppé).

MAGIC FLUTE (Zauberflöte), (Mozart).

MARITANA (Wallace).

MASANIELLO (Auber).

*MERRY WIVES OF WINDSOR (Nicolai).

MIGNON OVERTURE (A. Thomas).

NOZZE DE FIGARO (Mozart).

*POET AND PEASANT (Suppé).

RAYMOND (Thomas).

SEMIRAMIDE (Rossini).

WILLIAM TELL (Rossini).

*ZAMPA (Hérold).

* Also arranged as Duet (piano, 4 hands), price 2/6 net.

PIANOFORTE

THE PIANO WORKS OF BRAHMS. By EDWIN EVANS, Senior. Historical, Descriptive and Analytical Account of each Work treated in the Order of the Opus number, and preceded by a Didactic Section. 8vo, cloth, 30s. net.

The above volume is a complete technical account of the piano works. It forms a part of the Historical, Descriptive and Analytical Account of the Entire Works of Brahms advertised on page 2.

HOW TO PLAY BACH'S 48 PRELUDES AND FUGUES. A Guide Book for the use of Piano Students as an aid to the Unravelling and Interpretation of these Masterpieces, ensuring a more Intelligent Keyboard Rendering. By C. W. WILKINSON. Crown 8vo, cloth, 10s. net.

NATURAL TECHNICS IN PIANO MASTERY. A Complete and Authoritative Manual, covering every phase of Piano Playing and Study. Many Diagrams of Hand and Finger Technique and some Music Examples. By JACOB EISENBERG. Crown 8vo, cloth, 12s. 6d. net.

PARTHENIA, or the First Musick ever printed for the Virginals. 21 Compositions by three Famous 16th and 17th century Masters, William Byrd, Dr. John Bull and Orlando Gibbons. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN. Folio, 12s. 6d. net.

This edition of "Parthenia" has been entirely re-engraved.

THE APPROACH TO LISZT. A Course of Modern Tonal-Technique for the Piano, in the form of Graded Studies from the Moderately Difficult to the Master Stage. By HERBERT WESTERBY, Mus.Bac. Lond., F.R.C.O., etc. Folio, 5s. 6d. net.

Preliminary Studies in Touch and Phrasing in all Keys. Based on the Scales and Broken Chords.

Intermediate Studies in Sequential, Wrist and Preparatory Arpeggio Work in the Black and White Key Positions.

Advanced Sequential Studies on the Black Keys, with Sixteen Excerpts from Liszt's Piano Works. The Master Works: Fifty-eight Excerpts from Liszt.

THE ART OF TUNING THE PIANOFORTE. A New Comprehensive Treatise to enable the Musician to Tune his Piano upon the System founded on the Theory of Equal Temperament. By HERMANN SMITH. New Edition, thoroughly Revised. Crown 8vo, limp cloth, 6s. net.

ESSENTIALS IN PIANO-PLAYING, and other Musical Studies. By J. ALFRED JOHNSTONE, Hon. L.Mus., T.C.L. Portrait, 243 pages. Crown 8vo, cloth, 10s. net.

EXTEMPORISING AT THE PIANO MADE EASY. A Manual for Beginners in Musical Composition. Hints and Aids for the "From Brain to Keyboard" Composer. By REV. E. H. MELLING, F.R.C.O. 8vo, limp cloth, 3s. 6d. net (paper 2s. net).

INDIVIDUALITY IN PIANO TOUCH. By ALGERNON H. LINDO and J. ALFRED JOHNSTONE. Crown 8vo, 2s. 6d. net.

THE ARTIST AT THE PIANO. Essays on the Art of Musical Interpretation. By GEORGE WOODHOUSE. New and Revised Edition. Portrait of Paderewski. 8vo, cloth, 5s. 6d. net.

The celebrated pianist, Paderewski, after reading the manuscript of this stimulating volume, wrote: "The booklet is quite a remarkable work and a really valuable contribution to the philosophy of pianistic art."

THE STUDENT'S GUIDE TO THE ART OF TEACHING THE PIANOFORTE. By CYRIL R. H. HORROCKS, L.R.A.M., L.T.C.L., A.R.C.M. With an Extensive and Carefully Graded List of Studies and Course of the Great Masters. Numerous Musical Examples. Second edition, Revised. Crown 8vo, cloth, 10s. net.

Until quite recently it was thought impossible to give practical instructions on the art of teaching, but the error of this idea has been proved by the great success of the teachers' class at the various musical institutions. The author's aim is to supply a guide-book expressly for beginners and those with limited experience in the art.

PIANOFORTE TEACHER'S GUIDE. By L. PLAIDY. Translated by FANNY RAYMOND RITTER. Crown 8vo, boards, 3s. net (paper, 2s. net).

"Some of the finest pianists of the day owe much of their technical facility to Plaidy's excellent method." —Bazaar.

CANDIDATE'S SCALE AND ARPEGGIO TESTS for the Piano. In the Primary, Elementary and Junior Grades of all Local Examinations in Music, and the Higher and Lower Divisions of the Associated Board of the R.A.M. and R.C.M. By WILSON MANHIRE. 1s. net.

TECHNICAL STUDY IN THE ART OF PIANOFORTE PLAYING (Deppe's Principles). By C. A. EHRENFECHTER. With numerous Illustrations. Fourth Edition. Crown 8vo, cloth, 6s. net.

CONTENTS: Position – Arm – Wrist – Fingers; Touch (Tone Production); Legato; Equality of Tone; Tension and Contraction; Five Finger Exercises; Skips; The Scale; Arpeggio Chords; Firm Chords; High Raising of the Arm; Melody and its Accompaniment; Connection of Firm Chords; The Tremolo: The Shake (Trill); The Pedal; Fingering.

HOW TO ACCOMPANY AT THE PIANO. By EDWIN EVANS. (Plain Accompaniment, Figurated Accompaniment, Practical Harmony for Accompanists). 172 Music Examples which are made Clear by the Explanatory Text. Crown 8vo, cloth, 10s. net.

GRADUATED SCALE AND ARPEGGIO MANUAL. Compiled for the various Exams. By HENRY SAINT-GEORGE. 3s. net.

A SYSTEM OF STUDY OF SCALES AND CHORDS. Being Chapters on the Elements of Pianoforte Technique. By B. VINE WESTBROOK, F.R.C.O. Numerous Examples. New and Revised edition. 8vo, 3s. net.

The author outlines a scheme which abolishes the drudgery and inspires the pupil with an enthusiasm for practice and formulates a method or system in which that practice may be carried out.

PIANO CLASSES IN ELEMENTARY SCHOOLS. By AUDREY KING. With Music Examples. Crown 8vo, 1s. net.

HOW TO PLAY 110 FAVOURITE PIANO SOLOS. Being the 4 Series complete in 1 vol. of "Well-Known Piano Solos: How to Play them with Understanding, Expression and Effect." By CHARLES W. WILKINSON. Crown 8vo, cloth, 12s. 6d. net.

WELL-KNOWN PIANO SOLOS. How to Play them with Understanding, Expression and Effect. By C. W. WILKINSON. Four Series, 2s. each (each series containing about 26 articles), or four in one vol. as above.

Contents of the First Series: – SINDING, Rustle of Spring. SCARLATTI, Pastorale le Capriccio. PADEREWSKI, Minuet in G. HANDEL, Harmonious Blacksmith. RUBINSTEIN, Melody in F. SCHARWENKA, Polish Dance. SCHUMANN, Nachtstücke. GODARD, Mazurka. DELIBES, Pizzicati from Sylvia. GRIEG, Wedding Day at Troldhangen. ELGAR, Salut d'Amour. PADEREWSKI, Melodie. RAFF, La Fileuse. TCHAÏKOVSKY, Troika. GODARD, Berger et Bergères. CHAMINADE, Pierrette. MOSZKOWSKI, Etincelles. PADEREWSKI, Minuet in A major. GRIEG, Norwegian Bridal Procession. LISZT, Regata Veneziana. CHAMINADE, Automne. MOSZKOWSKI, Serenata. LACK, Valse Arabesque. SCHUMANN, Arabeske. CHOPIN, Etude in G flat. DURAND, First Valse.

Draws one's attention to the beauties in a piece, explains difficulties here and there, draws attention to a pedal effect and any peculiarity of fingering, and generally gives all the information a professor is expected to give to his pupils.

DELIVERY IN THE ART OF PIANOFORTE PLAYING, On Rhythm, Measure, Phrasing, Tempo. By C. A. EHRENFECHTER. Second Edition. Crown 8vo, cloth, 6s. net.

"The section with reference to accent is particularly good. There are numerous illustrations from the works of the masters." – W. H. WEBBE in The Pianist's A. B. C.

PIANO TOUCH, PHRASING AND INTERPRETATION. By J. Alfred Johnstone. Crown 8vo, cloth, 7s. 6d. net.

PRACTICE REGISTER for Pupil's Daily Practice. A Specimen, 1d. (or 2s. 6d. per 100).

REEVES' VAMPING TUTOR. Art of Extemporaneous Accompaniment, or Playing by Ear on the Pianoforte, Rapidly Enabling anyone having an Ear for Music (with or without any Knowledge of Musical Notation) to Accompany with Equal Facility in any Key. Practical Examples. By FRANCIS TAYLOR. New Edition, to which is added Instructions for Accompaniment with Equal Facility in every Key illustrated by Examples. Folio, 2s. net.

THE DEPPE FINGER EXERCISES for Rapidly Developing an Artistic Touch in Pianoforte Playing, Carefully Arranged, Classified and Explained by AMY FAY (Pupil of Tausig, Kullak, Liszt and Deppe). Folio, English or Continental Fingering, 2s. net.

INTRODUCTION TO RUSSIAN PIANO MUSIC. By HERBERT WESTERBY, Mus.Bac.Lond., F.R.C.O., L.Mus.T.C.L., 1s. net.

REEVES' POPULAR PIANOFORTE TUTOR. Rudiments of Music, Exercises with Popular Airs, Major and Minor Scales. With Illustration of Fingerboard. Folio, 2s. 6d. net.

TECHNICAL AND THEORETICAL

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Rev. E. H. Melling is the author of several popular works which have been found of great use to music students – "Guide for the Young Composer," "Extemporising at the Piano made Easy," etc.

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EXAMINATION TEST QUESTIONS. Containing spaces for the Pupils' Written Answers. By WALTER L. TWINNING, F.R.C.O. No. 1, Musical Notation and Time; No. 2, Formation of Scales; No. 3, Ornaments; No. 4, Intervals, 9d. net each.

THEORY OF MUSIC FOR YOUNG MUSICIANS. With Answers given to all the Questions, and a Dictionary of necessary Musical Terms. By MARY SHARP. Limp cloth, 2s. 6d. net (paper covers, 1s. 6d. net).

102 TEST QUESTIONS ON THE GENERAL RUDIMENTS OF MUSIC. In Groups of Six each Lesson, for Written or Oral Use. By WILSON MANHIRE, L.R.A.M. 6d. net.

PRIMARY COURSE IN THE RUDIMENTS OF MUSIC, With Hints on Answering Questions (Written Work) for All Examinations in the Primary, Elementary and Preparatory Grades. By WILSON MANHIRE, L.R.A.M., etc. 2s. net.

EXAMINATION CANDIDATE'S GUIDE to Scale and Arpeggio Piano Playing (with Tests). All that is required for the Various Exams. By WILSON MANHIRE, L.R.A.M. 3s. net.

CANDIDATE'S SCALE AND ARPEGGIO TESTS for the Piano. By WILSON MANHIRE, L.R.A.M. 1s. net.

STUDIES IN MODULATION for Practical and Theoretical Purposes. By PERCY BAKER, F.R.C.O., etc. Cloth, 5s. 6d. net (paper, 3s. net).

MUSICAL FORM, A Handbook to, for Instrumental Players and Vocalists. By E. VAN DER STRAETEN. With Musical Examples, 205 pages. 8vo, cloth, 6s. 6d. net (paper 4s. net).

The part of the work on Dance Forms gives a history and description of the Suite or Partita, Allemande, Courante, Sarabande, Gigue, Gavotte, Musette, Bourrée, Branle, Passepied, Rigaudon, Loure, Pavane, Galliard, Tambourin, Cebell, Rondo, Menuet, Polonaise, Mazurka, Bolero, Tarantella, Saltarello, March, Ciaccone and Passacaglia.

STUDIES IN HISTORICAL FACTS AND MUSICAL FORM. Being a Guide and Note Book for a more Systematic Preparation of the General Knowledge Papers now set at the Universities and Colleges of Music. By PERCY BAKER. Cloth, 5s. 6d. net (paper, 3s. net).

MOZART AND THE SONATA FORM. By J. R. TOBIN, Mus.B. See Pianoforte Section.

FUGUE. A Conversational Address delivered to the Incorporated Guild of Church Musicians. By J. H. LEWIS, Mus.Doc. (Victoria College of Music). Crown 8vo, limp cloth, 2s. net.

MUSICAL EXPRESSIONS, PHRASES AND SENTENCES, with their Corresponding Equivalents in French, German and Italian. By F. BERGER. 8vo, cloth, 5s. 6d. net (paper, 3s. net).

RUDIMENTS OF MUSIC, Set forth in Graded QUESTIONS with ANSWERS, for Use of Candidates preparing for the Examinations of R.A.M., R.C.M. and T.C.L. By B. HOWARTH, L.R.A.M. and A.R.C.M. Crown 8vo, 2s. net.

The Answers are always on the right hand page and can be covered over if desired, the Questions being on the corresponding left hand pages.

ELEMENTARY LESSONS ON SIGHT-SINGING. Combining the Staff and Tonic Sol-fa Notations. With Music Examples throughout. By J. W. ROSSINGTON, L.R.A.M. Cloth, 3s. 6d. net; paper, 2s. net.

For many singers there is only one method of becoming good sight-readers, viz., combining the tonic sol-fa with the staff notation. It is hoped that a perusal of these elementary lessons will show the principles on which this combination is effected, and simplify the somewhat difficult task of sight-reading.

STEPS IN HARMONY. With Copious Explanatory Examples and Graded Test Exercises. A Handbook for Students. By DR. CHURCHILL SIBLEY. With Music Examples throughout. Crown 8vo, boards, cloth back, 6s. net (paper, 3s. 6d. net).

It is believed that he who thoroughly masters the contents of these pages will be prepared to study intelligently the harmonic structure of the works of the great masters, and also to follow critically the changeful tendencies of the present day.

600 QUESTIONS AND 600 EXERCISES IN ELEMENTARY MUSICAL THEORY. By W. H. PALMER. Crown 8vo, cloth, 5s. net (paper covers, 3s. net).

Intended as a help to the private student and to the candidate preparing for the several musical examinations.

THE MODAL ACCOMPANIMENT OF PLAIN CHANT. A Practical Treatise. By EDWIN EVANS, Senior, F.R.C.O. Part I, Theoretical; Part II, Practical School of Plain Chant Accompaniment, consisting of 240 Exercises, with an Appendix of Notes. Crown 8vo, cloth, 8s. 6d. net.

THE HARMONISING OF MELODIES. A Text-Book for Students and Beginners. By H. C. BANISTER. Third Edition, with numerous Musical Examples. Crown 8vo, limp cloth, 5s. net.

MUSICAL ANALYSIS. A Handbook for Students. By H. C. BANISTER. With Musical Illustrations. Crown 8vo, limp cloth, 5s. net (paper covers, 2s. 6d. net).

THE ART OF MODULATING. A Series of Papers on Modulating at the Pianoforte. By HENRY C. BANISTER. With 62 Musical Examples. Crown 8vo, cloth, 6s. net (paper covers, 3s. 6d. net).

MODERN CHORDS EXPLAINED. (The Tonal Scale in Harmony.) By ARTHUR G. POTTER. Musical Examples from C. Debussy, Richard Strauss and Granville Bantock. 8vo, cloth, 4s. net (paper covers, 2s. net).

EXERCISES IN VOCAL SCORE READING. Collected from the Works of Orlando di Lasso, Palestrina, Vittoria, Barcroft, Redford, Peter Certon, Byrd, Gibbons, Croft, Rogers, Boyce, etc. For Students preparing for the R.C.O. and other Examinations. By JAMES LYON, Mus.Doc. Oxon. 4to, 4s. 6d. net.

EXERCISES IN FIGURED BASS AND MELODY HARMONIZATION. By JAMES LYON, Mus.Doc. 4to, 3s. 6d. net.

EXAMPLES OF FOUR-PART WRITING FROM FIGURED BASSES AND GIVEN MELODIES. By JAMES LYON, Mus.Doc. 4to, 5s. 6d. net.

These exercises are printed in open score so as to be of use in score reading tests. This volume forms a key to "Exercises in Figured Bass" by the same author (see above).

HOW TO COMPOSE. A Practical Guide to the Composition of all Works within the Lyric Form, and which include the Valse, Gavotte, Mazurka, Polonaise, March, Minuet, and all Ordinary Dance Forms; as also the Nocturne, Impromptu, Berceuse, Reverie and Similar Characteristic Pieces. By EDWIN EVANS, Senior, F.R.C.O. With 60 Musical Examples. Crown 8vo, cloth, 7s. 6d. net.

THE RUDIMENTS OF GREGORIAN MUSIC. By FRANCIS BURGESS, F.S.A., Scot. Second Impression. Crown 8vo, limp cloth, 2s. 6d. net (paper, 1s. 6d. net).

MUSICAL PRONOUNCING DICTIONARY. By DR. DUDLEY BUCK. Eighth Edition, with the Concise Explanation and Pronunciation of each Term. Edited and Revised by A. WHITTINGHAM. Crown 8vo, cloth, 3s. net (paper, 1s. 6d. net).

A most valuable and useful little book to all musical people. The method adopted for giving the pronunciation of each term is most concise and clear.

A FIRST BOOK OF MUSIC FOR BEGINNERS, Embodying English and Continental Teaching. By ALFRED WHITTINGHAM. Sixth Thousand. Crown 8vo, sewed, 4d. net.

HARMONY, EASILY AND PROGRESSIVELY ARRANGED. Presenting in a Simple Manner the Elementary Ideas as well as the Introduction to the Study of Harmony. With about 300 Musical Examples and Exercises. By PAUL COLBERG. Crown 8vo, cloth, 7s. 6d. net.

AUGUST WILHELMJ says: "This work is distinguished by brevity and clearness. I most warmly recommend it."

COMPEND OF MUSICAL KNOWLEDGE. By PERCY BAKER, F.R.C.O., L.Mus. T.C.L. Being a Guide with Notes, Hints and Articles on the Study of Examination Questions. Crown 8vo, cloth, 6s. net (paper, 3s. 6d. net).

Primarily to help candidates entering for the R.C.O. and T.C.L. Diplomas, though containing much information for the amateur musician and general reader. Indispensable to teachers in guiding their pupils through a course of study dealing with a large number of subjects like those set for the F.R.C.O. and A.R.C.O.

ELEMENTARY MUSIC. A Book for Beginners. By DR. WESTBROOK. With Questions and Vocal Exercises. Fifteenth Thousand. Crown 8vo, cloth, 4s. net (paper, 2s. net).

CONTENTS: 1. The Staff and its Clefs. 2. Notes and their Rests. 3. Bars and Time. 4. Accidentals. 5. Keys and Scales. 6. Intervals. 7. Musical Pitch. 8. Accent. 9. Secondary Signs. 10. Ornaments and Groups of Notes. 11. Voices and Scores. 12. Church Modes. 13. Italian and other Directions. 14. Foreign Note-Names. 15. Questions. 16. Vocal Exercises.

"His explanations are extremely clear. The questions at the end will be found very useful." —Musical Times.

EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners. By K. PAIGE. Fourth Edition. Part I, 1s. 6d. net; Part II, 2s. net. Crown 8vo, paper (2 parts complete in cloth, 5s. net).

CONTENTS OF PART I: 1. Pitch. 2. Length of Sounds. 3. Time. 4. Time and Accent. 5. Intervals. 6. Scales. 7. Transposition. 8. Syncopation. 9. Signs and Abbreviations. 10. Notation. 11. Miscellaneous Questions and Exercises.

CONTENTS OF PART II: 1. Triads. 2. First Inversion of a Triad. 3. Second Inversion of a Triad. 4. Dissonances. 5. Suspensions. 6. Sequences. 7. Cadences. 8. Dominant Sevenths, etc.

HOW TO MEMORISE MUSIC. By C. F. KENYON. With numerous Musical Examples. Fourth Edition. Crown 8vo, cloth, 5s. net.

"Mr. Kenyon proves himself an excellent guide; and indeed we know of no other work devoted to the subject with which he has dealt so thoroughly and so successfully." —Glasgow Herald.

HOW TO HARMONIZE MELODIES. With Hints on Writing for Strings and Pianoforte Accompaniments. By J. HENRY BRIDGER, Mus.Bac. With Musical Examples throughout. Crown 8vo, cloth, 6s. net.

THE ART OF MODULATION. A Handbook showing at a Glance the Modulations from one Key to any other in the Octave, consisting of 1,008 Modulations. For the Use of Organists and Musical Directors. Edited by CARLI ZOELLER. Third Edition. Roy. 8vo, cloth, 8s. net (paper, 5s. net).

THE STUDENT'S BOOK OF CHORDS. With an Explanation of their Inversions and Resolutions. By PASCAL NEEDHAM. Crown 8vo, sewed, 1s. 6d. net.

The chords with their inversions and resolutions are briefly and clearly explained.

TRANSPOSITION AT SIGHT. For Students of the Organ and Pianoforte. By H. E. NICHOL. Fourth Edition, with numerous Musical Exercises. Crown 8vo, cloth, 3s. 6d. net; paper, 2s. net.

The practice of transposing upon the lines here laid down develops the "mental ear," quickens the musical perception and gives ease in sight reading; as it is evident that, if the student can transpose at sight, he will not have much difficulty in merely playing at sight. Free use is made of the tonic sol-fa as well as the standard notation in many musical examples.

SCHUMANN'S RULES AND MAXIMS FOR YOUNG MUSICIANS. Sewed, 6d.

THE STUDENT'S HELMHOLTZ. Musical Acoustics, or the Phenomena of Sound as Connected with Music. By JOHN BROADHOUSE. With more than 100 Illustrations. Fifth Impression. Crown 8vo, cloth, 12s. 6d. net.

"In his Preface the author says: 'The object of the present book is to give, in one volume, a good general view of the subject to those who can neither spare time to read, nor money to buy a number of large and expensive works.' A perusal of the book justifies us in asserting that this design is most satisfactorily carried out; and it is not too much to say that although the plan of the work excludes the possibility of minutely dissecting every subject treated upon, any careful reader may obtain so clear an insight into the principle of acoustics, as to enable him not only to pass an examination but to store up a large amount of general knowledge upon the phenomena of sound." —Musical Times.