A day or two after this, Basil's mother left home for a fortnight. She said a few words to him before she went, about his violin lessons, but not much, for she had heard him practising again with more attention, and she had begun to hope his impatience and discouragement had been merely a passing fit. So she only repeated to him what she had said already. Basil listened in silence, with an expression on his face she did not quite understand. But she thought it better to say no more, especially when the boy flung his arms round her neck, and repeated more than once —

"I do want to please you, little mother; I do, I do," he cried; and her last sight of him, as the carriage drove away, was standing with his violin in his arms at the hall-door, pretending to fiddle away at a great rate.

"He is only a baby, after all," said Lady Iltyd to herself. "I must not be too anxious about his faults. This fortnight will test his perseverance about the violin. If he is not going to be steady about it, he must give it up."

Alas! the fortnight tested Basil and found him wanting. There were some excuses perhaps. It was very hot, and the half-yearly examinations were coming on. In his parents' absence it had been arranged that he was to stay later at school so as to get his lessons done before coming home – a very necessary precaution; for without his mother at hand to keep him up to his work, it is to be doubted if the lessons would often have been finished before midnight! Basil would not have gone to bed and left them undone – that was not his way; but he would have wasted three hours over what with energy and cheerfulness might have been well done in one. At school, under the eye of a master, this was less likely to occur – the boy was to some extent forced to give his attention and keep up his spirit, though the master, whose business it was to superintend the lessons preparing, found his labours increased in no trifling way during the fortnight of Basil's staying later.

And when he got home after all this hard work, the boy felt inclined for a romp with Blanche, or a stroll in the garden, far more than for practising the violin! Half-holidays, too, in hot weather, presented many temptations. The hay was down in the park on the side nearest the house, the strawberries were at their prime; there seemed always something else to do than struggling with the capricious little instrument, whose "contrariness," as he called it, really made Basil sometimes fancy it was bewitched.

"You've got it inside you; why won't you let it come out for me as well as for him?" he would say, addressing his violin, half in fun, half in petulance, after some vain but not very sustained effort to draw out of it tones in any way approaching those which in Herr Wildermann's hands seemed to come of themselves. "No, I've no patience with you. It's too bad," and down he would fling violin and bow, declaring to himself he would never touch them again. But when the day for the music lesson came round, and Herr Wildermann drew out some few lovely notes before Basil was ready to begin, all the boy's impatience disappeared, and he listened as if entranced till his master recalled his attention. And thus, seeing the child's undoubted love for music, Ulric could not yet feel altogether discouraged, though again there were times when he doubted if his efforts would ever succeed in making a musician of the boy.

"But as long as he likes it so much," he would say to himself, "and provided he does not wish to give it up, it would be wrong of me to suggest it. In any case it is for his mother to judge."

Before the fortnight was over, however, Herr Wildermann's patience was sorely tried. There came a day on which, with a sudden outburst of temper, Basil refused to try any more, and only by dint of promising to play to him for a quarter of an hour after the lesson was over, could his master get him to make any effort. Nor was it worth much when made.

And poor Ulric walked home that day to the little lodging over the grocer's shop with a heavy heart.

Part III

In the first pleasant excitement of her return home and finding the children well, and to all appearance happy, Lady Iltyd did not think of what had, nevertheless, been often in her mind during her absence – namely, Basil's violin!

But the day after, when he came back from school and was beginning to tell her all he had been busied about while she was away, the question soon came to her lips, "And what about your violin, my boy?"

Basil hesitated – then his rosy face grew rosier than before, and he stood first upon one leg and then upon the other, a habit of his when not quite easy in his mind.

"Well?" said Lady Iltyd.

Then out it came.

"Mother," he began, "I didn't like to tell you yesterday just when you first came back, but I was going to tell you. I know you'll be vexed, but I must tell you the truth. I haven't got on a bit – I tried to practise at first, but I can't get to play, and I hate it – I mean I hate not being able to play – and please, mother, I want to leave it off."

A rather sad look came over Lady Iltyd's face, but she only said quietly —

"Very well, Basil. You have quite made up your mind, I suppose?"

"Yes," he replied. "You know you always said, mother, I needn't go on with it if I didn't – if it was too difficult," for he could not truthfully say "if I didn't care for it."

"Yes. I told you it was no necessity. Very well, then, I will tell Herr Wildermann to-morrow."

"But, mother," Basil hesitated, "I didn't want you to be vexed about it."

"I am not vexed," his mother replied. "My disappointment is another matter. But I will keep to what I said. It is better for you to give it up than to make a trouble of it to yourself and others. Now run away, for I am busy."

Basil went out of the room slowly, and not feeling altogether happy in his mind. "It isn't fair of mother," he said to himself; "she told me I needn't go on with it if I didn't like, and she never said she'd be vexed if I gave it up, and she is vexed." But he would not remember how much and often his mother had warned him before he began, how she had told him of the patience and perseverance required, and how he had refused to believe her! And, boy-like, he soon forgot all about it in a game with Blanche and the dogs in the garden, or remembered it only with a feeling of relief that he need not cut short his play to go in to practise his unlucky violin. But a remark of his little sister's rather destroyed his equanimity.

"I'm going in now, Basil," she said with the little "proper" air she sometimes put on; "I've not finished my scales yet, and I won't have time after tea. And you should go in for your violin, Basil. Come along."

"No," said Basil, rolling himself again lazily on the smooth lawn; "I'm not going to bother with it any more. I've given it up."

Blanche's eyes opened wide.

"Oh, Basil!" she exclaimed. "How sorry mother will be!"

"Rubbish," said Basil, roughly. "Mother always said I might leave it off if I liked. I don't want you to preach to me, Blanche." Upon which Blanche walked away, her little person erect with offended dignity.

Basil did not feel happy, but he called the dogs to him and went off whistling.

The next day was a half-holiday. Basil came home at mid-day, and the violin lesson was in the afternoon.

"Am I to have a lesson to-day, mother?" said the boy at luncheon.

"Herr Wildermann is coming," replied his mother, "it would be very rude to let him come for nothing. I will see him first, and then you can go to him for the hour. If he likes to play to you instead of your having a lesson, I do not care. It does not signify now."

The idea would have been very much to Basil's taste, but the tone in which his mother said that "now," made him again feel vexed. He tried to fancy he had cause for being so, for he would not own to the real truth – that he was vexed with himself, and that "himself" deserved it.

"It isn't fair," he repeated half sullenly.

Two hours later he was summoned to the library. Herr Wildermann had come fully a quarter of an hour before – he had heard his ring, and he knew his mother was in the drawing-room waiting for him. When he entered the library he thought at first there was no one there – the violin cases lay open on the table, the music-stand was placed ready as usual; but that was all. No pleasant voice met him with a friendly greeting in broken English and words of kindly encouragement.

"Can Herr Wildermann have gone already?" thought the boy. "He might have waited to say good-bye. What did Sims call me for if he had gone?"

And he was turning to leave the room with a mixture of feelings – irritation and some disappointment, mingled nevertheless with a certain sense of relief, for he had dreaded this last lesson – when a slight, a very slight sound seeming to come from somewhere near the windows, caught his ear. He had come into the room more softly than his wont, and his footfall had made no sound on the thick carpet. The person who was hidden by the curtains had not heard him, had no idea any one was in the room, for through a sort of half-choked sob the child heard two or three confused words which, though uttered in German, were easy enough to understand —

"My mother, ah, my poor mother! How can I tell her? Oh, my mother!"

And startled and shocked, Basil stopped short in the question that was on his lips. "Who's there? Is it you, Blanche?" he had been on the point of saying, when the words caught his ears.

"It must be Herr Wildermann – can he be crying?" said Basil to himself, his cheeks growing red as the idea struck him. "What should I do?"

He had no time to consider the question, for as he stood in perplexity his little dog Yelpie, who had followed him into the room, suddenly becoming aware of the state of things, dashed forward with a short sharp bark.

"Yelpie – Yelpie," cried Basil; "be quiet, Yelpie. It's only Herr Wildermann. Don't you know him, Yelpie? What a stupid you are!"

He went on talking fast to give the young German time to recover himself, for, on hearing Basil's voice, Ulric had come forward from the shelter of the curtains. He was not red, but pale, – very pale, with a look of such intense misery in his eyes, that Basil's momentary feeling of contempt entirely faded into one of real anxiety and sympathy.

"Are you ill, Herr Wildermann? You look so strange. Is your mother ill? Is anything dreadful the matter?" he asked hurriedly, pressing forward nearer to the young man.

Ulric tried to smile, but it was a poor attempt, and he felt that it was so. Suddenly a sort of weak, faint feeling came over him – he had walked over to the Park in the full heat of the day, and the meals that were eaten over the grocer's shop were very frugal! – he had not been prepared for the news that had met him. "Could I – might I have a glass of water, Master Basil?" he said, drawing to him a chair and dropping into it.

"I'll ring for – no, stay, I'll fetch it myself," said Basil, with quick understanding. "I shouldn't like the servants to know he had been crying– poor man," he thought to himself as he left the room. And in two minutes he was back with a glass of wine and water.

"I made Sims put some sherry in it," he said half apologetically. "You've knocked yourself up somehow, Herr Wildermann, haven't you?"

And Ulric drank obediently, and managed this time to smile more successfully. "How kind and thoughtful the boy was – how could he be the cause of such sorrow, if indeed he understood it!" thought the young man to himself.

"I – yes – perhaps it was the hot sun," he said confusedly, as he put down the glass. "Thank you, very much. I am all right now. Had we not better begin? Not that I am hurried," he went on. "I can stay a full hour from now. I have no engagements – nothing to hurry me home," he added sadly, for in his heart he was thinking how he dreaded the return home, and what he would have to tell his poor old mother.

"But what's the matter?" persisted Basil, who, now that the ice was broken, felt inclined to get to the bottom of things. "What are you so troubled about – what were you – ?" He hesitated and stopped short, and again his rosy cheeks grew redder than usual.

Herr Wildermann looked up. He was still very pale, but he did not seem self-conscious or ashamed.

"You saw my distress?" he said quietly. "Ah, well, I could not help it – the thought of my poor mother – " He turned away and bit his lips. "I thought you knew the cause of it," he went on; "your lady mother, did you not know – did she not tell you that she meant to-day to give me notice that the lessons are to cease – that this is to be the last?"

Basil opened his mouth as if he meant to say something, and stood there, forgetting to shut it again, and staring up in Ulric's face, though no words came. Ulric, after waiting a moment or two, turned away and began arranging the violins. Then at last the boy ejaculated —

"Herr Wildermann, you – you don't mean to say – " and stopped short again.

"To say what?" asked the young German, but without much tone of interest in his voice. He had quite mastered himself by now – a sort of dull, hopeless resignation was coming over him – it did not seem to matter what Basil said about it; it was all settled, and the momentary gleam of good-fortune which had so raised his hopes had faded into the dark again. "We must go back to Germany," he was saying to himself. "Somehow or other I must scrape together money enough to take my mother back to her own country. There at least she need not starve. I can earn our daily bread, even if I have to give up music for ever."

But again Basil's voice interrupted his thoughts.

"Herr Wildermann," said the boy, speaking now with eagerness, and throwing aside his hesitation, "is it possible that it is about my lessons that you're unhappy? Does it matter to you if I give them up? I never thought of it."

"Master Basil," said the young man sadly, "it does not signify now. It is all settled. But I do not blame you. It is not your fault – at least, it is not exactly your fault. You are so young, and the violin is very difficult. I am sorry to lose you as a pupil, for I think you could have learnt well, if you had had more hopefulness and perseverance."

And again he turned away as if there were no more to be said.

But Basil was not to be so easily satisfied.

"Herr Wildermann," he exclaimed, going nearer to his master and pulling him gently by the sleeve, "that can't be all. I daresay you're vexed at my giving it up when you've tried so hard to teach me, but that wouldn't make you so dreadfully sorry. Herr Wildermann, do tell me all about it? Is it because – because of the money?" he whispered at last. "Are you so – does it matter so much?"

Ulric turned his pale face to the boy. Its expression was still sad – very sad, but quiet and resigned.

"Yes, my child," he said composedly. "Why should I hide it? There is no shame in it – yes, it is because of the money. We are very poor. And also I had hoped much from giving you lessons. I thought if I succeeded as I expected it would have brought me other pupils."

Basil gazed up in the young man's face for a moment or two without speaking. He did not take in ideas very quickly, and perhaps he had never before in his life thought so seriously as at this moment.

"I see," he said at last. "I did not understand before. If I had known – but even now it is not too late, Herr Wildermann. I need not give up my lessons. I will ask mother to let me go on with them, and you will see she will agree in a moment."

A gleam of pleasure lighted up Ulric's pale face, but it faded almost as quickly as it had come.

"Thank you for your kind thought, my little friend," he said; "but what you propose would not be right. It would not be right for your mother to pay me money for teaching you when she had decided that she did not want me to teach you any more. It would be a mere charity to me – it would be more honest for me to ask for charity at once," he went on, the colour mounting to his face. "No, Basil, it could not be; but thank you as much. Now let us go on with our lesson."

Basil understood, but was not satisfied. The lesson passed quietly. Never had the boy so thoroughly given his attention, or tried so hard to overcome the difficulties which had so disheartened him.

"It is too bad," he said to himself; "but it is all my own fault. I believe I could have got on if I had really tried. And now it is too late. He wouldn't give me lessons now, for he would think it was only for him."

Suddenly an idea struck him.

"Herr Wildermann," he said, "won't you do this? Suppose I ask for just six lessons more, and I will try. You'll see if I don't. Well, after these six, if I'm not getting on any better, it'll be given up. But if I am, and if I really want to go on, you won't think it's not right, will you?"

Ulric hesitated.

"No," he said; "I have no scruples in going on teaching you, for I feel certain you could learn well if you were more hopeful. But you must explain it all to your mother, and – and – " He stopped short, and then went on resolutely. "I will not be ashamed. It is for my mother – anything for her. It was only the feeling, my boy – but perhaps you are too young to understand – the feeling that it was almost like asking charity."

"I do understand," exclaimed Basil, "and I don't think I need tell mother yet, Herr Wildermann. I don't want to promise again, and perhaps not keep my promise. I'll just ask for the six lessons, and tell mother I can't tell her why just yet. And then think how surprised she'll be if I really do get on;" and the boy's eyes sparkled with delight. But to Ulric's there came tears of thankfulness.

If Lady Iltyd suspected in part what had worked the change in Basil's ideas and prompted his request, she was too wise to say so. His petition for six lessons more was granted willingly, but not lightly.

"Do you really mean to profit by them, Basil?" she asked. "If so, I am only too willing that you should go on and give yourself a fair trial."

"That is it, mother," said the boy eagerly, "I want to see, to try if I can't do better. At least that is partly it," he went on, for he had already told her that he could not explain the whole just yet.

So poor Ulric Wildermann went home with a lighter heart than he had expected. He hoped much from these six lessons, for it was evident that Basil meant to put his heart into them.

"I need not tell my mother of my fears," thought Ulric to himself, "for they may, after all, prove to be only fears, and what would be the use of making her miserable in such a case?" And he was so bright and cheerful that evening in the little sitting-room over the grocer's shop, that even his mother's eyes failed to discover that he had had more than usual anxiety that day.

One week, two weeks, three weeks passed. It was the day of the last of the six lessons.

"Mother," said Basil that morning when he was starting for school. "I have my violin lesson this afternoon when I come home, you know. Herr Wildermann told me to ask you if you would come in to-day while I am playing. Not at the beginning, please, but about half-way through. He wants you to see if I am getting on better," and then, with a very happy kiss, he was off.

Lady Iltyd had left Basil quite to himself about his violin these last weeks. She had not heard much of his practising, but she had noticed that he got his school lessons done quickly and without needing to be reminded, and then regularly disappeared in his own quarters, and she had her private hopes and expectations.

Nor were they disappointed. What cannot be done with patience and cheerfulness? Those three weeks had seen more progress made than the three months before, and Basil's eyes danced with pleasure when he left off playing and stood waiting to hear what his mother would say.

She said nothing, but she drew him to her and kissed him tenderly, and Basil, peeping up half shyly – for somehow, as he told Blanche afterwards, "mother's pleased kisses" always made him feel a little shy – saw a glimmer of tears in her eyes.

"You are pleased, mother?" he whispered, and another kiss was the answer. Then the young stranger came forward.

"Herr Wildermann, I must thank you for all the trouble you have taken. I am more than pleased," said Lady Iltyd warmly. "How have you succeeded so well? You have taught him more than his music – you have taught him to persevere, and to keep up heart in spite of difficulties."

"He has taught himself, madame," said Ulric eagerly, his face flushing. "It was his kind heart that gave him what he needed. Ah, Master Basil," he went on, turning to his little pupil, "I must now tell the whole, and then it will be to say if you are still to continue your lessons."

"The whole" was soon told, and it is easy to understand that it did not lessen Lady Iltyd's pleasure. She had been glad to find her boy capable of real effort and determination – she was still more glad to find that the new motive which had prompted these was unselfish sympathy and kindness.

"I thank you again, Herr Wildermann," she said, when the young man had told her all, "you have, as I said, taught Basil more lessons than you knew. And your mother is happy to have so good a son."

Better days began for the young music-master. Thanks to Basil's mother and to Basil himself, for the boy became a pupil who would have done credit to any master, Herr Wildermann gradually made his way in the neighbourhood he had chosen for his new home, and his old mother's later days were passed in peace and comfort. He always counted Tarnworth his home, though as time went on he came to be well known as one of the first violinists of the day, in London and others of the great capitals of Europe.

But sometimes when his success and popularity were at the highest, he would turn to the friend who had been his first pupil, and say half regretfully —

"You might excel me if you chose, Basil. I could sometimes find it in my heart to wish that you too had been born a poor boy with his way to make in the world."

And Basil Iltyd would laugh as he told Uric that his affection made him over-estimate his pupil's talent.

"Though, such as it is," he added, "I have to thank you for having drawn it out, and added untold pleasure to my life."

For though Basil had too many other duties to attend to for it to be possible for him to devote very much time to music, he never neglected it, and never forgot the gratitude he owed his mother for encouraging his boyish taste.

"Above all," Lady Iltyd used often to say, "as in mastering the violin, you gained your first battle over impatience and want of perseverance."

"My first but not my last," he would answer brightly. For Basil came to be known for steady, cheerful determination, which, after all, is worth many more brilliant gifts in the journey through life, which to even the most fortunate is uphill and rugged and perplexing at times.