The "Genius"

Mrs. Wilson was not so easily baffled, however. A car appeared one evening at the door immediately after dinner, a great red touring car, and Mrs. Wilson announced easily, "We're going for a little spin after dinner, Mr. Witla. Don't you want to come along?"

Eugene had never ridden in an automobile at that time. "I'd be very pleased," he said, for the thought of a lonely evening in an empty house had sprung up when he saw it appear.

There was a chauffeur in charge – a gallant figure in a brown straw cap and tan duster, but Mrs. Wilson manœuvred for place.

"You sit with the driver, coz," she said to Simpson, and when her mother stepped in she followed after, leaving Eugene the place to the right of her.

"There must be a coat and cap in the locker," she said to the chauffeur; "let Mr. Witla have it."

The latter extracted a spare linen coat and straw cap which Eugene put on.

"I like automobiling, don't you?" she said to Eugene good-naturedly. "It's so refreshing. If there is any rest from care on this earth it's in traveling fast."

"I've never ridden before," replied Eugene simply. Something about the way he said it touched her. She felt sorry for him because he appeared lonely and gloomy. His indifference to her piqued her curiosity and irritated her pride. Why shouldn't he take an interest in her? As they sped under leafy lanes, up hill and down dale, she made out his face in the starlight. It was pale, reflective, indifferent. "These deep thinkers!" she chided him. "It's terrible to be a philosopher." Eugene smiled.

When they reached home he went to his room as did all the others to theirs. He stepped out into the hall a few minutes later to go to the library for a book, and found that her door which he had to pass was wide open. She was sitting back in a Morris chair, her feet upon another chair, her skirts slightly drawn up revealing a trim foot and ankle. She did not stir but looked up and smiled winningly.

"Aren't you tired enough to sleep?" he asked.

"Not quite yet," she smiled.

He went down stairs and turning on a light in the library stood looking at a row of books reading the titles. He heard a step and there she was looking at the books also.

"Don't you want a bottle of beer?" she asked. "I think there is some in the ice box. I forgot that you might be thirsty."

"I really don't care," he said. "I'm not much for drinks of any kind."

"That's not very sociable," she laughed.

"Let's have the beer then," he said.

She threw herself back languidly in one of the big dining room chairs when she had brought the drinks and some Swiss cheese and crackers, and said: "I think you'll find some cigarettes on the table in the corner if you like."

He struck her a match and she puffed her cigarette comfortably. "I suppose you find it lonely up here away from all your friends and companions," she volunteered.

"Oh, I've been sick so long I scarcely know whether I have any."

He described some of his imaginary ailments and experiences and she listened to him attentively. When the beer was gone she asked him if he would have more but he said no. After a time because he stirred wearily, she got up.

"Your mother will think we're running some sort of a midnight game down here," he volunteered.

"Mother can't hear," she said. "Her room is on the third floor and besides she doesn't hear very well. Dave don't mind. He knows me well enough by now to know that I do as I please."

She stood closer to Eugene but still he did not see. When he moved away she put out the lights and followed him to the stairs.

"He's either the most bashful or the most indifferent of men," she thought, but she said softly, "Good-night. Pleasant dreams to you," and went her way.

Eugene thought of her now as a good fellow, a little gay for a married woman, but probably circumspect withal. She was simply being nice to him. All this was simply because, as yet, he was not very much interested.

There were other incidents. One morning he passed her door. Her mother had already gone down to breakfast and there was the spectacle of a smooth, shapely arm and shoulder quite bare to his gaze as she lay on her pillow apparently unconscious that her door was open. It thrilled him as something sensuously beautiful for it was a perfect arm. Another time he saw her of an evening just before dinner buttoning her shoes. Her dress was pulled three-quarters of the way to her knees and her shoulders and arms were bare, for she was still in her corset and short skirts. She seemed not to know that he was near. One night after dinner he started to whistle something and she went to the piano to keep him company. Another time he hummed on the porch and she started the same song, singing with him. He drew his chair near the window where there was a couch after her mother had retired for the night, and she came and threw herself on it. "You don't mind if I lie here?" she said, "I'm tired tonight."

"Not at all. I'm glad of your company. I'm lonely."

She lay and stared at him, smiling. He hummed and she sang. "Let me see your palm," she said, "I want to learn something." He held it out. She fingered it temptingly. Even this did not wake him.

She left for five days because of some necessity in connection with her engagements and when she returned he was glad to see her. He had been lonesome, and he knew now that she made the house gayer. He greeted her genially.

"I'm glad to see you back," he said.

"Are you really?" she replied. "I don't believe it."

"Why not?" he asked.

"Oh, signs, omens and portents. You don't like women very well I fancy."

"Don't I!"

"No, I think not," she replied.

She was charming in a soft grayish green satin. He noticed that her neck was beautiful and that her hair looped itself gracefully upon the back of it. Her nose was straight and fine, sensitive because of its thin partitioning walls. He followed her into the library and they went out on the porch. Presently he returned – it was ten o'clock – and she came also. Davis had gone to his room, Mrs. Hibberdell to hers.

"I think I'll read," he said, aimlessly.

"Why anything like that?" she jested. "Never read when you can do anything else."

"What else can I do?"

"Oh, lots of things. Play cards, tell fortunes, read palms, drink beer – " She looked at him wilfully.

He went to his favorite chair near the window, side by side with the window-seat couch. She came and threw herself on it.

"Be gallant and fix my pillows for me, will you?" she asked.

"Of course I will," he said.

He took a pillow and raised her head, for she did not deign to move.

"Is that enough?" he inquired.

"One more."

He put his hand under the first pillow and lifted it up. She took hold of his free hand to raise herself. When she had it she held it and laughed a curious excited laugh. It came over him all at once, the full meaning of all the things she had been doing. He dropped the pillow he was holding and looked at her steadfastly. She relaxed her hold and leaned back, languorous, smiling. He took her left hand, then her right and sat down beside her. In a moment he slipped one arm under her waist and bending over put his lips to hers. She twined her arms about his neck tightly and hugged him close; then looking in his eyes she heaved a great sigh.

"You love me, don't you?" he asked.

"I thought you never would," she sighed, and clasped him to her again.

CHAPTER XXIII

The form of Carlotta Wilson was perfect, her passion eager, her subtlety a match for almost any situation. She had deliberately set out to win Eugene because he was attractive to her and because, by his early indifference, he had piqued her vanity and self-love. She liked him though, liked every one of his characteristics, and was as proud of her triumph as a child with a new toy. When he had finally slipped his arm under her waist she had thrilled with a burning, vibrating thrill throughout her frame and when she came to him it was with the eagerness of one wild for his caresses. She threw herself on him, kissed him sensuously scores of times, whispered her desire and her affection. Eugene thought, now that he saw her through the medium of an awakened passion, that he had never seen anything more lovely. For the time being he forgot Frieda, Angela, his loneliness, the fact that he was working in supposed prudent self-restraint to effect his recovery, and gave himself up to the full enjoyment of this situation.

Carlotta was tireless in her attentions. Once she saw that he really cared, or imagined he did, she dwelt in the atmosphere of her passion and affection. There was not a moment that she was not with or thinking of Eugene when either was possible. She lay in wait for him at every turn, gave him every opportunity which her skill could command. She knew the movements of her mother and cousin to the least fraction – could tell exactly where they were, how long they were likely to remain, how long it would take them to reach a certain door or spot from where they were standing. Her step was noiseless, her motions and glances significant and interpretative. For a month or thereabouts she guided Eugene through the most perilous situations, keeping her arms about him to the last possible moment, kissing him silently and swiftly at the most unexpected times and in the most unexpected surroundings. Her weary languor, her seeming indifference, disappeared, and she was very much alive – except in the presence of others. There her old manner remained, intensified even, for she was determined to throw a veil of darkness over her mother and her cousin's eyes. She succeeded admirably for the time being, for she lied to her mother out of the whole cloth, pretending that Eugene was nice but a little slow so far as the ways of the world were concerned. "He may be a good artist," she volunteered, "but he isn't very much of a ladies' man. He hasn't the first trace of gallantry."

Mrs. Hibberdell was glad. At least there would be no disturbance here. She feared Carlotta, feared Eugene, but she saw no reason for complaint. In her presence all was seemingly formal and at times almost distant. She did not like to say to her daughter that she should not come to her own home now that Eugene was here, and she did not like to tell him to leave. Carlotta said she liked him fairly well, but that was nothing. Any married woman might do that. Yet under her very eyes was going forward the most disconcerting license. She would have been astounded if she had known the manner in which the bath, Carlotta's chamber and Eugene's room were being used. The hour never struck when they were beyond surveillance but what they were together.

Eugene grew very indifferent in the matter of his work. From getting to the point where he was enjoying it because he looked upon it as a form of exercise which was benefiting him, and feeling that he might not have to work indefinitely if he kept up physical rehabilitation at this pace, he grew languid about it and moody over the time he had to give to it. Carlotta had the privilege of a certain automobile and besides she could afford to hire one of her own. She began by suggesting that he meet her at certain places and times for a little spin and this took him away from his work a good portion of the time.

"You don't have to work every day, do you?" she asked him one Sunday afternoon when they were alone. Simpson and Mrs. Hibberdell had gone out for a walk and they were in her room on the second floor. Her mother's was on the third.

"I don't have to," he said, "if I don't mind losing the money they pay. It's fifteen cents an hour and I need that. I'm not working at my regular profession, you must remember."

"Oh, chuck that," she said. "What's fifteen cents an hour? I'll give you ten times that to come and be with me."

"No, you won't," he said. "You won't give me anything. We won't go anywhere on that basis."

"Oh, Eugene, how you talk. Why won't you?" she asked. "I have lots of it – at least lots more than you have just now. And it might as well be spent this way as some other. It won't be spent right anyhow – that is not for any exceptional purpose. Why shouldn't you have some of it? You can pay it back to me."

"I won't do it," said Eugene. "We won't go anywhere on that basis. I'd rather go and work. It's all right, though. I can sell a picture maybe. I expect to hear any day of something being sold. What is it you want to do?"

"I want you to come automobiling with me tomorrow. Ma is going over to her sister Ella's in Brooklyn. Has that shop of yours a phone?"

"Sure it has. I don't think you'd better call me up there though."

"Once wouldn't hurt."

"Well, perhaps not. But we'd better not begin that, or at least not make a practice of it. These people are very strict. They have to be."

"I know," said Carlotta. "I won't. I was just thinking. I'll let you know. You know that river road that runs on the top of the hill over there?"

"Yes."

"You be walking along there tomorrow at one o'clock and I'll pick you up. You can come this once, can't you?"

"Sure," said Eugene. "I can come. I was just joking. I can get some money." He had still his hundred dollars which he had not used when he first started looking for work. He had been clinging to it grimly, but now in this lightened atmosphere he thought he might spend some of it. He was going to get well. Everything was pointing that way. His luck was with him.

"Well, I'll get the car. You don't mind riding in that, do you?"

"No," he said. "I'll wear a good suit to the shop and change over there."

She laughed gaily, for his scruples and simplicity amused her.

"You're a prince – my Prince Charming," she said and she flung herself in his lap. "Oh, you angel man, heaven-born! I've been waiting for you I don't know how long. Wise man! Prince Charming! I love you! I love you! I think you're the nicest thing that ever was."

Eugene caressed her gently.

"And you're my wise girl. But we are no good, neither you nor I. You're a wastrel and a stray. And I – I hesitate to think what I am."

"What is a wastrel?" she asked. "That's a new one on me. I don't remember."

"Something or someone that can be thrown away as useless. A stray is a pigeon that won't stay with the flock."

"That's me," said Carlotta, holding out her firm, smooth arms before her and grinning mischievously. "I won't stay with any flock. Nix for the flocks. I'd rather be off with my wise man. He is nice enough for me. He's better nor nine or ten flocks." She was using corrupt English for the joy of it. "Just me and you, Prince Charming. Am I your lovely wastrel? Do you like strays? Say you do. Listen! Do you like strays?"

Eugene had been turning his head away, saying "scandalous! terrible, you're the worst ever," but she stopped his mouth with her lips.

"Do you?"

"This wastrel, yes. This stray," he replied, smoothing her cheek. "Ah, you're lovely, Carlotta, you're beautiful. What a wonderful woman you are."

She gave herself to him completely.

"Whatever I am, I'm yours, wise man," she went on. "You can have anything you want of me, do anything you please with me. You're like an opiate to me, Eugene, sweet! You stop my mouth and close my eyes and seal my ears. You make me forget everything I suppose I might think now and then but I don't want to. I don't want to! And I don't care. I wish you were single. I wish I were free. I wish we had an island somewhere together. Oh, hell! Life is a wearisome tangle, isn't it? 'Take the cash and let the credit go.'"

By this time Carlotta had heard enough of Eugene's life to understand what his present condition was. She knew he was sick though not exactly why. She thought it was due to overwork. She knew he was out of funds except for certain pictures he had on sale, but that he would regain his art ability and re-establish himself she did not doubt. She knew something of Angela and thought it was all right that she should be away from him, but now she wished the separation might be permanent. She went into the city and asking about at various art stores learned something of Eugene's art history and his great promise. It made him all the more fascinating in her eyes. One of his pictures on exhibition at Pottle Frères was bought by her after a little while and the money sent to Eugene, for she had learned from him how these pictures, any pictures, were exhibited on sale and the painter paid, minus the commission, when the sale was made. She took good care to make it clear to the manager at Pottle Frères that she was doing this so that Eugene could have the money and saw to it that the check reached him promptly. If Eugene had been alone this check of three hundred dollars would have served to bring Angela to him. As it was it gave him funds to disport himself with in her company. He did not know that she had been the means of his getting it, or to whom the picture had been sold. A fictitious name was given. This sale somewhat restored Eugene's faith in his future, for if one of his pictures would sell so late in the day for this price, others would.

There were days thereafter of the most curious composition. In the morning he would leave dressed in his old working suit and carrying his lunch box, Carlotta waving him a farewell from her window, or, if he had an engagement outside with Carlotta, wearing a good suit, and trusting to his overalls and jumper to protect it, working all day with John and Bill, or Malachi Dempsey and Joseph – for there was rivalry between these two groups as to which should have his company – or leaving the shop early and riding with her a part of the time, coming home at night to be greeted by Carlotta as though she had not seen him at all. She watched for his coming as patiently as a wife and was as eager to see if there was anything she could do for him. In the shop Malachi and Joseph or John and Bill and sometimes some of the carpenters up stairs would complain of a rush of work in order that they might have his assistance or presence. Malachi and Joseph could always enter the complaint that they were in danger of being hampered by shavings, for the latter were constantly piling up in great heaps, beautiful shavings of ash and yellow pine and walnut which smelled like resin and frankincense and had the shape of girl's curls or dry breakfast food, or rich damp sawdust. Or John and Bill would complain that they were being overworked and needed someone in the car to receive. Even Big John, the engineer, tried to figure out some scheme by which he could utilize Eugene as a fireman, but that was impossible; there was no call for any such person. The foreman understood well enough what the point was but said nothing, placing Eugene with the particular group which seemed to need him most. Eugene was genial enough about the matter. Wherever he was was right. He liked to be in the cars or on a lumber pile or in the plane room. He also liked to stand and talk to Big John or Harry Fornes, his basket under his arm – "kidding," as he called it. His progress to and fro was marked by endless quips and jests and he was never weary.

When his work was done at night he would hurry home, following the right bank of the little stream until he reached a path which led up to the street whereon was the Hibberdell house. On his way he would sometimes stop and study the water, its peaceful current bearing an occasional stick or straw upon its bosom, and contrasting the seeming peace of its movement with his own troubled life. The subtlety of nature as expressed in water appealed to him. The difference between this idyllic stream bank and his shop and all who were of it, struck him forcefully. Malachi Dempsey had only the vaguest conception of the beauty of nature. Jack Stix was scarcely more artistic than the raw piles of lumber with which he dealt. Big John had no knowledge of the rich emotions of love or of beauty which troubled Eugene's brain. They lived on another plane, apparently.

And at the other end of the stream awaiting him was Carlotta, graceful, sophisticated, eager in her regard for him, lukewarm in her interest in morals, sybaritic in her moods, representing in a way a world which lived upon the fruits of this exploited toil and caring nothing about it. If he said anything to Carlotta about the condition of Joseph Mews, who carried bundles of wood home to his sister of an evening to help save the expense of fuel, she merely smiled. If he talked of the poverty of the masses she said, "Don't be doleful, Eugene." She wanted to talk of art and luxury and love, or think of them at least. Her love of the beauty of nature was keen. There were certain inns they could reach by automobile where they could sit and dine and drink a bottle of wine or a pitcher of claret cup, and here she would muse on what they would do if they were only free. Angela was frequently in Carlotta's thoughts, persistently in Eugene's, for he could not help feeling that he was doing her a rank injustice.

She had been so patient and affectionate all this long time past, had tended him as a mother, waited on him as a servant. Only recently he had been writing in most affectionate terms, wishing she were with him. Now all that was dead again. It was hard work to write. Everything he said seemed a lie and he did not want to say it. He hated to pretend. Still, if he did not write Angela would be in a state of mortal agony, he thought, and would shortly come to look him up. It was only by writing, protesting his affection, explaining why in his judgment it was unadvisable for her to come at present, that she could be made to stay where she was. And now that he was so infatuated with Carlotta this seemed very desirable. He did not delude himself that he would ever be able to marry her. He knew that he could not get a divorce, there being no grounds, and the injustice to Angela being such a bar to his conscience; and as for Carlotta, her future was very uncertain. Norman Wilson, for all that he disregarded her at times, did not want to give her up. He was writing, threatening to come back to New York if she did not come to him, though the fact that she was in her mother's home, where he considered her safe, was some consolation to him. Angela was begging Eugene to let her come. They would get along, she argued, on whatever he got and he would be better off with her than alone. She pictured him living in some uncomfortable boarding house where he was not half attended to and intensely lonely. Her return meant the leaving of this lovely home – for Mrs. Hibberdell had indicated that she would not like to keep him and his wife – and so the end of this perfect romance with Carlotta. An end to lovely country inns and summer balconies where they were dining together! An end to swift tours in her automobile, which she guided skilfully herself, avoiding the presence of a chauffeur. An end to lovely trysts under trees and by pretty streams where he kissed and fondled her and where she lingered joyously in his arms!

"If ma could only see us now," she would jest; or,

"Do you suppose Bill and John would recognize you here if they saw you?"

Once she said: "This is better than the engine room, isn't it?"

"You're a bad lot, Carlotta," he would declare, and then would come to her lips the enigmatic smile of Monna Lisa.

"You like bad lots, don't you? Strays make fine hunting."

In her own philosophy she was taking the cash and letting the credit go.