Książka jest pierwszą monografią poświęconą problematyce prawa do fonogramu, będącego prawem pokrewnym prawu autorskiemu. Zasadniczym jej celem jest ustalenie, czy w świetle polskiej ustawy o prawie autorskim i prawach pokrewnych każda rejestracja dźwięku prowadzi do powstania prawa do fonogramu oraz czy każdy podmiot prawa cywilnego, który dokonał utrwalenia dźwięku, może być pierwotnie uprawniony z tytułu prawa do fonogramu.

Istotnymi przedmiotami prowadzonych analiz są także:

umowa przenosząca prawo do fonogramu,

naruszenie prawa do fonogramu na przykładzie samplingu,

umowa o korzystanie z fonogramu,

remastering jako postać zwielokrotnienia fonogramu.

Przedstawione informacje będą przydatne czytelnikom m.in. w sporach o naruszenie prawa do fonogramu czy przy konstruowaniu umów przenoszących prawo do fonogramu oraz umów licencyjnych.

Adresaci:

Publikacja jest przeznaczona przede wszystkim dla pracowników firm fonograficznych, producentów muzycznych oraz prawników zajmujących się omawianą tematyką.

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