Inspector Alleyn 3-Book Collection 9: Clutch of Constables, When in Rome, Tied Up in Tinsel

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Inspector Alleyn 3-Book Collection 9: Clutch of Constables, When in Rome, Tied Up in Tinsel
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Ngaio Marsh

INSPECTOR ALLEYN 3-BOOK COLLECTION 9:

 Clutch of Constables, When in Rome, Tied Up in Tinsel














Copyright







HarperCollins

Publishers

 Ltd.



1 London Bridge Street



London SE1 9GF





www.harpercollins.co.uk





Clutch of Constables

 first published in Great Britain by Collins 1968 

When in Rome

 first published in Great Britain by Collins 1970 

Tied Up in Tinsel

 first published in Great Britain by Collins 1971 

Chapter and Verse: The Little Copplestone Mystery

 first published in Great Britain in

Death on the Air and Other Stories

 by HarperCollins

Publishers

 1995



Ngaio Marsh asserts the moral right to be identified as the author of these works



Copyright © Ngaio Marsh Ltd 1968, 1970, 1971


A Fool About Money

 copyright © Ngaio Marsh (Jersey) Ltd 1974  Cover design © crushed.co.uk



This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.



All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.



HarperCollins

Publishers

 has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication



Source ISBN: 9780007328772



Ebook Edition © JANUARY 2014 ISBN: 9780007531431



Version: 2018-07-17






Contents







Cover







Title Page







Copyright







Clutch of Constables







When in Rome







Tied Up in Tinsel







BONUS STORY: Chapter and Verse: The Little Copplestone Mystery







About the Author







Also by the Author







About the Publisher









Clutch of Constables











Dedication









For Audrey and Guy with love








Contents







Title Page







Dedication







Map







Cast of Characters







1 Apply Within







2 The Wapentake







3 Tollardwark







4 Crossdyke







5 Longminster







6 Ramsdyke







7 Routine







8 Routine Continued







9 The Creeper







10 Closed File











Map


















Cast of Characters














Passenger List M.V. Zodiac
















          Mrs Roderick Alleyn














          Miss Hazel Rickerby-Carrick














          Mr Caley Bard














          Mr Stanley Pollock














          Dr Francis Natouche MD














          Mr Earl J. Hewson














          Miss Sally-Lou Hewson














          The Rev J. de B. Lazenby
















Ship’s Company M. V. Zodiac
















          James Tretheway







Skipper











          Mrs Tretheway







Cook and Stewardess











          Tom Tretheway







Boy













Persons in or about Tollardwark
















          Jno. Bagg







Licensed Dealer











          Mrs Bagg







His mother











          Mr and Mrs John Smith







A ton-up combo













Police
















          Superintendent Albert Tillottson







Tollardwark Constabulary











          PC Cape







Tollardwark Constabulary











          Superintendent R. Bonney







Longminster Constabulary











          Sundry Constables







County police forces











          Superintendent Alleyn







CID London











          Inspector Fox







CID London











          Detective-Sergeant Bailey







CID London











          Detective-Sergeant Thompson







CID London














CHAPTER 1







Apply Within







‘There was nothing fancy about the Jampot,’ Alleyn said. ‘The word “Jobs” is entirely appropriate to his activities. He planned carefully, left as little as possible to chance, took a satisfaction in his work and accepted, without dwelling upon them, the occupational hazards which it involved. Retention or abolishment of capital punishment made no difference at all to his professional behaviour: I daresay he looks upon the murders that he did in fact perform, as tiresome and regrettable necessities.

 



‘His talents were appropriate to his employment. They included manual dexterity, a passion for accuracy, a really exceptional intelligence of mathematical precision and a useful imagination offset by a complete blank where nervous anxiety might be expected. Above all he was a superb mimic. Mimics are born not made. From his childhood the Jampot showed an uncanny talent in reflecting not only the mannerisms, speech habits and social behaviour of an extraordinary diversity of persons but of knowing, apparently by instinct, how they would react to given circumstances. Small wonder,’ Alleyn said, ‘that he led us up the garden path for so long. He was a masterpiece.’



He looked round his audience. Six rows of sharp-cropped heads. Were the dumb-looking ones as dumb as their wrinkled foreheads, lacklustre eyes and slackish mouths seemed to suggest? Was the forward-leaning one in the second row, who had come up from the uniformed branch with an outstanding report, as good as his promise? Protectors of the people, Alleyn thought. If only the people would recognize them as such. He went on.



‘I’ve chosen the Jampot for your consideration,’ he said, ‘because he’s a kind of bonus in crime. He combines in himself the ingredients that you find singly in other homicides and hands you the lot in a mixed grill. His real name, believe it or not, is Foljambe.’



The forward-leaning, sandy-coloured recruit gave a laugh which he stifled. Several of his companions grinned doubtfully and wiped their mouths. Two looked startled and the rest uneasy.



‘At all events,’ Alleyn said, ‘that’s what he says it is and as he hasn’t got any other name, Foljambe let the Jampot be.



‘He was born in Johannesburg, received a good education and is said to have read medicine for two years but would appear to have been from birth what used to be known as a “wrong-un”. His nickname was given him by his South African associates in crime and has been adopted by the police on both sides of the Atlantic. In Paris, I understand he is known as Le Folichon or “the frisky bloke”.



‘I’d like to pick up his story at the time of his highly ingenious escape from gaol which took place on the 7th May the year before last in Bolivia …’



One or two of his hearers wrote this down. He was giving an address by invitation to a ten-week course at the Police College.



‘By an outlandish coincidence,’ Alleyn said and his deep voice took on the note of continuous narrative, ‘I was personally involved in this affair: by personally, I mean, as a private individual as well as a policeman. It so happened that my wife –’





I





‘– above all it must be said of this most distinguished exhibition, that while in scope it is retrospective it is by no means definitive. The painter, one feels, above all her contemporaries, will continue to explore and penetrate: for her own and our sustained enjoyment.’



The painter in question muttered: ‘O Lord, O Lord,’ and laid aside the morning paper as stealthily as if she had stolen it. She left the dining-room, paid her bill, arranged to pick up her luggage in time to catch the London train and went for a stroll.



Her hotel was not far from the river. Summer sunshine defined alike ranks of unbudgingly Victorian mercantile buildings broken at irregular intervals by vast up-ended waffle-irons. Gothic spires, and a ham-fisted Town Hall poked up through the early mist. She turned her back on them and made downhill for the river.



As she drew near to it the character of the streets changed. They grew narrower and were cobbled. She passed a rope-walk and a shop called ‘Rutherfords, Riverview Chandlers’, a bakery smelling of new bread, a pawnbroker’s and a second-hand machine-parts shop. The river itself now glinted through gaps in the buildings and at the end of passages. When she finally came within full view of it she thought it beautiful. Not picturesque or grandiloquent but alive and positive, curving in and out of the city with historical authority. It was, she thought, a thing in its own right and the streets and wharves that attended upon it belonged to it and to themselves. ‘Wharf Lane’ she read, and took her way down it to the front. Rivercraft of all kinds were moored along the foreshore.



Half-way down the lane she came upon the offices of The Pleasure Craft and Riverage Company. In their window were faded notices of sailing dates and various kinds of cruises. While she was reading these a man in shirt sleeves, looking larger than life in the confined space, edged his way towards the window and attached to its surface with sticky paper, a freshly-written card.



He caught sight of her, gave her a tentative smile and backed out of the window.



She read the card.



‘M.V.

Zodiac

. Last minute cancellation.



A single-berth cabin is available for



this day’s sailing. Apply within.’



Placed about the window were photographs of M.V.

Zodiac

 in transit and of the places she visited. In the background hung a map of the river and the canals that articulated with it: Ramsdyke. Bullsdyke. Crossdyke. A five day cruise from Norminster to Longminster and back was offered. Passengers slept and ate on board. The countryside, said a pamphlet that lay on the floor, was rich in historical associations. Someone with a taste for fanciful phrases had added: ‘For Five Days you Step out of Time.’



She had had a gruelling summer, working for her one-man show and was due in a few weeks to see it launched in Paris and afterwards New York. Her husband was in America and her son was taking a course at Grenoble. She thought of the long train journey south, the gritty arrival, the summer stifle of London and the empty stuffy house. It seemed to her, afterwards, that she behaved like a child in a fairytale. She opened the door and as she did so she heard something say within her head: ‘For five days I step out of time.’





II





‘There is,’ wrote Miss Rickerby-Carrick, ‘no bottom, none, to my unquenchable infamy.’



She glanced absently at the tip of her propelling pencil and, in falsetto, cleared her throat.



‘For instance,’ she wrote, ‘let us examine my philanthropy. Or rather, since I have no distaste for colloquialism, my dogoodery. No!’ she exclaimed aloud, ‘That won’t wash. That is a vile phrase, Dogoodery is a vile phrase.’ She paused again, greatly put out by the suspicion that these observations were not entirely original. She stared about her and caught the eye of a thin lady in dark blue linen who, like herself, sat on her own suitcase.



‘“Dogoodery”,’ Miss Rickerby-Carrick repeated. ‘Is that a facetious word? Do you find it so?’



‘Well – it depends, I suppose, on the context.’



‘You look startled.’



‘Do I?’ said Troy Alleyn, looking startled indeed. ‘Sorry. I was a thousand miles away.’



‘I wish

I

 were. Or no,’ amended Miss Rickerby-Carrick. ‘Wrong again. Correction. I wish I were a thousand miles away from

me

. From myself. No kidding,’ she added. ‘To try out another colloquialism.’



She wrote again in her book.



Her companion looked attentively at her and might have been said, after her own fashion, also to make notes. She saw a figure, not exactly of fun, but of confusion. There was no co-ordination. The claret-coloured suit, the disheartened jumper, above all the knitted jockey-cap, all looked to have been thrown at their wearer and fortuitously to have stuck. She had a strange trick with her mouth, letting it fly apart over her teeth and turn up at the corners so that she seemed to grin when in fact she did nothing of the sort. The hand that clutched her propelling pencil was arthritic.



Overhead, clouds bowled slowly across a midsummer sky. A light wind fiddled with the river and one or two small boats bumped at their moorings. The pleasure craft

Zodiac

 had not appeared but was due at noon.



‘My name,’ said Miss Rickerby-Carrick, ‘is Rickerby-Carrick. Hazel. “Spinster of this parish”. What’s yours?’



‘Alleyn.’



‘Mrs?’



‘Yes.’ After a moment’s hesitation Troy, since it was obviously expected of her, uncomfortably added her first name. ‘Agatha,’ she mumbled.



‘Agatharallen,’ said Miss Rickerby-Carrick sharply. ‘That’s funny. I thought you must be K. G. Z. Andropulos, Cabin 7.’



‘The cabin

was

 taken by somebody called Andropulos, I believe, but the booking was cancelled at the last moment. This morning, in fact. I happened to be here on – on business and I saw it advertised in the Company’s window, so I took it,’ said Troy, ‘on impulse.’



‘Just like that. Fancy.’ A longish pause followed. ‘So we’re ship-mates? “Water-wanderers?”’ Miss Rickerby-Carrick concluded, quoting the brochure.



‘In the

Zodiac

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