Bel Ami

As he passed along the outer boulevard girls accosted him from time to time. He replied, as he pulled away his arm: "Go to the devil!" with a violent disdain, as though they had insulted him. What did they take him for? Could not these hussies tell what a man was? The sensation of his dress coat, put on in order to go to dinner with such well-known and important people, inspired him with the sentiment of a new impersonality – the sense of having become another man, a man in society, genuine society.

He entered the ante-room, lit by tall bronze candelabra, with confidence, and handed in easy fashion his cane and overcoat to two valets who approached. All the drawing-rooms were lit up. Madame Walter received her guests in the second, the largest. She welcomed him with a charming smile, and he shook hands with two gentlemen who had arrived before him – Monsieur Firmin and Monsieur Laroche-Mathieu, deputies, and anonymous editors of the Vie Francaise. Monsieur Laroche-Mathieu had a special authority at the paper, due to a great influence he enjoyed in the Chamber. No one doubted his being a minister some day. Then came the Forestiers; the wife in pink, and looking charming. Duroy was stupefied to see her on terms of intimacy with the two deputies. She chatted in low tones beside the fireplace, for more than five minutes, with Monsieur Laroche-Mathieu. Charles seemed worn out. He had grown much thinner during the past month, and coughed incessantly as he repeated: "I must make up my mind to finish the winter in the south." Norbert de Varenne and Jacques Rival made their appearance together. Then a door having opened at the further end of the room, Monsieur Walter came in with two tall young girls, of from sixteen to eighteen, one ugly and the other pretty.

Duroy knew that the governor was the father of a family; but he was struck with astonishment. He had never thought of his daughters, save as one thinks of distant countries which one will never see. And then he had fancied them quite young, and here they were grown-up women. They held out their hands to him after being introduced, and then went and sat down at a little table, without doubt reserved to them, at which they began to turn over a number of reels of silk in a work-basket. They were still awaiting someone, and all were silent with that sense of oppression, preceding dinners, between people who do not find themselves in the same mental atmosphere after the different occupations of the day.

Duroy having, for want of occupation, raised his eyes towards the wall, Monsieur Walter called to him from a distance, with an evident wish to show off his property: "Are you looking at my pictures? I will show them to you," and he took a lamp, so that the details might be distinguished.

"Here we have landscapes," said he.

In the center of the wall was a large canvas by Guillemet, a bit of the Normandy coast under a lowering sky. Below it a wood, by Harpignies, and a plain in Algeria, by Guillemet, with a camel on the horizon, a tall camel with long legs, like some strange monument. Monsieur Walter passed on to the next wall, and announced in a grave tone, like a master of the ceremonies: "High Art." There were four: "A Hospital Visit," by Gervex; "A Harvester," by Bastien-Lepage; "A Widow," by Bouguereau; and "An Execution," by Jean Paul Laurens. The last work represented a Vendean priest shot against the wall of his church by a detachment of Blues. A smile flitted across the governor's grave countenance as he indicated the next wall. "Here the fanciful school." First came a little canvas by Jean Beraud, entitled, "Above and Below." It was a pretty Parisian mounting to the roof of a tramcar in motion. Her head appeared on a level with the top, and the gentlemen on the seats viewed with satisfaction the pretty face approaching them, while those standing on the platform below considered the young woman's legs with a different expression of envy and desire. Monsieur Walter held the lamp at arm's length, and repeated, with a sly laugh: "It is funny, isn't it?" Then he lit up "A Rescue," by Lambert. In the middle of a table a kitten, squatted on its haunches, was watching with astonishment and perplexity a fly drowning in a glass of water. It had its paw raised ready to fish out the insect with a rapid sweep of it. But it had not quite made up its mind. It hesitated. What would it do? Then the governor showed a Detaille, "The Lesson," which represented a soldier in a barrack-room teaching a poodle to play the drum, and said: "That is very witty."

Duroy laughed a laugh of approbation, and exclaimed: "It is charming, charm – " He stopped short on hearing behind him the voice of Madame de Marelle, who had just come in.

The governor continued to light up the pictures as he explained them. He now showed a water-color by Maurice Leloir, "The Obstacle." It was a sedan chair checked on its way, the street being blocked by a fight between two laborers, two fellows struggling like Hercules. From out of the window of the chair peered the head of a charming woman, who watched without impatience, without alarm, and with a certain admiration, the combat of these two brutes. Monsieur Walter continued: "I have others in the adjoining rooms, but they are by less known men. I buy of the young artists now, the very young ones, and hang their works in the more private rooms until they become known." He then went on in a low tone: "Now is the time to buy! The painters are all dying of hunger! They have not a sou, not a sou!"

But Duroy saw nothing, and heard without understanding. Madame de Marelle was there behind him. What ought he to do? If he spoke to her, might she not turn her back on him, or treat him with insolence? If he did not approach her, what would people think? He said to himself: "I will gain time, at any rate." He was so moved that for a moment he thought of feigning a sudden illness, which would allow him to withdraw. The examination of the walls was over. The governor went to put down his lamp and welcome the last comer, while Duroy began to re-examine the pictures as if he could not tire of admiring them. He was quite upset. What should he do? Madame Forestier called to him: "Monsieur Duroy." He went to her. It was to speak to him of a friend of hers who was about to give a fête, and who would like to have a line to that effect in the Vie Francaise. He gasped out: "Certainly, Madame, certainly."

Madame de Marelle was now quite close to him. He dared not turn round to go away. All at once he thought he was going mad; she had said aloud: "Good evening, Pretty-boy. So you no longer recognize me."

He rapidly turned on his heels. She stood before him smiling, her eyes beaming with sprightliness and affection, and held out her hand. He took it tremblingly, still fearing some trick, some perfidy. She added, calmly: "What has become of you? One no longer sees anything of you."

He stammered, without being able to recover his coolness: "I have a great deal to do, Madame, a great deal to do. Monsieur Walter has entrusted me with new duties which give me a great deal of occupation."

She replied, still looking him in the face, but without his being able to discover anything save good will in her glance: "I know it. But that is no reason for forgetting your friends."

They were separated by a lady who came in, with red arms and red face, a stout lady in a very low dress, got up with pretentiousness, and walking so heavily that one guessed by her motions the size and weight of her legs. As she seemed to be treated with great attention, Duroy asked Madame Forestier: "Who is that lady?"

"The Viscomtesse de Percemur, who signs her articles 'Lily Fingers.'"

He was astounded, and seized on by an inclination to laugh.

"'Lily Fingers!' 'Lily Fingers!' and I imagined her young like yourself. So that is 'Lily Fingers.' That is very funny, very funny."

A servant appeared in the doorway and announced dinner. The dinner was commonplace and lively, one of those dinners at which people talk about everything, without saying anything. Duroy found himself between the elder daughter of the master of the house, the ugly one, Mademoiselle Rose and Madame de Marelle. The neighborhood of the latter made him feel very ill at ease, although she seemed very much at her ease, and chatted with her usual vivacity. He was troubled at first, constrained, hesitating, like a musician who has lost the keynote. By degrees, however, he recovered his assurance, and their eyes continually meeting questioned one another, exchanging looks in an intimate, almost sensual, fashion as of old. All at once he thought he felt something brush against his foot under the table. He softly pushed forward his leg and encountered that of his neighbor, which did not shrink from the contact. They did not speak, each being at that moment turned towards their neighbor. Duroy, his heart beating, pushed a little harder with his knee. A slight pressure replied to him. Then he understood that their loves were beginning anew. What did they say then? Not much, but their lips quivered every time that they looked at one another.

The young fellow, however, wishing to do the amiable to his employer's daughter, spoke to her from time to time. She replied as the mother would have done, never hesitating as to what she should say. On the right of Monsieur Walter the Viscomtesse de Percemur gave herself the airs of a princess, and Duroy, amused at watching her, said in a low voice to Madame de Marelle. "Do you know the other, the one who signs herself 'Pink Domino'?"

"Yes, very well, the Baroness de Livar."

"Is she of the same breed?"

"No, but quite as funny. A tall, dried-up woman of sixty, false curls, projecting teeth, ideas dating from the Restoration, and toilets of the same epoch."

"Where did they unearth these literary phenomena?"

"The scattered waifs of the nobility are always sheltered by enriched cits."

"No other reason?"

"None."

Then a political discussion began between the master of the house, the two deputies, Norbert de Varenne, and Jacques Rival, and lasted till dessert.

When they returned to the drawing-room, Duroy again approached Madame de Marelle, and looking her in the eyes, said: "Shall I see you home to-night?"

"No."

"Why not?"

"Because Monsieur Laroche Mathieu, who is my neighbor, drops me at my door every time I dine here."

"When shall I see you?"

"Come and lunch with me to-morrow."

And they separated without saying anything more.

Duroy did not remain late, finding the evening dull. As he went downstairs he overtook Norbert de Varenne, who was also leaving. The old poet took him by the arm. No longer having to fear any rivalry as regards the paper, their work being essentially different, he now manifested a fatherly kindness towards the young fellow.

"Well, will you walk home a bit of my way with me?" said he.

"With pleasure, my dear master," replied Duroy.

And they went out, walking slowly along the Boulevard Malesherbes. Paris was almost deserted that night – a cold night – one of those nights that seem vaster, as it were, than others, when the stars seem higher above, and the air seems to bear on its icy breath something coming from further than even the stars. The two men did not speak at first. Then Duroy, in order to say something, remarked: "Monsieur Laroche Mathieu seems very intelligent and well informed."

The old poet murmured: "Do you think so?"

The young fellow, surprised at this remark, hesitated in replying: "Yes; besides, he passes for one of the most capable men in the Chamber."

"It is possible. In the kingdom of the blind the one-eyed man is king. All these people are commonplace because their mind is shut in between two walls, money and politics. They are dullards, my dear fellow, with whom it is impossible to talk about anything we care for. Their minds are at the bottom mud, or rather sewage; like the Seine Asnières. Ah! how difficult it is to find a man with breadth of thought, one who causes you the same sensation as the breeze from across the broad ocean one breathes on the seashore. I have known some such; they are dead."

Norbert de Varenne spoke with a clear but restrained voice, which would have rung out in the silence of the night had he given it rein. He seemed excited and sad, and went on: "What matter, besides, a little more or less talent, since all must come to an end."

He was silent, and Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master."

The poet replied: "I am always so, my lad, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything – but death."

Duroy began to laugh: "You make me shudder all over."

Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself – of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every moment, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. I now see death so near that I often want to stretch my arms to push it back. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, "Behold it!" It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breathe."

He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns – never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egoistical promises, monstrously absurd. Death alone is certain."

He stopped, reflected for a few moments, and then, with a look of resignation, said: "I am a lost creature. I have neither father nor mother, nor sister nor brother; no wife, no children, no God."

He added, after a pause: "I have only verse."

They reached the Pont de la Concorde, crossed it in silence, and walked past the Palais Bourbon. Norbert de Varenne began to speak again, saying: "Marry, my friend; you do not know what it is to live alone at my age. Solitude now fills me with horrible agony – solitude at home by the fireside of a night. It is so profound, so sad; the silence of the room in which one dwells alone. It is not alone silence about the body, but silence about the soul; and when the furniture creaks I shudder to the heart, for no sound but is unexpected in my gloomy dwelling." He was silent again for a moment, and then added: "When one is old it is well, all the same, to have children."

They had got half way down the Rue de Bourgoyne. The poet halted in front of a tall house, rang the bell, shook Duroy by the hand, and said: "Forget all this old man's doddering, youngster, and live as befits your age. Good-night."

And he disappeared in the dark passage.

Duroy resumed his route with a pain at his heart. It seemed to him as though he had been shown a hole filled with bones, an unavoidable gulf into which all must fall one day. He muttered: "By Jove, it can't be very lively in his place. I should not care for a front seat to see the procession of his thoughts go by. The deuce, no."

But having paused to allow a perfumed lady, alighting from her carriage and entering her house, to pass before him, he drew in with eager breath the scent of vervain and orris root floating in the air. His lungs and heart throbbed suddenly with hope and joy, and the recollection of Madame de Marelle, whom he was to see the next day, assailed him from head to foot. All smiled on him, life welcomed him with kindness. How sweet was the realization of hopes!

He fell asleep, intoxicated with this idea, and rose early to take a stroll down the Avenue du Bois de Boulogne before keeping his appointment. The wind having changed, the weather had grown milder during the night, and it was as warm and as sunny as in April. All the frequenters of the Bois had sallied out that morning, yielding to the summons of a bright, clear day. Duroy walked along slowly. He passed the Arc de Triomphe, and went along the main avenue. He watched the people on horseback, ladies and gentlemen, trotting and galloping, the rich folk of the world, and scarcely envied them now. He knew them almost all by name – knew the amount of their fortune, and the secret history of their life, his duties having made him a kind of directory of the celebrities and the scandals of Paris.

Ladies rode past, slender, and sharply outlined in the dark cloth of their habits, with that proud and unassailable air many women have on horseback, and Duroy amused himself by murmuring the names, titles, and qualities of the lovers whom they had had, or who were attributed to them. Sometimes, instead of saying "Baron de Tanquelot," "Prince de la Tour-Enguerrand," he murmured "Lesbian fashion, Louise Michot of the Vaudeville, Rose Marquetin of the Opera."

The game greatly amused him, as if he had verified, beneath grave outward appearances, the deep, eternal infamy of mankind, and as if this had excited, rejoiced, and consoled him. Then he said aloud: "Set of hypocrites!" and sought out with his eye the horsemen concerning whom the worst tales were current. He saw many, suspected of cheating at play, for whom their clubs were, at all events, their chief, their sole source of livelihood, a suspicious one, at any rate. Others, very celebrated, lived only, it was well known, on the income of their wives; others, again, it was affirmed, on that of their mistresses. Many had paid their debts, an honorable action, without it ever being guessed whence the money had come – a very equivocal mystery. He saw financiers whose immense fortune had had its origin in a theft, and who were received everywhere, even in the most noble houses; then men so respected that the lower middle-class took off their hats on their passage, but whose shameless speculations in connection with great national enterprises were a mystery for none of those really acquainted with the inner side of things. All had a haughty look, a proud lip, an insolent eye. Duroy still laughed, repeating: "A fine lot; a lot of blackguards, of sharpers."

But a pretty little open carriage passed, drawn by two white ponies with flowing manes and tails, and driven by a pretty fair girl, a well-known courtesan, who had two grooms seated behind her. Duroy halted with a desire to applaud this mushroom of love, who displayed so boldly at this place and time set apart for aristocratic hypocrites the dashing luxury earned between her sheets. He felt, perhaps vaguely, that there was something in common between them – a tie of nature, that they were of the same race, the same spirit, and that his success would be achieved by daring steps of the same kind. He walked back more slowly, his heart aglow with satisfaction, and arrived a little in advance of the time at the door of his former mistress.

She received him with proffered lips, as though no rupture had taken place, and she even forgot for a few moments the prudence that made her opposed to all caresses at her home. Then she said, as she kissed the ends of his moustache: "You don't know what a vexation has happened to me, darling? I was hoping for a nice honeymoon, and here is my husband home for six weeks. He has obtained leave. But I won't remain six weeks without seeing you, especially after our little tiff, and this is how I have arranged matters. You are to come and dine with us on Monday. I have already spoken to him about you, and I will introduce you."

Duroy hesitated, somewhat perplexed, never yet having found himself face to face with a man whose wife he had enjoyed. He was afraid lest something might betray him – a slight embarrassment, a look, no matter what. He stammered out: "No, I would rather not make your husband's acquaintance."

She insisted, very much astonished, standing before him with wide open, wondering eyes. "But why? What a funny thing. It happens every day. I should not have thought you such a goose."

He was hurt, and said: "Very well, I will come to dinner on Monday."

She went on: "In order that it may seem more natural I will ask the Forestiers, though I really do not like entertaining people at home."

Until Monday Duroy scarcely thought any more about the interview, but on mounting the stairs at Madame de Marelle's he felt strangely uneasy, not that it was so repugnant to him to take her husband's hand, to drink his wine, and eat his bread, but because he felt afraid of something without knowing what. He was shown into the drawing-room and waited as usual. Soon the door of the inner room opened, and he saw a tall, white-bearded man, wearing the ribbon of the Legion of Honor, grave and correct, who advanced towards him with punctilious politeness, saying: "My wife has often spoken to me of you, sir, and I am delighted to make your acquaintance."

Duroy stepped forward, seeking to impart to his face a look of expressive cordiality, and grasped his host's hand with exaggerated energy. Then, having sat down, he could find nothing to say.

Monsieur de Marelle placed a log upon the fire, and inquired: "Have you been long engaged in journalism?"

"Only a few months."

"Ah! you have got on quickly?"

"Yes, fairly so," and he began to chat at random, without thinking very much about what he was saying, talking of all the trifles customary among men who do not know one another. He was growing seasoned now, and thought the situation a very amusing one. He looked at Monsieur de Marelle's serious and respectable face, with a temptation to laugh, as he thought: "I have cuckolded you, old fellow, I have cuckolded you." A vicious, inward satisfaction stole over him – the satisfaction of a thief who has been successful, and is not even suspected – a delicious, roguish joy. He suddenly longed to be the friend of this man, to win his confidence, to get him to relate the secrets of his life.

Madame de Marelle came in suddenly, and having taken them in with a smiling and impenetrable glance, went toward Duroy, who dared not, in the presence of her husband, kiss her hand as he always did. She was calm, and light-hearted as a person accustomed to everything, finding this meeting simple and natural in her frank and native trickery. Laurine appeared, and went and held up her forehead to George more quietly than usual, her father's presence intimidating her. Her mother said to her: "Well, you don't call him Pretty-boy to-day." And the child blushed as if a serious indiscretion had been committed, a thing that ought not to have been mentioned, revealed, an intimate and, so to say, guilty secret of her heart laid bare.

When the Forestiers arrived, all were alarmed at the condition of Charles. He had grown frightfully thin and pale within a week, and coughed incessantly. He stated, besides, that he was leaving for Cannes on the following Thursday, by the doctor's imperative orders. They left early, and Duroy said, shaking his head: "I think he is very bad. He will never make old bones."

Madame de Marelle said, calmly: "Oh! he is done for. There is a man who was lucky in finding the wife he did."

Duroy asked: "Does she help him much?"

"She does everything. She is acquainted with everything that is going on; she knows everyone without seeming to go and see anybody; she obtains what she wants as she likes. Oh! she is keen, clever, and intriguing as no one else is. She is a treasure for anyone wanting to get on."

George said: "She will marry again very quickly, no doubt?"

Madame de Marelle replied: "Yes. I should not be surprised if she had some one already in her eye – a deputy, unless, indeed, he objects – for – for – there may be serious – moral – obstacles. But then – I don't really know."

Monsieur de Marelle grumbled with slow impatience: "You are always suspecting a number of things that I do not like. Do not let us meddle with the affairs of others. Our conscience is enough to guide us. That should be a rule with everyone."

Duroy withdrew, uneasy at heart, and with his mind full of vague plans. The next day he paid a visit to the Forestiers, and found them finishing their packing up. Charles, stretched on a sofa, exaggerated his difficulty of breathing, and repeated: "I ought to have been off a month ago."

Then he gave George a series of recommendations concerning the paper, although everything had been agreed upon and settled with Monsieur Walter. As George left, he energetically squeezed his old comrade's hand, saying: "Well, old fellow, we shall have you back soon." But as Madame Forestier was showing him out, he said to her, quickly: "You have not forgotten our agreement? We are friends and allies, are we not? So if you have need of me, for no matter what, do not hesitate. Send a letter or a telegram, and I will obey."

She murmured: "Thanks, I will not forget." And her eye, too, said "Thanks," in a deeper and tenderer fashion.

As Duroy went downstairs, he met slowly coming up Monsieur de Vaudrec, whom he had met there once before. The Count appeared sad, at this departure, perhaps. Wishing to show his good breeding, the journalist eagerly bowed. The other returned the salutation courteously, but in a somewhat dignified manner.

The Forestiers left on Thursday evening.