"It's going to be performed to-morrow night, and master and missis and all the family 'll be there. I 'eerd it read. It was beautiful. It give me the creeps, and it made me laugh just as if I was being tickled to death!"

The speaker was 'Melia Jane; the person she was addressing was Tom Barley; the place was the kitchen of Mrs. Lethbridge's house in Camden Town; and the subject of 'Melia Jane's remarks was Mr. Linton's comedy-drama A Heart of Gold, the first representation of which was to take place on the following evening at the Star Theatre. The whole house was in a flutter of excitement about it; the cousins were in the sitting-room above, busy over their frocks; Fred Cornwall was there, and was to accompany them to the theatre; the ticket for the stage-box was placed in a conspicuous position on the mantel-shelf, so that it should not escape the attention of any chance visitor; the conversation was animated, and full of hopeful anticipations of a great success for the poor dramatic author; and what was perhaps of greater importance than all else, Bob was in the cast. He had taken the fatal plunge, and through Kiss's influence had obtained an engagement for the run of A Heart of Gold. The "screw," as he called it, was small – ten shillings a week – but so were the parts for which, to his great disgust, he was cast. The more distinguished of the two characters he was to enact was a footman, who had to make three announcements of visitors of two words each – "Mrs. Portarlington" (a long name, that was lucky; almost as good as two or three words rolled into one), "Mr. Praxis," "Lord Fouracres." That was the extent of his part. He was greatly disappointed, having had an idea that he would be called upon to play one of the leading characters; but he was taken to task for his presumption by Kiss, who told him he might think himself lucky at being allowed to open his mouth on the stage for the first twelve months. The other character was a "guest," in which he was restricted to dumb-show, and very little of that. He unfortunately took it into his head to ask the stage-manager how he should play this dumb guest, and the answer he received, to the effect that he was to "look as little like an idiot as possible," somewhat dashed his budding aspirations. However, Kiss gave him some very good advice, and he took heart of grace, and rehearsed his six words on the stage, and also at home in the bosom of his family. Twenty times in the course of the night he would arrange the scene in which he was to appear and speak his lines, and when all was ready, would throw open the door and call "Mrs. Portarlington," upon which Fanny, as the audience, would burst into applause, which she kept up until Bob acknowledged the reception by a bow. It was perhaps fortunate that Kiss, breaking in upon the family rehearsal one evening, took the nonsense out of Bob by showing him how the thing should be done. "Make the announcements quite quietly, my lad," said Kiss; "and don't attempt to spoil the picture by thrusting yourself forward. Time enough for that when you have something to do. Remember that 'modesty is young ambition's ladder.'" "Of course I shall do as he tells me," said Bob, in confidence to Phœbe; "but did you ever know a profession in which there was so much jealousy?" Kiss found an opportunity to speak privately to the Lethbridges upon the subject of giving Bob a reception when he appeared. "For Heaven's sake," he said, "don't attempt it. Don't so much as wag your head. You don't know what a first-night audience is. Injudicious applause has ruined many a promising piece." Aunt Leth, sweet-natured as she was, was a little inclined to agree with Bob as to the dreadful amount of jealousy in the dramatic calling.

Tom Barley had not yet achieved his ambition of becoming a policeman, but he had great hopes that in a short time he would be pacing a beat, and in the vicinity of Camden Town, too. Uncle Leth was much respected, and had some influence, which he was exerting on Tom's behalf. It was 'Melia Jane who had put the idea into Tom's head. Between these two humble persons a confidence had been long since established. There was no idea of love-making – it had not entered either of their heads – but when Tom had been in attendance on Phœbe in London, he naturally found his way to the kitchen. 'Melia Jane "took to him," as she said; and he "took to her," and a mutual liking sprang up. When Tom left Miser Farebrother's service and Parksides, he came to London and asked advice of Mr. and Mrs. Lethbridge, and they succeeded in obtaining for him a few hours' employment a day in a friend's garden. The remuneration was small; but Tom managed to rub along, and was always welcome to a meal in the kitchen with 'Melia Jane. This worthy creature, the invariable cleanliness and brightness of whose kitchen crowned her with glory, rather looked upon Tom as a kind of son, whom it was her pleasure to protect, to advise, and occasionally to scold. It mattered not that she was rather younger than he, and that intellectually she was in no way his superior. It was her pleasure to adopt him, and she adopted him accordingly; it was a pleasure to him to be adopted, and he submitted with complete satisfaction. It came to be a custom with him to spend his evenings with 'Melia Jane, and he gave a good return for the hospitality extended to him. He proved himself a perfect marvel in all practical matters relating to a house. If a window were broken, no need for a glazier; Tom took the measure of the glass, purchased it for a trifle, and the repair was made in less than no time. No need either for locksmiths so long as Tom Barley was about; he put locks and handles to rights in a trice. Did a drain want looking to, there was Tom; a tile off the roof, there was Tom; a ceiling to whitewash, there was Tom; a bit of painting to do, there was Tom. Indeed, with respect to painting, he made it his special business that the house should be bright and clean inside and out: all the neighbours remarked what a deal the Lethbridges were doing to their house, and how nice and fresh it looked. Then there was the garden; Tom worked a miracle. A little care and pains, the expenditure of a few pence now and then, and a large amount of zeal and earnestness, converted the hitherto rather shabby patches of ground in the front and rear of the house into a perfect paradise. It was impossible that such a handy, grateful, willing fellow should be otherwise than welcome. "Upon my word, my dear," said Uncle Leth to his wife, "that Tom Barley is a wonder. There is nothing he cannot do." A few bits of deal, which would have been chopped up for fire-wood had not Tom put them to a better use, a few nails, a pound of paint, and half a pint of varnish, and there, presto! were flower boxes for all the windows, looking as sweet and fresh as the best in Mayfair. He had a knack of making friends and of getting himself liked. There was the greengrocer, the proud possessor of a pony and cart. Tom so ingratiated himself into the favour of this tradesman by his cheerful ways, and by doing for him, also, an odd job or two, very neatly and expeditiously, that early one morning, there was Tom rattling away with the pony and trap into the country, making for some ripe woods of his acquaintance, wherefrom he unlawfully plucked roots and rich soil to beautify the garden of his friends; bringing back, of course, some acceptable offerings to the greengrocer, to insure the loan of the pony and trap the next time he required them. For one who aspired to be a policeman a transaction so nefarious cannot well be defended; but, after all, no one was the worse for the innocent abstraction. 'Melia Jane, be sure, was not forgotten. He helped her to brighten her pots and pans; the little bit of electro-plate the Lethbridges possessed twinkled with light as it lay upon the table-cloth; the carving-knives, for sharpness, were a treat to handle; and for polishing boots and shoes there was not Tom's equal in the city of London. Heaven only knows where he got the sweetness of his nature from; its quality was so fine and prompt, doing the exact thing that was required to be done at exactly the right moment (which adds enormously to the value of a service), that it could not fail to win friends for him wherever kind hearts were to be found. And these, as my experience goes, are beating multitudinously whichever way you turn your face.

He had led a rough and happy life, but he had never been so happy as at this time. The few clothes he possessed were kept in order by 'Melia Jane, who washed and mended for him, and who, upon Sundays, made him so resplendent that he was almost ashamed to be seen. A smile or a friendly nod or greeting was always ready for him from the Lethbridges and their friends, with whom Tom was quite an institution, and Aunt Leth grew into the habit of consulting him and asking his advice when anything inside or outside of the house was required to be done. Sweetest of all was Phœbe's greeting upon her visits to her aunt. "Well, Tom, how are you?" "Getting along splendidly, miss." Simple words, but pearls of price, nevertheless, to Tom, who went about his work more blithely the whole day afterward. Of girls in her own station in life 'Melia Jane might have been jealous had Tom championed them, but she entirely approved of his devotion to Fanny and his worship of Phœbe.

"She's a angel, Tom," said 'Melia Jane.

"She is, 'Melia Jane," responded Tom; "and I'd lay down my life for her."

He was not neglected either in the way of education. Ambitious as he was to become a public official, Mr. Lethbridge knew how important it was that he should be able to read and write fairly. He provided Tom with copy-books, and made the young man go through a regular course of pot-hooks and hangers; and Aunt Leth gave him reading lessons three times a week; so that he made capital progress, and was "gitting quite a scholard," according to 'Melia Jane.

This young lady attended to his education in other ways. She was great in superstitions, which were to her a kind of religion; and instead of pious exordiums in frames to remind her of her duty, she had scraps of card-board hanging in sacred corners in her bedroom and kitchen, upon which were written extracts from fortune-telling and dream books, which, if they did not form for her the whole duty of woman, went a long way towards it. She had an apt pupil in Tom, whom she inoculated with her precautions to woo good fortune and avert disaster.

As to cutting your nails, now. From her bedroom 'Melia Jane brought into the kitchen the written magic formula, which Tom soon learnt by heart:

"Cut your nails on Monday, cut them for wealth.
Cut them on Tuesday, cut them for health.
Cut them on Wednesday, cut them for news.
Cut them on Thursday, a new pair of shoes.
Cut them on Friday, cut them for sorrow.
Cut them on Saturday, see sweetheart to-morrow.
Cut them on Sunday, cut them for evil:
The whole of the week you'll be ruled by the – "

What could be simpler and more direct? And in the matter of nails, Tom abided by it.

"Wot day in the week was you born?" asked 'Melia Jane.

"Blessed if I know," answered Tom.

"'Ow could you be so careless," said 'Melia Jane, severely, "as not to get to know? Then we could settle it?"

"Settle what, 'Melia Jane?"

"Why, don't you know?" she replied.

"'Monday's child is fair of face.
Tuesday's child is full of grace.
Wednesday's child is loving and giving.
Thursday's child works hard for a living.
Friday's child is full of woe.
Saturday's child has far to go.
But the child that is born on Sabbath-day
Is bonnie and happy, and wise and gay.'"

"I say Thursday," said Tom, good-humouredly. "That's the most likely day for me."

"I say Sabbath-day," said 'Melia Jane.

"That won't fit," said Tom. "Happy? Yes. And gay, sometimes. But wise? No, no, 'Melia Jane; not a bit of it."

But in argument Tom was a child in the hands of 'Melia Jane, and she generally succeeded in compelling him to subscribe to her views. She had a very effective method of punishment if he persisted in holding out. She was, in Tom's eyes, a very wonderful fortune-teller with the cards, and to have his fortune told half a dozen times a week became a perfect passion with him. Nothing pleased 'Melia Jane more than the opportunity of laying out the cards; but she could successfully resist the temptation when Tom was obstinate. It was in vain for him to implore; she was adamant. At length he would say, "I give in, 'Melia Jane; I give in." And out would come a very old and terribly thumbed pack, and with a solemn face Tom settled down to the onerous task of cutting the cards again and again, in accordance with 'Melia Jane's complicated instructions. It was not at all material that last night's fortune was diametrically opposite to the fortune of to-night; nor that last night it was a fair woman, and to-night a dark one; nor that last night Tom was to be greeted by a coffin, and to-night by a baby. The point was that the fortune was to be told, and that being done, no reference was made to inconsistencies and contradictions. 'Melia Jane and Tom would sit staring, open-mouthed, at the finger of fate, whose smudgy impress was to be found on every card in the pack. She was telling his fortune now, on the night before the production of A Heart of Gold.

"The four of clubs, Tom. A strange bed."

"Ah," said Tom. "I wonder where?"

"The eight of spades. That's trouble, Tom."

He pulled a long face.

"And there's that dark woman, agin. Who can she be?"

"I wonder, now!" said Tom, turning over in his mind every dark woman whom he could call to remembrance.

"Well!" cried 'Melia Jane. "Did you ever? Jest look, Tom. The ten of 'earts and the four of 'earts next door to each other. A wedding and a marriage bed. And if there ain't the seven and the six of spades! A doctor and a birth!"

"Never!" exclaimed Tom, aghast.

"Here it is. There's no going agin it. Oh, Tom! here's tears; and here's disappointment and sickness. Take care of that dark woman; she's up to no good."

"Ain't she?" cried Tom, energetically. "I'll keep a sharp eye on her."

The fortune being ended, the cards were put away in a drawer in the dresser, and 'Melia Jane proceeded to discuss lighter and less important matters.

CHAPTER VI
THE FIRST NIGHT OF "A HEART OF GOLD."

Three-quarters of an hour before it was time to start for the Star Theatre, Fred Cornwall with a cab was at the Lethbridges' door. There was no one but 'Melia Jane to receive him. Everybody was dressing, and 'Melia Jane, with a jug of hot water in her hand, informed Fred Cornwall that "Miss Phœbe, sir, she do look most lovely," for which she received a sixpenny bit.

"Take these flowers up to the ladies, 'Melia Jane," said Fred, "and be careful you don't mix them. These are for Mrs. Lethbridge; these are for Miss Lethbridge; these for Miss Farebrother; and ask them how long they will be."

"Lor', sir!" exclaimed 'Melia Jane, "now you're 'ere they'll be down in no time."

"That foolish boy," observed Fanny, when the flowers were brought into the girls' bedroom, "will ruin himself. You will have to check him, Phœbe. But what taste he has! Did you ever see anything more exquisite? I knew he would bring us flowers. And of course he has the cab at the door, waiting; he hasn't the least idea of the value of money. I shall have to give him a good talking to, the foolish, extravagant boy!"

This was a new fashion of Fanny's – to put on matronly airs and to talk of Fred Cornwall as a foolish boy. He was greatly amused by it, and he listened to her lectures with a mock-penitential air, which caused her to deliver her counsels with greater severity.

"You are a model of punctuality," he said, as Fanny sailed into the room.

"And you're a modeller," retorted Fanny gaily. "How do I look?" turning slowly round.

"Beautiful!" exclaimed Fred, advancing eagerly as Phœbe entered.

"Oh, of course," cried Fanny. "Come here, Phœbe," taking her cousin's hand. "He sha'n't admire one without the other."

With looks and words of genuine admiration, Fred scanned and criticised the girls, who, truly, for loveliness, would take the palm presently in the Star Theatre.

"That's very sweet of you," said Fanny, when he came to the end of an eloquent speech, "and you may kiss my hand. But don't come too near me; I mustn't be crushed; and Phœbe mustn't, either. Oh, my dear, beautiful mother!" And the light-hearted girl ran to her mother, who at this moment entered the room.

Aunt Leth was the picture of a refined, gentle-hearted sweet-mannered lady. She had her best gown on, of course; and so cleverly had she managed that it looked, if not quite new, at least almost as good as new. She gazed with wistful tenderness at her daughter and niece, and kissed them affectionately; then she greeted Fred, and thanked him for the flowers.

Phœbe and Fanny had already thanked him, and when he gave Uncle Leth a rose for his coat (he himself wearing one), Fanny whispered to Phœbe that she had not a fault to find with him.

"What I like especially about Fred," said Fanny, "is that when he does a thing he does it thoroughly. Did you notice how pleased dear mamma was when he gave papa the rose? He could not have delighted her more. You lucky girl!"

Altogether Fred's position in that affectionate family was an enviable one, and if he was not a proud and happy young fellow as he rattled away with them to the Star Theatre, he ought to have been. Any gentleman in London would have been happy to be in his shoes.

Bob, of course, had gone early to the theatre, convinced that the success of A Heart of Gold depended upon the way in which he would announce "Mrs. Portarlington," "Mr. Praxis," and "Lord Fouracres."

There was a great house. The manager had taken more than usual pains to obtain the attendance of the critic of every influential paper. Fred, who knew a great many of them, pointed them out to the eager girls, and described their peculiarities and the qualities for which they were famous. Mr. Linton, although he had written seven or eight pieces, all of which had been played, was not yet looked upon as a dramatist of mark; some of the best judges had declared that he had a great deal in him, and that he would one day surprise the public, and take London captive by the production of a play of the greatest merit. This opinion was more or less shared by most of the dramatic writers on the press, and they came to-night prepared to deal generously toward him if he showed himself deserving of it. There were others who came prepared for contingencies: theatrical frequenters of pit and gallery, regular "first-nighters," who knew by sight every critic on the London press, and every notability in the city. Before the music commenced they kept up a buzz of conversation, pointing out the celebrities, and tiptoeing over their neighbours to catch a sight of the great men. "It's quite like a party," observed Aunt Leth, as she saw the friendly greeting and salutations of those who were in the habit of meeting on such occasions. Then came a cheer or two and a clapping of hands, which was taken up gradually in all the cheaper parts of the house. A favourite actress had entered a private box, and the enthusiastic play-goers were showing their regard for her. She smiled, and turned to the pit with a pleasant nod, which added to the delight of her admirers. They compared notes: "Did you see her in so-and-so? Wasn't she stunning? Ah, but she was better than all in such-and-such. What does she play in next?" Hungry and eager and ever-ready are the theatrical public to show favour to established favourites; beloved by them are the actor and actress who have given them pleasure; and thus much being acknowledged, it is strange that the dramatic author should hold in their regard what is at best but an equivocal position. They call him out when the curtain falls to hoot or applaud him, and it is a moot point which of the two processes pleases them more. It was of this moment to come that Mr. Linton was thinking as he sat hidden in a box behind the curtains, his fingers playing convulsively on the palms of his hands. To-night, he believed, was to make or mar him. More hung upon the success of A Heart of Gold than the public was aware of. He was poor, very poor; his wife was nursing a sick child, for whom the doctor had prescribed what it was not in Linton's power to afford. Would the result of this night's work put him in funds, cause him to be in demand, and make the world bright for him? He saw an American manager in the stalls, and he knew if A Heart of Gold was successful that he would at once receive an offer from him for the American rights. That meant money – meant, perhaps, the life of his child. He had sat by the bedside at home till the last minute, and when he kissed his little one, had whispered, "Wish father good luck, my dear!" "Good luck, father!" murmured the child, and kept his arms entwined round the loving father's neck so tight that they had to be loosened by gentle force. Then he had held his good wife in his embrace for a moment, and she pressed him fondly to her; he could not speak, he was almost choked; his lips trembled so that he could scarcely kiss her; and he bore with him, as he ran out of the room, the memory of the patient, wistful face, which would have been more cheerful had their circumstances been better. He saw it now as he sat hidden behind the curtains in the private box; he saw his little child in bed, pining away. "Oh, God!" he muttered, "if they but knew! if they but knew!"

"Who is in that box?" asked Fanny. "Not a soul can be seen; but – there, there it is again – the curtain just moved, and some one peeped through."

"That is the author's box," said Fred. "I have no doubt Mr. Linton is there."

"Poor gentleman!" said Aunt Leth. "How anxious he must be! I wish we had him here with us."

"They prefer to be alone, as a rule," said Fred, somewhat grimly, "on the first nights of their pieces."

The leader of the band entered the orchestra, gloved for the honourable occasion. People began to seat themselves; the music was lively and appropriate, and put them in good humour. Linton gnawed his under-lip, and leaning forward suddenly, almost betrayed his presence. The curtain rose, and A Heart of Gold commenced its perilous career.

Is there any need to describe it at length here? It would be but a recapitulation of that with which every old play-goer is familiar, for this was a night to be remembered. Sufficient that the comedy-drama opened well and won the sympathies and the favour of the house. Kiss was greeted with a roar of applause, and outshone himself. The act-drop descended on the first act, and there was a general call. Linton brightened up; he hastened to the back of the scenes through a little door at the side of his box, and nodded gaily at the manager; but that astute person of long experience merely looked at him, and said, "Wait." He passed on, and Linton, rather dashed, went back to his box.

In the second act Bob made his appearance, and very bravely announced "Mrs. Portarlington," and his family declared that it was a most successful début. It was with difficulty that they refrained from applauding him, and if the truth must be told they did patter slightly with their feet, but as not a soul in the house responded to this initial movement, they did not continue it.

How was it that, after this, A Heart of Gold began to trail off? The Lethbridges could not account for it, nor could many other sympathizing friends in the house. It was pretty, the language was touching, the situations were sufficiently good, and yet it is a fact that from the opening of the second act the favourable impression created faded away, and was replaced by a feeling of weariness and indifference. Behind the scenes, where Linton did not put in an appearance till the play was over, the manager knitted his brows, and Kiss looked grave; while in his private box the poor dramatic author was gnawing his heart and thinking of his wife and child. The Lethbridges were in consternation; they strove in vain to stimulate the applause; the audience resented the attempt, and commenced to hiss. This stirred the indignation of the more favourably disposed, and they stamped and clapped their hands violently. "The fools!" muttered the manager, as he stood at the side wings. "Why don't they leave off applauding? If they go on, there'll be a row." His prognostication was verified. The hissing grew louder and more frequent, and when the curtain finally fell a perfect storm broke out. It was, however, stilled for a few minutes by a spirit of toleration toward old favourites among the company, and these were called before the curtain and applauded. Then came calls for "Author! Author!" The unfortunate man had made his way on to the stage, and was wandering about with a white face and a mind almost crazed with distracted thought. The actors and actresses scarcely dared to speak to him; some looked upon him with positive displeasure, and turned from him to their dressing-rooms, saying as they went: "The notice will be up to-morrow. A nice slating we shall get in the papers!" Kiss stepped to Linton's side, and laid his hand kindly on the author's shoulder. Linton raised his eyes pitifully, and a sound like a sob escaped from him. Meanwhile the hooting and hissing and the cruel cries for "Author! Author!" continued.

"Oh!" sighed Aunt Leth, "how dreadful! how dreadful! I shall never have courage to come to another first night."

She was on the verge of tears herself, as though it was one very dear to her who was being damned. In a little while the audience waxed into fury. "Author! Author! Author!" rang through the house; and there were malicious ones among the auditors who enjoyed the fun. Five minutes, six minutes, seven minutes passed in this way. And still the poor author paced the stage, in and out the wings.

"Go on," said the manager to him, "or they'll tear up the benches!"

Linton did not answer. The cries redoubled in fierceness.

"Author! Author! Author! Hoo-oo-oo! Hoo-oo-oo! Author! Author!"

"Damn you!" cried the manager to Linton; "go on like a man, can't you, and get it over! It will cost me another hundred pounds if you don't!"

The noise now really began to assume the preliminary features of a riot; the malcontents were not only angry, they were enraged.

"How will it end? How will it end?" sighed Aunt Leth, clasping her hands.

"He ought to come on," observed Fred Cornwall, gravely.

Suddenly the green curtain was shaken, drawn aside, and Linton stepped in front. He made but two steps forward, and was greeted with volleys of hisses and derisive laughter. He was about to retire, when, swayed by an uncontrollable impulse, he altered his intention, and, advancing swiftly into the centre of the stage, stood before the audience, and held up his trembling hands.

"What is he going to do now?" said the manager, watching him from the side. "He has his gruelling; why don't he come off?"

Linton's unexpected movement produced an instant effect. Every voice was instantly hushed, and the people craned forward to hear what he had to say.

Two or three times he essayed to speak, but not a sound issued from him. Then he found his voice and spoke:

"Why have you insisted that I should come before you? In order that you may hoot me? Do you think I do not feel with sufficient keenness that my effort to-night has been a failure? It is an effort, at least, which has occupied me for many hard-working months; and that the result should be what it is – is it not punishment enough? Are you not satisfied with killing a man? Must you also torture him? There is a side to this matter which may not recommend itself to you, because it is human. An author is not entirely an abstract entity. He is also a man. In my case he is a husband and a father. I am not appealing to you for mercy – I would scorn to do it; I am simply stating a fact. We are not very rich at home, and cannot afford more than two rooms to live in. When I left my wife this evening to come here she was nursing a delicate child – our only child – for whom the doctor had ordered a certain course which we were not exactly able to carry out, because of the slender purse. I hoped to be able to take home to her news which would cheer her heart, and perhaps save the life of our little one. How anxiously is she awaiting me, counting the moments, and fondly hoping that my brows are being crowned with success! You are angry, indignant with me, but your loss is a trifle compared with mine. I take with me this night from the theatre a heavier load than yours. I can say no more; I retire from your presence with no light heart, and as I go, continue to hoot me! It will be manly!"

He bowed with an ashen face, and was slowly leaving the stage amidst a dead silence, when he paused and spoke again:

"There have been instances when first-night verdicts have been reversed, and when what looked like a failure has been worked into a success. On my knees to-night I shall pray to God that this may be the case with my play! Perhaps He will hear me!"

"My boy!" cried the manager, slapping Linton on the back when he got behind the curtain. "My boy! a wonderful speech! Wonderful! I never heard anything like it. Did you learn it beforehand? It will do us a power of good. Nothing could be more fortunate. It may save the piece."

"Don't speak to me! Don't speak to me!" said Linton, and he crept from the theatre, sobbing as though his heart were breaking.