It Had To Be You

Mills & Boon^® launched a nationwide hunt to discover their Man of the Year 2016, a modern-day hero who is fun, authentic and romantic! With help from celebrity judges Denise Welch, Robin Windsor and Rosie Nixon, we are proud to reveal that special someone as the cover star of this book, Courtney Hayles.

Courtney is an actor, writer and teacher who works hard and dreams big, believing that with determination and motivation, anything is possible. Embracing life to the full, he has travelled widely and says that the only thing he fears is fear itself. ‘When I leave this earth I want to know that I really lived and had a blast with my many adventures.’ Courtney’s perfect date would be meeting for a drink, enjoying good food, dancing and a lot of laughter – ‘There’s nothing better than spending time with someone who makes you laugh and excites the socks off you. The nerves build up and the energy is electric!’

It Had to Be You

Molly Cooper’s Dream Date

Barbara Hannay

Shipwrecked with Mr Wrong

Nikki Logan

www.millsandboon.co.uk

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Table of Contents

Cover

Title Page

Molly Cooper’s Dream Date

About the Author

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

EPILOGUE

Shipwrecked with Mr Wrong

About the Author

Dedication

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

Copyright

Molly Cooper’s Dream Date

Barbara Hannay

BARBARA HANNAY has written over forty romance novels and has won Romance Writers of America’s prestigious RITA^® award, the Romantic Times Reviewer’s Choice award, as well as Australia’s Romantic Book of the Year.

A city-bred girl with a yen for country life, Barbara lives with her husband on a misty hillside in beautiful Far North Queensland where they raise pigs and chickens and enjoy an untidy but productive garden.

Special thanks to Jenny Haddon,

whose wonderful London hospitality inspired this story.

CHAPTER ONE

‘THIS is my favourite part,’ Molly whispered as the glamorous couple on her TV screen walked sadly but stoically to opposite ends of London’s Westminster Bridge. ‘He’s going to turn back to her any minute now.’

Molly was curled on her couch in a tense ball. Karli, at the other end of the couch, helped herself to more popcorn.

‘Don’t miss this, Karli. I cry every time. Look. He hears Big Ben, and he stops, and—’ Molly’s voice broke on a sob. ‘He turns.’ She hugged her knees. ‘See the look on his face?’

‘Ohhh …’ Karli let out a hushed breath. ‘You can see he really, really loves her.’

‘I know. It’s so beautiful.’ Molly reached for tissues as the gorgeous hero stood alone on the bridge, stricken-faced, shoulders squared, waiting for the woman in the long fur coat to turn back to him.

Karli grabbed a cushion and clutched it to her chest. ‘He’ll chase after her.’

‘No. It’s up to her now. If she doesn’t turn back, he knows she doesn’t love him.’

On the screen, a red double-decker London bus slowed to a stop and the movie’s heroine, in her ankle-length, glamorous coat, hurried to catch it.

‘No,’ Karli moaned as the bus took off with the woman on board, and the camera switched to another close-up of the hero’s grimly devastated face. ‘Don’t tell me it’s a sad ending.’

Molly pressed her lips together to stop herself from speaking. The camera tracked upwards to a bird’s eye view of London, showing the silvery River Thames curving below, and the Houses of Parliament, Big Ben … the solitary figure of the hero standing on Westminster Bridge … and the red bus driving away.

Karli was scowling. Molly hugged her knees tighter, gratified that her friend was hooked into the tension.

The camera climbed higher still, and the London bus was matchbox-size. The sounds of the city traffic were replaced by music—violins swelling with lush and aching beauty.

Molly had seen this movie more than a dozen times, but tears still rolled down her cheeks.

And then … at last …

At last …

The bus stopped.

The tiny figure of the heroine emerged …

The camera swooped down once more, zooming closer and closer as the lovers ran towards each other, arms outstretched, embracing at last.

The credits began to roll. Karli wrinkled her nose. ‘OK. I admit that wasn’t bad.’

‘Not bad?’ Molly sniffed. ‘I suppose that’s why you practically bit a piece out of my sofa cushion? Come on—admit it’s amazing. The look on Christian’s face when he thinks he’s lost Vanessa is the most emotional moment in cinematic history.’ She gave a dramatic sigh. ‘And London has to be the most romantic city in the world.’

Shrugging, Karli reached for more popcorn. ‘Isn’t Paris supposed to be the most romantic city?’

‘No way. Not for me. Paris is—Paris is … Oh, I don’t know.’ Molly gave a helpless flap of her hands. ‘Paris just … isn’t London.’

‘Admit it, Mozza. You have a thing for English guys. You’re convinced that London is full of perfect gentlemen.’

It was best to ignore her friend’s sarcasm. Molly wasn’t going to admit that it held a grain—OK, maybe even more than a grain—of truth. Her love affair with London was deeply personal.

Pressing the remote to turn the set off, she went to the window and looked out into the night. The moon was almost full and it silvered the tall pines on the headland and the smooth, sparkling surface of the Coral Sea.

‘One thing’s for sure,’ she said. ‘Nothing romantic like that is ever going to happen to me. Not on this island.’

‘Oh, I don’t know. Our island might not have Big Ben or Westminster Bridge, but the moonlight on Picnic Bay’s not bad. I wasn’t complaining when Jimbo proposed.’

Molly smiled as she turned from the window. ‘Sorry. I wasn’t counting you and Jimbo. You guys are as romantic as it gets—best friends since kindergarten. Everyone here knew you’d end up together.’

‘Well, to be honest, it’s not exactly romantic when your husband spends half his life away on a fishing trawler.’

‘I guess.’ Molly moved to the kitchen and reached for a saucepan to make hot chocolate. ‘I shouldn’t keep watching that movie. It always makes me restless—makes me want to take off and live in London.’

‘Does it have to be London? If you want to get off the island, why don’t you try Sydney or Brisbane? Even Cairns?’

Molly rolled her eyes. As if any Australian city could live up to her vision of England’s famous capital. For as long as she could remember, she’d been entranced by London—by its history, its buildings, its pageantry, its culture.

She loved all the names—like Portobello Road, the Serpentine, Piccadilly Circus and Battersea. For her they had a thrilling, magical ring. Like poetry.

Karli shrugged. ‘If I went overseas, I’d rather go to America. Jimbo’s going to take me to Las Vegas.’

‘Wow. When?’

‘One day. Ha-ha. If either of us ever gets a job with better pay.’

‘Money’s my problem, too. The mortgage on this place uses up most of my savings. And the rent in London’s horrendous. I’ve checked on the internet.’

‘But you might be able to manage it if you rented out this place.’

Molly shuddered. Renting this cottage would mean a series of strangers living here, and it wouldn’t seem right when it had been her gran’s home for more than fifty years.

‘Or,’ said Karli, ‘what about a house swap? That way you’d get to pick who lives here, and it would only be for a short time. My cousin in Cairns swapped with a couple from Denmark, and it worked out fine.’

‘A house swap?’ A tingling sensation danced down Molly’s spine. ‘How does that work?’

Patrick Knight glared at the towering pile of paperwork on his desk, and then he glared at his watch. Past eight already, and he would be here for hours yet.

Grimacing, he picked up his mobile phone and thumbed a hasty text message. Angela was not going to like this, but it couldn’t be helped.

Ange, so sorry. Snowed under at work. Will have to bow out of tonight. Can we make a date for Friday instead? P

Snapping the phone closed, Patrick reached for the next folder in the pile. His stomach growled, and along with his hunger pangs he felt a surge of frustration.

The past years of global financial crisis had seen his job in London’s banking world morph from an interesting and challenging career into a source of constant stress.

It was like working in a war zone. Too many of his colleagues had been fired, or had resigned. Some had even suffered nervous breakdowns. At times he’d felt like the last man standing.

Yes, it was true that he had saved a couple of major accounts, but he was doing the work of three people in his department, and the shower of commendations from his boss had rather lost their shine. He’d reached the point where he had to ask why he was slogging away, working ridiculous hours and giving everything he had to his job, when his life outside the office was—

Non-existent.

Truth was, he no longer had a life away from the bank. No time to enjoy the lovely house he’d bought in Chelsea, no time to go out with his latest girlfriend. How he’d managed to meet Angela in the first place was a miracle, but almost certainly she would give up on him soon—just as her predecessors had.

As for the crazy, crazy promise he’d once made to himself that he would balance his working life with writing a novel. In his spare time. Ha-ha.

Except for Patrick it was no longer a laughing matter. This was his life, or rather his non-life, and he was wasting it. One day he’d wake up and discover he was fifty—like his boss—pale, anxious, boring and only able to talk about one thing. Work.

His mobile phone pinged. It was Angela, as expected. Tight-jawed, he clicked on her reply.

Sorry. Not Friday. Not ever. One cancellation too many. Goodbye, sweet P. Ange

Patrick cursed, but he couldn’t really blame Ange. Tomorrow he’d send her two—no, three dozen roses. But he suspected they wouldn’t do the trick. Not this time. If he was honest, he couldn’t pretend that her rejection would break his heart—but it was symptomatic of the depths to which his life had sunk.

In a burst of anger, he pushed his chair back from his desk and began to prowl.

The office felt like a prison. It was a damn prison, and he felt a mad urge to break out of it.

Actually, it wasn’t a mad urge. It was a highly reasonable and justified need. A must.

In mid-prowl, his eyes fell on the globe of the world that he’d salvaged from the old boardroom when it had been refurbished—in those giddy days before the financial world had gone belly up. Now it sat in the corner of his office, and lately he’d stared at it often, seized by a longing to be anywhere on that tiny sphere.

Anywhere except London.

Walking towards it now, Patrick spun the globe and watched the coloured shapes of the continents swirl. He touched it with his finger, feeling the friction as its pace slowed.

If I were free, I’d go anywhere. When this globe stops spinning, I’ll go wherever my finger is pointing.

The globe stopped. Patrick laughed. He’d been thinking of somewhere exotic, like Tahiti or Rio de Janeiro, but his finger was resting on the east coast of Australia. A tiny dot. An island.

He leaned closer to read the fine print. Magnetic Island.

Never heard of it.

About to dismiss it, he paused. I said I’d go anywhere—anywhere in the world. Why don’t I at least look this place up?

But why bother? It wasn’t as if it could happen. He wouldn’t be going anywhere. He was locked in here.

But what if I made it happen? Surely it’s time?

Back at his desk, Patrick tried a quick internet search for Magnetic Island, and his eyebrows lifted as the first page of links scrolled down. The island was clearly a tourist destination, with palm trees and white sand and blue tropical seas. Not so different from Tahiti, perhaps?

The usual variety of accommodations was offered. Then two words leapt out at him from the bottom of the screen: House Swap.

Intrigued, Patrick hit the link.

House Swap: Magnetic Island, Queensland, Australia

2 bedroom cottage

Location Details: Nestled among trees on a headland, this home has ocean views and is only a three-minute walk through the national park to a string of beautiful bays. Close to the Great Barrier Reef, the island provides a water wonderland for sailing, canoeing, parasailing, fishing and diving.

Preferred Swap Dates: From 1st April—flexible

Preferred Swap Length: Three to four months

Preferred Destination: London, UK

Patrick grinned. For a heady moment he could picture himself there—in a different hemisphere, in a different world.

Free, free …

Swimming with coral fishes. Lying in a hammock beneath palm trees. Checking out bikini-clad Australian girls. Writing the fabulous thriller that resided only in his head. Typing it on his laptop while looking out at the sparkling blue sea.

OK, amusement over. Nose back to the grindstone.

With great reluctance, he lifted a folder of computer printouts from the pile and flipped it open.

But his concentration was shot to pieces. His mind couldn’t settle on spreadsheets and figures. He was composing a description of his house for a similar swapping advertisement.

Home Exchange: Desirable Chelsea, London, UK

3 bedroom house with garden

Close to public transport and amenities—two-minute walk.

 * Television

 * Fireplaces

 * Balcony/patio

 * Dining/shopping nearby

 * Galleries/museums

Available for three-month exchange: April/May to June/July

Destination—Coastal Queensland, Australia

Two and a half hours later Patrick had closed the last folder, and he’d also reached a decision.

He would do it. He had to. He would get away. He would make an appointment with his boss. First thing in the morning.

CHAPTER TWO

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: We’re off—like a rotten egg

Hi Patrick

I can’t believe I’ll actually be in England in just over twenty-four hours. At last I’m packed (suitcases groaning), and my little house is shining clean and ready for you. Brand-new sheets on the bed—I hope you like navy blue.

I also hope you’ll feel welcome here and, more importantly, comfortable. I considered leaving flowers in a vase, but I was worried they might droop and die and start to smell before you got here. I’ll leave the key under the flowerpot beside the back door.

Now, I know that probably sounds incredibly reckless to you, but don’t worry—the residents of Magnetic Island are very honest and extremely laid-back. No one locks their doors.

I don’t want you to fret, though, so I’ve also left a spare key at Reception at the Sapphire Bay resort, where I used to work until yesterday.

Used to work.

That has such a nice ring, doesn’t it? I’ve trained Jill, the owner’s niece, to take my place while I’m away, and for now, at least, I’m giddily carefree and unemployed.

Yippee!!

You have no idea how much I’ve always wanted to live in London, even if it’s only for three months. Thanks to you, Patrick, this really is my dream come true, and I’m beyond excited. I don’t think I’ll be able to sleep tonight.

Have you finished up at your work? Are you having a farewell party? Mine was last night. It was pretty rowdy, and I have no idea what to do with all the gifts people gave me. I can’t fit as much as another peanut in my suitcases, so I’ll probably have to stash these things in a box under my bed (your bed now). Sorry.

By the way, please feel free to use my car. It’s not much more than a sardine can on wheels, but it gets you about. Don’t worry that it’s unregistered. Cars on the island don’t need registration unless they’re taken over to the mainland.

It was kind of you to mention that your car is garaged just around the corner from your place, but don’t worry, I won’t risk my shaky driving skills in London traffic.

Oh, and don’t be upset if the ferry is running late. The boats here run on ‘island time’.

Anyway, happy travels.

London, here I come!

Molly

PS I agree that we shouldn’t phone each other except in the direst emergency. You’re right—phone calls can be intrusive (especially with a ten-hour time difference). And they’re costly. E-mails are so handy—and I’ll try to be diplomatic. No guarantees. I can rattle on when I’m excited.

M

To: Molly Cooper <molly.cooper@flowermail.com>

From: Patrick Knight <patrick.knight@mymail.com>

Subject: Re: We’re off—like a rotten egg

Dear Molly

Thanks for your message. No time for a farewell party, I’m afraid. Had to work late to get my desk cleared. Rushing now to pack and get away. Cidalia (cleaning lady) will come in some time this week to explain everything about the house—how the oven works, etc.

The keys to the house are in a safety deposit box at the Chelsea branch of the bank I work for on the King’s Road. It’s a square brick building. My colleagues have instructions to hand the keys over to you—and I’ve left a map. You’ll just need to show your passport. You shouldn’t have any problems.

Have a good flight.

Best wishes

Patrick

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: I’m in London!!!!!!!

Wow! Wow! Wow! Wow! Wow! Wow! Wow! Wow!

If I wasn’t so tired I’d pinch myself, but I’m horribly jet-lagged and can hardly keep my eyes open. Insanely happy, though.

Your very gentlemanly colleague at the bank handed over the keys and wished me a pleasant stay at number thirty-four Alice Grove, and then I trundled my luggage around the corner and—

Patrick, your house is—

Indescribably

Lovely.

Divine will have to suffice for now, but the truth is that your home is more than divine.

Too tired to do it justice tonight. Will have my first English cup of tea and fall into bed. Your bed. Gosh, that sounds rather intimate, doesn’t it? Will write tomorrow.

Blissfully

Molly

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: Thank you

Hi Patrick

I’ve slept for ten hours in your lovely king-size bed and am feeling much better today, but my head is still buzzing with excitement! I’ve never left Australia before, so my first sight of England yesterday was the most amazing thrill. We flew in over the English Channel, and when I saw the green and misty fields, just the way I’ve always imagined them, I confess I became a tad weepy.

And then Heathrow. Oh, my God, what an experience. Now I know how cattle feel when they’re being herded into the yards. For a moment there I wanted to turn tail and run back to my sleepy little island.

I soon got over that, thank heavens, and caught a taxi to Chelsea. Terribly extravagant, I know, but I wasn’t quite ready to face the tube with all my luggage. I’m just a teensy bit scared of the London Underground.

The driver asked me what district I wanted to go to, and when I told him Chelsea, SW3, he didn’t say anything but I could see by the way he blinked that he was impressed. When I got here I was pretty darned impressed, too.

But I’m worried, Patrick.

This isn’t exactly an even house swap.

Your place is so gorgeous! Like a four-storey dolls’ house. Sorry, I hope that’s not offensive to a man. I love it all—the carpeted staircases and beautiful arched windows and marble fireplaces and the bedrooms with their own en suite bathrooms. There’s even a bidet! Blush. It took me a while to work out what it was. I’d never seen one before.

Meanwhile, you’ll be discovering the green tree frogs in my toilet. Gosh, Patrick, can you bear it?

I love the sitting room, with all your books—you’re quite a reader, aren’t you?—but I think my favourite room is the kitchen, right at the bottom of your house. I love the black and white tiles on the floor and the glass French doors opening onto a little courtyard at the back.

I had my morning cuppa out in the courtyard this morning, sitting in a little pool of pale English sunshine. And there was a tiny patch of daffodils at my feet! I’ve never seen daffodils growing before.

So many firsts!

After breakfast I went for a walk along the King’s Road, and everyone looked so pink-cheeked and glamorous, with their long, double knotted scarves and boots. I bought myself a scarf (won’t be able to afford boots). I so wanted to look like all the other girls, but I can’t manage the pink cheeks.

I swear I saw a television actor. An older man, don’t know his name, but my grandmother used to love him.

But crikey, Patrick. I look around here and I have all this—I feel like I’m living in Buckingham Palace—and then I think about you on the other side of the world in my tiny Pandanus Cottage, which is—well, you’ll have seen it for yourself by now. It’s very basic, isn’t it? Perhaps I should have warned you that I don’t even have a flatscreen TV.

Do write and tell me how you are—hopefully not struck dumb with horror.

Cheers, as you Brits say

Molly

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: Are you there yet?

Sorry to sound like your mother, Patrick, but could you just drop a quick line to let me know you’ve arrived and you’re OK and the house is OK?

M

PS I’m still happy and excited, but I can’t believe how cold it is here. Isn’t it supposed to be spring?

To: Patrick Knight <patrick.knight@mymail.com>

From: Felicity Knight <flissK@mymail.com>

Subject: Touching base

Hello darling

I imagine you must be in Australia by now. I do hope you had a good flight. I promise I’m not going to bother you the whole time you’re away, but I just needed to hear that you’ve arrived safely and all is well and to wish you good luck again with writing your novel.

Love from the proud mother of a future world-famous, bestselling author.

xx

To: Molly Cooper <molly.cooper@flowermail.com>

From: Patrick Knight <patrick.knight@mymail.com>

Subject: Re: Just checking

Dear Molly

Yes, I’m here, safe and sound, thank you, and everything’s fine. It was well worth the twenty-hour flight and crossing the world’s hemispheres just to get here. Don’t worry. Your house suits my needs perfectly and the setting is beautiful. Everything’s spotless, just as you promised, and the new sheets are splendid. Thank you for ironing them.

As I told you, I’m planning to write a book, so I don’t need loads of luxury and I don’t plan to watch much TV. What I need is a complete change of scenery and inspiration, and the view from your front window provides both.

I’ve already rearranged the furniture so that I can have a table at the window and take in the fabulous view across the bay to Cape Cleveland. All day long the sea keeps changing colour with the shifting patterns of the sun and the clouds. It’s utterly gorgeous.

I’m pleased you’ve settled in and that you like what you’ve found, but don’t worry about me. I’m enjoying the sunshine and I’m very happy.

Oh, and thanks also for your helpful notes about the fish in the freezer and the pot plants and the washing machine’s spin cycle and the geckos. All points duly noted.

Best wishes

Patrick

To: Felicity Knight <flissK@mymail.com>

From: Patrick Knight <patrick.knight@mymail.com>

Subject: Re: Touching base

Hi Mother

Everything’s fine, thanks. I’m settled in here and all’s well. Will keep in touch. It’s paradise down here, so don’t worry about me.

Love to you and to Jonathan

Patrick x

Private Writing Journal, Magnetic Island, April 10th

This feels very uncomfortable.

I’ve never kept any kind of diary, but apparently it’s helpful for serious writers to keep a journal of ‘free writing’. Any thoughts or ideas are grist for the mill, and the aim is to keep the ‘writing muscle’ exercised while waiting for divine inspiration.

I wasn’t going to bother. I’m used to figures and spreadsheets, to getting results and getting them quickly, and it feels such a waste of effort to dredge up words that might never be used. But after spending an entire day at my laptop staring at ‘Chapter One’ at the top of a blank page, I feel moved to try something.

I can blame jet-lag for the lack of productivity. I’m sure my muse will kick in after a day or two, but rather than waste the next couple of days waiting for the words to flow, I’m trying this alternative.

So … what to say?

This isn’t a test—no one else will be reading it—so I might as well start with the obvious.

It’s an interesting experience to move into someone else’s house on the other side of the world, and to be surrounded by a completely different landscape and soundtrack, even different smells.

As soon as I found notes from Molly scattered all over the house, I knew I’d arrived in an alien world. A few examples:

Note on a pot plant: Patrick, would you mind watering this twice a week? But don’t leave water lying in the saucer, or mosquitoes will breed.

On the fridge door: Help yourself to the fish in the freezer. There’s coral trout, queen fish, wahoo and nannygai. Don’t be put off by the strange names, they’re delicious. Try them on the barbecue. There’s a great barbecue recipe book on the shelf beside the stove.

On the lounge wall, beside the light switch: Don’t freak if you see small, cute lizards running on the walls. They’re geckos—harmless, and great for keeping the insects down.

Beyond the cottage, the plants and trees are nothing like trees at home. Some are much wilder and stragglier, others lusher and thicker, and all seem to grow in the barest cracks of soil between the huge boulders on this headland.

The birds not only look different but they sound totally alien. There’s a bright green parrot with a blue head and yellow throat that chatters and screeches. The kookaburra’s laugh is hilarious. Another bird lets out a blood-curdling, mournful cry in the night.

Even the light here is a surprise. So bright it takes a bit of getting used to.

God, this is pathetic. I need red wine. I’m not a writer’s toenail.

But I can’t give up on the first day. Getting this leave was a miracle. I couldn’t believe how generous old George Sims was. Such a surprise that he was worried about me ‘burning out’.

But now … my writing. I’d always imagined that writing would be relaxing. I’m sure it is once the words really start to come. I’ll plug on.

In spite of all the differences here, or perhaps because of them, Molly Cooper’s little cottage feels good to me. It’s simple, but it has loads of personality and it’s almost as if she hasn’t really left. It’s bizarre, but I feel as if I’ve actually met her simply by being here and seeing all her things, touching them, using the soap she left (sandalwood, I believe), eating from her dishes, sleeping in her bed under a white mosquito net.

There’s a photo of her stuck on the fridge with a magnet shaped like a slice of watermelon. She’s with an elderly woman and it says on the back ‘Molly and Gran’. It was taken about a year ago, and Gran looks very frail, but Molly has long, light brown curly hair, a pretty smile, friendly eyes, dimples and terrific legs.

Not that Molly’s appearance or personality is in any way relevant. I’m never going to meet her in the flesh. Our houses are our only points of connection.

So … a bit more about her house.

I must admit that I was worried that it might be too girlie, a bit too cute with pastel shades, ribbons and bows. The sort of warm and fuzzy place that could lower a man’s testosterone overnight. But it’s fine. I especially like its rugged and spectacular setting.

The house itself is small—two bedrooms, one bathroom and one big open room for the kitchen, dining and lounge. It’s all on one level and it feels strange not going upstairs to bed at night.

Lots of windows and shutters catch the breezes and the views. Loads of candles. You’d think there was no electricity, the way the candles are scattered everywhere, along with pieces of driftwood and shells, and decorative touches of blue.