The Mysteries of Paris, Volume 1 of 6

CHAPTER I
THE TAPIS-FRANC. ¹

It was on a cold and rainy night, towards the end of October, 1838, that a tall and powerful man, with an old broad-brimmed straw hat upon his head, and clad in a blue cotton carter's frock, which hung loosely over trousers of the same material, crossed the Pont au Change, and darted with a hasty step into the Cité, that labyrinth of obscure, narrow, and winding streets which extends from the Palais de Justice to Notre Dame.

Although limited in space, and carefully watched, this quarter serves as the lurking-place, or rendezvous, of a vast number of the very dregs of society in Paris, who flock to the tapis-franc. This word, in the slang of theft and murder, signifies a drinking-shop of the lowest class. A returned convict, who, in this foul phraseology, is called an "ogre," or a woman in the same degraded state, who is termed an "ogress," generally keep such "cribs," frequented by the refuse of the Parisian population; freed felons, thieves, and assassins are there familiar guests. If a crime is committed, it is here, in this filthy sewer, that the police throws its cast-net, and rarely fails to catch the criminals it seeks to take.

On the night in question, the wind howled fiercely in the dark and dirty gullies of the Cité; the blinking and uncertain light of the lamps which swung to and fro in the sudden gusts were dimly reflected in pools of black slush, which flowed abundantly in the midst of the filthy pavement.

The murky-coloured houses, which were lighted within by a few panes of glass in the worm-eaten casements, overhung each other so closely that the eaves of each almost touched its opposite neighbour, so narrow were the streets. Dark and noisome alleys led to staircases still more black and foul, and so perpendicular that they could hardly be ascended by the help of a cord fixed to the dank and humid walls by holdfasts of iron.

Stalls of charcoal-sellers, fruit-sellers, or venders of refuse meat occupied the ground floor of some of these wretched abodes. Notwithstanding the small value of their commodities, the fronts of nearly all these shops were protected by strong bars of iron, – a proof that the shopkeepers knew and dreaded the gentry who infested the vicinity.

The man of whom we have spoken, having entered the Rue aux Fêves, which is in the centre of the Cité, slackened his pace: he felt he was on his own soil. The night was dark, and strong gusts of wind, mingled with rain, dashed against the walls. Ten o'clock struck by the distant dial of the Palais de Justice. Women were huddled together under the vaulted arches, deep and dark, like caverns; some hummed popular airs in a low key; others conversed together in whispers; whilst some, dumb and motionless, looked on mechanically at the wet, which fell and flowed in torrents. The man in the carter's frock, stopping suddenly before one of these creatures, silent and sad as she gazed, seized her by the arm, and said, "Ha! good evening, La Goualeuse."²

The girl receded, saying, in a faint and fearful tone, "Good evening, Chourineur.³ Don't hurt me."

This man, a liberated convict, had been so named at the hulks.

"Now I have you," said the fellow; "you must pay me the glass of 'tape' (eau d'aff), or I'll make you dance without music," he added, with a hoarse and brutal laugh.

"Oh, Heaven! I have no money," replied Goualeuse, trembling from head to foot, for this man was the dread of the district.

"If you're stumped, the ogress of the tapis-franc will give you tick for your pretty face."

"She won't; I already owe her for the clothes I'm wearing."

"What, you want to shirk it?" shouted the Chourineur, darting after La Goualeuse, who had hid herself in a gully as murk as midnight.

"Now, then, my lady, I've got you!" said the vagabond, after groping about for a few moments, and grasping in one of his coarse and powerful hands a slim and delicate wrist; "and now for the dance I promised you."

"No, it is you who shall dance!" was uttered by a masculine and deep voice.

"A man! Is't you, Bras Rouge? Speak, why don't you? and don't squeeze so hard. I am here in the entrance to your 'ken,' and you it must be."

"'Tis not Bras Rouge!" said the voice.

"Oh! isn't it? Well, then, if it is not a friend, why, here goes at you," exclaimed the Chourineur. "But whose bit of a hand is it I have got hold of? It must be a woman's!"

"It is the fellow to this," responded the voice.

And under the delicate skin of this hand, which grasped his throat with sudden ferocity, the Chourineur felt himself held by nerves of iron. The Goualeuse, who had sought refuge in this alley, and lightly ascended a few steps, paused for an instant, and said to her unknown defender, "Thanks, sir, for having taken my part. The Chourineur said he would strike me because I could not pay for his glass of brandy; but I think he only jested. Now I am safe, pray let him go. Take care of yourself, for he is the Chourineur."

"If he be the Chourineur, I am a bully boy who never knuckles down," exclaimed the unknown.

All was then silent for a moment, and then were heard for several seconds, in the midst of the pitchy darkness, sounds of a fierce struggle.

"Who the devil is this?" then said the ruffian, making a desperate effort to free himself from his adversary, whose extraordinary power astonished him. "Now, then, now you shall pay both for La Goualeuse and yourself!" he shouted, grinding his teeth.

"Pay! yes, I will pay you, but it shall be with my fists; and it shall be cash in full," replied the unknown.

"If," said the Chourineur, in a stifled voice, "you do but let go my neckcloth, I will bite your nose off."

"My nose is too small, my lad, and you haven't light enough to see it."

"Come under the 'hanging glim'⁴ there."

"That I will," replied the unknown, "for then we may look into the whites of each other's eyes."

He then made a desperate rush at the Chourineur, whom he still held by the throat, and forced him to the end of the alley, and then thrust him violently into the street, which was but dimly lighted by the suspended street-lamp. The bandit stumbled; but, rapidly recovering his feet, he threw himself furiously upon the unknown, whose slim and graceful form appeared to belie the possession of the irresistible strength he had displayed. After a struggle of a few minutes, the Chourineur, although of athletic build, and a first-rate champion in a species of pugilism vulgarly termed the savate, found that he had got what they call his master. The unknown threw him twice with immense dexterity, by what is called, in wrestling, the leg-pass, or crook. Unwilling, however, to acknowledge the superiority of his adversary, the Chourineur, boiling with rage, returned again to the charge. Then the defender of La Goualeuse, suddenly altering his mode of attack, rained on the head and face of the bandit a shower of blows with his closed fist, as hard and heavy as if stricken by a steel gauntlet. These blows, worthy of the admiration of Jem Belcher, Dutch Sam, Tom Cribb, or any other celebrated English pugilist, were so entirely different from the system of the savate, that the Chourineur dropped like an ox on the pavement, exclaiming, as he fell, "I'm floored!" (Mon linge est lavé!)

"Mon Dieu! Mon Dieu! Have pity on him!" exclaimed La Goualeuse, who, during the contest, had ventured on the threshold of the alley, adding, with an air of astonishment, "But who are you, then? Except the Schoolmaster and Skeleton, there is no one, from the Rue Saint Eloi to Notre Dame, who can stand against the Chourineur. I thank you very, very much, sir, for, indeed, I fear that, without your aid, he would have beaten me."

The unknown, instead of replying, listened with much attention to the voice of this girl. Perhaps a tone more gentle, sweet, and silvery never fell on human ear. He endeavoured to examine the features of La Goualeuse; but the night was too dark, and the beams of the street-lamp too flickering and feeble. After remaining for some minutes quite motionless, the Chourineur shook his legs and arms, and then partly rose from the ground.

"Pray be on your guard!" exclaimed the Goualeuse, retreating again into the dark passage, and taking her champion by the arm; "take care, or he will have his revenge on you."

"Don't be frightened, my child; if he has not had enough, I have more ready for him."

The brigand heard these words.

"Thanks," he murmured; "I'm half throttled, and one eye is closed, – that is quite enough for one day. Some other time, perhaps, when we may meet again – "

"What! not content yet, – grumbling still?" said the unknown, with a menacing tone.

"No, no, – not at all; I do not grumble in the least. You have regularly served me out, – you are a lad of mettle," said the Chourineur, in a coarse tone, but still with that sort of deference which physical superiority always finds in persons of his grade. "You are the better man, that's clear. Well, except the Skeleton, who seems to have bones of iron, he is so thin and powerful, and the Schoolmaster, who could eat three Herculeses for his breakfast, no man living could boast of having put his foot on my neck."

"Well, and what then?"

"Why, now I have found my master, that's all; you will find yours some day sooner or later, – everybody does. One thing, however, is certain; now that you are a better man than the Chourineur, you may 'go your length' in the Cité. All the women will be your slaves; ogres and ogresses will give you credit, if it is only for fear; you may be a king in your way! But who and what are you? You 'patter flash' like a family man! If you are a 'prig' I'll have nothing to do with you. I have used the knife, it is true, because, when the blood comes into my eyes, I see red, and I must strike, in spite of myself; but I have paid for my slashing, by going to the hulks for fifteen years. My time is up, and I am free from surveillance. I can now live in the capital, without fear of the 'beaks;' and I have never prigged, – have I, La Goualeuse?"

"No, he was never a thief," said the girl.

"Come along, then, and let us have a glass of something together, and I'll tell you who I am," said the unknown. "Come, don't let us bear malice."

"Bear malice! Devil a bit! You are master, – I confess it. You do know how to handle your fists; I never knew anything like it. Thunder and lightning! how your thumps fell on my sconce, – I never felt anything like it. Yours is a new game, and you must teach it to me."

"I will recommence whenever you like."

"Not on me, though, thank ye, – not on me," exclaimed the Chourineur, laughing; "your blows fell as if from a sledge-hammer; I am still giddy from them. But do you know Bras Rouge, in whose passage you were?"

"Bras Rouge?" said the unknown, who appeared disagreeably surprised at the question; adding, however, with an indifferent air, "I do not know Bras Rouge. Is he the only person who inhabits this abode? It rained in torrents, and I took shelter in the alley. You meant to beat this poor girl, and I have thrashed you, – that's all."

"You're right; I have nothing to do with your affairs. Bras Rouge has a room here, but does not occupy it often. He is usually at his estaminet in the Champs Elysées. But what's the good of talking about him?" Then turning to the Goualeuse, "On my word, you are a good wench, and I would not have beaten you; you know I would not harm a child, – it was only my joke. Never mind; it was very good of you not to set on this friend of yours against me when I was down, and at his mercy. Come and drink with us; he pays for all. By the way, my trump," said he to the unknown, "what say you, instead of going to tipple, shall we go and have a crust for supper with the ogress at the White Rabbit? It is a tapis-franc."

"With all my heart. I will pay for the supper. You'll come with us, Goualeuse?" inquired the unknown.

"Thanks, sir," she replied, "but, after having seen your struggle, it has made my heart beat so that I have no appetite."

"Pooh! pooh! one shoulder of mutton pokes the other down," said the Chourineur; "the cookery at the White Rabbit is first-rate."

The three personages then, in perfect amity, bent their steps together towards the tavern.

During the contest between the Chourineur and the unknown, a charcoal-seller, of huge size, ensconced in another passage, had contemplated with much anxiety the progress of the combat, but without attempting to offer the slightest assistance to either antagonist. When the unknown, the Chourineur, and the Goualeuse proceeded to the public-house, the charcoal-man followed them.

The beaten man and the Goualeuse first entered the tapis-franc; the unknown was following, when the charcoal-man accosted him, and said, in a low voice, in the German language, and in a most respectful tone of remonstrance, "Pray, your highness, be on your guard."

The unknown shrugged his shoulders, and rejoined his new companion. The charcoal-dealer did not leave the door of the cabaret, but listened attentively, and gazed from time to time through a small hole which had been accidentally made in the thick coat of whitening, with which the windows of such haunts as these are usually covered on the inside.

CHAPTER II
THE OGRESS

The White Rabbit is situated in the centre of the Rue aux Fêves. This tavern occupies the ground floor of a lofty house, the front of which is formed by two windows, which are styled "a guillotine." Hanging from the front of the door leading to a dark and arched passage, was an oblong lamp, on the cracked panes of which were written, in red letters, "Nightly Lodgings Here."

The Chourineur, the unknown, and the Goualeuse entered into a large but low apartment, with the ceiling smoked, and crossed by black rafters, just visible by the flickering light of a miserable suspended lamp. The cracked walls, formerly covered with plaster, were now ornamented in places with coarse drawings, or sentences of flash and obscenity.

The floor, composed of earth beaten together with saltpetre, was thick with dirt; an armful of straw – an apology for a carpet – was placed at the foot of the ogress's counter, which was at the right hand of the door, just beneath the dim lantern.

On each side of this room there were six tables, one end of each of which was nailed to the wall, as well as the benches on either side of them. At the farther end was a door leading to a kitchen; on the right, near the counter, was a passage which led into a den where persons slept for the night at three halfpence a head.

A few words will describe the ogress and her guests. The lady was called Mother Ponisse; her triple trade consisted in letting furnished apartments, keeping a public-house, and lending clothes to the miserable creatures who infest these foul streets.

The ogress was about forty years of age, bulky, fat, and heavy. She had a full colour, and strong symptoms of a beard. Her deep voice, her enormous arms, and coarse hands betokened uncommon strength. She wore on her cap a large red and yellow handkerchief; a shawl of rabbit-skin was crossed over her bosom, and tied behind; her woollen gown fell upon black wooden shoes, scorched almost black by the small stove at which she warmed her feet; and, to crown her beauty, she had a copper complexion, which the use of strong liquors had materially tended to heighten.

The counter, covered with lead, was decked with jugs with iron hoops, and various pewter measures. In an open cupboard, fastened to the wall, there were several flasks of glass, so fashioned as to represent the pedestrian figure of the Emperor. These bottles contained sundry cordials, red and green in colour, and known by the names of "Drops for the Brave," "Ratafia of the Column," etc., etc.

A large black cat, with green eyes, was sitting near the ogress, and seemed the familiar demon of the place. Then, in strange contrast, a holy branch of boxwood, bought at church by the ogress, was suspended at the back of an old cuckoo clock.

Two marvellously ill-favoured fellows, with unshaven beards, and their garb all in tatters, hardly tasted of the pitcher of wine before them, and conversed together in low voices, and with uneasy aspect. One of the two, very pale and livid, pulled, from time to time, his shabby skull-cap over his brows, and concealed as much as possible his left hand, and, even when compelled to use it, he did so with caution.

Further on there was a young man, hardly sixteen years of age, with beardless chin, and a countenance wan, wrinkled, and heavy, his eye dull, and his long black hair straggling down his neck. This youthful rake, the emblem of precocious vice, was smoking a short black pipe. His back was resting against the wall, and his two hands were in the pockets of his blouse, and his legs stretched along the bench. He did not cease smoking for a moment, unless it was to drink from a cannikin of brandy placed before him.

The other inmates of the tapis-franc, men and women, presented no remarkable characteristics. There was the ferocious or embruted face, – the vulgar and licentious mirth; but from time to time there was a deep and dull silence. Such were the guests of the tapis-franc when the unknown, the Chourineur, and the Goualeuse entered.

These three persons play such important parts in our recital, that we must put them in relief.

The Chourineur was a man of lofty stature and athletic make, with hair of a pale brown, nearly white; thick eyebrows, and enormous whiskers of deep red. The sun's rays, misery, and the severe toil of the galleys had bronzed his skin to that deep and olive hue which is peculiar to convicts. In spite of his horrible nickname, his features did not express ferocity, but a sort of coarse familiarity and irrepressible audacity. We have said already that the Chourineur was clothed in trousers and frock of blue cotton, and on his head he had one of those large straw hats usually worn by workmen in timber-yards, and barge-emptiers.

The Goualeuse was, perhaps, about sixteen and a half years old. A forehead, of the purest and whitest, surmounted a face of perfect oval and angel-like expression; a fringe of eyelids, so long that they curled slightly, half veiled her large blue eyes, which had a melancholy expression. The down of early youth graced cheeks lightly coloured with a scarlet tinge. Her small and rosy mouth, which hardly ever smiled, her nose, straight, and delicately chiselled, her rounded chin, had, in their combined expression, a nobility and a sweetness such as we can only find in the most beautiful of Raphael's portraits. On each side of her fair temples was a band of hair, of the most splendid auburn hue, which descended in luxuriant ringlets half way down her cheeks, and was then turned back behind the ear, a portion of which – ivory shaded with carnation – was thus visible, and was then lost under the close folds of a large cotton handkerchief, with blue checks, tied, as it is called, en marmotte. Her graceful neck, of dazzling whiteness, was encircled by a small necklace of grains of coral. Her gown, of brown stuff, though much too large, could not conceal a charming form, supple and round as a cane; a worn-out small orange-coloured shawl, with green fringe, was crossed over her bosom.

The lovely voice of the Goualeuse had made a strong impression on her unknown defender, and, in sooth, that voice, so gentle, so deliciously modulated and harmonious, had an attraction so irresistible that the horde of villains and abandoned women, in the midst of whom this unfortunate girl lived, often begged her to sing, and listened to her with rapture.

The Goualeuse had another name, given, doubtless, to the maiden sweetness of her countenance, – she was also called Fleur-de-Marie.

The defender of La Goualeuse (we shall call the unknown Rodolph) appeared about thirty-six years of age; his figure, tall, graceful, and admirably proportioned, yet did not betoken the astonishing vigour which he had displayed in his rencounter with the Chourineur.

It would have been difficult to assign a decided character to the physiognomy of Rodolph. Certain wrinkles in his forehead betokened a man of meditation; and yet the firm expression of his mouth, the dignified and bold carriage of the head, assured us of the man of action, whose physical strength and presence of mind would always command an ascendancy over the multitude.

In his struggle with the Chourineur, Rodolph had neither betrayed anger nor hatred. Confident in his own strength, his address, and agility, he had only shown a contempt for the brute beast which he subdued.

We will finish this bodily picture of Rodolph by saying that his features, regularly handsome, seemed too beautiful for a man. His eyes were large, and of a deep hazel, his nose aquiline, his chin rather projecting, his hair bright chestnut, of the same shade as his eyebrows, which were strongly arched, and his small moustache, which was fine and silky. Thanks to the manners and the language which he assumed with so much ease, Rodolph was exactly like the other guests of the ogress. Round his graceful neck, as elegantly modelled as that of the Indian Bacchus, he wore a black cravat, carelessly tied, the ends of which fell on the collar of his blue blouse. A double row of nails decorated his heavy shoes, and, except that his hands were of most aristocratic shape, nothing distinguished him from the other guests of the tapis-franc; though, in a moral sense, his resolute air, and what we may term his bold serenity, placed an immense distance between them.

On entering the tapis-franc, the Chourineur, laying one of his heavy hands on the shoulders of Rodolph, cried, "Hail the conqueror of the Chourineur! Yes, my boys, this springald has floored me; and if any young gentleman wishes to have his ribs smashed, or his 'nob in Chancery,' even including the Schoolmaster and the Skeleton, here is their man; I will answer for him, and back him!"

At these words, all present, from the ogress to the lowest ruffian of the tapis-franc, contemplated the victor of the Chourineur with respect and fear. Some, moving their glasses and jugs to the end of the table at which they were seated, offered Rodolph a seat, if he were inclined to sit near them; others approached the Chourineur, and asked him, in a low voice, for the particulars of this unknown, who had made his entrance into their world in so striking a manner.

Then the ogress, accosting Rodolph with one of her most gracious smiles, – a thing unheard of, and almost deemed fabulous, in the annals of the White Rabbit, – rose from the bar to take the orders of her guest, and know what he desired to have for the refreshment of his party, – an attention which she did not evince either to the Schoolmaster or the Skeleton, two fearful ruffians, who made even the Chourineur tremble.

One of the men with the villainous aspect, whom we have before described as being very pale, hiding his left hand, and continually pulling his cap over his brows, leaned towards the ogress, who was carefully wiping the table where Rodolph had taken his seat, and said to her, in a hoarse tone, "Hasn't the Gros-Boiteux been here to-day?"

"No," said Mother Ponisse.

"Nor yesterday?"

"Yes, he came yesterday."

"Was Calebasse with him, – the daughter of Martial, who was guillotined? You know whom I mean, – the Martials of the Ile de Ravageur?"

"What! do you take me for a spy, with your questions? Do you think I watch my customers?" said the ogress, in a brutal tone.

"I have an appointment to-night with the Gros-Boiteux and the Schoolmaster," replied the fellow; "we have some business together."

"That's your affair, – a set of ruffians, as you are, altogether."

"Ruffians!" said the man, much incensed; "it is such ruffians you get your living by."

"Will you hold your jaw?" said the Amazon, with a threatening gesture, and lifting, as she spoke, the pitcher she held in her hand.

The man resumed his place, grumbling as he did so.

"The Gros-Boiteux has, perhaps, stayed to give that young fellow Germain, who lives in the Rue du Temple, his gruel," said he, to his companion.

"What, do they mean to do for him?"

"No, not quite, but to make him more careful in future. It appears he has 'blown the gaff' in the job at Nantes, so Bras Rouge declares."

"Why, that is Gros-Boiteux's affair; he has only just left prison, and has his hands full already."

Fleur-de-Marie had followed the Chourineur into the tavern of the ogress, and he, responding to a nod given to him by the young scamp with the jaded aspect, said, "Ah, Barbillon! what, pulling away at the old stuff?"

"Yes; I would rather fast, and go barefoot any day, than be without my drops for my throttle, and the weed for my pipe," said the rapscallion, in a thick, low, hoarse voice, without moving from his seat, and puffing out volumes of tobacco-smoke.

"Good evening, Fleur-de-Marie," said the ogress, looking with a prying eye on the clothes of the poor girl, – clothes which she had lent her. After her scrutiny, she said, in a tone of coarse satisfaction, "It's really a pleasure – so it is – to lend one's good clothes to you; you are as clean as a kitten, or else I would never have trusted you with that shawl. Such a beauty as that orange one is, I would never have trusted it to such gals as Tourneuse and Boulotte; but I have taken every care on you ever since you came here six weeks ago; and, if the truth must be said, there is not a tidier nor more nicer girl than you in all the Cité; that there ain't; though you be al'ays so sad like, and too particular."

The Goualeuse sighed, turned her head, and said nothing.

"Why, mother," said Rodolph to the old hag, "you have got some holy boxwood, I see, over your cuckoo," and he pointed with his finger to the consecrated bough behind the old clock.

"Why, you heathen, would you have us live like dogs?" replied the ogress. Then addressing Fleur-de-Marie, she added, "Come, now, Goualeuse, tip us one of your pretty little ditties" (goualantes).

"Supper, supper first, Mother Ponisse," said the Chourineur.

"Well, my lad of wax, what can I do for you?" said the ogress to Rodolph, whose good-will she was desirous to conciliate, and whose support she might, perchance, require.

"Ask the Chourineur; he orders, I pay."

"Well, then," said the ogress, turning to the bandit, "what will you have for supper, you 'bad lot?'"

"Two quarts of the best wine, at twelve sous, three crusts of wheaten bread, and a harlequin,"⁵ said the Chourineur, after considering for a few moments what he should order.

"Ah! you are a dainty dog, I know, and as fond as ever of them harlequins."

"Well, now, Goualeuse," said the Chourineur, "are you hungry?"

"No, Chourineur."

"Would you like anything better than a harlequin, my lass?" said Rodolph.

"No, I thank you; I have no appetite."

"Come, now," said the Chourineur, with a brutal grin, "look my master in the face like a jolly wench. You have no objection, I suppose?"

The poor girl blushed, and did not look at Rodolph. A few moments afterwards, and the ogress herself placed on the table a pitcher of wine, bread, and a harlequin, of which we will not attempt to give an idea to the reader, but which appeared most relishing to the Chourineur; for he exclaimed, "Dieu de Dieu! what a dish! What a glorious dish! It is a regular omnibus; there is something in it to everybody's taste. Those who like fat can have it; so can they who like lean; as well as those who prefer sugar, and those who choose pepper. There's tender bits of chicken, biscuit, sausage, tarts, mutton-bones, pastry crust, fried fish, vegetables, woodcock's heads, cheese, and salad. Come, eat, Goualeuse, eat; it is so capital! You have been to a wedding breakfast somewhere this morning."

"No more than on other mornings. I ate this morning, as usual, my ha'porth of milk, and my ha'porth of bread."

The entrance of another personage into the cabaret interrupted all conversation for a moment, and everybody turned his head in the direction of the newcomer, who was a middle-aged man, active and powerful, wearing a loose coat and cap. He was evidently quite at home in the tapis-franc, and, in language familiar to all the guests, requested to be supplied with supper. He was so placed that he could observe the two ill-looking scoundrels who had asked after Gros-Boiteux and the Schoolmaster. He did not take his eyes off them; but in consequence of their position, they could not see that they were the objects of such marked and constant attention.

The conversation, momentarily interrupted, was resumed. In spite of his natural audacity, the Chourineur showed a deference for Rodolph, and abstained from familiarity.

"By Jove," said he to Rodolph, "although I have smarted for it, yet I am very glad to have met with you."

"What! because you relish the harlequin?"

"Why, may be so; but more because I am all on the fret to see you 'serve out' the Schoolmaster. To see him who has always crowed over me, crowed over in his turn would do me good."

"Do you suppose, then, that for your amusement I mean to spring at the Schoolmaster, and pin him like a bull-dog?"

"No, but he'll have at you in a moment, when he learns that you are a better man than he," replied the Chourineur, rubbing his hands.

"Well, I have coin enough left to pay him in full," said Rodolph, in a careless tone; "but it is horrible weather: what say you to a cup of brandy with sugar in it?"

"That's the ticket!" said the Chourineur.

"And, that we may be better acquainted, we will tell each other who we are," added Rodolph.

"The Albinos called the Chourineur a freed convict, worker at the wood that floats at St. Paul's Quay; frozen in the winter, scorched in the summer, from twelve to fifteen hours a day in the water; half man, half frog; that's my description," said Rodolph's companion, making him a military salute with his left hand. "Well, now, and you, my master, this is your first appearance in the Cité. I don't mean anything to offend; but you entered head foremost against my skull, and beating the drum on my carcass. By all that's ugly, what a rattling you made, especially with these blows with which you doubled me up! I never can forget them – thick as buttons – what a torrent! But you have some trade besides 'polishing off' the Chourineur?"